“Shiny in the Black”: A FIREFLY Christmas! (part four and conclusion)

(Concluding my repost of this Very Special, but not in the Blossom way, Episode of Firefly.)

part three
part two
part one

“Those aren’t toys,” Kaylee said. “Those are agricultural supplies for a new colony. Did you change the job while you were out?”

“Seal it back up,” Mal said. “That stuff is perishable, and by breaking the seal, we’ve started the decay process.”

The crew stood around, staring at the crate that was supposed to contain toys for the children of the orphanage on Haven but really contained farming seed and fertilizer that had supposedly been destined for Whitefall. Jayne and Book lifted the facing of the crate back into place and restored the seals. When they were done, Jayne stepped back and looked at Mal.

“Well, Mal, guess we got ourselves another hiccup.”

“Yeah, looks that way.” Mal muttered another curse in Chinese and then he kicked the crate for good measure.

“That won’t hurt the crate,” River said.

“It will hurt your foot if you do that again, though,” Simon said.

“So, what now?” Jayne said. “That’s it then, isn’t it?”

“I don’t know,” Mal said. “I’m thinkin’.”

Zoe cleared her throat. “Captain, you know Jonas better than any of us. How likely is he to hold this against us?”

“Worried about us having another enemy?”

“I’m running out of space on the piece of paper where I keep their names written down, sir.”

“Yeah. Preacher, how did this happen?”

“I have no idea, Captain,” said Book. “I double-checked the numbers. We had the right slot number in the warehouse. The only way this happens is if the warehouse workers put the crates in the wrong slots themselves.”

And with that, a silence settled over the crew as they realized what had happened.

“Well, this is new,” said Jayne. “Never stolen the wrong goods before.”

“Yeah, this is definitely a wrinkle we haven’t tried before,” said Mal. “All right, I’m open to suggestions.”

“Suggestions for what?” It was Wash, who had just come down from the bridge. “Everyone’s looking awfully glum here.”

“We stole the wrong goods, honey,” Zoe said.

“Now there‘s something we haven’t done before!” Wash said. “Now what?”

“See?” Mal said. “Took him all of two sentences to get up to speed on this.”

“What do we do?” Kaylee asked. “Captain?”

“Maybe the children want to play as farmers,” River offered. “They can grow their own vegetables and work the soil.”

“River,” Book said, “the orphanage is in the middle of a city that’s a hundred miles in diameter. There’s no soil except what’s in the decorative flower pots.”

“That sounds depressing,” River said. “Children need space.”

“Well, we can’t solve every problem at once,” Zoe said. “Captain, Jonas is gonna know that he can’t open the crate without breaching the shelf-life of the goods that he thinks are in there.”

“I was thinking the same thing,” Mal said. “If that’s the case, then Jonas has no idea that he’s got a crate full of toys on his ship. Which means that he’s on his way to Whitefall. He won’t know anything is wrong until Patience does. Of course, knowing Patience, she’ll have already tried to shoot him.”

“So that’s it then,” said Jayne. “We ain’t gotta do a gorram thing. Let them shoot each other and then we can sell this stuff to whoever takes over for Patience. Make back our coin, and then some.”

Mal considered this. After a moment, Shepherd Book stepped forward.

“Captain, I know that your ship is not a democracy, but I must voice my opposition to what Jayne has suggested.”

“Yeah, I thought you might,” Mal said. “Wash, go get us on a course for Whitefall. Get us there fast. We want to get there before the shooting starts.”

“You got it,” Wash said as he headed back up the stairs. “A pilot’s job is never done! Until he lands, then he’s done until the next job….”

“Zoe,” Mal said, “I’m gonna need your help figurin’ out how to approach this one. We’ve got to make a switch without both Jonas and Patience deciding that I’m cheating them.”

“Sounds like a challenge,” Zoe said.

“Why I’m givin’ it to you.”

“Wait a minute!” Jayne said. “We’re gonna try to get the toys back? Anybody else think that’s crazy?”

Simon shrugged. “I think it’s kind of shiny,” he said. Kaylee grinned at him.

“Doc, I’m gonna do somethin’ hurtful to you someday soon,” Jayne said. “Mal, how can you even consider this?”

Mal looked at Shepherd Book. “I took a job,” he said. “And even though the job’s starting to bring some trouble, truth is, that’s what jobs do. And there ain’t a job in the ‘Verse that I’m like to walk away from once I take it.”

Jayne shook his head. “I can’t ruttin’ believe this.”

“Hey, look at the bright side,” Mal said. “We’re goin’ to Whitefall to try and do business with Patience.”

“Probably be some shooting,” Zoe added.

Jayne laughed harshly. “Day’s gonna come when you’re not gonna be able to buy me off by lettin’ me shoot some folk,” he said.

Mal considered that. “Well, that’s gonna be an interesting day. Come on, Zoe. We need to brainstorm.”

***

It took them the better part of a day to get to Whitefall, which was a pretty miserable and dusty rock way out on the fringes. Malcolm Reynolds didn’t much like this world; it was run by a crusty woman named Patience who didn’t tend to practice any, and who had a nasty habit of trying to shoot him. She’d succeeded once, but the last time, Mal had got the better of her. He’d done the job, and despite some unkind words as regarding his character, he’d gotten paid. But this one was going to be tricky, no doubt about that.

“OK, Mal, we’re here,” Wash said as Whitefall loomed before the ship. “Now what?”

“Well, Patience is a woman of habit,” Mal said. “So I’m thinkin’ she’ll want to meet with Jonas in that same spot she chose to meet us in last time we were here. Good spot for an ambush. So we’ll go there and hope we’re in time to avoid some fisticuffs and general tomfoolery.”

Zoe looked at Mal. “‘Tomfoolery’, sir?”

“What? You know I like to dust off archaic words now and then.”

“Part of what makes you charming, sir.”

“Thanks for sayin’. Now, if I’m Patience, I’m puttin’ two snipers in the hills around that meeting spot, after we took care of the one she ahd there last time. And Jonas is gonna have his own sniper up there somewhere too. So Jayne and the Shepherd will take care of the snipers for us, and then we walk in and make everybody happy.”

“Aren’t we doin’ an awful lot of counting on the Shepherd to shoot people on this job?” Zoe asked.

“Probably, but that book of his is nonspecific as regards kneecaps and elbows, if I remember right. Wash, same landing spot as before.”

“Sure thing, Mal,” Wash said. “And I’ve got Jonas’s ship on the scanner now. They’re landing as we speak, two hilltops over. Looks like we got here in time.”

“It’s a Christmas miracle, Captain,” Zoe said.

Mal rolled his eyes. “Now don’t you start,” he said. “Let’s go get ready. Wash, put her down.”

“Sure thing, Captain,” Wash said.

Mal and Zoe walked down to the hold, where Jayne and Shepherd Book were waiting.

“Captain,” Book began, “I feel I should apologize for having gotten you into this business.”

“Did it with my eyes open,” Mal said. “But if you’re volunteering for a month of mess duty, I don’t think I’ll hear any objections from the rest of the crew.” He glanced around at Kaylee, Simon, River, and Inara, who all just stood there placidly. “And a month it is! All right, Zoe and me have come up with what we think is a nicely nuanced plan.”

Jayne grunted. “Book and I take out the snipers and cover you while you and Zoe try to talk some sense into Patience and Jonas?”

“Yeah, that’s about it.”

“We gotta start comin’ up with plans that don’t have quite as much ‘if’ in ’em,” Jayne grumbled.

“Every time I ask you for input, your first words are ‘I shoot them’.”

“Yeah. Not a lot of ‘if’ when the other guy’s got bullets in him.”

“OK. Get that crate ready. And Kaylee, keep the engines warm. We may need to make a fast break for it.”

“Be easier if you’d let me replace that drive inducer that I keep warning you about,” Kaylee said.

“New year’s comin’,” said Mal.

***

The scene that confronted Mal and Zoe when they peered over the edge of the knoll above Patience’s rendezvous spot was about what Mal expected: Patience sat atop her horse, while her men had Jonas at gunpoint, and Jonas’s men had Patience’s men at gunpoint. Everybody had everybody else at gunpoint.

“Whole lot of gunpoint,” Mal muttered.

“Not too late to find a desk job, Captain,” Zoe replied.

“More of us than there are of you, Jonas,” Patience said. “And I’ve got a sniper aimin’ at you right now. You’re not walkin’ away.”

“I got a man took out your sniper,” Jonas replied. “I’m not stupid, Patience. And my men are better shots than yours. Now how about you toss me the coin and we’ll be on our way?”

“All I see here is a big crate,” Patience said. “You might as well open her up and let us see the goods.”

“Suits me fine,” said Jonas. “Randy? Open it.”

Keeping his hands visible at all times, Randy popped open the crate and swung it open. “Uh, Captain?” he said.

“This some kind of joke, Jonas?” Patience asked. “That don’t look like seed and fertilizer to me.”

“What?” Jonas turned to Randy. “What is she gorram talking about?”

“This crate, sir,” Randy said. “It’s full of…toys.”

“Toys?”

“Toys, sir.”

Toys?!

“This some kind of joke, Jonas?” Patience sounded annoyed. “So you’re gonna dump fake goods on me after you have my money?”

Jonas looked uncomfortable.

“Do we go down now?” Zoe asked.

“Shhhh,” Mal said. “Things haven’t gone south enough yet.”

“Patience,” Jonas said. “Uhhhh….”

“I’d like to hear an explanation,” Patience said. “Before I shoot you myself.” She pulled out her pistol.

“Malcolm Reynolds cheated me!” Jonas said.

“Reynolds?” Patience’s eyebrows went up. “What’s he got to do with this?”

“Funny you should ask!” Mal called out as he rose up and sauntered over the knoll, his pistol in his hand but not aimed at anything. Zoe came behind him, her shotgun in her hand as well.

“Reynolds!” shouted both Patience and Jonas at the same time. Both also pointed their pistols at him, at the same time.

“Well there we go,” Mal said. “Two criminals suddenly united in purpose. Warms the heart, eh, Zoe?”

“Sure does, sir.”

“Mal, I’ll shoot you where you stand,” Patience said.

“And I’ll shoot you again before you hit the ground,” Jonas said.

“Sure,” Mal said. “But then you wouldn’t hear the explanation and my counter-proposal.”

“Explanation?” Jonas roared. “You switched the crates and took the good stuff! What were you going to do, let me get shot and then sell Patience the real goods?”

Mal thought. “Huh. Zoe, that might have worked.”

“Surprised you didn’t think of it, sir.”

“I gotta be goin’ soft in my old age.”

“Happens to the best of us, sir.”

“Jonas, we didn’t switch a gorram thing. The warehouse workers screwed up. Those crates were in the wrong spots. We took what we thought was our crate, but it was really yours. And you got ours, thinkin’ it was really yours. Kind of an irony, ain’t it?”

Patience rolled her eyes. “Right now I’m wondering which of you is the less competent one,” she said.

“Well, that would be him,” Mal said. “No offense, Jonas, but at least we discovered the problem and we’re here to make it right. Now here’s our proposal. We take our crate and go on our way. You get your crate, which we stashed about a mile away from here. Then you two finish your business and everybody goes away happy. Or we go away happy and you shoot each other. Whatever you prefer.”

“Or I just take all the goods and keep my coin,” Patience said. “Mal, you’re still not very bright. Neither are you, Jonas. You may have taken out one of my snipers, but I put two up there.”

“Yeah, Patience,” Mal said. “As to that, we took out Jonas’s sniper who took out your sniper. And then we took out your other sniper. So now the only two snipers up there are mine. And they’re good, believe me. Aren’t they, Zoe?”

“The best, sir.”

“Yup. So, Jonas, we’ll take this crate now. Yours is a mile that way.” He pointed. “No reason for anybody to get shot.”

“You takin’ my hauler too, Mal?”

Mal shrugged. “I suppose we can leave it behind once we get our goods back on my ship. As a good-will gesture and all.”

“Or we can come with you and make sure we get it back,” Jonas said.

Mal shrugged. “Or that,” he conceded. “We just want our goods.”

“A bunch of toys?” Jonas shook his head. “What are you up to, Reynolds?”

“I’m doin’ a job,” Mal said. “Why does everybody keep asking me that?” He turned to Patience. “Give him the coin, Patience, and go get your box and keep running your little world. Nobody needs to get shot here. It’s Christmas.”

Patience blinked. “It’s what?”

“Never mind. Just get out of here.”

Patience sighed. “Every time you show up on this world I end up losing money,” Patience said as she tossed a sack of coin to Jonas. “That crate ain’t there and I’m puttin’ a bounty on you, Mal.”

“Yeah, well, I’ve got a track record here, Patience,” Mal said. “I get you the goods and then I get paid. The way a transaction’s supposed to be. You’re the one likes shootin’ people and tryin’ to get out of paying, so I’d just as soon you rode off with your men and stopped disparaging me.”

Patience laughed. “Fine, Mal, have it your way. But if you don’t mind some advice, you need to stop expecting transactions to run the way they’re supposed to. That’s why you’re still flying around in a rustbucket.” She gestured to her men, who stood down, and then they rode off.

“She only says that because she can’t fly in a ship for ten minutes without puking,” Zoe said.

“Yeah, well, let’s get this stuff back to Serenity. We’ve still got a job to do. Jonas, if you would?”

Jonas sighed. “You heard him, men. Let’s go. Least we can with him saving our bacon on this one.”

Jonas’s men grumbled but obeyed. Mal spoke into the mouthpiece on the wire he wore under his coat. “Jayne? Preacher? You can come down now. We’re all good here.”

“How’d you know where to find us, anyway?” Jonas asked.

“Dealt with Patience before,” Mal replied. “Let’s move.”

“Did you really leave her goods a mile away?”

“Yup.”

Jonas shook his head. “You could’ve kept them, sold them someplace else. Made double profit.”

“Thought of that,” Mal said. “But I need to be able to do business. No need to make an enemy out of Patience until I have to.”

They moved the crate of toys back to Serenity, whereupon Jonas ordered his men to start back to their own ship. Mal ordered his crew to get the ship ready for departure, and then he went outside with Jonas.

“Well, Mal,” Jonas said, “it was a pleasure, as always. Now, if that’s all–“

“Not quite,” Mal said. “I’ll be taking the coin that Patience gave you.”

Jonas blinked. “What?”

“You heard me,” Mal said. “You took coin from me that wasn’t yours to take. And despite that, I still came here and saved your gorram hide. Way I see it, you owe me. Let’s square up right now. Get it over with.”

Jonas stared at him. Mal sighed.

“Jonas, you really want to see what a good draw I am? And what a good shot?”

Jonas sighed and pulled the bag of coin from his jacket pocket and flipped it to Mal. “Every time I wonder how it is you stay in business, you pull something like this out of your hat.”

“Not much of a secret,” Mal said. “I don’t set my sights too high. I just keep flyin’.”

“Yeah. Well, do me a favor and don’t tell anyone you took my coin from me.”

“As far as I’m concerned, it was a payment offered in good will.”

Jonas nodded. “Yeah, call it that. But stay away from me for a while, would you?” He lit a cigar and went to join his men. Mal turned and went aboard the ship.

“OK, Wash, let’s fly. We need to be in Haven’s air within twelve hours.”

“We can just make it,” Wash replied over the loudspeaker.

Serenity lifted off.

***

Eleven and one half hours later, they were flying toward Haven. Mal came up to the bridge, where Wash was looking at a scanner.

“So?” Mal asked. “What’s the new problem?”

Wash blinked. “I didn’t call you!”

“I know, but we’re due for the next problem with this job. What is it?”

Wash pointed to the scanner. “Alliance ship in orbit. They haven’t scanned us yet, and maybe they won’t, but if they do–“

“They might board us,” Mal said. “Then again, they might not. They’re in stationary orbit?”

“Uh-huh,” Wash said. “Right above the part of town where our Shepherd’s orphanage is.”

Mal muttered several curses in Chinese.

“That’s what I said,” Wash replied.

“All right. Let me think.” Mal thought. And then he pressed the intercom button. “Would everybody please report to the hold? You too, Inara. I need everybody.”

***

The plan was this: Mal, Zoe, and Wash would stay aboard Serenity, in stationary orbit on the other side of the planet. They would load all of the toys onto Inara’s shuttle – individually, because the shuttle wasn’t big enough for something the size of that crate – and then Inara would fly down to the orphanage in the middle of the night, when Shepherd Book assured them no one would notice something like a shuttle landing on the roof. Then, Jayne, Book, Simon, Kaylee, and River would take each toy individually to a child.

It wasn’t one of Mal’s most thought-out plans, but it was the best he could come up with on fairly short notice. Mal thought it was a decent enough plan, until Zoe said “Nice plan, sir,” which was what she usually said when she thought his plans were scenarios for utter disaster. But that was the plan, and so it was that on the night before Christmas, when all through the orphanage not a child was stirring, a shuttlecraft flown by a registered Companion came down to land on the roof.

“All right, we’re here,” Jayne said as he grabbed an armful of toys. “Let’s get this ruttin’ job over with.”

“Said with the true spirit of the day,” Shepherd Book said. “All right, everyone follow me. And keep quiet. The whole place is asleep.”

“They always knew when I was sleeping,” River said. “They knew when I was awake.”

“She’s gonna be all right, isn’t she?” Jayne asked.

“Sure,” Simon said. “Isn’t she always?”

Jayne shook his head as Shepherd Book led them across the roof and into the orphanage via the roof access door, which Book lockpicked open in seconds.

“Real great security here,” Jayne remarked.

“It’s an orphanage,” Book said. “One where everybody knows there’s nothing worth stealing.”

They went downstairs, where they found themselves in a very large room, with bunk beds running down each side, and a child sleeping in each bed.

“All right, there are four more rooms like this,” Book whispered. “Every child gets a toy.”

“Right,” Jayne said, and he ran off and started randomly sticking a toy on each bed.

“Jayne!” Kaylee protested. “You can’t do it like that! You can’t give a boy a doll!”

“Why not?” Jayne asked. “They don’t like it they can trade.”

“Just do it right,” Kaylee said.

“What kind of toys did he play with?” Simon muttered.

In this way they went through the room, distributing a toy to each child. Somehow, miraculously, they got through all of the rooms without waking a single child, giving a toy to each one, one toy to each of three hundred children.

Except the last bed, which, when Jayne approached it, he discovered was empty. No child here, just rumpled sheets. Kid probably got up to go to the bathroom, or get a drink of water. “Huh,” Jayne thought. He looked at the toy in his hand – a teddy bear – and decided that he rather liked it. He’d always wanted one when he was a kid, and never got one. And this one was real nice, with a bow around its neck and everything. So there was a toy left over. So what? Kid shoulda been there in bed. Kid’s loss. He turned and headed back for the ship.

Meanwhile, River was taking her time over each gift, gently laying it on each bed, and whispering a rhyme over each child. What made it take even longer was that she was inventing each rhyme off the top of her head. Simon wondered if he should intercede, but since she was speaking in verse about things that weren’t somehow grimly dark or eerily foreboding, he thought it was best to just let her go.

Also meanwhile, Kaylee found herself wondering if it was really fair to try to pigeonhole these kids into girl toys and boy toys. After all, her toys had been wrenches and hammers and drivers and blast drills and parts from a hundred different ship engines, and look how she’d turned out! Nothin’ to be ashamed of. It was a fine life, even if once in a while she wanted something a little more than engine parts and dirty overalls.

Also meanwhile, Inara saw that the orphanage’s one lone security guard had had his curiosity piqued by some strange noises, and he came shuffling up the stairs to find a shuttle sitting on his roof. He was about to blow an alarm whistle when she came down and silenced him with a look and a flash of leg. It always worked, especially with young men like this. Barely old enough to grow a beard. Staring at her as though he’d just seen an angel. Sad world, Haven, she thought. No wonder Companions almost never come here.

“Is there a girl you like?” she asked him.

He managed to nod.

She removed a ruby brooch from her robe and handed it to him. He gulped.

“Give this to her,” she said. “And say nothing of me tonight.”

He managed to nod, again. A major accomplishment, that. And so she sent him on his way, knowing that this would be their little secret, forever. Inara could keep secrets, and what would he say? Would he talk of the beautiful woman in the spaceship on his roof? No. Of course not. She smiled.

Finally meanwhile, Shepherd Book went all the way to the lowest level of the orphanage, where the oldest kids were. These kids were in the worst shape, the ones most likely to end up in something a bit worst than Mal’s line of work, the ones most likely to end up on the wrong end of someone’s gun or floating dead through the Black. He had little hope that a toy, just one toy, would be enough to budge more than maybe one or two of them off the trajectory their lives had them on, but lots of miracles had started from smaller stuff than a single toy. He laid each one on a bed, and tried not to linger too much over the one particular bed, the one over there on the left. On his way back up to the roof, he paused at the door to the headmaster’s apartment. He wondered if he might say hello, under other circumstances. Or if he might rather go in there with a gun instead of a bible. He lingered there only a moment and then returned to the roof.

“Are we all here?”

“We’re just waiting on Jayne,” said Simon.

“Where is he?!”

At that moment, Jayne was muttering, “Where’s the gorram stairs around here?” He’d gotten lost. It was a bigger orphanage than he’d though, and now he had no idea how to get back up to the roof. But he had to get up there, fast; the night was getting old and people would be getting up soon. He rushed around, all over the place, looking behind every door, until he found the stairs up. “‘Bout time,” he said. And then he stopped, because there was an eight-year-old girl looking at him.

“Uhhh…hi there,” he said. “You should be in bed, youngster.”

“I couldn’t sleep,” said the girl. “I have bad dreams. I wanted a drink of water.”

“Well, you got your drink, so back to bed.”

“You’re not from here,” the girl said. “Are you here to steal things?”

“No,” Jayne said. “Not this time, anyway. Maybe tomorrow, haven’t figured out the next job yet. Don’t know. Gotta keep moving.” But he didn’t move. That girl just stood there, looking at him. All big-eyed, with her tangled hair and bedrobe that wasn’t filthy but had seen better days anyway…. “I think your eyes are stuck,” he said. “I gotta go.”

“Bye,” she said. And she stood there watching as he went halfway up the stairs, where he stopped.

“Aww, gorram it,” he said as he turned back and came back down. “This is for you.” He handed her the teddy bear. “Hold onto it tight when you sleep. Might help with them dreams. I got a preacher friend who says this is Christmas, so…have a ruttin’ happy Christmas.” And then he went up the stairs, practically running up them, to get away from the girl with the big eyes.

“That all the toys?” he asked when he got on board the shuttle.

“There were about twenty or so left over,” said Simon. “I left those in a playroom.”

“We’re all ready, right?” Inara called back.

“We’re all here!” Book said. “Close her up and let’s go home.”

Inara guided the little shuttle back into the air, and up into the sky toward the planet’s other side, where Serenity lay in orbit.

“What took you so long, Jayne?” Kaylee asked.

“Got lost,” Jayne said. “And…there was a little girl. Don’t worry, I gave her a toy.”

River pointed at his shirt, his red shirt. “A man with a beard wearing red came in the night to give her a present,” she said. “Just like the old stories!”

Jayne stared at her. “What is she ruttin’ talkin’ about?”

“Nothing,” said Book.

When they arrived on Serenity, Mal was there, waiting.

“Nice work,” he said.

“Thank you, Captain,” said Shepherd Book. “I appreciate it.”

“I did a job,” Mal said. “Soon as that tree gets dry and starts dropping those sharp needles all over my mess–“

“I’ll have it down, sir.”

Mal nodded and headed for his bunk. “Nice work, everyone,” he called out. “Zoe, wake me when we get to Persephone.”

***

A few weeks later they’d done another job, and they all had a little extra money. Not a lot, but some. So they all decided to exchange gifts. Mal wasn’t sure whose idea it was, or if it even was anyone’s idea, but it seemed to happen anyway.

Zoe gave her dear husband Wash that stegosaurus figurine he’d wanted. Wash gave his beloved wife Zoe a brand new leather vest.

Shepherd Book gave Simon an old copy of a very old anatomy book, a ‘classic text’ on the subject, from Old Earth. Simon gave River a rose made out of glass, with gold leaf on the petals; she commented on the fact that it had thorns. River gave the Shepherd a new Bible, which she promised him she would leave ‘uncorrected’.

Kaylee gave Jayne a new carrying case for Vera, his favorite gun; Jayne gave Inara a robe that she knew she would look stunning in but would never ever ever wear in front of Jayne. And Inara gave Kaylee a new engine stabilizer and one of her own robes.

And Mal? He got what he always wanted. He got to keep flying.

The End
Merry Ruttin’ Christmas
and a Happy Gorram New Year!!!

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“Shiny in the Black”: A FIREFLY Christmas! (part three)

Continuing my repost of this Very Special (but Not Blossomesque) Episode of Firefly.

part two
part one


“Weapons on the ground!” the voice shouted. “Now!”

“Do it,” Mal said. He shot a look at Jayne, whose expression of disgust tended to be indistinguishable from his expression of being about to lose his temper. Slowly, Mal, Zoe and Jayne all laid their guns on the floor.

“Put that package on the floor too, preacher,” said the voice.

Book put the crate down.

“All right, face the crates.”

They complied.

“Put your hands on your head.”

They complied.

“Stand on your left feet and recite the first stanza the Alliance anthem!”

Mal glanced at Zoe. “Uh, what?”

Now the voice burst out in laughter. “All right, turn ’em off,” he said. The floodlights all shut off, and the light returned to the dim of the warehouse overhead lamps. Mal turned toward the source of the voice to see a stocky man dressed in old army fatigues approaching. The man was bald except for long, stringy hairs that hung from the back of his head; he had a thick mustache and three days’ growth of beard. He gave Mal a gap-toothed grin as he put his hands on his hips.

“Ahh, Mal, what am I gonna do with you?”

Mal and the others glanced around at the ‘lawmen’, and saw that they weren’t lawmen at all. They were a motley bunch of thieves. Not unlike themselves.

“Jonas,” Mal said. “Fancy meeting you here. I never figured you to be on Ariel. Kind of a rich world for your tastes, isn’t it?”

“Gotta go where the money is, my boy,” the man named Jonas said as he lit a cigar and took a few puffs. “‘Sides, ain’t planning on being here long. I’m guessing you weren’t either.”

“Not really,” Mal agreed. “Can we put our hands down? I don’t tend to find this posture conducive to friendly chat.”

“Ain’t so sure we’re being friendly,” Jonas said. “But sure, let your hands down. Don’t make a move toward those weapons, though.”

“Of course not,” said Mal. “After all, we’re just bein’ friendly.”

“I suppose we are,” Jonas replied as Mal and his people lowered their hands. “So, Mal, what are you doing here?”

“Same as you,” Mal said. “Doin’ a job.”

“And what would be the nature of that job?”

“Well, we’re purchasing the contents of this crate right here and going with them to a…client on Haven. Easy enough.”

“Sounds easy. Haven’s a piss-poor world…wait, did you say you were purchasing the goods?”

Mal shrugged. “Yeah, we’re doin’ it the honest way this time. Wanted to see what that was like.”

“Really. Honest. Dumpin’ a box of coin here and taking the box? That’s a new version of honest. Sounds to me like you’ve found a way of stealin’ that ends up costin’ you money.”

“Yeah,” Mal said, shooting a look at Shepherd Book, “I guess we didn’t really work all the kinks out.”

“Well, Mal, I can’t let you have this box. See, we need it, too. I’m doing a job, myself, and there’s a cantankerous old woman out on Whitefall that could use some of what’s in that box.”

“Whitefall?” Mal laughed. “You’re planning on doing business with Patience?”

“Sure. Why not?”

“Oh, no reason,” Mal said. “Just make sure you plan for her to try to shoot you.”

“Nah,” Jonas said. “Patience and me go way back. I was the one who told her that she should shoot you if she got the chance.”

“Well that was nice of you,” Mal said. “She got the chance. Twice. I’m still here, still flyin’. Counts for somethin’.”

“Yeah, I guess it does. But I can’t let you take this box, coin or no. You see, Mal–“

“Hey, Captain!” It was one of Jonas’s men. Jonas rolled his eyes.

“What is it, Randy? I’m trying to be threatening here, and you’re interrupting.”

“I know, Cap, but this ain’t the box we’re here for.”

“What?”

“Look!” The wiry man named Randy held out a PDA for Jonas to look at. “See, that’s the number of the box we want. It’s the next one over. That one.”

“Really?”

“Yeah. That one’s got the farming seed and fertilizer in it. See, the one we want is in slot number 29-94-77. This slot is number 29-94-75.”

“Oh,” said Jonas.

“Well, this changes things a bit, doesn’t it?” Mal said.

“I think it does, Captain,” said Zoe.

“You see, Jonas, there’s no need to make this deal confrontational. Instead of goin’ that way, we can go another. We’re not even here for the same crate. We’ll take what we want, you’ll take what you want, and everybody’s happy.”

“Seriously, Mal? You’re after this crate? What’s in it?”

“I don’t think that really matters,” said Mal. “Haven’s not a big farming world, so you can bet I’m not looking for farming seed and fertilizer. Let’s just take what we all want and be done with it.”

Jonas kept his gun aimed at Mal as he considered things. Then he nodded at the Shepherd.

“Sure, Mal, we can do that. But I want the coin, too.”

Mal shrugged. “Give it to him, Preacher,” he said.

“Really?” asked Book.

“Yeah, really,” Mal said. “Plan was to leave the coin here anyway. But if you’re gonna take the coin, least you could do is have your boys load our crate onto our hauler for us.”

“I suppose I could do that,” Jonas said. His men grumbled, but he hissed them quiet. “A friendly gesture, right?”

“Yeah,” Mal said. “If we promise not to shoot you, can we pick up our guns now?”

“Sure,” Jonas said. “But we’ll still be coverin’ you until this is done.”

“I figured,” Mal replied as he picked up his pistol. The others followed suit.

“How’d you get in here, anyway?” Jonas asked.

“Door was open.”

“Well, I suppose you can thank me for that,” Jonas replied. “Paid the guards to leave it open and make themselves scarce. All right, boys, you heard the man. Let’s get these boxes loaded! Remember, this one here goes with them, that one down there goes with us. With the Shepherd’s coin.”

Book handed the box of coin to one of Jonas’s men, four of whom turned to the work of loading both crates while Jonas and Randy kept their pistols aimed at Mal and his people.

“Somethin’ here ain’t right,” Jayne said. “We’re gonna get screwed on this deal.”

“Well, Jayne, the screwing was built into the deal, so at least we’re not surprised by it.” Mal shook his head. “This is a weird damn job, though.”

“Nah,” Jayne replied. “There’s still some way this is gonna go south. You watch. Always happens to us.”

Mal rolled his eyes. “Not all our jobs end in disaster,” he said.

“Name one,” Jayne said.

“Well, there was–“

“You ended up drunk and with a con-woman pretending to be your wife.”

“Yeah, but it was good up to then.”

After about ten minutes, they were all outside and both crates were loaded onto their respective haulers.

“Well, Mal,” said Jonas, “I’d prefer if you’d drive off first. And try to stay out of my way in the future.”

“Pleasure doin’ business as always, Jonas,” Mal said. “But I wouldn’t mind pointin’ out that just because we were in the same place, doesn’t mean I was in your way.”

“Even so. I don’t want to get your luck on me, Reynolds. You have a history of taking on work that doesn’t leave you much of a profit. One day you’re gonna realize that ‘Just keep flying’ isn’t a great strategy for life.”

“Thanks for the wisdom, Jonas. Got some for you, too.”

“Yeah? What’s that?”

“Patience is gonna try to shoot you.”

Jonas grinned. “Let her try.” He gestured with his pistol, sending Mal and his people off.

“I’m tellin’ you, this is gonna be a bad deal for everybody,” Jayne said as they neared Serenity.

“Calm down, Jayne. Your opinion is noted.”

Mal drove the hauler back onto the ship’s cargo hold, and Kaylee closed the hatch behind them. Simon and River were there waiting; Wash was on the bridge, and he called down on the intercom.

“Captain?” Wash said. “I’m ready to lift.”

“What are you waiting for!” Mal responded. The ship shifted beneath their feet as the engines roared and Serenity lifted off. Book and Jayne were offloading the crate from the hauler and securing it.

“You see, everybody?” Mal said as he took off his overcoat and tossed it at the foot of the stairs. “Nice, simple job. No big worries, no big fuss. We’re out some coin, sure, but we’ve got a big crate full of nice, shiny toys that will make all the children in an orphanage on Haven happy.”

“Everything went all right?” said Simon. “No hiccups?”

“One little hiccup,” Mal said. “But it didn’t amount to much.”

“I wouldn’t be so sure of that, Captain,” said Shepherd Book.

“What?”

“Hey Mal,” Jayne said. “We got a problem.”

Mal glanced at Zoe. They walked aft, to where Book and Jayne were both staring at the crate, which Book had opened. Zoe took one look and let out a string of expletives in Chinese. Mal did the same, only with a string of completely different expletives in Chinese.

The crate was full of farm seed and fertilizer. They had the wrong crate.

End Part Three

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“Shiny in the Black”: A FIREFLY Christmas! (part two)

(Continuing my repost of this Very Special Christmas episode of…)

part one

Wash put Serenity down on the landing pad, nice and gentle. So nice and gentle that Zoe complimented him on it.

“You’re getting’ more gentle all the time, honey,” Zoe said. “You have such a gift for handling sensitive equipment.”

“Thanks for sayin’ so, my love,” Wash replied. “But I could always use more practice–“

“All right, enough of that, you two.” Mal came up onto the bridge, fully dressed in his usual brown shirt, brown pants, brown belt, brown holster, brown boots, and probably brown socks too, if one could see them underneath all of that. “Wash, you keep the ship warmed and ready to lift if some part of this job goes south. Zoe, you’re coming along.”

“I figured, sir.”

“Captain,” Wash said, “is it really necessary to have contingency plans for this job? We’re actually conducting an honest transaction for once.”

“Yeah,” Mal said. “For once. We don’t get a whole lot of practice with this kind of thing, so who knows what might go wrong. You and Kaylee keep the ship ready. River and the Doc will keep you company. Zoe, you’ll be with Jayne, the Shepherd, and me.”

“What’s Inara doing?”

“Well, I think she’s still on her shuttle, writing long entries in her diary about how much she hates me right now.”

Zoe knew what that meant. “You told her no clients.”

“We ain’t got time. Why am I always the bad guy on this?”

“Oh, I couldn’t begin to venture a guess, Captain,” Zoe said. “Let’s go.”

Mal and Zoe began to exit the bridge.

“Zoe?” Wash called out.

“Yes, love?”

“You’re going to buy toys,” Wash said. “I could use a new stegosaurus for the collection.”

“I’ll see what I can do.”

The Captain and Zoe left then, and Wash reached into the small footlocker next to his seat and pulled out a handful of his dinosaur figurines.

In the cargo hold, Shepherd Book and Jayne had the cargo hauler ready to go.

“Jayne,” Book said, “do you really need that many guns?”

“Preacher, are you carryin’ that Bible of yours right now?”

“Good point.”

They lifted a crate containing coin up onto the back of the hauler as Mal and Zoe arrived and descended the criss-crossing stairs down to their level.

“Awful lot of coin to be givin’ up,” Mal said.

“A purchase of good will is never a bad purchase,” said Book.

“You get that from that Bible of yours?”

“No, it just came to me,” Book replied. “A preacher can’t live on the words of one book alone.”

“All right,” Mal said. “Let’s go. Kaylee, open her up.”

“Be careful, Captain,” Kaylee said as she opened the ship’s cargo door and lowered the ramp. Mal, Jayne, Zoe and Book drove off in the hauler. Then Kaylee closed the ship back up. She turned away from the control and nearly jumped out of her skin when she saw that River was standing there, unblinking, just inches away.

“River! You scared me!”

“Would you like me to teach you a song?” River asked.

Kaylee blinked. “Uhhh…sure, honey. I’d love to learn a song.”

“It goes like this. ‘On the first day of Christmas, the operatives brought to me….'”

“Uh, River?” Kaylee interrupted. “Is this one of those creepy songs you learned while you were captive at…that place?”

“Yes,” River said. “I guess I should learn some new songs myself.”

“Yeah,” Kaylee said. “That would be great.”

***

Mal drove the hauler through a warehouse district of Ariel’s main city. Unlike the shiny, wealthy area they had visited a few months earlier – to steal some medicine – this area was much darker and dingier. Every planet, no matter how rich, had parts like this, Mal had long since learned. No one was rich enough to banish dirt and grime forever.

“You know where this warehouse is, right, Book?” Mal asked.

“I’ve got the address right here,” Book said, holding up an electronic data organizer. “And the crate number of the merchandise we’re getting. It’ll be in and out.”

Jayne growled. “Every time one of you people says we’ll be in and out, I go through half my ammo. I haven’t had an in and out job since–“

“Jayne, I’m sure that’s fascinating,” Mal cut in. “But just in case it ain’t, why don’t you hold it to yourself?”

“Sure, Mal,” Jayne said. “I’ll just sit here and be quiet as usual while you and Zoe tell each other the same stories over and over again. Hey, can I hear that one about that time you both got your asses kicked by the Alliance? I love that one.”

“Captain,” Mal said, pointing to himself. “First mate,” he said, pointing to Zoe. “Gun for hire.” He pointed to Jayne.

“Thank you for clearing us up on the chain of command, Captain,” said Shepherd Book. “But we appear to have reached the warehouse.”

“All right.” Mal brought the hauler to a stop near an entrance. “Standard procedure. Zoe, you’ll get us in. Then, Jayne, you’re in first, followed by me, then the Shepherd, and Zoe, you bring up the rear. We’re going to try and find this crate, get it, and be done with it before anyone knows were here.”

“In and out, Captain?” Zoe said.

“In and out,” Mal agreed.

“Not usually our thing,” Zoe said as she walked to the door.

“See, Mal?” Jayne said. “This is what I’m talkin’ about.”

“Well Jayne, that’s six hours since I last regretted hirin’ you.” Mal smiled. “I think that’s a new record for you, ain’t it? Hey Zoe, you got that door open yet?”

“Think so, sir,” Zoe said as she pressed a button that made the large bay door swing open. “Pretty easy, too.”

“Huh,” said Mal.

“Anybody else thinkin’ that was a little too easy?” Jayne put in.

Mal shrugged. “Well, we’ve got guns, so if we get into some local color, we can make our way out.”

“There might be armed guards inside,” Book pointed out.

“Cold feet, Shepherd?” Mal said. “This was your idea. But we’re here, and I’m not in the habit of runnin’ away at the first sign of something unexpected, especially if that unexpected thing is something that actually makes my life a little easier. Like an unlocked door. Shepherd, grab the coin. Jayne?”

Book picked up the crate of coin, and Jayne came forward and led them inside.

The warehouse was, pretty much, like every other warehouse in the ‘Verse. There’s only so much you can do, really, to dress up hundreds of stacks of thousands of cargo crates in an enormous, cavernous room.

“Well, would you look at that,” Jayne said. “A warehouse. We don’t see these too often.”

“Sure, Jayne.”

“I mean, yeah, we go into our share of storehouses, stockpiles, armories…there was that one depository we knocked over that one time…and before I joined you people, there was that distribution center job…but not a lot of warehouses.”

“Jayne,” Mal said, “are you trying to get on my gorram nerves?”

“Just commentin’ on the unique nature of this job, Mal.”

“Shut it, Jayne,” Zoe said. “Preacher, you got the crate number?”

Book consulted a slip of paper. “It’s 29-94-75.”

Mal looked at the manifest markings emblazoned on the side of several nearby crates, and determined which way they needed to go. “This way,” he said, and with Jayne in the lead and Zoe in the rear, they made their way down the corridor created by line upon line of stacked crates.

It didn’t take long to find it. The crate was pretty large, taller than Mal by about two feet, and about eight feet long and six feet across. Mal shone his flashlight on the crate and read the number. “This is it,” he said. “29-94-75. No other markings.”

“There wouldn’t be,” Book said. “The number is all they need.”

“Yeah, I know how shipping works,” Mal said. “All right, here it is. Now we just gotta get it out of here.”

“That crate’s a little big for me to haul out on my back,” Jayne said. “Of all the gorram–“

Zoe cleared her throat. “I think that’s the solution to our problem, Captain,” she said. She pointed to an open area about thirty feet away, where two forklifts stood silent.

“There it is, then,” Mal said. “Easy. Jayne, you’ll drive the lift. We’ll get the goods back out to our hauler, get back to the ship, before anyone knows we were here. No problem. See, I told you! Easy job.”

At that moment six floodlights turned on, three from each side, all trained on Mal and his crew.

“Malcolm Reynolds!” a voice boomed out from the darkness behind the floodlights. “Malcolm Reynolds, you are bound by law to stand down.”

Jayne muttered something in Chinese.

“In and out, right, Captain?” Zoe said.

All Mal could do was raise his hands and nod for the others to do the same.

End Part Two

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“Shiny in the Black”: A FIREFLY Christmas! (part one)

It’s a Christmas tradition here at Byzantium’s Shores! I rarely commit acts of fanfiction, but…this is one of them. If Firefly had ever had a “Very Special Christmas Episode”, I think it might well look like this. Enjoy! It’s in four parts; they will run each Monday this month.

Take my love, take my land
Take me where I cannot stand
I don’t care, I’m still free
You can’t take the sky from me
Take me out to the black
Tell them I ain’t comin’ back
Burn the land and boil the sea
You can’t take the sky from me
There’s no place I can be
Since I found Serenity
But you can’t take the sky from me…

Captain Malcolm Reynolds was usually the first one to exit his bunk in the morning, which, coupled with the fact that he was also usually the last one to retire to his bunk at night, went a long way to making him the way he was. Even on mornings like this one, when the night before he and the rest of his crew had been up abnormally late celebrating a score on Persephone, he was up before anyone else, no matter how much his head throbbed and the metallic taste of too much bad whiskey filled his mouth. But on this morning, as he climbed up the ladder to the hallway and shuffled toward the mess, he slowly realized that he wasn’t the first one up this time. Someone was in the mess already, and they were singing. Mal could make out the words – “God rest ye, merry gentlemen…” — and he inwardly sighed. On a typical day, Mal needed at least three cups of green tea before he was ready to deal with Shepherd Book. Today he figured to need six cups before he felt ready to talk to anyone.

“Ah! Good morning, Captain! There’s water on the stove, just off the boil, if you’re looking for tea.” The Shepherd beamed.

“Yeah,” Mal said. “I’ll get to the tea in just a moment, Shepherd, but just now I’m a bit flummoxed as to why there’s a tree in the corner of my mess.”

“Oh, that,” said the Shepherd. “I hoped you wouldn’t mind. Just a little something I picked up before we left Persephone yesterday.”

“I didn’t notice you bringing a tree on board?”

“Yes, I was worried about how to sneak it onto the ship, when I realized that God had provided me a perfect way to get it past your eyes.”

“And that was….”

“You and Jayne were ripping drunk. Zoe and Wash and the Doctor carried you on board. You weren’t noticing anything last night.”

“I wasn’t that drunk!”

“Maybe, Captain, but you got out of bed and came all the way to the mess wearing your gun, your slippers, and a pair of women’s underwear.”

“Oh.” Mal staggered over to the stove. “I think I’m gonna have that tea now, while you explain why there’s a gorram tree on my gorram boat.”

“There’s no need for language, Captain.” The Shepherd folded his hands in front of his chest, in that prayerful stance that Mal hated. Of course, Book well knew that the Captain hated it when he took that tone, which is why he did it so much more often now. Mal just grunted as he fumbled in the cupboard for his favorite mug and the tea leaves.

“Hand me the kitchen robe,” Mal said.

“Certainly.” Book opened another cupboard and pulled out a bundle of cloth, which he tossed to the Captain. This was the ‘kitchen robe’, a bathrobe that Mal kept stashed in the mess just for situations like this. He put on the robe as his tea steeped, and just in time, too, because that’s when Zoe and Wash arrived. Zoe looked all cleaned up and ready to go, as did Wash, even if no one could tell because Wash generally looked all cattawumpus, with his unbuttoned shirt over a tank top, shorts, and sandals.

“Well, this is very nice,” Zoe said. “Care to let us know what you’re wearing underneath the kitchen robe, sir?”

“I do not,” said Mal. “And you can stop laughing. We’ve all had mornings like this.”

“Not laughing, sir.”

“You laugh on the inside,” Mal countered.

“It’s true, honey,” said Wash. “You do. I, on the other hand, plan to laugh joyously out loud at our Captain and his self-induced plight.”

“I hold my liquor better than you,” Mal said.

“I never get much chance to develop my skills in that regard,” Wash replied, “seeing as how somebody‘s gotta be sober enough to fly the ship. Speaking of which, do we have a destination, Captain?”

“Can I drink my tea first before I think about business?”

“Certainly, sir.”

Shepherd Book took a step forward. “I actually have a few thoughts as to that–“

“Ooooh, pretty!” And with that, everyone turned to greet Kaylee, who had just arrived in the mess as well, wearing a freshly cleaned pair of overalls over a shirt with little red hearts all over it. “I didn’t know we could grow trees on board!”

“We can’t grow trees on board,” Mal said. “This here is a flight of fancy by the good Shepherd, who I’m sure will be explaining himself momentarily.”

“Well, I like it,” said Kaylee. “It’s shiny.”

“It’s not shiny yet, actually,” said Book. “It will be, after we decorate it.”

“Decorating?” Mal said. “A tree?”

“Yes sir,” said Book.

“So just the fact that there’s a tree on my boat isn’t even the strangest part of this whole business?”

“It’s not strange, Captain,” said Book. “It’s a tradition.”

“Preacher, you got any notion as to how many weird things people do are explained by casual use of the word ‘tradition’?” Mal sipped his tea. “That explains a lot of your whole ‘Shepherding’ job, you know.”

“Traditions become traditions because they mean something to people,” Book said. “You’ve got some traditions yourself, Captain.”

“Name one.”

“For one, your finding of an Alliance-friendly bar every year on Unification Day. And also your overindulgence every time we get a little more money for a job than you’d planned.” He smiled. “At least this tradition doesn’t involve a headache and the burning of another set of clothes.”

“Yeah, well, I’ll be taking that explanation now, if you don’t mind.”

“Certainly, Captain. It all began on–“

He was interrupted by a loud burst of raspy Chinese as Jayne Cobb staggered into the mess. “Smells like a ruttin’ forest in here,” Jayne said when he’d finished cursing in Chinese.”I hate forests. They remind me of my grandmother.”

This, as did many things Jayne said, made everyone stop talking and stare at him.

“What? Oh, I suppose you all think that forests are nice places filled with happy little creatures. Like one of Kaylee’s storybooks.”

“I don’t read ‘storybooks’,” Kaylee protested. “I’m not a child, Jayne. I’m an engineer and I’m a woman with all the needs of a woman, like—”

“Stop! Please!” Mal burst out. “You know I don’t want to hear about that, Kaylee.”

“Sorry, Captain.”

“Wash, can you just get us in the air, please?”

“I wanted to hear about this tree first,” Wash said. “I mean, since you haven’t given us a destination yet for our next job and all.”

More silence, until Zoe cleared her throat.

“By any chance, Captain, did you think to line us up a new job when we finished the old one?”

Mal shrugged. “I had other things on my mind last night,” he said.

“I’ll say,” said the newest arrival into the mess. “Although I don’t think he was exactly thinking with his mind last night.” It was Inara, who looked typically resplendent in her kimono-like morning robe. “Was she memorable, Mal?”

“Well, she–“

“You don’t remember her, do you?”

“You know, I think we’ve all got off the main topic here, which is why there’s a gorram tree on my boat!”

“Well, Captain,” said Book, “as I tried to start explaining–“

“A Christmas tree,” said yet someone else. Tensions went up as the voice of the ever-enigmatic River Tam cut through. “We had a Christmas tree at the institute. The men there said there would be presents. That was before they started the mental probes.”

River stood there in the doorway, with her brother, Simon the good doctor, standing behind her.

“River?” Simon said. “Do you remember something?”

“I remember everything,” River said. “I just choose when to talk about it.”

“So,” Simon said, “you know what the tree is?”

“I just said so,” River replied. “It’s a Christmas tree. But it’s naked. It needs decorations to make it shiny.”

“Ah,” said Book. “You see, Kaylee? That’s what I was getting at. We’ll decorate it.”

“With what?” Kaylee asked.

“Oh, all sorts of things,” said Book. “Ornaments made of painted glass. Little lights. Popcorn that we put on strings. And I even have a figurine of an angel for the very top of the tree.”

Jayne cleared his throat. “Anybody else here havin’ a hard time figurin’ out who’s crazier here, the Shepherd or the Doc’s sister?”

“I don’t think it sounds crazy,” said Kaylee. “I think it sounds nice.”

“It kind of does,” said Wash. Noticing Zoe giving him a skeptical glance, he went on, “What? I’ve been saying for years that this boat could use some more color on it.”

“My boat’s got all the color it needs,” said Mal. “Look, people, next person other than the Shepherd who talks is on mess patrol for a month. Shepherd, explain this. You’ve got until I finish my cup of tea, and if your explanation ain’t convincing, you’re the one on mess patrol.”

“A hard bargain as always, Captain,” said Book. “It’s an Old Earth tradition. The Bible tells us that one day, God decided to come into the world in the form of an infant, so he could save his people. Ever since then, believers have celebrated that night by doing things like exchanging gifts, and bringing trees into their homes to decorate. That’s what I’m doing here.”

“Shepherd,” Mal said, “didn’t I once tell you that God ain’t welcome on the Serenity?”

“You did, Captain. But it’s my belief that God is here, whether you consider him welcome or not.”

“Well, be that as it may, you’ve brought a tree onto my ship without asking me.”

“Would you have said ‘yes’?”

“No, but that ain’t the point. I like to be asked anyway. It’s my ship.”

“I just thought…it might be a source of pleasure for us,” Book said. “You don’t have to believe to celebrate.”

“You said somethin’ about exchangin’ gifts,” Jayne said. “What’s that?”

“Well,” Book said, “we could each randomly select a member of the crew and get that person a gift.” He noticed the scowl on Mal’s face. “Or not.”

“We should,” Kaylee said. “We don’t do enough nice things for one another.”

“I let you all stay on board,” Mal said. “That’s nice of me.”

“And your hospitality is known throughout the ‘Verse,” Inara said. “That’s why so many people flock to us to give us money.”

“Yeah,” Mal said, “I’m a loving man. But as to the money thing, you said something about a job, preacher? You got a lead for us?”

“I do,” said Book. “Of a sort.”

“Of a sort? The paying sort?”

“Not as such, no.”

“Then what is it?”

“There’s an orphanage on Haven,” Book said.

Lot of orphanages on Haven,” Jayne pointed out.

“Yes, but as it happens, I know this orphanage particularly well.” Book looked like he was remembering something…but then he snapped back to the moment. “I would simply like for us to take some of our recently abundant bounty – not all of which was obtained through means the authorities would entirely smile upon – and use it to purchase supplies for the orphanage. We would then deliver said items to the orphanage in time for an upcoming festival.”

“Supplies?” Mal asked.

Book nodded. “Food, clothing, and…toys.”

“Toys?” Mal repeated.

Jayne frowned. “And we’re doin’ this in exchange for what?”

Book just smiled.

“No way,” Jayne said. “No way, uh-uh. No way I’m givin’ some of my ruttin’ money to some bunch of orphans. Ain’t my fault they ain’t got no home. Let ’em grow up, find work, and make an honest livin’.”

“Is anyone besides me,” Simon said, “unusually touched by Jayne’s newfound belief in making an honest living?”

“Shut up, Doc,” Jayne said. “Least I ain’t hidin’ behind a slip of a girl.”

“No,” River said. “You hide behind a gun that you gave a girl’s name.”

Jayne’s only response to that was a grumbled growl.

“Let me get this straight, preacher,” Mal said. “You want us to spend some of the money we’ve fought and scrimped for and use it to give stuff to children? And you want us to do this on a time frame of…what?”

“Three days, Captain.”

“Three days. And we’re doing all this with no reward for us?”

“Not all rewards come in the form of money, Captain.”

“The ones that keep this boat in the air do,” Mal said.

“Come on, Captain!” Kaylee said. “I, for one, would like to do a job for once that don’t make me feel like I need a shower after.”

“Maybe we put it to a vote of the crew?” Simon offered.

Mal glared at him. “My ship ain’t a democracy,” he said. “But…Jayne?”

“Can’t decide, Mal,” he said. “Normally I’d be against this sort of stuff, but I’m thinkin’ that if we don’t do it, Kaylee here’ll be complaining about it for months. Might well be worth doin’ to keep her quiet.”

“Thanks, Jayne,” Kaylee said. “But really, it’ll feel good. Don’t you all want to feel good about something for once? I mean, feel good about something other than stealin’ from the Alliance?”

“There’s other things to feel good about?” Jayne asked.

Mal turned to his second in command for help. “Zoe?”

“I don’t know, Captain,” Zoe replied. “Normally I’m siding with you, but right now, I find myself a bit swayed by Kaylee’s youthful exuberance.”

“I can’t believe I’m even considering this,” Mal said.

Shepherd Book put a hand on Mal’s shoulder. “I think that maybe some part of you is seeking redemption,” Book said.

Mal glared at him.

“Not really helping your cause there, preacher,” Zoe said.

Book removed his hand.

“If we do this,” Mal said, “I’ve got some conditions. Kaylee, you are not allowed to badger me for an optional ship’s part for one month. Shepherd, you will do all cooking and mess duty for the same month. Jayne, one word that this job makes me soft, and I’m shooting you out the airlock.”

“What about me, Captain?” Inara asked, purposely blinking her beautiful eyelashes as she did so.

“Uh…I’ll think of something,” Mal said. “All right, Shepherd, where are we going first?”

“To buy some toys,” Book said. “Which means a trip to Ariel.”

“Wash, you heard the man. Let’s get in the air. I’m gonna go clean up. Can’t believe I’m doing this….” And with that, Mal left the mess to return to his bunk. Wash and Zoe headed for the bridge, and Kaylee left for the engine room. River gave Shepherd Book a look of reproach.

“You didn’t tell him the part about the elfin-man dressed in red who flies through the sky to give the children their presents,” she said.

“On the whole,” Book replied, “I figured it best to leave that part out of it.”

“Yeah,” Simon said. “That was…probably wise.”

Minutes later, Serenity lifted off and flew away from Persephone and toward Ariel.

End Part One

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The Millennium Falcon Flies Again!

Unless you live in some kind of cave, you’re aware that there’s a new Star Wars movie coming out in a year, and that the first teaser trailer erupted upon the world today.

And if you’re not aware of those things, hey! There’s a new Star Wars movie coming out in a year, and the first teaser trailer erupted upon the world today!

Here’s the trailer:


And here’s a breakdown, shot-by-shot.

A few thoughts:

:: I like the look of the new hero (?) and the heroine (?). A stormtrooper unhelmeted, and the lady who rides the odd-looking speeder bike.

:: The tech looks Star Warsish, but also different: the R2-unit-like droid with the rolling body, for one, and the heavy-duty speeder bike.

:: X-wing fighters roaring across a lake: cool!

:: OK, this particular thing seems to be generating the most discussion I’m seeing online, which is very weird considering this film is the seventh in a series of space opera flicks that feature more and more gonzo weaponry each time out. I’m referring to the Sith lightsaber we see ignited, by the shadowy figure in the forest; it appears to have two little lightsaber wristguard things, which is indeed rather odd. But we only catch a glimpse of this weapon, so maybe there’s logic here that we don’t know yet.

:: The trailer sounds like Star Wars, not just the ships, but the sound of the speeder bike and the Imperial droid language heard in the background as we see the unhelmeted stormtrooper.

:: Finally: the Millennium Falcon. Wow. Even with the arrival of the Prequels, I never thought I’d see that ship on the big screen again! The longest continuous shot in the trailer, which is as it should be, as that’s the biggest payoff. (By the way: Remember how in the Battle of Endor, Lando got the Falcon‘s dish antenna knocked off while navigating the Death Star’s superstructure? It’s been replaced with a sleeker square dish!

And just because I’m curious, I’m sure it’s already been linked over at Metafilter, so let’s see how many comments it takes before someone rips on the Prequels or George Lucas! Answer: Technically, zero, since the poster who links the trailer in the first place gets it right out of the way! But in the comments proper (which number 205 as of this writing): It happens in the very first comment, and then the thread devolves from there into a lot of folks whose faith in everything has been wrecked by three movies they didn’t like (and yet they still watch the trailer and comment a lot). Fancy that.

I guess it’s still true:

Episode VII has a title. Let's mark the day by bitching about THE PHANTOM MENACE! #StarWars

Anyway, I’m excited. I’ve noted many a time that while I had problems with JJ Abrams’s Star Trek movies, his direction was not one of them, and neither was his cast. I maintain my optimism pretty much because I did not hate the Prequels, and because somebody had the good sense to keep Orci and Kurtzman (the writers who are in the process of ruining Trek) the hell away from Star Wars.

Obviously, we’ll see — but my hopes are high.

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What’s in a title?

So I was scrolling through Instagram the other day, and I happened upon a new photo on the Official Star Wars Instagram feed:

And thus was the Actual Title of Star Wars Episode VII introduced to the world. Interesting!

Jason is less than thrilled with this title:

I hate to be one those fans, you know, the ones who seem to derive more pleasure from bitching about the thing they supposedly love than, you know, actually enjoying it, but I have to admit I am… not impressed. It’s become somewhat axiomatic that the prequel titles — The Phantom MenaceAttack of the Clones, and Revenge of the Sith –  were ridiculous and clunky (and there are even some who say the same of the original trilogy titles, A New HopeThe Empire Strikes Back, and Return of the Jedi), but I disagree. I liked them from the start, because they evoked the saga’s origins in the old Flash Gordon cliffhanger serials of the 1930s, whose episodes had titles like “The Unseen Peril” (sound familiar?), “The Prisoner of Mongo,” and “Doom of the Dictator.” They have an enthusiastically pulpy sound that I personally find appealing. The Force Awakens, on the other hand… the tone is off, to my ear. It sounds very much like the title of a fan film to me, so many of which seem to be sooooo self-consciously serious, at least in my experience of them.

I can kind-of see his point. It does sound slightly generic, and besides, can the Force really be said to awaken, if it really is an energy field created by all living things? “Awakens” seems to imply that the Force can go dormant, which isn’t entirely in line with my understanding of things. But anyway, I suppose we’ll see.

Mainly, I’m just bugged that they missed so obvious an opportunity to stick to the X of the Y pseudo-tradition in Star Wars titles. They didn’t even have to change the concept: Star Wars Episode VII: Awakening of the Force.

Titles of series items are interesting things. Some creators take an approach of similarity or formula when titling things, so we get the Indiana Jones films being Indiana Jones and the X, although the less said about the ham-fisted retconning of the first Indy film into Indiana Jones and the Raiders of the Lost Ark, the better. The Harry Potter books all take a similar approach: Harry Potter and the [Magical MacGuffin], and Robert Ludlum’s three-word titles (The Parsifal Mosaic, The Matarese Circle, The Matlock Paper) are true-form things. On the other end of the scale, there are the James Bond movies and titles, which have no traits in common from one to the next.

Teevee shows sometimes do interesting things with titles. Every episode of Friends was titled “The One With the…” or “The One When…”, in keeping with the way a lot of people of that age describe teevee shows. (“Hey, ever see the one when Ross does that dumb thing?”) Remington Steele always had the word “Steele” in its episode titles, and The Mentalist always includes a color.

My approach? I don’t try to be consistent from one title to the next. Each project has its own title, even projects within a series. It’s just better that way for me.

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Clobberin’ Time, no more?

I was never a really big fan of the Fantastic Four during my comics-reading days*, but they are one of the iconic comics team, featuring characters nearly as foundational as Superman himself.

And now, Marvel is apparently canceling The Fantastic Four, for reasons that are…give me a minute, I’m struggling to come up with an apt descriptor for them…umm…F***ING STUPID.

Sorry, but that’s really all I can think of to describe this nonsense.

(Original link via Roger.)

* When I say “my comics-reading days”, I refer to that period when I was buying individual issues of comics on a monthly basis. I didn’t stop reading comics.

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Responding to Bonding

A while back, Michael May started an exploration of James Bond, by going back to Bond’s literary roots. In the inaugural post, Michael mentioned a couple of Bond-related podcasts, one of which I’ve been listening to semi-regularly for the last few months. It’s James Bonding, and it has two comedy writers, Matt Gourley and Matt Mira (the “two Matts”), discussing the films one at a time, with guest commentary from people they know. I’ve found listening to this podcast to be an interesting distillation of everything about geek-discussion and geek-debate: sometimes it’s a blast, other times it’s totally maddening. There are times when I find myself laughing uproariously, almost to tears, and other times when I start screaming my rage-filled disagreement. Huh…after writing that, I’m starting to think that maybe it’s a bad idea for me to listen to this podcast while driving.

Listening to a podcast that focuses on any particular geek-obsession is a dangerous game. For one thing, they can’t respond, because they’re not there. So there’s no way for you to express your disagreement other than commenting on the site, or e-mailing, or Tweeting, or…writing a blog post. If you’ve ever sat by in forced silence while someone gets things WRONG!!! about your favorite thing, whether they’re genuinely wrong or they just have the totally WRONG!!! opinion, then you know the frustration. Likewise, there are times when I want them to focus on one aspect or another of the movie-in-question, be it something I really like about the film or seriously hate about it, and if the two Matts either don’t bring it up or gloss over it, the shouting starts anew. That’s just the way it is!

Also, I always have to remind myself that they’re producing a podcast and not, say, a DVD commentary. A lot of times they end up discussing earlier parts of the film in pretty gory detail, and then when it comes time to break down the ending, they mainly fly through it and then close up shop. Often times, though, the ending warrants more discussion than it gets, which I always find frustrating.

And then there’s just the plain fact that these are two people who aren’t me and who don’t always think like me, which is annoying in itself!

So yeah, listening to the James Bonding podcast is frustrating, annoying, angering…and a lot of fun. For the most part. But what’s the point of a blog if I can’t take after someone else’s opinions? So in this post I’m going to do just that, by responding to a few points they make about each film, as if I myself was a guest. Fun wow!

First off, by way of format, the way they’re approaching the films is interesting in itself. They aren’t going in strict chronological order of release; they’re alternating each week, with the odd weeks starting at Dr No and progressing forward, and with the even weeks starting at the other end, with Skyfall, and progressing backward. In the introductory installment (Episode zero), they talked through the roster of films in that way and determined that the podcast will conclude with a long series of installments on the Roger Moore era, ending with For Your Eyes Only. It’s an interesting approach, and as I write this, they have just arrived at Live and Let Die, having moved through all the Connery films (and the Lazenby one), and just finished with the Pierce Brosnan era, so that only Timothy Dalton remains.

As I note, they always have a guest or two on the show, and they always start by inquiring of their guests as to their personal relationship with James Bond. They’ve done a great job of getting a wide variety of such; they’ve had folks on who are so steeped in Bond that they have actually worked on DVD releases of the films, and they had a couple of women on who knew nothing about Bond at all, with the rest of the guests being somewhere in the middle. So it seems to me I should offer the same background info. How did I come to James Bond? Well, unlike a lot of the guests (the ones who are familiar with Bond, anyway), I didn’t come to love Bond through my father. No, it was via my mother that I discovered Agent 007.

I was born in 1971 (the year of Diamonds are Forever), but I didn’t discover Bond until 1979, when I saw teevee commercials for a movie called Moonraker. The commercials screamed out, “Bond is Back!”, but I had no idea who Bond was or what he was back from. All I knew was that this movie took place in space. There were laser guns and spaceships. For eight-year-old Star Wars fan me, this was all it took to sell me on this movie, so my mother – who apparently knew her James Bond – took me to see it. I still remember my initial confusion as the movie started – what’s with the white dots going across the screen? Who is this guy who just shot the camera, and what’s the red stuff…oh wait, that’s blood…wait, is this a space movie or what?

Moonraker doesn’t get to space until its third act, which might have bothered me, but I found the stuff leading up to that enough fun that it didn’t bug me much, and when we did get to space, well, that shit was just cool. I loved the movie, and that’s where my love of Bond started. Over the next bunch of years I would see all the remaining films, but in those days, the only way to see the Bond films was to wait for them to show up on the ABC network; they would air one every couple of months, in no set order, either. Plus, they were heavily edited, and when we moved to WNY in 1981, our reception of ABC was awful until we got cable, three or four years later. My first viewings of the Bond films were hardly ideal.

The next Bond film after Moonraker was For Your Eyes Only, which for some reason only played in the Olean, NY theaters for two weeks or so, so we missed that one. (As much as I love a lot of the movies with which I grew up, there’s no getting around the fact that the theaters in which I saw most of them all sucked. Olean’s theaters were terrible.) When Octopussy came out in 1983, though, it began my as-yet-unbroken string of having seen every single Bond film since in the theater. I’ve just consulted the list of all the Bond films, and it turns out that not until last year’s Skyfall did I reach a point where I have seen the majority of the films in the theater. Wow. (And what I wouldn’t give to see On Her Majesty’s Secret Service in a good theater!)

Along the way, at some point I read probably half of the Ian Fleming novels. I also collected the film score albums, and I also owned a James Bond trivia book at one point (I miss that book and wonder whatever happened to it), along with a couple other Bond “encyclopedia” type books. I’m not a hard core Bond fan, but I’m no slouch, either. I know my Bond lore, so it would seem that the James Bonding podcast is made for me!

However, with a series of films like this, it’s always the case that you meet other fans just as devoted whose opinions are entirely different, and that’s certainly the case with the Two Matts of James Bonding. Thus, in this post, I air my thoughts on the podcast in somewhat random order.

:: First off, this just bugs the living hell out of me, so out it comes. I’m not a huge fan of tests of geek purity. I don’t believe, much, in challenging fellow fans to tests of trivia to prove their worth. No matter what your particular geek obsession is, there is always someone out there who knows more about it. This kind of thing gets downright obnoxious: someone claims to be a comics fan and professes a preference for a certain superhero, and then some obnoxious douche sets out to prove that this person’s knowledge is not sufficiently encyclopedic about that one character to warrant that person being taken seriously at all.

But…well, for me, there are certain base things someone should know. I don’t care if someone claims to be a Star Trek fan but can’t name all the episodes of TNG, or never bothered watching past season three of Voyager or any of Enterprise at all. [Yeah, that’s me.] But if I ask a self-professed Star Trek fan to tell me the Enterprise‘s registry number, they’d better be able to come up with “NCC-1701”. They don’t need to be able to tell me what specific year any given Star Trek episode takes place in, but they at least should know that classic Trek takes place in the 23rd century and the TNG era in the 24th.

Likewise, a Star Wars fan need not know what species Yoda is, but if they can’t name the planet on which we meet Yoda, that’s a problem for future conversation. A comics fan doesn’t need to be able to name every single mutant who has ever been a member of the X-Men, but they should know that the X-Men is a team of superheroes who are mutants.

So it really, really, really bugs me when on two different occasions, the Two Matts of James Bonding can’t get right what SPECTRE stands for. In one installment, they actually Google it; in another they say it from memory, and get it wrong. This just irritates the hell out of me. True, a casual fan who likes the Bond movies because they’re fun action movies may not know it, but these aren’t casual fans. These are two guys hosting a Bond-related podcast. One of them had a Bond-themed birthday party when he turned a round number. They can recite the roster of films in order of release, with the years, but they can’t come up with “Special Executive for Counterintelligence, Terrorism, Revenge, and Extortion”. I’m sorry, but if you’re hosting a podcast based on your James Bond fandom, you need to have that in your memory bank.

:: It is refreshing to encounter Bond fans who don’t automatically take the view, which has become almost a pop-culture shibboleth, that Sean Connery was the definitive James Bond and everyone else since Connery has worked in his shadow. I’ve never believed this for one second, and when I heard the Two Matts both basically admit that Roger Moore is their favorite, I found that somewhat refreshing. However, I was subsequently a bit let down when they advanced a notion that you hear all the time these days, but which has never made a great deal of sense to me: that “favorite” does not equal “best”. Why the hell shouldn’t it? Why do we have to always hedge our bets with that weird idea? Why not just go ahead and argue that what you like is best, and that you like it because you think it’s the best? “Best” and “favorite” are different words, but they’re still just words that we use to express opinions. I often find that the “favorite versus best” distinction is a way of trying to deflect criticism.

Both Matts, when they eventually get around to ranking all the Bond actors, say that their rankings of “favorite” Bonds and “best” Bonds are different lists, which strikes me as really silly. I expect they do this so they can still put Connery at the top of a list, which is what pop culture seems to have decided that we should all be doing. I, of course, reject this.

:: So what’s my list of “best” Bonds? Here it is:

George Lazenby
Daniel Craig
Roger Moore
Timothy Dalton
Sean Connery
Pierce Brosnan

Now, breaking this down just a tad: yes, Lazenby only did one movie. And yes, there are a few times – fewer than most admit, though – when Lazenby’s status as a guy who has never acted before shows. But the fact remains that the movie he did is not just my favorite Bond movie, but one of my favorite movies of all time. It’s the most emotional of all the Bonds (only Casino Royale and Skyfall come close in sheer emotional heft), and in the scenes that carry the emotion, Lazenby nails the role. In Lazenby, we see an emotional Bond, a fearful Bond, a loving Bond, an angry Bond, a weary Bond. So I make no apology at all for liking Lazenby most of all and being sad that he didn’t continue in the role (although that means he would have been around for a really bad series of scripts).

:: That said, the Two Matts are also careful to point out that criticism that sounds harsh often sounds more negative than it really is, because the only context in which the criticism can be taken is the context of James Bond. When I rank Pierce Brosnan at the bottom of my list, it’s because I see his run of films as being the most faulty – and yet, I still enjoy watching them, for the most part. I don’t hate the Brosnan era, by any means, and I like him very much as Bond. I think he really got screwed by scripts that each had issues. Roger Moore started out the same way, but his films got a lot better toward the end.

:: Talk about differing opinions: both Matts express a good deal of fondness for Live and Let Die, which is by far my least favorite Bond movie. It’s the one I’ve rewatched the least, and I’m not sure I’ve ever owned a copy, even back in the VHS days of keeping copies of movies I taped off ABC. LaLD does have some good stuff in it – Yaphet Kotto is fantastic – and I like Roger Moore, but what’s bad in LaLD is so bad that it renders the rest of the movie nearly unwatchable. I quite literally hate that movie, and I won’t even let it play if I randomly find it on teevee.

:: Going back to Lazenby and OHMSS for a moment: several times, the Matts say that they would love to see OHMSS with Connery in the lead instead of Lazenby. This is odd, because they also indicate their view that in Thunderball and You Only Live Twice, the two films before OHMSS, Connery looked more and more bored by the whole thing. Plus, when they do the OHMSS installment, they openly state something that I’ve said for years to people who have wished for Connery in that film: they’re not sure he could have really sold Bond-in-love. Lazenby could, and did, and for that alone I’m willing to overlook a handful of wooden line-readings that mostly occur early on in the movie. Ultimately, the Two Matts (and their guest commentator on that installment) don’t really offer any real specific critiques of Lazenby, just general statements that he doesn’t have enough charisma or something. That’s not terribly convincing.

:: Missing plot details seems to happen a lot, too. Sticking with OHMSS, they wonder why Bond would follow that strange girl to the hotel at the beginning of the movie – not noticing that he didn’t follow her, but pulled into the hotel and only then recognized the distinctive car there as being the one from the odd encounter the night before.

:: The installment features guest commentators each time out, which can be a lot of fun…or not so much, depending on the commentators and their views on Bond. This is actually one of the better aspects of the series, because it always lends a fresh viewpoint to the show, and the Two Matts are careful to pick a variety of guests, some of whom are well-schooled in Bond and some of whom are less so. There are men and women featured, which is good; there was one woman who is staggeringly in love with Casino Royale, and then there was a pair of women who absolutely HATED Goldfinger, mainly because of its wild sexism. The podcast doesn’t just take the same approach and viewpoint each time out, which I appreciate.

:: On the topic of the Goldfinger installment, which got some flack from the show’s fans…that installment is a hard listen, because the two women who guested were really turned off by the movie, so much so that the installment pretty much stayed on that one topic the entire time they were talking about the film. (There’s a long stretch in the last half when they just ditch Bond for what seems like twenty minutes and talk about bartending and alcoholic drinks.) I’m of the view that you can’t really talk about Bond today without coming to some kind of grips with the sexism of the series – particularly that of the first bunch of films, and maybe even all of them – but it was still frustrating to hear Goldfinger discussed pretty much only in those terms, because, well, there’s an awful lot wrong with Goldfinger apart from the sexism. They barely touch on the fact that for most of that entire movie James Bond is almost entirely irrelevant to the action, or how a lot of the movie makes absolutely no sense (why does Goldfinger bother spelling out his plan to the criminals, since he’s killing them anyway?). I know, this puts me dangerously close to “You’re not using YOUR forum to talk about what I want you to talk about!” territory, but it was a thought that occurred to me. However, I stand by my view that you have to talk about sexism in Bond at some point, if you have any honesty at all.

:: That said, if you want to talk about sexism, racism, and other “Western exceptionalism” tropes, the movie to do it is probably You Only Live Twice. I watched that recently and there are parts of it that are downright painful.

:: The two women who hated Goldfinger actually returned, for an appearance with one of the Matts at a “James Bonding” panel discussion at some convention. The idea was for them to watch Casino Royale, and see if their opinions of James Bond changed with a more modern film whose racial and sexual mores aren’t firmly rooted in the 1950s. (Yes, Goldfinger came out in 1964, but it was very faithful to the book, which Fleming wrote in the 50s.) This has mixed results. The more outspoke of the two, a woman named Alie, rails on how ugly she thinks Daniel Craig is; they both fail to pick up pretty obvious plot points (Bond hasn’t earned his Double-O stripes at the beginning); Alie says that she didn’t really like the parkour chase because she didn’t know why Bond was chasing the guy; she refers to the scene where Bond comforts Vesper in the shower (when Vesper is almost in shock after witnessing some Bondian violence and brutality) as “the rape-shower scene”. And then, it comes out that she didn’t even watch the entire movie. That is, to me, kind of insulting, and while it’s perfectly OK to not like James Bond, or even hate him, I find it bizarre to bring someone to a podcast who hates the concept the entire podcast is built around. She even says, “This is like you hand me a plate of the best tomatoes on earth, and I hate tomatoes, so I won’t get it.” I’m thinking, “Why even go on the thing, then?” Again I’m reminded of people who hated the first two Star Wars prequels and yet still dragged themselves to see Episode III opening weekend. Plus, I generally find it a major turn-off to listen to or read commentary on movies by people who completely miss basic plot details.

:: Since I listened to this one most recently: they weren’t generally too pleased with Licence to Kill, the second of Timothy Dalton’s Bond movies. That bugged me, because this one has always been one of my favorites in the series! The criticism seems to mainly fall into the idea that LTK is too heavily influenced by the action movies of the day, such as Die Hard. I’m not sure that’s fair, since Die Hard came out the year before this movie, and I doubt had started to be an influence so early on. In fact, it’s likely that LTK was already in production, at least in the pre-production phase, when Die Hard came out. They also mention Miami Vice as an influence, but I’m not sure about that, either – that show’s feel was really not terribly evident in LTK, other than the subject matter of Latin American drug running, which was more of a heavy concern at the time of the film’s production.

I like LTK a lot because it does send James Bond off the grid a bit. It breaks formula in a lot of pleasing ways, and it does so in ways that often nudge you just a bit to remind you what the formula is. So you have James Bond on his way to stand up at Felix Leiter’s wedding, to be told that he can only accompany Felix to capture Franz Sanchez “as an observer”; you have Bond’s briefing scene with M replaced by M chewing his ass out and trying to get him to snap back to reality (only to be spurned). Q goes into the field, in what is probably a high point for Q fans in the series (I’m a Q fan, so, yay!), and you have Bond not really all that concerned with investigating a bad guy or figuring out what he’s up to. Bond doesn’t even have a plan, really – he’s just reacting to what he finds, and yet, he proves enormously resourceful, figuring out how to ingratiate himself with Sanchez and get him to kill his own allies.

The Two Matts accuse LTK of being “multiple movies”, which doesn’t strike me as fair, because the movie isn’t about a single through-line. They claim to be confused as to why a couple of “ninjas” show up at one point, but their presence is explained in the very next scene (they’re working for Hong Kong’s version of the DEA, and at this time, Hong Kong was still a British protectorate, so technically, this guy and Bond are working for the same people), and it makes perfect sense. (Also, there’s the whole thing about “ninja” being an all-purpose term for “Asian martial arts practitioner” that’s a bit troubling, but we’ll leave that for now.) The complaint seems to be that there’s this drug dealer, but then there are these “ninjas”, and then there’s some plot involving stolen Stinger missiles – the movie can’t make up its mind what it wants to be about! But that’s the wrong way to read this movie. What we have here is a Bond film with a villain who has no big scheme. Sanchez isn’t planning his own version of Auric Goldfinger’s “Operation Grand Slam”, or Max Zorin’s “Main Strike”, or Orlov’s plot to get the West to disarm Europe by detonating an A-bomb on an American Air Force base. Sanchez just wants to be the most powerful drug kingpin in Latin America, and his only plan for those missiles is to use them to make terrorist threats in order to keep American law enforcement off his back. That’s it. James Bond is injecting himself into a world that has nothing to do with the usual stuff that generally concerns him, and it makes perfect sense that he’s going to encounter a bunch of different folks along the way, each with their own goals and things they’re trying to accomplish. I like that there’s a certain slightly-disjointed quality to LTK. It works for the story being told.

It also kinda bugs me that the Two Matts didn’t comment on the wonderful character moment Q has when he uses one of his own gadgets and then, after having berated Bond in movie after movie for never returning his equipment in one piece, just tosses it aside into some weeds and walks away. I’m sure they noticed, but they didn’t mention it! Gahhh!!!

The other complaint is that Licence To Kill is somehow an homage to everything that was popular in movies at that time. You had to have a drug lord movie! You had a fight in a roadhouse, because of Roadhouse! This is all pretty silly. First of all, Roadhouse came out the same year, so it’s pretty odd to suggest that the bar fight has any basis in the Swayze movie (which is, by the way, one of the worst things ever). But to rip on Licence for its origins in the cultural trends of its time is deeply odd, since the Bond movies had been doing that for years. Star Wars bursts on the scene? Bond goes to space in Moonraker! Reagan and Thatcher come along and get everybody fired up for the Cold War again? Look! Cold-war subtext galore in For Your Eyes Only and Octopussy! Computers start becoming a big thing? Silicon Valley in A View to a Kill! Russia in Afghanistan? The Living Daylights! And it kept going after Dalton, too: the Soviet Union has fallen apart and left lots of dangerous shit behind? Step right up, GoldenEye! Media moguls become a thing? Tomorrow Never Dies! And so on and so on. This entire line of complaint makes very little sense to me, as it can be applied to probably over half the Bond films ever made, once the films stopped trying to be faithful to the novels from which they took their titles..

:: Let’s see, what else? Well, one of the Matts really doesn’t care for Pierce Brosnan as Bond. That’s certainly justifiable, although it’s hard to tell if he really has issues with Brosnan or if he just notices things that he doesn’t like about Brosnan because Brosnan’s films are so all-over-the-map. Those four movies – Goldeneye, Tomorrow Never Dies, The World Is Not Enough, and Die Another Day – probably encapsulate the most schizophrenic run of movies in the entire series. Each film has some good things in it, but each film also has some gobstoppingly awful things going on as well. Goldeneye makes out the best in their view, and I agree; in fact, the only awful thing about that movie is Eric Serra’s terrible electronica score. The next three films are really tough to figure, and I notice that the Two Matts never quite notice that Purvis and Wade, the two screenwriters behind those films (with some help along the way), seem to often have some really great ideas but always fall short in the execution.

TND gives us a villain clearly made for the 1990s, an odd blend of Ted Turner and Bill Gates, but it sends him wildly over the top. Additionally, the movie takes an interesting idea – what if Bond has to reunite with a former lover? – and pretty much does very little of anything with the notion, in favor of the first Bond film to really go whole-hog into the “Big Action Movie” style. My take on TND has always been that it’s a movie I enjoy as an action movie, but as a Bond movie, it suffers. It takes a real “blunt force” approach, when the first time Bond meets the bad guy, he basically walks in and says, “I’m a spy and I know that you had that boat sunk and I’m gonna stop you.” Erk.

And then there’s TWINE, which is a movie that, like LaLD, has a lot of great stuff in it along with some awful stuff. Again, a great idea – what if The Girl is also The Villain? – is bungled, because the producers either didn’t have the courage of their convictions or because they didn’t realize how good an idea that was, so we ended up with Denise Richards as The Single Worst Bond Girl Ever Ever Ever (And Don’t Even Try Citing Tanya Roberts Because I’ll Take Her Any Day And Twice On Sundays Over Denise Richards). That, and this movie’s pacing is all over the map.

The less said about Die Another Day, the better – although there, too, a great idea is wasted. Here, the idea is, what if Bond is damaged or rendered untrustworthy, so that he has to work his way back into MI6’s good graces while some villain or other carries out a master plan? That’s a great idea, but the movie buggered it to hell, which is a shame, because that very idea was later done spectacularly well – in the fourth Mission: Impossible movie. (For the record, I love love love the Mission: Impossible series and pray that they keep making them. I even love the one that JJ Abrams directed from the script by Orci&Kurtzman, whom I usually hate as writers.)

:: The topic of pacing comes up a lot, and generally they seem to agree that the films are too slow and take too long. Sometimes that might be the case, but not always, and while I chafe enormously at the notion that OHMSS should have been half-an-hour shorter, I agree strongly that Thunderball‘s pacing blows. The movie takes forever to get going, and then it gets going for an hour or so, and then it screeches to a halt again with something like half-an-hour still to go.

:: I agree with one of the Two Matts (I think it’s Matt Mira): In the Craig films, they are all calling M “Mum”. Apparently this is a matter of some contention, though.

:: One awesome thing they do on this podcast is dig up alternate versions of the theme songs, of which there are far more than I ever realized. This type of thing is really fascinating! Since John Barry (and, later, David Arnold) often worked the melodies of the theme songs into the filmscores themselves, it’s interesting to note how much different Bond would sound if different songs had been used.

:: They opine that Quantum of Solace works a lot better if viewed immediately after Casino Royale. I’ll have to try that. I remember liking QoS more than most, although I, too, found that director’s work in the action sequences abysmal.

I think that just about covers all of my thoughts thus far on the James Bonding podcast. I’ll probably have more as new installments appear, but production on the podcast has drastically slowed (apparently due to work requirements on the participants), and as of this writing, there’s only one installment I haven’t heard yet, and I think this post is long enough without hearing me respond to their take on The Man With the Golden Gun. I’m still generally new to the whole podcast thing, and I find that it takes me a while to get through podcasts, because I generally listen to them when I’m driving, and my local drives aren’t very long (ten minutes to work, roughly). I drive longer on weekends, on my way to do shopping and run errands, so that’s when the bulk of my podcast listening gets done. I certainly can’t listen to podcasts while I write – that way, madness lies!

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