Run, Dummy!

Here are some random thoughts on watching Bull Durham, which is simply the best baseball movie ever made, and maybe the best sports movie ever made too. (Addendum: I actually wrote this post a long time ago, during my three-month hiatus from blogging. I’m only getting round to putting it up now.)

:: Little touch that I love: the manager of the Bulls has his speech for giving a player his release down pat, not just the words, but the way he says them. “This is the toughest job that a manager has. [Long pause]…BUT…the organization wants to make a change.” In a job where he has to give that speech however many times each season, and where every time he does he’s likely crushing some guy’s dreams forever, having it rehearsed to the point where he says it the exact same way each time is probably the only way he can get through that part of his job at all.

:: Are the any sets in this movie? There isn’t a single location, inside or outside, that doesn’t look one hundred percent real. Not one second of Bull Durham looks like artifice for the screen. The best location, though, is the Bulls’ locker room, with its peeling paint, its ancient archways, its bank of beat-up clothes washers, its manager’s office with fridge stocked with beer and little slips of paper all over the bulletin board.

:: Interesting that Crash and Annie can’t consummate their long-simmering attraction until the moment he is no longer a ballplayer (temporarily), and that they can’t become a couple until his ballplaying days are done entirely.

:: The best line in the movie? Annie, on Nuke LaLoosh’s prospects for a fine major league career: “The world is made for people who are not cursed with self-awareness.”

:: A lot of people read in Bull Durham. I love this: people are always sitting around, reading. The players, the spectators, the coaching staff of the Durham Bulls: they’re always reading. This isn’t just an attempt to make everybody look smarter; baseball’s a game that includes long stretches of boredom which are tailor-made for reading.

:: How many sports movies have to do with the championship, or winning, in some way? Bull Durham has nothing to do with winning, at all. We’re only vaguely aware of the team’s success, or lack thereof, during the whole thing. They start out crappy, and they have one good month we know about, but what happens then? We’re never told, and that’s because winning or losing isn’t the point, at all. It’s all about the season, and the streak, and the career.

:: The other best line in the movie: “Why’s he always callin’ me ‘Meat’? I’m the one drivin’ the Porsche.”

:: My favorite baseball moment in the movie: “What are you doin’? I give you a gift, and you stand here, showin’ up my pitcher?! Run, dummy!

:: I like how Crash takes Annie and her theories about baseball seriously, because he’s got his own theories about the game that he’s thought about for about as long as she does. For every speech she has in which she talks about how “baseball is the only religion that truly feeds the soul”, Crash has one where he opines that “Strikeouts are fascist; ground balls are democratic.”

:: A little detail that I never noticed before: there’s an early scene where Crash, having met Nuke the night before, chews him out because his shower shoes have fungus growing on them:

Your shower shoes have fungus growing on them. You’ll never make it to The Show if you’ve got fungus growing on your shower shoes. Think classy, you’ll be classy. When you win twenty in The Show, you can let the fungus grow back all over your shower shoes and the press will think you’re colorful. Until you win twenty in The Show, however, it means you’re a slob.

So, at the end of the movie when Crash is giving Nuke his last bit of wisdom before Nuke leaves for his major-league call-up, as Nuke is packing his locker, we get a glimpse of Nuke’s shower shoes: his pristine white, spotless shower shoes. Great movies get their details right.

:: Great movies also don’t beat you over the head with their details. Those pristine, white shower shoes? There is no closeup on them, no moment where Nuke says “Hey, at least I learned to keep my shower shoes clean.” He’s just packing up his stuff, and in the course of conversing with Crash, one moment the shower shoes are in his hand, and the next they’re in his duffel bag.

:: I’ve come to really love movies – stories in general, really, be they movies, novels, short stories, whatever – that don’t so much end as suggest that the lives of the people we’ve been watching will go on with their lives as we look away. Did Nuke have a good major league career? Did Crash make it to The Show as a manager? I like to think that the latter was more likely than the former, but maybe not, or maybe both. What I really like to think is that Crash makes it to The Show as a manager after years of managing in the minors, and that he hires the just-retired Nuke as his pitching coach. Or something like that.

:: It’s everybody’s favorite scene, but actually, my least favorite part of the film is Crash’s “I believe” speech in Annie’s living room. That’s the one thing in this movie that feels fake, the one moment that feels like a movie script and not the real life of baseball people and their fans. (And yet, it’s such a terrific moment, isn’t it?)

:: Annie’s final voiceover is one of the best closing lines for a movie, ever: “Walt Whitman wrote, ‘I see great things in baseball. It’s our game, the American game. It will repair our souls and be a blessing to us.’ You can look it up!”

What a great movie. Run, dummy!

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Ten teams left….

On last night’s The Amazing Race, my initial least-favorite team, a couple of bumpkins I dubbed Cletus and Lurleen, was eliminated, mainly because Lurleen lost her way walking down a mountain and found herself…someplace else. It actually seemed a bit of a shame, because after I hated this couple in the first episode, they were shown much more sympathetically in this episode. Of the remaining teams, I’m not sure who I now am actively rooting against — but I am most definitely rooting for Margie and Luke, the mother and her deaf son. I just think they’re terribly likable; it was great when he said that he didn’t want to do the pie throwing detour but did because she wanted to, and “She’s my mom”.

Last week I also wondered what was particularly “German” about pie throwing, but it turned out that it was the pies that were German, not the actual throwing part of it. So they were throwing pies made of “authentic German ingredients” at one another. Well, that makes sense, I guess. At least everybody seemed to enjoy it and nobody backed out of it as soon as they realized that they themselves were the targets for the pie throwing. (Of course, I’d have chosen the pie throwing myself.)

Next week, I suppose we’re back to normal TAR-type tasks, like…ballet dancing? Yay!

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Sentential Links #159

Got’cher linkage here….

:: I’m really glad I found this letter. I needed reminding. I’m caught up in the middle of some big challenges right now. This helps me remember it’s all a process of lessons. Breathe deep and keep learning. And don’t forget to dance. (My friend Belladonna doesn’t post to this other blog of hers all that often, but this week she dusted it off for a typically thought-provoking post.)

:: Before we start measuring the property for a memorial, let’s let these people mourn, then let’s let them decide.

:: That’s the main reason why I no longer want to give any completion dates. I am sick and tired of people jumping down my throat when I miss them. (Yes, I’m waiting for the next book too, even though I wasn’t wild about A Feast for Crows. But some people are being awfully nasty toward GRRM about the whole thing.)

:: Hey, remember when I said I was going to start that series of mix tape posts? (Ooooh, I love reading about mix tapes! I never made any, myself, but I recently made a nice “workout” mix CD for The Wife and another new one for me.)

:: Now, all I want is for you to go: “EEW!” and I will be happy. (OK, mission accomplished.)

:: Forget New York City – the world capital of spend, spend, spend has long been Dubai. (Until recently, that is. The global financial meltdown is hitting Dubai pretty hard.)

:: I’m surprised and saddened to read of the death of conductor and musical-theatre archivist John McGlinn, of an apparent heart attack. He was 55. (This saddens me. One of McGlinn’s recordings, his Brigadoon, is one of my favorite recordings ever.)

:: Gene Siskel and I were like tuning forks. Strike one, and the other would pick up the same frequency. (Ten years since Gene Siskel died. Wow.)

All for this week. Tune in next Monday!

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Grim Realizations

There was a shockingly brutal murder in my town little more than a week ago. An Arab-American woman named Aasiyah Hasani was stabbed and beheaded, police allege, by her husband, Muzzammil. They were the owners of a fledgling teevee channel that was, apparently, Aasiyah’s brainchild and dream. She wanted the channel to help change the common stereotype of Arabs as being terrorist-minded, violent people — but it turns out that her married life was a long tale of abuse, that ended horribly. There is speculation that Aasiyah’s murder was an honor killing.

When I first saw the above photo in the Buffalo News, I couldn’t shake the feeling that I knew Aasiyah from somewhere. True, we live in the same town, so we might have crossed paths at the library or wherever; the studios for their teevee channel, where the murder took place, are only a block away from my church. But when reading today’s News article (linked above) about Aasiyah’s difficult marriage, I realized where I “knew” her from: for a while she ran the local 7-11 franchise, where we used to go at least once a week, usually after our trip to the library, for Slurpees and Pepsis.

I remember seeing Aasiyah there, milling about behind the counter; I even remember her stepping up to work the register once or twice while her cashier was outside having a cigarette or changing the syrup on the pop dispenser or something. Her little son used to be there, playing in the aisles, usually running a dust butler back and forth over the little three-by-five throw rug that they had in front of the door during the damp winter months. She may have been there on Christmas day once, when we stopped in after our trip to the cemetery to visit Little Quinn. His cemetery is across the street from the 7-11; the 7-11 is four or five blocks up from the library; the library is directly across the street from our church; our church is one block from the teevee studio where she died. Small, small world.

Now, it’s not like Aasiyah Hasani and I were friends or anything; any conversation we ever had amounted to “$3.35 please,” “Here you go,” “Thank you, here’s your receipt.” But I do remember thinking that she was a strikingly lovely woman, that her little boy was a cute little tyke, and…well, that’s about it. And now she’s dead and her husband is the prime suspect, having already been arrested and charged.

A couple of years ago we stopped in at 7-11 and saw a sign on the door reading “New Management”. I assume that’s about when Aasiyah sold her franchise in order to launch the teevee venture. Since I didn’t figure this out until today, we haven’t been back to 7-11 since the murder. Lately we’ve been going to another convenience store, anyway, because The Daughter likes the selection of bottled pop there better. But we still go to 7-11 maybe once a month.

It’s all very sad.

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Sunday Burst of Weirdness

Oddities abound!

:: Check out this mini golf hole:

Wow.

:: Here’s a fascinatingly exhaustive article on Pac-man. And I mean, exhaustive. So if you’re looking to improve your game, here you go.

:: Baconmania is dead. Or, so says some guy. I sure wish I could get paid money to loftily pronounce that something is over! “Bacon is back where it belongs: at breakfast,” he says. Huh?! No bacon at lunch or dinner? No turkey-bacon melt sandwiches? No more starting a beef stew by crisping up three or four cut-up strips of bacon? And bacon on pizza is just terrific: Italian sausage, bacon, and jalapeno peppers make a great pizza.

Bacon “belongs” at breakfast. What a damnably stupid thing to say.

More weirdness next week!

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Fantasy movies: A list!!!

Over at World in the Satin Bag, S.M. Duke gives a list of his top ten fantasy movies. As always, I shall reproduce said list, with comment. Huzzah! (Cue the chirping of crickets…anyway….)

Lord of the Rings (Peter Jackson)

Absolutely. This is probably the greatest fantasy film of all time. (Referring, of course, to all three films collectively, which is the only sensible way to think of them.) They’re not without flaws, God knows, but the sheer edifice of the creative effort here is so massive as to render the flaws minimal by comparison. It’s hard to imagine a production of this scale ever taking place again.

Legend

I think I watched this in college, but I’m not even sure if that’s the case. I don’t remember the movie being memorable. This movie tends to be particularly reviled by film music lovers, because its original score by Jerry Goldsmith – one of the finest he ever wrote – was replaced for the US release with a lesser score by Tangerine Dream.

Pirates of the Caribbean: The Curse of the Black Pearl

I’m fine with this being here; I loved the first movie and consider it one of the better cinematic adventures of the last ten years or so. Captain Jack Sparrow is virtually iconic. Now, I would note here that I don’t hold the two sequels in nearly as low regard as most others seem to do; I think there’s a lot of good stuff in those movies, and had they made one more pass at those scripts in the rewrite phase and recast Lord Cutler Beckett with an actor who had any screen presence whatsoever, Dead Man’s Chest and At World’s End would be viewed in a much better light.

The Wizard of Oz

Sure. I loved this movie when I was a kid, then I went through a long phase of thinking it was a piece of mawkish, sentimental rubbish. Then I watched it again in college and realized how full of crap I’d become. I’ll never forget going with The Wife (she may have been The Girlfriend at the time) to see Wizard of Oz on the big screen.

Princess Mononoke (Mononoke-hime)

Picking a Miyazaki film is hard! You have to have one; he’s probably on a consistent basis the best fantasist working in film today. Oh hell, forever that “probably” – Hayao Miyazaki is the best cinematic fantasist alive today, and I could make a case for any of his films appearing on a “Top Ten Fantasy Movies” list. I’ll go ahead and agree with this one, simply because Mononoke Hime is the first Miyazaki film I ever saw. It is a beautiful, challenging, magnificent movie.

Toy Story

Well…I suppose it gets mentioned because it’s the first of Pixar’s films, and yes, it’s a wonderful, wonderful movie. But if I’m required to have a Pixar movie here – and the Pixar body of work is almost as good as Hayao Miyazaki’s – I’d go with my personal favorite, Finding Nemo. That movie just hits my sweet spot in every possible way. I’m sure there’s something wrong with it. I just don’t know what that is.

The Princess Bride

How I remember first seeing this movie. The commercials on teevee made it look like a fun fantasy romp, so I was confused when the theater darkened and when the movie started we were in some sick kid’s bedroom. What the hell kind of fantasy movie was this? Well, I sure found out. People who don’t love this movie are sick, sick individuals who shouldn’t be allowed to leave their homes for fear of infecting the populace.

The Neverending Story

I didn’t like this movie, I’m sorry to say. It just didn’t do it for me. Yeah, it’s about the magic of reading and of imagination – but it’s also boring.

Willow

Meh. I really loved it when it came out, but when I watched it again a few years ago, I didn’t think it had aged well at all. It’s very well made, and the acting is generally good, but the story is relentlessly derivative. It’s watchable, and I don’t hate it, but it’s certainly not all that great.

Alice in Wonderland

Not really sure. I haven’t seen it in a few years, and even then it was never one of my favorites. (We’re talking about the animated Disney one, right? Was there another version out there somewhere?) For Disney, I’d cite Pinocchio, or better yet, my favorite Disney film, Peter Pan.

So, I’d probably replace five of the movies on this list. I already named two replacements, so I need three more, replacing Legend, Willow, and The Neverending Story. Well, then: let’s go with The Thief of Baghdad for an old movie, Krull for an 80s fantasy flick (no, it’s not that good, but I certainly like it better than Legend), and for a dark fantasy, The Sixth Sense (a movie I still like).

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Behold…THE PHILANTHROPIST!!!

Jill points out a wonderful bit of Net timewasting: you can make yourself into a superhero! It’s awesome! Here’s my creation:

I feel the need for a little contest here, so: who can come up with the coolest Origin Story for the Intimidating Bespectacled Philanthropist? What would turn a mild-mannered guy in overalls into a strappingly muscled hero who flies around on his jetpack, giving out bags of groceries? Let me know, folks!

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Twilit

I tried, folks. I’m not usually one to jump on whatever the literary bandwagon of the moment happens to be — despite my love of a good conspiracy tale, preferably involving the Knights Templar and the secret history of Jesus and the Catholic Church, I still haven’t read The Da Vinci Code — but I figured, hey, I like vampires, and I like well-done teen angst. So I gave Stephenie Meyer’s Twilight a try.

The qualifier there is well-done teen angst.

Twilight, for those who haven’t succumbed, is the tale of a teenage girl named Bella who moves from Phoenix to a little town in northwest Washington state — the rainy part of the state, the part that looks like the small towns in most of the early seasons of The X-Files when the show was still filmed in Vancouver — where she has some troubles adjusting to her new school. She’s the new kid. She’s living with her father, who is divorced from her mother. She’s already studied everything that comes up in class. Some boys take a liking to her, angering the local girls who are already interested in them. She hates gym class because she’s a klutz. And there’s this one boy who both refuses to give her the time of day and seems obsessed with her. This is Edward. Edward is a vampire.

(This is not a spoiler. The back cover of the book tells us this.)

Bella makes new friends, and a few enemies. She tries getting to know Edward, and is rebuffed. She hangs out with her new friends. She cooks dinner for her father. She tries to get to know Edward again, and makes some headway, before she is again rebuffed. She talks to a local boy who descends from the Native Americans in the area, who have legends that tell of people like Edward and his family. (Oooooh, Native American legends!) She wonders if Edward might actually be a vampire. Edward saves her life in a stunningly contrived incident that suddenly displays his Mad Vampire Skillz, in the school parking lot, before school starts. (And nobody but Bella see what Edward does.) Bella goes to a bigger town to hang out, gets separated from her friends, and happens upon the town rowdies who chase her, until Edward shows up to save her. More tense conversations with Edward, who alternates between being very sweet and a complete prick. Lather, rinse, repeat.

The first hundred pages are OK; they set the scene fairly well. But the whole book just feels like scene setting, not a story unfolding. Not much happens, and it’s mostly a series of conversations between Bella and her friends or Bella and her father or Bella and Edward and so on. The dialogue’s OK, but the story never seems to build to much of anything. I felt absolutely no tension here, which is weird, because, you know, vampires.

I felt my attention flagging shortly after the first hundred pages, mainly because the book is full of passages that never go anywhere or save any purpose whatsoever. Now, I’m fine with slow-moving stories — my favorite book is The Lord of the Rings, which can be not-inaccurately described as a thousand pages of people walking from one place to another — but if that’s the case, then you’d at least better have some wonderfully poetic stuff going on in there, or some keen insight into things, or some very compelling characters, or something to make the pages where nothing’s happening not so hard to get through. Unfortunately, Twilight doesn’t have much going on in that regard.

By way of illustration, here is one such passage that really bugged me. After her conversation with the Native American lad who tells her of the legends about vampire-like creatures which the old-timers still believe (“But we young people know that’s all hooey!”), Bella decides to go home and go on the Internet to do some research on vampires. Fair enough. This should have required, maybe, two sentence or so to do: “I put dinner in the oven and then went upstairs to use the Internet. I brought up Google and typed in: vampires.” That would have done the trick — but here’s what Meyer does instead:

I dressed slowly in my most comfy sweats and then made my bed — something I never did. I couldn’t put it off any longer. I went to my desk and switched on my old computer.

I hated using the Internet here. My modem was sadly outdated, my free service substandard; just dialing up took so long that I decided to go get myself a bowl of cereal while I waited.

I ate slowly, chewing each bite with care. When I was done, I washed the bowl and spoon, dried them, and put them away. My feet dragged as I climbed the stairs. I went to my CD player first, picking it up off the floor and placing it precisely in the center of the table. I pulled out the headphones, and put them away in the desk drawer. Then I turned the same CD on, turning it down to the point where it was background noise.

With another sigh, I turned to my computer. Naturally, the screen was covered in pop-up ads. I sat in my hard folding chair and began closing all the little windows. Eventually I made it to my favorite search engine. I shot down a few more pop-ups and then typed in one word.

Vampire.

It took an infuriatingly long time, of course. When the results came up, there was a lot to sift through — everything from movies and TV shows to role-playing games, underground metal, and gothic costume companies.

Then I found a promising site – Vampires A-Z. I waited impatiently for it to load, quickly clicking closed each ad that flashed across the screen. Finally the screen was finished – simple white background with black text, academic-looking.

How much detail is here that nobody in their right mind is going to care about? We don’t need to know how slow her Internet service is, how dumb she is for not using an ad-blocker, how comfy her sweats are, what she’s listening to, her bowl of cereal, et cetera. None of this is interesting in the slightest. And the book abounds with passages like this. Lather, rinse, repeat.

When I started the book, my initial impression was to think of it as My So-Called Life (with Vampires); I quipped on Facebook that I kept waiting for Bella to launch into another monologue about Jordan Catalano. However, I quickly disabused myself of this notion, because Twilight boasts none of the humor of My So-Called Life, nor does it have any of its compelling drama, its insight, and its memorable characters. I still remember Angela Chase, Rayann Graff, and Ricky Vazquez to this day, even though I haven’t watched MSCL in years. Five days after putting Twilight aside, I can’t even remember Bella’s last name.

I finally threw in the towel shortly after Bella went with Edward out into the woods, where they could touch each other on the arms and shoulders and caress each other’s cheeks and listen to each other’s heartbeats and then ask each other “Was that hard for you.” (I swear I am not making this up.) I just couldn’t take the book seriously at all after that. The scene is unintentionally hilarious.

I skimmed the rest to see what happened (some guy does something to Bella’s mother, or something like that — Edward saves the day or something), and then I went on Wikipedia to read the plot summaries of the next three books in this series. (Bella and Edward get married, run afoul of some secret vampire society or something, have a baby with a stupid name, Bella becomes a vampire, and maybe they open a bed-and-breakfast in the Carpathians.) With that, I’m done with the Twilight series.

Needing a good book to cleanse my literary palate, I am now reading To Kill a Mockingbird for the first time since high school. Now there is a book: it’s funnier than Twilight, scarier than Twilight (without resorting to a vampire Leif Garrett), more moving than Twilight.

Twilight is awful. Avoid it.

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The number of the count shall be three.

SamuraiFrog opines on the Trilogy Meter, and I shall do the same! Because that’s what I do. The same as everybody else. First, here’s the meter, denoting the level of quality for each film in the trilogy in question:

Star Wars

A disagreement, first off! I know I go against mainstream orthodoxy on this point, but I still personally rank A New Hope ahead of The Empire Strikes Back. But just barely. I couldn’t live without a single Star Wars film; I even think Return of the Jedi is unfairly maligned much of the time.

Of course, my ongoing adoration of the Prequel Trilogy continues, even as I fix them.

Indiana Jones

I do think Raiders is the best. I think that Temple of Doom is better
than Last Crusade, however.

(I have a forthcoming post on Crystal Skull.)

The Matrix

I liked The Matrix when I first saw it. I liked it a bit less each time I saw it thereafter, and I haven’t watched it in a long time. I tried watching Reloaded a single time and fell asleep in the first half hour.

After that, I’m done with The Matrix.

Star Trek

Hmmmm. See my Star Trek Redux posts, linked in the sidebar, for more. I like TMO; I enjoy Wrath of Khan but think it’s overrated; I think Search for Spock is actually underrated. As for the rest of the movies, look for those older posts of mine.

Superman

I’ve never understood why so many people think Superman II is better than the original. It’s good, but the first is iconic. Superman III has some actual good stuff in it, but it’s buried under some seriously bad stuff. Superman IV is crap, of course, and I actually liked Superman Returns.

Jurassic Park

I love the first one, to this day, even with all the annoying kid stuff. The second has some fun moments, particularly when they get to San Diego; and I could look at Julianne Moore all day. But it’s not a very good movie (thirteen year old kid defeats a velociraptor with her mad gymnastics skills — was this Jurassic Park II: Gymkata?). Never saw the third one.

X-Men

The first one feels to me like they took a terrific movie and cut out forty minutes of stuff that made it terrific. I loved the second one. Never saw the third, after being told by numerous people that it was awful.

Spider-Man

Liked the first, with reservations; loved the second; liked the third, with more of the same reservations. Basically I hate the way the movies have handled Gwen Stacy: if you’re gonna have her, then she has to (a) be Peter Parker’s first love, not Mary Jane, and (b) she has to die. It drives me crazy that neither of these are the case in these movies.

The Lord of the Rings

It’s not a trilogy. It’s one story in three movies. That said, I’ve never found that Two Towers suffers from the “middle act” syndrome; I thought that Jackson and company figured out an elegant way around that.

Mad Max

I haven’t seen these. (I know, I know….)

Jaws

The first is, of course, a great movie, one of the greats of all time. The second isn’t as bad as many think. The third is pretty bad. And the fourth? One of the worst movies ever.

Back to the Future

Love the first. I like the next two as curiosities, and I even think they’re a bit underrated. The first is the real business, though.

Die Hard

I love all of these. The first one is definitely the best, but the next two aren’t bad by any stretch; this may be the most successful trilogy I can think of, in terms of overall quality of the movies. I liked how the each one did something different — i.e., they didn’t just reframe the “hostages in a claustrophobic setting” bit from the first movie — and I loved the perverse riddles in the third one, as well as some very strong acting from supporting players like Graham Greene and a guy (whose name I don’t recall and am not looking up right now) whose main claim to acting fame is having been on As the World Turns for years and years.

I haven’t seen the fourth one.

Blade

Didn’t see any of these.

Planet of the Apes

First one’s good. I have no idea what I’ve seen of the rest of this series.

The Godfather

I’ve never seen any of these all the way through. I know I should, but mob tales don’t interest me much. Someday I’ll get around to them, but I just don’t make it a high priority.

Rocky

First one’s great. Second, OK. Third, meh. Fourth, crap. Didn’t see fifth. Or sixth. (That’s where they stopped, right?)

The Terminator

The first two are equals, and they’re classics. Didn’t see the third.

Rambo

I hate these. They suck. Sorry. I’m not even that big a fan of the Jerry Goldsmith scores for these.

Batman

I didn’t care much for the first one. Everybody talked about how “dark” it was, but it wasn’t! It played everything for laughs. The second one, though? I liked that. It was really dark and grim. I also really liked Val Kilmer’s turn as Batman in…whatever that one was called.

And you know what? I didn’t hate Batman and Robin. It wasn’t very good, but I didn’t hate it.

Batman Begins is a terrific movie. I haven’t watched The Dark Knight yet.

Alien

I don’t like any of the Alien movies. The first one is splatter and gore; the second is just one expected plot twist after another. The third and fourth ones are shite. Did they make a fifth one? Did I care? Not really. I think this is the most overrated movie franchise in existence.

What trilogies didn’t get depicted here? SamuraiFrog mentions the Lethal Weapon films. I have a lot of fond memories of those movies; they were our standard fall-back movies in college. Bored night on Friday? Get some beer and some pizza and watch Lethal Weapon. I love each one. My personal favorite, really, is the third one; I love a lot of the second one, but parts of the third act get really too depressing, especially the death of that poor girl. And the first is terrific stuff. I only saw the fourth one once. It was OK.

How about The Karate Kid? The first one of those is great; and I like the second one a bit. The third is crud, and I never saw the one with Hilary Swank.

Three great Jerry Goldsmith scores can’t save the Omen trilogy. I haven’t seen the Mummy flicks.

They made three Scream movies, didn’t they? The first one is crap, so I didn’t see the others.

What trilogies are we missing, folks?

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