One of the most important traits in any character is their voice: how they speak, what kinds of things they say, what phrases they like to repeat, and so on. In my Forgotten Stars books, Lieutenant Rasharri has a number of sayings she is fond of saying all the time: “Think on what you know” being a main one. A lot of the best writers are good at giving characters specific voices. This is one of the better aspects of George RR Martin’s Song of Ice and Fire series: think of Tyrion’s sardonic wit, or — my favorite — DolorousDown the rabbit hole….

Hello, all! Time for another post on characters and how to approach them…or how I approach them…or, in this case, how another writer approached them. So let’s talk about Calvin and Hobbes. This legendary comic strip is still well known today, despite that fact that its creator, Bill Watterson, ended it nearly twenty years ago (in fact, this coming December 31 will mark the 20th anniversary of the final strip of Calvin and Hobbes). Watterson created a bunch of interesting and memorable characters, and at the center of it all was six-year-old Calvin and his beloved stuffed tiger, who in Calvin’s presenceDown the rabbit hole….

Writers love to rabbit on and on all day about their characters and how they develop their characters and how they decide what characters do and all that kind of thing. I, of course, am no different. This will, though, require more than one post, hence “part the first”. So, where to start? Well, with someone else’s thoughts on characters, of course! In this case, screenwriter William Goldman. This is occasioned by a post by blogger Lance Mannion, in which he reviews the movie The Ghost and the Darkness. I never actually saw this film, but I know of it; it isDown the rabbit hole….