Welcome to the Department of Too Much Information. Take a number, please.

Well, all those readers who have always wondered just what the kind of person who generates such drivel as occupies this blog might look like need only check out the sidebar. No, not the best image, but really — a better image won’t improve matters. Sigh. The fact that I’m bearded doesn’t show up very well, and neither does my shoulder-length hair. Generally, I think I look like one of the extras from the Rohan scenes of Lord of the Rings. Probably one of the first guys to get eaten by wargs.

Also, in comments below Jason suggested that I put up a picture of my bookshelves, so here is precisely that:

These are not all of my shelves, however: this cluster is flanked by two smaller, three-shelf bookcases, one of which is partly double-stacked. It’s hard to tell by this picture, but the walls of this corner form a kind of “stair-step” effect, which yields that nice alcove which is piled with books. Oh, and see that can of compressed air on the top shelf there? If you look on the shelf directly below that can, you can make out a thick stack of papers. This is the original manuscript to The Promised King, Book One: The Welcomer. My copy of the submission manuscript is in a binder next to this computer.

(If you want to peruse a larger version of this picture, here it is — but I’ll be taking it down after a couple of weeks, since it’s a pretty large file. You can make out specific book titles in that one, though.)

And here is a picture of my writing desk, which isn’t really where I do my writing these days, since I switched from working primarily longhand.

That’s me there in the pic, of course, striking my “pretentious guy reading” pose. I think I did pretty well, given that I had about nine seconds before the self-timer on the Polaroid went off. That book in my hand is my one-volume edition of The Lord of the Rings — the one with paintings by Alan Lee — and that’s my dictionary on the desk, open to somewhere in the letter ‘O’, I think. You can’t tell by this picture, but the top shelf of the bookcase behind me there is my “Bookshelf of High Honor”. That’s where my Rand-McNally World Atlas, my complete works of Shakespeare, my two copies of LOTR and slipcased copy of The Hobbit, and my collection of Guy Gavriel Kay’s novels reside.

That desk belonged to my paternal grandfather, and then my paternal grandmother. (My grandfather had been dead for over twenty years when I was born.) Now, it has come down to me. I dearly love that desk, and I long for the day when I finally own a laptop so I can always write on that surface. Everyone should have something that belonged to their grandparents, I think.

So there you go, more about me than you ever wanted to know. Well, you asked! (“Blaming the readers” always being a great strategy, you know.)

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SHATNERRRRRRRR!

In my longstanding friendship with the ever-flatulent Mr. Jones, one of our more recent conversational tics (when “conversing” online via IM) is that when one of us indisputably falls beneath the crushing grasp of the other’s powers of reason, we concede the point by typing KHAANNN!! KHAANNN!!, as per the scene in Star Trek II: The Wrath of Khan in which William Shatner, for just a moment, achieves the overacting Nirvana that had to that point eluded him. His eyes bulges, his head twitches, he does this weird thing with his mouth, and then he screams KHAANNN!! KHAANNN!! into his communicator. I know, it’s hard to describe — which is why you can check it out for yourself. And thus does the Net come ever closer to total perfection!

(via MeFi)

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Of Matters Zoological

On Saturday, we (the Wife, the Daughter, and I) ventured into Canada. Our destination was the Toronto Zoo, which is a terribly fine place. The best part was that we kept the ultimate destination secret from the Daughter, so when she saw the animals, she squealed with immense delight. Then, we traveled to a suburban Toronto mall (Yorkdale, to be specific) and ate dinner at the Rainforest Café. Here’s a dull rundown of our day, interspersed with pithy comments.

First off, color me unimpressed with the current state of Canadian meteorology. I consulted no fewer than four online weather forecasts for the Toronto region prior to leaving, and the worst forecast was “Partly sunny, with showers possible.” The sun did not actually emerge until around 4:00, after a day of steady rainfall that began about when we drove past Hamilton (the halfway mark on the drive from Buffalo to Toronto). When one dresses expecting temperatures in the mid-60s and partly sunny conditions, one tends to get really cold when the actual conditions at the zoo – a predominantly outdoor place – are mid-50s and rainy. For the first half of our visit, we kept ducking into the warm indoor pavilions as much to bask in the heat and humidity inside as to look at the animals kept there. And the picnic lunch we packed was consumed in the car. And since I had dressed for the weather I’d expected, I didn’t even bring a jacket, so before we ever got to the zoo, we had to stop at a Canadian Sears and buy a jacket for me to wear. Luckily, I’ve actually been needing a new spring and fall light jacket, and even luckier, the ones at Sears were on sale for over half-off. That rocked. (And by the way, I’ve never been a fan of Sears, because they are, in my experience, nearly always crappy — even the newer ones seem to leave me thinking, “When are they bringing the rest of the merchandise in?” Well, now I know why American Sears stores are so icky: because the company apparently spends all its money on the Canadian ones. Those were the cleanest, nicest damn Sears I’ve ever been in. (Yes, there were two Sears that day. First, to get me a new jacket; second, to get the wife a dry pair of pants for dinner. Did I mention that it friggin’ rained for six hours straight?!))

In general, though, the Toronto Zoo is a magnificent establishment. We have been there twice now, and we still haven’t seen everything. (There is one entire section, devoted to Canadian wildlife, that is off by itself, separated from the remainder of the zoo by quite a walk. Perhaps next visit we’ll get down there.) The monkey and orangutan exhibits are mightily impressive, as were the fully-grown Komodo dragons and the Komodo-dragon hatchlings. The lions were also beautiful, although one of them stood in one place, roaring into the distance in a fashion not unlike the ending of The Lion King. My theory is that since this particular lion was facing the paddock where the giraffes are housed, he was simply thinking, “If these fences weren’t here, I’d be eating one of them right now!” And the most amazing thing I saw on this visit was the bat exhibit, which is maintained in darkness illuminated by blacklights. One bat was hanging directly in front of the glass window, and it was washing its wings in cat-like fashion – except when it spread its wings momentarily, I saw a baby bat, clinging to its mother’s belly as it nursed. This was a stunning moment.

(By the way, if you’re not a person who handles embarrassment well, you’d be ill-advised to take your child to a zoo when she is in the midst of her fascination with, shall we say, “bodily functions”. Especially when the elephant twenty feet away decides to void its bladder, upon which no fewer than three different people in earshot make some comment about “opening the floodgates”.)

Dinner, as noted, was at the Rainforest Café. The food there is good for chain-type places – i.e., it’s not a culinary delight, but it’s still worth the higher-than-Applebee’s prices – but really, with all the cool stuff on the ceilings and the animatronic elephant stampeding and the giant fishtanks and the butterflies and the fiber-optic starfield and the simulated thunderstorm every thirty minutes, this place is just about the most fun place to eat I know of. It’s just a blast to go there and was so last night, even despite the fact that the little nitwit who was apparently handling the seating simply wasn’t doing his job, thus forcing us to wait about an extra half hour for a table. A funny thing is that the giant tropical fishtank there includes a single member of whatever species the character of Dorrie from Finding Nemo happened to be. Thus, all through the night, there is an omnipresent chorus of children standing by the tank shouting, “HI DORRIE! DORRIE, COME BACK!”

(By the way, it would be really nice if restaurants that include macaroni-and-cheese on their kid’s menus go the extra mile and serve something of slightly-higher quality than regular old Kraft mac-and-cheese. Of course, it’s easier to just do the boring Kraft stuff, since Kraft makes restaurant ready single-serving packages of premade mac-and-cheese – it’s a cryovac package, all you do is boil it for a minute or two – but it still seems kind of lame.)

After dinner, we meandered a bit through the Indigo Books location across from the mall from the restaurant. This store’s appearance is far better than its selection, although I did manage to at last acquire a copy of Guy Gavriel Kay’s 2003 poetry collection Beyond This Dark House, which is not available in the United States. Sadly, there was only one copy; I was hoping to buy two and use the other as a gift for a certain reader who’s been pretty generous with me in the past. C’est la vie.

Other random thoughts, in no particular order:

:: The drivers of Southern Ontario are insane. I’m talking crazy here. First of all, they speed, no matter what kind of car they have. I don’t mind getting passed by a late-model Camaro, especially when I’m already going 68 or 69 on the QEW (Queen Elizabeth Way), but getting passed by a 1986 Ford Escort – a car that I can practically see shuddering as it careens down the highway at speeds that would have been questionable when the thing was new – is really disconcerting. Plus, the Ontario drivers have little concern for things like, oh, cars in other lanes. I counted at least six instances of drivers being in the middle or inside lane of a three-lane highway and cutting all the way over to exit (and I’m talking cutting over into the exit, not into the right lane approaching the exit). And since when is it standard procedure to come up behind someone in the middle lane, flash them with your brights, and then pass on either the right or left, which are both open? This happened three times. Weird.

:: But then, the sanity of Toronto-region drivers probably isn’t enhanced by the ridiculous Toronto roadways. Mostly, the roads themselves are fine, and I’ve long known that if you want to get from one area in Toronto to some other area in Toronto, generally there’s a fairly easy way to get there. It’s when you want to get to one specific point that you’re in trouble. You get off one large highway onto a smaller limited access highway, and then you get off that to take yet another busy street, and then you keep driving until you find an entrance to where you’re trying to go. And these are rarely marked. It’s like you can see where you’re trying to go just out your window, but none of the roads you are on actually go to that place, and the proper sequence of roads you must take to get there is not marked in any way. Ugh.

Oh, and what’s up with the traffic signals flashing? What does a flashing green light mean? Everyone seemed to react as though it was the Canadian equivalent of an American left-arrow, so that’s what I did, but why not just use a left-arrow?

:: Toronto has a beautiful downtown and an impressive skyline, but what I’ve noticed on my last few visits is the rapid construction of “skyscraper clusters” north of downtown proper. Some of these buildings are quite large indeed – a few would likely dominate the Buffalo skyline, if relocated there – but their location so far away from downtown is always striking to me, as if the businesses ensconced therein wanted a skyscraper but didn’t want any part of downtown. There is one particular such plaza, consisting of four buildings topped by art-deco style caps, a sort of twenty-first century homage to the Chrysler Building. I thought for a moment I was driving through Coruscant.

:: In my return-from-hiatus post below, I linked Aaron’s picture of the Minneapolis skyline. I’ve always loved city skylines at night, when the lights of the buildings shine against a dark blue or black sky — but returning from Toronto, I was reminded of the irony that I live in what may be the only large city on Earth with a skyline that is better looking by day than by night. Buffalo’s buildings are mainly stone, with none of the sharply-illuminated steel or glass towers popular in the last couple of decades. Buffalo’s tallest buildings are all more than thirty years old; there are a couple of younger buildings that are too short to really show in the skyline. Thus the Buffalo skyline at night is very dark, and combined with fairly dark roadways, in general the city looks pretty dingy when one is returning from the brilliance of Toronto and Hamilton (even though from the QEW, one can see little of Hamilton beyond the factories lining the harbor). It’s always amazing how traveling outside of Buffalo can make me glad to get home, but to also give me a mild feeling of dissatisfaction or disappointment when I see anew the faults my city presents to the world.

UPDATE: God in Heaven! Above, where I complain about Toronto motorists? You thought that, maybe, just maybe, I was exaggerating a bit? Nope. In my experience, at least half the drivers in that damn town are like this. And the other half? They’re just aggressive speeders. Like Chicagoans or Clevelanders. Thanks to Aaron for finding this, and not linking it before we took our trip.

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A Very Public Service Announcement

You know, folks, I’ve been buying food in bulk for years. I love getting candy and nuts from the bulk section at the grocery store, where I can control the amount, and my parents used to take my sister and I to those co-op type places where a lot of stuff was in bulk and where all the signs were hand-lettered and the checkout person was either a skinny long-haired guy in wire-rim glasses and a t-shirt with a whale on it or a woman with slightly thicker glasses, jeans not quite as faded as the skinny guy’s but still somehow looked like she had done more actual work in them, and that expression in her eye that said, “Yeah, I’m a hippie, but I’m still not a dummy, so don’t try to give me any shit”.

So yeah, I know my way around a bulk food place. Thus, I think I have good background of experience when I say:

It ain’t too terribly hard to fill the plastic bag with whatever you’re buying, and get that twist-tie around the top of it, without dumping at least two cups’ worth of it on the floor.

And yet, nevertheless, every time I enter the bulk area at The Store with broom in hand, the floor looks like the storm-cellar in Twister after Helen Hunt’s daddy has been sucked out the door. Oatmeal, walnuts, peanuts, chocolate melting wafers, M&Ms, Reese’s Pieces, jelly beans…all over the damn place.

Not a day goes by that I don’t thank whatever Gods there are that we no longer sell bulk pet food. I wake up in the middle of the night, cold and clammy from the sweats, at the thought of what these people would do with a barrel full of birdseed….

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Two Reminders

One: I’m soliciting suggestions for things to post about for next week, so leave suggestions in comments to this post.

Two: I got a pack of film for my old Polaroid “Instamatic” camera the other day, just out of curiosity to see if the thing still works. If it does, should I include some form of “head shot” here? Or would the horror of seeing just what the hell I look like finally doom Byzantium’s Shores to a horrifying demise? Answer this one to comments in this post, right here.

UPDATE: By popular demand (two people, I think), I will try to put a headshot in the sidebar sometime in the next day or two. I warn you all: I may be the blogger behind the Move Over Britney! campaign, but I am not a candidate for inclusion in same. And not just because I’m, you know, male.

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A mouse, gone sadly astray….

We caught up a bit on our Disney movies lately, and apparently we’re caught up permanently, since Disney has reportedly decided to stop making hand-drawn, traditional animated films entirely. This is yet one more example of how Disney, once a great company, somehow completely lost its mind at some point in the last five or six years.

Home On the Range, the one in current release, is actually quite a good little movie. It’s a bit schmaltzy in spots, but by and large its sensibility lies more with the zaniness of The Emperor’s New Groove than with the more syrupy stuff Disney’s famous for. This movie worked for me on about the same level of a Bugs Bunny cartoon, with humorous little asides and character touches that make the going worthwhile, since there is exactly nothing surprising about this story at all. (Well, there is one surprise: the method the Evil Cattle Rustler uses to nab his prey is really pretty funny.) The voice-work is, as always, first rate; even in the darkest of hours, the Disney people still have their knack for getting the right voice for the right character. I can’t envision any movie other than this one that would include Dame Judi Dench and Roseanne Barr in its cast. (And Lance LeGault, a longtime favorite character actor of mine who hasn’t been in much lately, has a welcome turn as a stern bison.)

And then there’s Brother Bear. We watched this on DVD the other night. It really is better than its reputation – I was expecting a crapfest, but it’s not. It’s surprisingly thoughtful and funny (this is one of those Disney movies that seems designed to inspire a spin-off movie about its secondary characters, in this case, the two lunkhead moose), and its animation is stunning. Parts of the nature-stuff put me in mind of similar landscaping in the films of Hayao Miyazaki, believe it or not. The film’s story also starts out strong, but the ending is a pretty stunning collapse. About two-thirds of the way through the film I had a sinking feeling, because I could see that the film had set up a perfect tragic ending, and I also knew that there is no way Disney would ever have the courage to release a film with the tragic ending I envisioned. And, it didn’t.

(For those curious about the plot, three Eskimo — I think — brothers confront an angry bear, who kills the eldest brother. The youngest goes after the bear, while the middle brother wants to let it be; and the younger brother kills the bear. But then “the Spirits” intervene, and the younger brother takes on the form of the dead bear, leaving his old clothes behind. Middle brother finds the clothes and assumes that the bear has killed his younger brother, and now goes after the bear, planning to kill it. So, brother is tracking brother with intent to kill, not knowing it’s his brother. And the brother-turned-bear befriends an orphaned bear cub, eventually learning that the bear he killed and whose form he now inhabits was the bear cub’s mother, whose initial angry reaction was simply maternal protective instinct. I won’t tell how it all ends, except to note that this tale’s potential for glorious tragedy goes completely unfulfilled.)

But that’s not what bothers me most; the DVD presentation really gave me pause. It was released, as Disney has been doing lately, as a two-disc “Collectors” set, like many movies these days, but it’s not like you’re getting tons of extras. Instead, with this set, you get two copies of the movie itself, with a handful of extras. The films are included both in the widescreen format and in the fullscreen, pan-and-scan format. So, for consumers like me who are accustomed to choosing which aspect ratio to buy (and really, if you’re any kind of film buff at all, you already know that “fullscreen” is for dunces), with recent Disney DVD releases, you have no such choice: you’re forced to get them both. And since there are really only enough extras included that they really could probably get them onto a single-disc release if they wanted, this is basically Disney’s way of still being able to charge for a two-disc set. Thanks, guys.

But it gets a little worse. Not much, but a little. When looking at the discs in the box, I saw that disc one was labeled something like “Original Theatrical Aspect Ratio”, which was fine by me. The other disc, though, wasn’t just labeled “Fullscreen”. Disney labeled it “Family Friendly Fullscreen Presentation”. (Emphasis mine.) No two ways about it: this pissed me off.

What on Earth is “family friendly” about a fullscreen release? Nothing that I can see. My own daughter has never asked about “those black bars above and below the movie”, and I’ve never bothered to explain it, because what’s the point? She focuses on the movie, which is as it should be. But more than that: if Disney is really trying to keep fullscreen video afloat, it just shows just how out-of-touch they really are. Widescreen is normal now. It is common for me to see fullscreen DVDs in the bargain bin at stores while the widescreen releases are still full price, which is a clear indication that the retailers are saying, “Nobody wants these fullscreen ones anymore”. And more than that: when Julia Roberts goes on Letterman to promote her new movie, the clip they show is always in widescreen now. Movie ads on TV are themselves increasingly in widescreen. The only holdouts for fullscreen, it seems, are the TV networks (which is odd since quite a few regular TV series now are shown in widescreen, even though they are produced for a non-widescreen medium).

Disney’s labeling of “fullscreen” as “family friendly” may seem a tiny thing to bitch about, and it probably is. But it’s a startling example of Disney’s problem, and it isn’t that people want computer animated movies instead of hand-drawn ones, and it isn’t that Disney’s movies just don’t tell good stories anymore (because, Treasure Planet aside, they do). Disney’s problem is more fundamental: it’s that, on some level, Disney just doesn’t get it. Disney has gone from being a leading company to being the fumbling person saying, “Where is everybody going? Tell me, that I might lead them there!” It’s really sad to behold, and I hope they can pull out of it, somehow. I’d like my daughter to see the Magic Kingdom while it’s still got some magic in it.

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