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The Buffalo Bills had a superb draft this year, grabbing a likely superstar for their long-underachieving offensive line in Mike Williams as their headliner. They also helped themselves in a number of other positions, but the biggest splash was their trade for former Patriots star quarterback Drew Bledsoe. When I heard of the trade rumors last week, I was ambivalent; for all the movement the Bills have made this offseason (they will go into the 2002 season much improved, on paper, over the 2001 edition), they are still in my estimation a year or two away from being truly competitive at a high level. It seemed odd to me for them to try to land a star quarterback who is in the final three years of a long-term contract — precisely the years which are the most expensive, because that is how NFL teams structure their contracts these days. (The idea being, of course, to unload the player or get him to renegotiate before the team actually finds itself in the position of having to pay those huge dollars on the back end of the contracts.) Also, Bledsoe comes to the team having suffered a fairly serious injury last year (delivered by Jets mercenary-LB Mo Lewis, of course), making his acquisition at least slightly nerve-wracking. But the Bledsoe deal is done, and he’s the quarterback, so of course I will now root strongly for his success here. (For the record, my take on the mercifully-completed Rob Johnson-Doug Flutie saga is this: They both stunk.)

(The paranoid conspiracy theorist in me — my inner Oliver Stone, if you will — wonders just how much connection exists between the Bills’ desire to get the Bledsoe trade done and the fact that the initial five-year leases of the four-year old “club seats” at Ralph Wilson Stadium are due to expire at the end of next year. News of the Bledsoe deal brought about the spike in Bills season-ticket orders that the team brass were no doubt praying for.)

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Anyone who thinks that comics are a lightweight medium, best left to adolescent tales of absurdly-muscular heroes battling mutants or giant robots bent on destroying Earth or bald archvillains, need only look to Pedro and Me: Friendship, Loss, and What I Learned by Judd Winick to have that belief shattered. Winick, of course, first entered the public eye as a cast member on the third season of MTV’s The Real World. This was the season set in San Francisco, and while it is mostly remembered for the fireworks involving that horrid roommate Puck, this book instead focuses on the friendship that developed between Winick and roommate Pedro Zamora, who already had AIDS during the show’s filming and died from that disease’s complications a short time after filming.

Winick writes about how, being a “bed-wetting liberal”, he tried to put a brave face on the fact that he would be living with a person who was HIV-positive; and yet, when the time came he was still fearful of the prospect: “When I thought of living with someone who had HIV, I envisioned living with the AIDS virus walking around on two legs.” This frank admission contains the theme of Winick’s book: how he confronted those fears, dealt with those all-too-common stereotypes, and at the same time formed a deep and rewarding friendship. The book is not a collection of Real World anecdotes (although there are some of those), so those looking for an extension of the show’s voyeuristic qualities will be disappointed. Winick’s story begins before the show (and, he wisely informs us, so does Pedro’s) and the story of their friendship goes on after the show was over — and even well after Pedro Zamora’s death. Pedro and Me is funny, sad, and moving. It is a testament to the potential of comics as a medium.

(Judd Winick is currently a writer and artist for DC Comics.)

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At long, long last the Buffalo Bills have addressed the one area that has been their glaring weakness ever since the Super Bowl years ended: their offensive line. In today’s NFL Draft, the Bills selected the gigantic Mike Williams (OT, University of Texas, 21 yrs old, 6′ 5″, 375 lbs) with the fourth pick overall. Williams should step right in and finally give the Bills someone who can block consistently, ending a frustrating pattern of rotating inadequate 4th-through-7th rounders that have been the mainstay of the Bills’ line since Wil Wolford and Howard Ballard left. The Bills have made no effort to seriously upgrade their offensive line since 1994, when they selected Ruben Brown, despite their consistently disappointing running game and the alarming number of sacks given up each year (although this number dropped during Doug Flutie’s two years as the starting QB, mainly because of his elusiveness and willingness to scramble). Of course, any draft pick can go belly up (Ryan Leaf, anyone?) but for now the Bills have done what they’ve needed to do. Now, hopefully they’ll stop trying to get Drew Bledsoe and instead pick up a decent QB prospect in the second or third round; they also need to address a thin defensive line.

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I have added two new permanent links: Alibris (a site for buying all those wonderful rare and out-of-print books that can’t be found on Amazon), and Ralan.com (a very impressive site that lists just about every current market for SF, Fantasy, and Horror writing, along with rates and submission guidelines).

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Just in time for the demise of Oprah’s Book Club, author Robert James Waller has penned A Thousand Country Roads, a sequel-of-sorts to his blockbuster The Bridges of Madison County.

(As a still-unpublished writer, I am occasionally tortured by the thought that the closest I will ever come to literary success will be the fact that I attended college twenty miles away from where Waller lived, while he was writing Bridges….)

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Spring in Buffalo: temperatures in the 70s this week have inspired the flowering trees in the region to blossom — just in time for this weekend’s 40 degree forecasted highs. (Oh well, at least we’ll still be able to laugh at the rest of the country in July when everyone else is in the high 90s and we’re still only in the 80s. ‘Tis small consolation, but….)

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IMAGE OF THE WEEK

“Forest”, by Alan Lee.

Alan Lee is one of the foremost fantasy artists of today. His most famous works are the paintings he did for the 60th Anniversary Edition of The Lord of the Rings. Lee’s work formed the basis of some of the visual stylings used by director Peter Jackson in the current LOTR film trilogy. Lee has also done a lot of fine work that is not related to Tolkien; this is one example.

(Click on the picture for a biography of Lee, courtesy Terri Windling’s Endicott Studio.)

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