A Nomination for the Role of Twelfth Doctor.

As soon as I heard the news that Matt Smith is stepping down as The Doctor (on Doctor Who, you buncha non-geeks), I, like everyone else, started thinking about who should be the next Doctor. My first thought was Chiwetel Ejiofor, best known as Peter in Love Actually and the Operative in Serenity.

But I have now changed my mind, because it occurs to me that the Doctor is always shown as a fairly tall fellow.

And to that, I say, bollocks.

Is there a height requirement to being a Timelord that I don’t know about? Because if not…it’s time for a short Doctor!

Really short!

So, for the role of the Twelfth Doctor, I hereby nominate:

Warwick Davis!

And you know what? I am pretty damned serious, the more I think about it.

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Fixing the Prequels: Revenge of the Sith (part seven)

previously:

six
five
four
three
two
one


Diving right back in with both lightsaber blades ignited…or something like that. Anyway, when last we left, Palpatine had engineered Anakin Skywalker’s elevation to the Jedi Council, but the Council, angered at Palpatine’s machinations, denied him the traditional promotion to Jedi Master that usually is part and parcel of a seat on the Council. Anakin is then asked to report to the Council on the Chancellor’s dealings, which he is not comfortable doing. Then Palpatine revealed to the Jedi the location of General Grievous, forcing them to take action; he suggests that Anakin be given the assignment of going after Grievous, and again annoyed by Palpatine’s machinations, the Council gives the job to Obi Wan. So, thanks to Palpatine, Anakin’s already troubled relationship with the Jedi Order is now simmering, he’s been left behind on Coruscant to do nothing while the war enters its most critical phase, and Palpatine reveals to Anakin a Sith legend about the power to defeat death.

The die is pretty much cast at this point. Palpatine has sown the seeds of Anakin’s discontent with the Jedi, he has sown the seeds of Anakin’s temptation for power he can’t get with the Jedi, and he has sown the seeds of Anakin’s desire for action. Well done, Palpatine! All he has to do now is keep pressing.

At this point in the film, we cut from the start of the battle on Kashyyyk to Obi Wan departing Coruscant for the Utapau system, so he can investigate the report that Grievous is there. In the script, however, two scenes happen before that: a scene in which Obi Wan visits Padme, and another in which Padme meets with the Senators who are concerned over the Chancellor’s continued acquisition of power. I won’t quote either of those scenes, because they really don’t add much to the story, and I’m glad that Lucas cut them from the finished film. They’re OK, but hardly essential.

Instead, Obi Wan bids farewell to Anakin:

EXT. CORUSCANT-CLONE LANDING PLATFORM-DAY

ANAKIN and OBI-WAN walk onto a landing platform overlooking a docking bay where THOUSANDS OF CLONE TROOPS and armored weapons, tanks, etc., are being loaded onto a massive REPUBLIC ASSAULT SHIP.

ANAKIN: You’re going to need me on this one, Master.

OBI-WAN: Oh, I agree. However it may turn out just to be a wild bantha chase.

OBI-WAN starts to turn and leave.

ANAKIN: Master!

OBI-WAN stops and ANAKIN walks over to him.

ANAKIN: (continuing) Master, I’ve disappointed you. I have not been very appreciative of your training . . . I have been arrogant and I apologize . . . I’ve just been so frustrated with the Council. Your friendship means everything to me.

OBI-WAN: You are strong and wise, Anakin, and I am very proud of you. I have trained you since you were a small boy. I have taught you everything I know. And you have become a far greater Jedi than I could ever hope to be, and you have saved my life more times than I can remember. But be patient, Anakin. It won’t be long before the Council makes you a Jedi Master.

OBI-WAN starts down the ramp, then turns back.

OBI-WAN: (continuing) Don’t worry. I have enough clones with me to take three systems the size of Utapau. I think I’ll be able to handle the situation . . . even without your help.

ANAKIN: Well, there’s always a first time.

OBI-WAN laughs.

They talk for a few more minutes before ANAKIN watches OBI-WAN depart.

ANAKIN: Obi-Wan, may the Force be with you.

OBI-WAN: Good-bye, old friend. May the Force be with you.

OBI-WAN heads down a ramp toward the waiting Republic cruiser.

This is a nice little scene that I’ve always liked. The way the film ends up playing out, this is the last time Anakin and Obi Wan are together, as friends and comrades, before things go terribly awry. This, to me, only highlights the awful tragedy of what’s about to unfold, because it so completely takes the Jedi, and Obi Wan among them, by surprise. Their undoing comes from within, and they never saw it coming. I’d make an addition here, though:

As the Republic cruiser lifts away from the platform, Anakin turns to depart as well, when a Clone trooper approaches him.

TROOPER: Master Skywalker? The Chancellor is requesting you right away.

Anakin sighs.

ANAKIN: Very well.

Next is some nice banter and stuff as Obi Wan gets ready to investigate Utapau for General Grievous. No need to quote that stuff, but it’s another little character moment that I like. Real camaraderie has grown between Obi Wan and the clone troopers, at least a few of them. It’s another example of the Jedi’s complete lack of awareness of the tragedy to come.

Meanwhile, the following transpires in the script but not in the film. I’d restore it:

EXT. CORUSCANT-CITYSCAPE-CHANCELLOR’S TRANSPORT-DAY

The Chancellor’s Transport races through the city and heads for the Senate Office Building landing platform. Waiting on the landing platform is a LONE JEDI. The Transport lands, and CHANCELLOR PALPATINE emerges with FOUR ROYAL GUARDS and MAS AMEDDA. The FOUR ROYAL GUARDS move off in another direction as PALPATINE greets ANAKIN, who has been waiting for him.

PALPATINE: Well, Anakin, did you see your friend off?

ANAKIN: He will soon have Grievous’s head.

PALPATINE: We can only hope the Council didn’t make a mistake.

ANAKIN: The Council was very sure in its decision.

They exit the landing platform.

INT. CORUSCANT-SENATE OFFICE BUILDING-MAIN HALLWAY-DAY

They enter the main hallway of the Senate Office Building. They pass SEVERAL SENATORS, including REPRESENTATIVE JAR JAR BINKS from Naboo.

JAR JAR: Helloo Annie. Good en to see yousa . . .

The Gungan waves to Anakin.

ANAKIN: Hi, Jar Jar.

JAR JAR: Oopsin da Chancellor!! So sorry, Your Highness, sir.

Anakin turns back to the Chancellor. [None of this appeared in the movie, but I would not restore the Jar Jar bit. Nothing against Jar Jar, but it’s just a pointless bit.]

PALPATINE: There are rumors in the Senate about Master Kenobi. Many believe he is not fit for this assignment.

ANAKIN: Not fit? Why would anyone think that?

PALPATINE: They say his mind has become fogged by the influence of a certain female Senator.

ANAKIN: That’s ridiculous. Who?!?

PALPATINE: (slyly) No one knows who she is … only that she is a Senator.

ANAKIN: That’s impossible. I would know.

PALPATINE: Sometimes the closest are the ones who cannot see.

ANAKIN becomes worried.

PALPATINE: (continuing) Idle Senate gossip is rarely true and never accurate. I’m sure your Master will do fine. But you and I both know they should have sent you.

In the script, the deleted scenes paint a picture that Palpatine is trying to drive wedges all over the place: between Anakin and Padme, between Anakin and Obi Wan, between Anakin and the rest of the Jedi. I’d keep a very small bit of it – this bit, to be precise:

PALPATINE: Well, Anakin, did you see your friend off?

ANAKIN: He will soon have Grievous’s head.

PALPATINE: We can only hope the Council didn’t make a mistake.

ANAKIN: The Council was very sure in its decision.

PALPATINE: As they always are. Master Kenobi is capable, but you and I both know they should have sent you. Well, since the Council has decided that you are to watch me and report on my doings, you can have the pleasure of watching me meet with one group of Senators after another.

ANAKIN: Anything important?

PALPATINE: From this faction? No. Just jockeying for power when the war comes to an end. It’s all very silly…the usual business about taxation and trade routes….

ANAKIN looks bored as PALPATINE continues discussing statecraft.

Next, in the film, Anakin has another vision of Padme’s childbirth, but this one is a bit different:

INT. POLIS MASSA-MEDICAL CENTER-DREAM

PADME calls out in pain. OBI-WAN is near her and softly speaks to her.

OBI-WAN: Save your energy.

PADME: I can’t!

OBI-WAN: Don’t give up, Padme. Don’t give up . . .

That’s interesting in that he’s now seeing Obi Wan as involved somehow, as being present at the birth of Padme’s children, and not himself. This is a pretty interesting vision because that’s the one that ends up playing out, but in this context, it starts feeding into Anakin’s anxieties.

The next scene is where we really start to see some of Anakin’s internal turmoil. The scene as is works OK, but I’d still re-tool it:

INT. CORUSCANT-PADME’S APARTMENT-LANDING ROOM-DAY

ANAKIN snaps awake from the dream.

ANAKIN: No!

He is on the couch, where he had dozed off. He hears the sound of an approaching and slowing speeder, and he stands as PADME climbs out of the speeder that has just halted outside. C-3PO had been piloting.

PADME: Thank you, Threepio.

She smiles when she sees ANAKIN; they embrace and kiss.

PADME: I didn’t expect you.

ANAKIN: I had some free time, I guess. Chancellor Palpatine is in his daily meditations, and the Council doesn’t seem to think I’m to be allowed to do anything else.

PADME: It’ll be all right. You don’t always have to be on the front lines.

ANAKIN: I’m a Jedi. Yes, I do.

PADME lays down her parcels and pours a glass of water.

PADME: If you’re with the Chancellor, I’ll see you tomorrow. I’m part of a group of Senators who are meeting with him tomorrow about reducing the scale of executive power once—what is it?

ANAKIN: I sense someone familiar . . . Obi-Wan’s been here, hasn’t he?

PADME: He came by this morning.

ANAKIN: What did he want?

PADME looks at him for a moment. ANAKIN seems tense.

PADME: He’s worried about you. He wanted to talk about you before he left.

ANAKIN: Did you tell him about us?

PADME: No! But…I think he suspects. Maybe. We can trust him, though!

ANAKIN: He’s a Jedi.

PADME: You can’t trust a Jedi? Anakin, listen to yourself!

ANAKIN: You’re right…I just feel…weak. Like I’m not useful to anyone. And I shouldn’t feel that way. I’m the most powerful of all the Jedi, but I’m stuck here.

PADME tousles his hair.

PADME: Here’s not such a bad place to be.

ANAKIN: You know what I meant.

PADME: I know, but why worry about it? You said that you’re going to leave the Order when the baby comes, anyway. Is that still what you want?

ANAKIN: I want you. More than anything.

He puts his hand on her belly.

ANAKIN: I have to know that you’ll be safe from whatever is in my nightmares. I have to stop it.

PADME: Anakin, I’m sure you’re worried about nothing.

ANAKIN: I don’t think so. The Force shows me what will happen–

PADME: What might happen.

ANAKIN: I won’t let this happen, Padme. I won’t let you die.

They embrace and kiss again…not noticing the PROBE DROID outside their window.

INT. JEDI TEMPLE – MEDITATION ROOM.

MACE WINDU sits in the meditation chamber by himself, looking at holographic footage of ANAKIN and PADME kissing. Then he looks at a report on a computer screen, and shakes his head.

My purpose there is to get a lot of stuff in play: Padme’s ongoing involvement in what will become the Rebellion, Anakin’s anger at the Jedi and how it’s starting to color his perceptions of the Order itself, and his continued fear of losing his loved ones. And the fact that for all Anakin’s worrying about Obi Wan finding out about his marriage, it’s Mace Windu who knows.

Next comes the arrival of Obi Wan Kenobi on Utapau, his discovery of General Grievous there, and the start of that battle. This is one of my favorite parts of the movie, and I wouldn’t change a single thing about it. Not one bloomin’ thing. This entire sequence is just cool, from Obi Wan’s landing on Utapau (the music does this really cool rendition of the “Force Theme”), and then his jumping on the back of some beastie to ride, and then his confrontation with General Grievous which serves as a diversion as the clone troopers attack. I love this entire sequence. It’s just terrific.

Back on Coruscant, though:

INT. CORUSCANT-JEDI WAR ROOM-EARLY EVENING

KI-ADI-MUNDI, ANAKIN, YODA, MACE, CLONE COMMANDER CODY, and AAYLA SECURA talk via holograms.

CLONE COMMANDER CODY: Master Windu, may I interrupt? General Kenobi has made contact with General Grievous, and we
have begun our attack.

MACE WlNDU: Thank you, Commander. Anakin, deliver this report to the Chancellor. His reaction will give us a clue to his
intentions.

ANAKIN: Yes, Master.

ANAKIN leaves the room. COMMANDER CODY’s hologram disappears.

MACE WINDU: I sense a plot to destroy the Jedi. The dark side of the Force surrounds the Chancellor.

Kl-ADI-MUNDI: If he does not give up his emergency powers after the destruction of Grievous, then he should be removed from
office.

MACE WiNDU: That could be a dangerous move … the Jedi Council would have to take control of the Senate in order to secure a peaceful transition . . .

Kl-ADI-MUNDI: . . . and replace the Congress with Senators who are not filled with greed and corruption.

YODA: To a dark place this line of thought will carry us. Hmmmmm. . . . great care we must take.

Interesting! The Jedi are scheming to put matters right if the Chancellor does not leave his office after the war ends. I’d clarify this scene just a bit:

INT. CORUSCANT-JEDI WAR ROOM-EARLY EVENING

KI-ADI-MUNDI, YODA, MACE, CLONE COMMANDER CODY, and AAYLA SECURA talk via holograms. ANAKIN enters.

MACE WINDU: You’re late.

ANAKIN: I’m sorry, Master Windu. I was detained.

MACE WINDU: Indeed.

ANAKIN and MACE WINDU exchange glances, but nothing is said.

CLONE COMMANDER CODY: Master Windu, may I interrupt? General Kenobi has made contact with General Grievous, and we have begun our attack.

MACE WlNDU: Thank you, Commander. Anakin, deliver this report to the Chancellor. His reaction will give us a clue to his intentions.

ANAKIN: Yes, Master.

ANAKIN leaves the room. COMMANDER CODY’s hologram disappears.

YODA: It has come. The last battles of the war, these are.

MACE WINDU: I sense a plot to destroy the Jedi. The dark side of the Force surrounds the Chancellor.

YODA: Manipulated by Darth Sidious, you believe he is?

MACE WINDU: That’s the most likely way of it.

Kl-ADI-MUNDI: If Chancellor Palpatine does not give up his emergency powers after the destruction of Grievous, then he should be removed from office.

MACE WINDU: That could be a dangerous move … the Jedi Council would have to take control of the Senate in order to secure a peaceful transition . . .

Kl-ADI-MUNDI: . . . and replace the Congress with Senators who are not filled with greed and corruption.

YODA: To a dark place this line of thought will carry us. Hmmmmm. . . . great care we must take.

I think it needs to be shown that the Jedi are on the right track, but they are also one step behind, which ultimately ends up destroying them. This is an important point and a subtlety that I think often gets lost amongst Star Wars commentators: the Jedi in the Prequel Trilogy are not at their best. Indeed, they are a slow-moving train wreck. Here they are planning to act to restore the Republic’s democracy, but Palpatine will be able to use that very plot against them.

And that’s where we’ll stop. Next time, Anakin – who has been teetering on the brink – finally tips. Or…is he pushed? Hmmmmm…tune in!

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Art in SPACE!!!

I saw these two images on Tumblr yesterday, and both put me in mind of Princesses In SPACE!!! (not the actual title). The first seems like an actual possible location from the book, so I’ll keep this in mind:

This one doesn’t fit anything specific from the book(s) at all, but it does convey, to me at least, a bit of the sense of adventure that I’m trying to partly capture with these stories.

The first image is sourced on Tumblr to here, and the second, to here.

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Film Quote Friday: 2010 (The Year We Make Contact)

2010 is a fairly odd film, all things considered. It harks back to when Hollywood’s mania for sequels was just starting to get underway, and when the idea of reboots was still way off. And the idea of making sequels to films that were nearly twenty years old? And to films that are considered classics? Yup, it’s strange that this project ever got off the ground, even with a pretty decent Arthur C. Clarke novel to go by. But off the ground 2010 got, providing some answers for the extremely enigmatic 2001: A Space Odyssey.

Some would claim that the earlier film should have been left well enough alone, and its questions left to be explored by the viewer. I agree, to a point…but the problem is, as a movie in itself, 2010 really isn’t bad at all. It’s nowhere near the towering masterpiece that 2001 is, and its feel is so different that it doesn’t even feel like a sequel to the earlier movie. It feels like a sequel to a different version of the earlier movie.

Anyway, 2010 holds up well in some ways, not so well in others. As seems typically the case with movies predicting near futures, they’re mostly wrong, and what they’re really wrong about stands out like a sore thumb now. In the movie, the Soviet Union still exists, and during the film’s events, the USA and the Soviets come to the brink of nuclear war. This adds nice tension to the nature of the film’s space mission (a joint American-Soviet flight), but it’s hard to take it seriously now. But really, how unthinkable was it in 1985 that the Cold War didn’t even have an entire decade left to it?

And then there’s a little scene where Heywood Floyd (Roy Scheider) and Walter Curnow (John Lithgow) are talking about how they miss Earth, and they get onto a brief bit about the merits of the hot dogs at various ballparks. Curnow opines that the Astrodome makes good hot dogs. Little did they know that the Astrodome’s days as a functioning ballpark wouldn’t reach 2010, either! But that’s all minor stuff. The film’s character interactions are nicely done, the cast is terrific (Helen Mirren pushes her Russian accent just to the brink of being too thick to take seriously, but it works), and the visual effects are still outstanding, given the time period. 2010 is an odd film, indeed: it probably shouldn’t even exist, but it does, and on its own, it’s really not a bad little SF thriller.

Oh, yeah — this is “Film Quote Friday”, so I have to quote the movie. Fair enough. I’ve done long quotes from movies before, so this time I’ll use a very short one. The film indicates that these were the last words received on Earth via transmission from astronaut David Bowman before his disappearance from the Discovery. This line is never heard in the original film of 2001, however — but it is in Arthur C. Clarke’s original novel of 2001: A Space Odyssey. See what I mean? Strange. The quote? Well, the 2001 novel has David Bowman leave the Discovery in a pod and approach the enormous monolith that is hanging in Jovian orbit. This monolith opens up, and Bowman sends home his last report before going inside:

My God! It’s full of stars!

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Fixing the Prequels: Revenge of the Sith (part six)


previously:

five
four
three
two
one



OK, time to dive straight back in. Huzzah!!!

When last we left off, the various forces in Anakin Skywalker’s life were starting to use him as a pawn in their own various games. This was starting to have the effects we might expect, as both sides are using Anakin against the other – but Palpatine is doing it more constructively and in a way that is more likely to further his own goals. What always interests me is that of all the adult figures in Anakin’s life after Qui Gon Jinn’s death, the one who is most consistently encouraging of Anakin is Palpatine. He’s done an awful lot of heavy lifting to set Anakin up for his eventual fall.

And that brings me to an interesting speculative question: has Palpatine been planning Anakin’s seduction for twenty years?

I’m honestly not sure. On the one hand, Palpatine has shown enormous flexibility in his plans. He didn’t get bogged down when the Jedi and Queen Amidala defeated whatever his scheme for the Naboo blockade was – which seems to imply that he didn’t really care about that, one way or the other. The entire goal there was to simply get the game board arranged in such a way as to leave him in as powerful a position as possible. Mission accomplished, obviously. His plans seem so reactive, though: could he really predict Darth Maul’s defeat? Or Count Dooku’s? Likely not…but maybe so. Maybe he has been on the lookout himself, for the most powerful possible Jedi to turn. Maybe he set those earlier apprentices as ones that were doomed to defeat, and maybe he always had a backup plan ready to go for when the next one died. Palpatine has clearly been playing the long game.

And that brings us to the next scene in the film, which is one of the key scenes in the entire Star Wars saga. In this scene, Palpatine smoothly and even gracefully decides to dial it up with respect to his attempts to ingratiate himself with Anakin. He already knows that Anakin sees him as a father figure, because Palpatine has been his greatest source of consistent encouragement. Obi Wan is a teacher figure, not a father figure, and anyway, they are too close in age for Anakin to really take him completely seriously as an authority. As for the rest of the Jedi, they have made crystal clear that they’ve never really trusted Anakin, even before Mace Windu comes right out and admits it (albeit privately). Palpatine knows that Anakin is predisposed to hear him out, so now he decides to appeal to Anakin’s personal pressure points.

So here’s where Anakin joins Palpatine at the Coruscant Opera House (red text indicates material not in the final film):

INT. CORUSCANT-GALAXIES OPERA HOUSE-NIGHT

ANAKIN lands his speeder and exits.
ANAKIN runs up the stairs at the Galaxies Opera House.
ANAKIN runs through the hallway and enters Palpatine’s box, where the CHANCELLOR is sitting with Mas Amedda and Sly-Moore, watching the Man Calamari Ballet doing “Squid Lake.”

ANAKIN: You wanted to see me, Chancellor.

PALPATINE: Yes, Anakin! Come closer. I have good news. Our Clone Intelligence Units have discovered the location of General Grievous. He is hiding in the Utapau system.

ANAKIN: At last, we’ll be able to capture that monster and end this war.

PALPATINE: I would worry about the collective wisdom of the Council if they didn’t select you for this assignment. You are the best choice by far … but, they can’t always be trusted to do the right thing.

ANAKIN: They try.

PALPATINE: Sit down, (to his aides) Leave us.

ANAKIN sits next to PALPATINE. The Chancellor leans over to him.

PALPATINE: (continuing) Anakin, you know I’m not able to rely on the Jedi Council. If they haven’t included you in their plot, they soon will.

ANAKIN: I’m not sure I understand.

PALPATINE: You must sense what I have come to suspect . . . the Jedi Council want control of the Republic . . . they’re planning to betray me.

ANAKIN: I don’t think . . .

PALPATINE: Anakin, search your feelings. You know, don’t you?

ANAKIN: I know they don’t trust you . . .

PALPATINE: Or the Senate . . . or the Republic . . . or democracy for that matter.

ANAKIN: I have to admit my trust in them has been shaken.

PALPATINE: Why? They asked you to do something that made you feel dishonest, didn’t they?

ANAKIN doesn’t say anything. He simply looks down.

PALPATINE: (continuing) They asked you to spy on me, didn’t they?

ANAKIN: I don’t know … I don’t know what to say.

PALPATINE: Remember back to your early teachings. Anakin. “All those who gain power are afraid to lose it.” Even the Jedi.

ANAKIN: The Jedi use their power for good.

PALPATINE: Good is a point of view, Anakin. And the Jedi point of view is not the only valid one. The Dark Lords of the Sith believe in security and justice also, yet they are considered by the Jedi to be. . .

ANAKIN: . . . evil.

PALPATINE: . . . from a Jedi’s point of view. The Sith and the Jedi are similar in almost every way, including their quest for greater power. The difference between the two is the Sith are not afraid of the dark side of the Force. That is why they are more powerful.

ANAKIN: The Sith rely on their passion for their strength. They think inward, only about themselves.

PALPATINE: And the Jedi don’t?

ANAKIN: The Jedi are selfless . . . they only care about others.

PALPATINE smiles.

PALPATINE: Or so you’ve been trained to believe. Why is it, then, that they have asked you to do something you feel is wrong?

ANAKIN: I’m not sure it’s wrong.

PALPATINE: Have they asked you to betray the Jedi code? The Constitution? A friendship? Your own values? Think. Consider their motives. Keep your mind clear of assumptions. The fear of losing power is a weakness of both the Jedi and the Sith.

ANAKIN is deep in thought.

PALPATINE: (continuing) Did you ever hear the tragedy of Darth Plagueis “the wise”?

ANAKIN: No.

PALPATINE: I thought not. It’s not a story the Jedi would tell you. It’s a Sith legend. Darth Plagueis was a Dark Lord of the Sith, so powerful and so wise he could use the Force to influence the midi-chlorians to create life … He had such a knowledge of the dark side that he could even keep the ones he cared about from dying.

ANAKIN: He could actually save people from death?

PALPATINE: The dark side of the Force is a pathway to many abilities some consider to be unnatural.

ANAKIN: What happened to him?

PALPATINE: He became so powerful . . . the only thing he was afraid of was losing his power, which eventually, of course, he did. Unfortunately, he taught his apprentice everything he knew, then his apprentice killed him in his sleep. (smiles) Plagueis never saw it coming. It’s ironic he could save others from death, but not himself.

ANAKIN: Is it possible to learn this power?

PALPATINE: Not from a Jedi.

There is a lot to unpack here. But first, just in terms of a movie scene, it’s fantastic. The effects are there in the strange opera/ballet being performed in front of them, but for the most part, the scene is just two actors sitting and talking. Ian McDiarmid just nails it here, making Palpatine sound so fatherly, so wise, so warm – and yet, the whole time he is in complete control. Notice how subtly he is able to appeal to Anakin’s single greatest fear, without even mentioning it or saying something like “I know that you are afraid of losing Padme”. He just slides into this story about Darth Plagueis, casually dropping the bit about defeating death into the mix as if it’s never occurred to him that Anakin might have a vested interest in that bit.

And then there’s the intimation that Plagueis was killed by his apprentice, with the clear implication being that Palpatine himself was that apprentice. But most interesting is that line about Plagueis using the midichlorians to create life.

Which brings me back to the oft-derided midichlorians.

The main basis on which the midichlorians are loathed by Star Wars fandom is that by positing their existence, George Lucas has tried to make a scientific basis for what was originally a completely mystical concept.

The problem with that way of thinking is that it is incorrect.

Here is how Ben Kenobi defines the Force, the first time we hear about it, in A New Hope:

The Force is what gives a Jedi his power. It’s an energy field created by all living things. It surrounds us and penetrates us. It binds the galaxy together.

And here is what Qui Gon Jinn says about midichlorians, when we learn about them in The Phantom Menace:

Midi-chlorians are a microscopic lifeform that reside within all living cells and communicates with the Force…We are symbionts with the midi-chlorians…Without the midi-chlorians, life could not exist, and we would have no knowledge of the Force. They continually speak to you, telling you the will of the Force.

According to the fans, the two explanations are contradictory. But I don’t think that they are. Not really. There is nothing in the latter that negates anything in the former. It does add a level of complexity, but so what?

George Lucas has always been heavily influenced by Asian thinking, and not just film making styles, either. There is a great deal in the mysticism of the Star Wars films that is completely compatible with Asian mysticism – Taoism, Buddhism, and the like. When I add that to the mix, I think I see what Lucas is getting at with the midichlorians. They’re not an attempt to graft some kind of pseudo-scientific technobabbly hogwash onto what was already a perfectly-good bit of magic. What they are is an expression of a deeply Asian idea, in the way Eastern thinkers have always seen the divide between science and mysticism very, very differently than we do in the West.

In the Asian view of things, science and mysticism are one. I can’t help but think that Lucas’s thinking here is heavily influenced by the types of ideas you’ll find in books like The Tao of Physics and The Dancing Wu-Li Masters. And the idea isn’t entirely incompatible with the more poetical passages of the works of Carl Sagan, who advanced the notion that life is not something separate from the Universe, but rather an emergent property of the Universe. In this formulation, the midichlorians are therefore not some new entity thrown in for no reason, but simply the lowest level at which the interactions take place.

That’s what makes this scene interesting, because the notion – barely even hinted at – is that Darths Plagueis and Apprentice (we assume it’s Sidious) did something that caused the midichlorians to start a new biological process in the womb of Shmi Skywalker. I’ve never been sure of what to make of this, because it’s a fascinating idea that, in the context of the movies, goes absolutely nowhere. The Sith use the Force to create a living being? The implications here are utterly fascinating (did they know where Anakin was? Did they have no idea and were just waiting for him to show up? Did they create a possible hundreds of potential Sith just to see who came to the fore?), and yet, Lucas goes nowhere with it. I don’t know if he just threw it in there for the EU authors to do something with, or what.

This is why I continue to hold to my belief that the midichlorians are not a conceptual error. They are a story error. The midichlorians are the gun on the mantelpiece that never goes off. So, all things being equal, I’d excise their mention here entirely, and just leave the midichlorians the way I left them way back when I fixed TPM.

Still, I do love this scene. Palpatine has shown remarkable restraint, waiting until he knows that Anakin is already starting to feel a certain amount of disillusionment with the Jedi to start to sow some more seeds of discontent. And he does it so interestingly, couching his temptations in Anakin’s sense of morality. Villains they may be, but the Sith genuinely believe that they are the good guys.

So in the next scene, Anakin gets to present his new intelligence to the Jedi Council, in addition to Chancellor Palpatine’s suggestion that he be sent to deal with General Grievous. Of course, the Council seems rather pouty about the whole thing, and they are now in the position of seemingly denying anything just because Palpatine suggested it.


EXT. KASHYYYK-DAY

A WOOKIEE CATAMARAN flanked by WOOKIEE HELICOPTERS approaches the tree housing the HOLOGRAM AREA.

90 INT. KASHYYYK-HOLOGRAM AREA-DAY

YODA and various JEDI speak via hologram. The discussion includes OBI-WAN, MACE, AGEN KOLAR, YODA- KI-ADI-MUNDI and PLO KOON.

Kl-ADI-MUNDI: (holo) Palpatine thinks General Grievous is on Utapau. We have had no reports of this from our agents.

MACE: (holo) How could the Chancellor have come by this information and we know nothing about it? We have had contact with Baron Papanoida and he said no one was there.

ANAKIN: A partial message was intercepted in a diplomatic packet from the Chairman of Utapau.

YODA: Act on this, we must. The capture of General Grievous will end this war. Quickly and decisively we should proceed.

OBI-WAN: Does everyone agree?

All the JEDI concur.

ANAKIN: The Chancellor has requested that I lead the campaign.

They all look at ANAKIN a bit disturbed.

MACE: (a little peeved) The Council will make up its own mind who is to go, not the Chancellor.

Kl-ADI-MUNDI: Yes, this decision is ours to make.

ANAKIN is embarrassed and becomes sullen.

YODA: A Master is needed, with more experience.

MACE: Given our resources, I recommend we send only one Jedi . . . Master Kenobi.

ANAKIN: He was not so successful the last time he met Grievous.

OBI-WAN throws ANAKIN a dirty look.

ANAKIN: (continuing) No offense, my Master, but I’m only stating a fact.

OBI-WAN: Oh no, you’re quite right, but I do have the most experience with his ways of combat.

YODA: Obi-Wan, my choice is.

Kl-ADI-MUNDI: I concur. Master Kenobi should go.

YODA: I agree.

All the JEDI concur.

MACE: Very well. Council is adjourned.

ANAKIN is angry.

MACE: (continuing) Obi-Wan, prepare two clone brigades as quickly as you can. If this report is true, there’s no telling how many battle droids he may have with him.

91 INT. KASHYYYK-HOLOGRAM AREA-DAY

YODA gets out of his chair and walks to the edge of the platform.

CLONE COMMANDER GREE: The droids have started up their main power generators.

YODA: Then now the time is, Commander.

CLONE COMMANDER GREE: Yes, sir.

The battle begins.

92 EXT. KASHYYYK-BEACH HEAD-DAY

A WOOKIEE CHIEFTAIN lets out a roar as the Wookiee army rushes to face the DROID ARMY. CORPORATE ALLIANCE TANK DROIDS race across the water against the WOOKIEES and CLONE TROOPERS on the beach. DROID GUNSHIPS provide air support, while a SPIDER DROID emerges from the watery depths. A brave WOOKIEE places an explosive on a SEPARATIST TANK and jumps off just before the TANK EXPLODES. From the Hologram Area, Yoda observes the ongoing battle.

I like the bit there in which Anakin takes a shot at Obi Wan’s Jedi fighting skills (not included in the film, obviously). But the main thrust of this scene is that the Council is going to resist what they see as Palpatine’s machinations, unaware as they are that Palpatine’s true purpose is to keep the Council pushing Anakin to be as resentful as possible. They play right into Palpatine’s hands, over and over and over again. What might have been, had they decided to just let Anakin have that assignment?

One last note: I love the Thai-influenced design of the planet Kashyyyk. Getting to finally see that planet is a nice reward. (No, we did not see it on the Holiday Special. That did NOT happen.)

And that’s where we’ll stop for this time. Stay tuned to see Anakn get closer and closer to Darthiness!

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Fixing the Prequels: Revenge of the Sith (part five)

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Again, it’s been a while since we did this, and I’ve been lax for mainly the same reasons: work on other projects, and the continued calcification of the view that the Prequel Trilogy is utter garbage. It seems that the only way to get commentary about the PT noticed online is to simply find some way to repackage the same, tired, old “The PT sucks and Lucas is a hack!” narrative. But for the sake of completeness, I suppose I should tilt at this windmill until I’m done…which is what I’m going to do. (I’ve already written several of the next posts in this series.) Perhaps a re-energizing of Star Wars fandom in the wake of the franchise’s transition in ownership from George Lucas to the hands of the Disney folks will lead to a re-evaluation of the Prequels…which might lead to a discovery of this blog series. A guy can dream, can’t he? So on we go!

When last we left off, we had completed the rescue of Chancellor Palpatine and were heading into the political part of the story. In my version, Anakin has already told Padme that when their child is born, he will leave the Jedi order; but Palpatine has already started his plotting, beginning with invoking some ancient law to appoint Anakin directly to the Jedi Council (which Anakin interprets to mean that he will, at long last, be made a Jedi Master). Meanwhile, Padme has been approached by several Senators who have strong concerns about the direction Palpatine is leading the Republic.

So: at this point in the film, Anakin stands before the Council after his appointment. It doesn’t go as well as he hopes. (Red text indicates material not in the film; blue text indicates stuff I’m adding on my own.)


INT. CORUSCANT-JEDI TEMPLE-HALLWAY OUTSIDE COUNCIL CHAMBERS-DAY

ANAKIN stands pensively (I’d have him pacing, actually.) in front of the Jedi Council Chambers. The door opens.

83 INT. CORUSCANT-JEDI TEMPLE-COUNCIL CHAMBERS-DAY

ANAKIN enters and stands in the middle of the room. He is surrounded by the Jedi Council MACE WINDU, EETH KOTH OBI-WAN, YODA, the HOLOGRAMS of PLO KOON and KI-ADI-MUNDI.

MACE: Anakin Skywalker, we have approved your appointment to the Council as the Chancellor’s personal representative.

ANAKIN: I will do my best to uphold the principles of the Jedi Order.

YODA: Allow this appointment lightly, the Council does not. Disturbing is this move by Chancellor Palpatine.

ANAKIN: I understand.

MACE: You are on this Council, but we do not grant you the rank of Master.

Anakin reacts with anger.

ANAKIN: What? ! How can you do this?? This is outrageous, it’s unfair . . . I’m more powerful than any of you. How can you be on the Council and not be a Master?

[I’m glad that Lucas excised that one sentence, there. It really makes Anakin sound whiny and entitled. The focus instead should be on the idea that just being on the Council should make him a Master, not on his power.]

MACE: You are powerful, and you have accomplished a great deal. No one here questions this. But it is the Council’s decision who becomes a Master, not the Chancellor’s, and there is no dusty ancient law in any book that he can use to make it so. Take a seat, young Skywalker.

ANAKIN: Forgive me, Master.

ANAKIN goes and sits in one of the empty chairs. Everyone is embarrassed. KI-ADI-MUNDI WHO APPEARS AS A HOLOGRAM, speaks.

Kl-ADI-MUNDI: We have surveyed all systems in the Republic, and have found no sign of General Grievous.

YODA: Hiding in the Outer Rim, Grievous is. The outlying systems, you must sweep.

OBI-WAN: It may take some time . . . we do not have many ships to spare.

MACE: We cannot take ships from the front line.

OBI-WAN: And yet, it would be fatal for us to allow the droid armies to regroup.

YODA: Master Kenobi, our spies contact, you must, and then wait.

Kl-ADI-MUNDI: What about the droid attack on the Wookiees?

MACE: It is critical we send an attack group there, immediately!

OBI-WAN: He’s right, that is a system we cannot afford to lose. It’s the main navigation route for the southwestern quadrant.

ANAKIN: I know that system well. It would take us little time to drive the droids off that planet.

MACE: Skywalker, your assignment is here with the Chancellor, and Kenobi must find General Grievous.

YODA: Go, I will. Good relations with the Wookiees, I have.

MACE: It is settled then. Yoda will take a battalion of clones to reinforce the Wookiees on Kashyyyk. May the Force be with us all.

ANAKIN is disappointed.

So Anakin had thought that Palpatine’s action would instantly elevate him to the highest levels of the Jedi order…but that’s not at all how things worked out. I really like this development and always have – with this one move, Palpatine has managed to drive the already-existing wedge between himself and the Council a little bit deeper, and he has managed to position Anakin right in the middle. He knows that Anakin will find the Council’s actions insulting, and what’s more, he clearly already knew that the Council would refuse to elevate Anakin to Master. Palpatine is planting seeds with the deftness of…a Sith Lord!

What happens next:

INT. CORUSCANT-JEDI TEMPLE-MASSIVE MAIN HALLWAY AND ALCOVE-LATE AFTERNOON

ANAKIN and OBI-WAN walk through one of the massive Jedi Temple hallways. ANAKIN is furious.

ANAKIN: What kind of nonsense is this, put me on the Council and not make me a Master!?? That’s never been done in the history of the Jedi. It’s insulting!

OBI-WAN: Calm down, Anakin. You have been given a great honor. To be on the Council at your age . . . It’s never happened before. Listen to me, Anakin. The fact of the matter is you’re too close to the Chancellor. The Council doesn’t like it when he interferes in Jedi affairs.

ANAKIN: I swear to you, I didn’t ask to be put on the Council . . .

OBI-WAN: But it’s what you wanted! Your friendship with Chancellor Palpatine seems to have paid off.

ANAKIN: That has nothing to do with this.

OBI-WAN: Anakin, regardless of how it happened, you find yourself in a delicate situation.

ANAKIN: You mean divided loyalties.

OBI-WAN: I warned you there was tension between the Council and the Chancellor. I was very clear. Why didn’t you listen? You walked right into it.

ANAKIN: The Council is upset I’m the youngest to ever serve.

OBI-WAN: No, it is not. Anakin, I worry when you speak of jealousy and pride. Those are not Jedi thoughts. They’re dangerous, dark thoughts.

ANAKIN: Master, you of all people should have confidence in my abilities. I know where my loyalties lie.

OBI-WAN: I hope so . . .

ANAKIN: I sense there’s more to this talk than you’re saying.

OBI-WAN: Anakin, the only reason the Council has approved your appointment is because the Chancellor trusts you.

ANAKIN: And?

OBI-WAN: Anakin, look, I am on your side. I didn’t want to see you put in this situation.

ANAKIN: What situation?

OBI-WAN: (takes a deep breath) The Council wants you to report on all of the Chancellor’s dealings. They want to know what he’s up to.

ANAKIN: They want me to spy on the Chancellor? That’s treason!

OBI-WAN: We are at war, Anakin. The Jedi Council is sworn to uphold the principles of the Republic, even if the Chancellor does not.

ANAKIN: Why didn’t the Council give me this assignment when we were in session?

OBI-WAN: This assignment is not to be on record. The Council asked me to approach you on this personally.

ANAKIN: The Chancellor is not a bad man, Obi-Wan. He befriended me. He’s watched out for me ever since I arrived here.

OBI-WAN: That is why you must help us, Anakin. Our allegiance is to the Senate, not to its leader who has managed to stay in office long after his term has expired.

ANAKIN: Master, the Senate demanded that he stay longer.

OBI-WAN: Yes, but use your feelings, Anakin. Something is out of place.

ANAKIN: You’re asking me to do something against the Jedi Code. Against the Republic. Against a mentor . . . and a friend. That’s what’s out of place here. Why are you asking this of me?

OBI-WAN: The Council is asking you.

Hoo-boy. When I really think about it, the clarity of Palpatine’s plan really crystallizes nicely here. The Jedi don’t trust Palpatine, but he gives them a golden opportunity to have someone watching him very closely. Palpatine is banking on the fact that Anakin perceives the Council as not trusting him, when in fact, they apparently do – or enough of them to think it’s advisable to ask this of him. Palpatine knows that Anakin does not trust them, even if Anakin hasn’t yet figured this out. He’s playing on the fact that Anakin must be well aware of the Council’s long-standing suspicion of him and his abilities, going all the way back to when Qui Gon Jinn presented him to the Council as a young boy.

And thus Palpatine lays the trap for the Jedi, which they walk into, fully aware even as they do it. Is Palpatine worried about Anakin reporting his doings to the Jedi? Perhaps…but he suspects that, when it finally comes time to make the choice, Anakin will choose him instead. It’s almost as if, after years and years and years of careful plotting and reacting to events, Palpatine is finally ready to go “all in”. I’ve always thought this all very well-constructed on Lucas’s part.

Next comes a scene that demonstrates, for me, the thin line that the Jedi are walking (and they are not walking it particularly well):

INT. CORUSCANT-JEDI GUNSHIP-DAY

YODA, MACE, and OBI-WAN ride in the GUNSHIP as it heads for the Clone landing platform. Mace and Obi-Wan are sitting.

OBI-WAN : Anakin did not take to his assignment with much enthusiasm.

YODA: Too much under the sway of the Chancellor, he is. Much anger there is in him. Too much pride in his powers.

MACE: It’s very dangerous, putting them together. I don’t think the boy can handle it. I don’t trust him.

OBI-WAN: He’ll be all right. I trust him with my life.

MACE:I wish I did.

OBI-WAN: With all due respect, Master, is he not the Chosen One? Is he not to destroy the Sith and bring balance to the Force?

MACE: So the prophecy says.

YODA: A prophecy . . . that misread could have been.

OBI-WAN: He will not let me down. He never has.

YODA: I hope right you are. And now destroy the Droid armies on Kashyyyk, I will. May the Force be with you.

The GUNSHIP lands and the ramp lowers. YODA exits the GUNSHIP. MACE and OBI-WAN stand and give him a brief bow then take off in the GUNSHIP.

Again: hoo-boy. It’s like the Jedi see that something very bad is looming out there if they keep doing things this way, and then they just keep on doing things that way. This facet of the Jedi’s eventual fall – the way they brought a great deal of it on themselves, just by being clueless about things at really bad times – is an element I’ve always wished that George Lucas would have brought forward much more strongly. The Jedi fall is, to me, lines up almost perfectly, by way of metaphor, with that of the Knights Templar. If you’ve never read up on the history of the Templars, check it out…and for a good time, mentally substitute the word ‘Jedi’ for ‘Templar’ as you get close to the end.

But meanwhile: Mace, Mace, Mace, you ignorant slut. The key question here is pretty obvious: if you don’t trust Anakin – and it’s clear that Windu is not alone in his lack of enthusiasm for him – then why on Earth are you entrusting him with such a task? If you all feel that Anakin’s friendship with Palpatine is something to be concerned about, why do you not only tacitly endorse it but openly encourage it by giving him such an assignment? Even Obi Wan, who knows Anakin best and trusts him the most, thinks that Anakin is too close to Palpatine. None of the Jedi actions here really make sense, and to me they illustrate what’s most interesting about the Prequel Trilogy: that the Jedi by this time aren’t even close to being the Jedi Order in its prime. They are disastrously close to something bad happening, and while they know it’s there, they have no real idea where the threat is coming from. Right now they don’t trust Palpatine, but that he actually is the threat has not yet entered their minds.

In terms of this scene, though, I’d add something:

OBI-WAN : Anakin did not take to his assignment with much enthusiasm.

YODA: Too much under the sway of the Chancellor, he is. Much anger there is in him. Too much pride in his powers.

MACE: It’s very dangerous, putting them together. I don’t think the boy can handle it. I don’t trust him.

OBI-WAN: He’ll be all right. I trust him with my life.

MACE:I wish I did. There’s something at odds about young Skywalker. He is powerful and he has done many great things, but his thoughts and feelings are not focused on his Jedi duties.

OBI-WAN: What do you think he’s focusing on instead?

MACE: I do not know.

This will play into something a little later on, pertaining to Anakin’s eventual fall from grace.

Meanwhile, Anakin goes home to Padme, and it’s clear that the pressures on Anakin are starting to take a toll on him there, too.

EXT. CORUSCANT-PADME’S APARTMENT-VERANDA-SUNSET

Padme’s Speeder pulls up to the landing platform. CAPTAIN TYPHO escorts PADME onto the veranda, where TWO HANDMAIDENS (ELLE and MOTEE) are waiting. PADME turns to CAPTAIN TYPHO.

PADME: Thank you, Captain.

CAPTAIN TYPHO: Rest well. My Lady.

CAPTAIN TYPHO gets back into the Speeder, and it disappears into the cityscape. The HANDMAIDENS, Motee and Elle, approach PADME as the SHADOW OF A FIGURE moves in the background. C-3PO is standing nearby.

PADME: I’ll be up in a while.

MOTEE: Yes, my lady.

C-3PO stands, confused, as the HANDMAIDENS turn and exit.

C-3PO: Is there anything I might do for you, my lady?

PADME: Yes, make sure all the security droids are working. Thank you, Threepio.

The golden droid turns and exits.

PADME stands and watches the sunset. The SHADOWY FIGURE moves toward her. She senses something.

ANAKIN: Beautiful, isn’t it?

PADME jumps and turns around.

PADME: You startled me.

He sits next to her on the bench.

ANAKIN: How are you feeling?

PADME: He keeps kicking.

ANAKIN: He?! Why do you think it’s a boy?

PADME: (laughs) My motherly intuition.

She puts his hand on her belly.

ANAKIN: Whoa! With a kick that strong, it’s got to be a girl.

They laugh.

PADME: I heard about your appointment. Anakin. I’m so proud of you.

ANAKIN: I may be on the Council, but . . . they refused to accept me as a Jedi Master.

PADME: Patience. In time, they will recognize your skills.

ANAKIN: They still treat me as if I were a Padawan learner. . . they fear my power, that’s the problem.

PADME: Anakin . . .

ANAKIN: Sometimes, I wonder what’s happening to the Jedi Order . . . I think this war is destroying the principles of the Republic.

PADME: Have you ever considered that we may be on the wrong side?

ANAKIN: (suspicious) What do you mean?

PADME: What if the democracy we thought we were serving no longer exists, and the Republic has become the very evil we have been fighting to destroy?

ANAKIN: I don’t believe that. And you’re sounding like a Separatist!

PADME: Anakin, this war represents a failure to listen . . . Now, you’re closer to the Chancellor than anyone. Please, please ask him to stop the fighting and let diplomacy resume.

ANAKIN: (growing angry) Don’t ask me to do that, Padme. Make a motion in the Senate, where that kind of a request belongs. I’m not your errand boy. I’m not anyone’s errand boy!

PADME: What is it?

ANAKIN: Nothing.

PADME: Don’t do this . . . don’t shut me out. Let me help you.

ANAKIN: You can’t help me . . . I’m trying to help you.

They look in each other’s eyes.

ANAKIN: (continuing) I sense . . . there are things you are not telling me.

PADME is startled at this.

PADME: I sense there are things you are not telling me.

PADME smiles. ANAKIN is a little embarrassed.

PADME: (continuing) Hold me . . . like you did by the lake on Naboo, so long ago . . . when there was nothing but our love … No politics, no plotting … no war.

Here we have another example of a scene that works better as written than as eventually shown in the finished film, which means that it’s another case of overzealous editing. Basically we cut to the middle of a discussion of politics, with no preamble or set-up, which just doesn’t work very well at all. During this whole part of the movie, I remember thinking, “Wow, does anybody ever just sit and talk in these? Is it all politics, all the time?” And I can see that Lucas wanted to get the running time under control, but really – you’ve got to let a story breathe at times.

So I’d pick up the scene earlier and make a couple of tiny additions:

EXT. CORUSCANT-PADME’S APARTMENT-VERANDA-SUNSET

Padme’s Speeder pulls up to the landing platform. CAPTAIN TYPHO escorts PADME onto the veranda, where TWO HANDMAIDENS (ELLE and MOTEE) are waiting. PADME turns to CAPTAIN TYPHO.

PADME: Thank you, Captain. I’m sorry I’m so late. There were some informal meetings after the official business ended.

CAPTAIN TYPHO: You don’t need to explain to me, My Lady. Rest well.

CAPTAIN TYPHO gets back into the Speeder, and it disappears into the cityscape. The HANDMAIDENS, Motee and Elle, approach PADME as the SHADOW OF A FIGURE moves in the background. C-3PO is standing nearby.

PADME: I’ll be up in a while.

MOTEE: Yes, my lady.

C-3PO stands, confused, as the HANDMAIDENS turn and exit.

C-3PO: Is there anything I might do for you, my lady?

PADME: Yes, make sure all the security droids are working. Thank you, Threepio.

The golden droid turns and exits.

PADME stands and watches the sunset. The SHADOWY FIGURE moves toward her. She senses something.

ANAKIN: Beautiful, isn’t it?

PADME jumps and turns around.

PADME: You startled me.

He sits next to her on the bench.

ANAKIN: How are you feeling?

PADME: He keeps kicking.

ANAKIN: He?! Why do you think it’s a boy?

PADME: (laughs) My motherly intuition.

She puts his hand on her belly.

ANAKIN: Whoa! With a kick that strong, it’s got to be a girl.

They laugh.

PADME: I heard about your appointment. Anakin. I’m so proud of you…What is it?

ANAKIN: I may be on the Council, but . . . they refused to accept me as a Jedi Master.

PADME: Patience. In time, they will recognize your skills.

ANAKIN: They still treat me as if I were a Padawan learner. . . they fear my power, that’s the problem. And they’re angry that the Chancellor used that law in the first place. So I’m in the middle, while everything falls apart.

PADME: Anakin . . .

ANAKIN: Sometimes, I wonder what’s happening to the Jedi Order . . . I think this war is destroying the principles of the Republic.

PADME: Have you ever considered that we may be on the wrong side?

ANAKIN: (suspicious) What do you mean?

PADME: What if the democracy we thought we were serving no longer exists, and the Republic has become the very evil we have been fighting to destroy?

ANAKIN: I don’t believe that. And you’re sounding like a Separatist!

PADME: Anakin, this war represents a failure to listen . . . Now, you’re closer to the Chancellor than anyone. Please, please ask him to stop the fighting and let diplomacy resume.

ANAKIN: (growing angry) Don’t ask me to do that, Padme. Make a motion in the Senate, where that kind of a request belongs. I’m not your errand boy. I’m not anyone’s errand boy!

PADME: What is it?

ANAKIN: Nothing.

PADME: Don’t do this . . . don’t shut me out. Let me help you.

ANAKIN: You can’t help me . . . I’m trying to help you.

They look in each other’s eyes.

ANAKIN: (continuing) I sense . . . there are things you are not telling me.

PADME is startled at this.

PADME: I sense there are things you are not telling me.

PADME smiles. ANAKIN is a little embarrassed.

PADME: (continuing) We can’t let this war come between us. Not when we’ve both lost so much!

She steps into his embrace.

PADME: Hold me . . . like you did by the lake on Naboo, so long ago . . . when there was nothing but our love … No politics, no plotting … no war.

ANAKIN returns the embrace, and for a second, his expression is at peace…but then, C-3PO enters.

C-3PO: Oh! I am sorry, Master Anakin, but you have a message. The Chancellor is requesting your presence.

ANAKIN sighs.

ANAKIN: I don’t want to go.

PADME: You have to. You still have your duties.

ANAKIN: But who am I serving?

She kisses him, and they hold each other for just a moment longer.

EXT: CORUSCANT – SKY OUTSIDE PADME’S APARTMENT

Unbeknownst to them, a probe droid is hovering nearby, its camera focused on them as they complete their embrace and part, with ANAKIN walking away.

INT: CORUSCANT – JEDI TEMPLE – COUNCIL CHAMBERS – NIGHT

MACE WINDU sits alone in the Council chamber, watching a holographic feed of what the probe droid is viewing: ANAKIN and PADME embracing. MACE leans back in his chair and turns to stare at the Coruscant skyline, deep in thought.

It’s probably pretty obvious where I’m going with that last bit. George Lucas made quite clear that the real wedge, the final break, between Anakin and the Jedi would center upon Mace Windu. Here I’m drawing that out even more. He has suspicions about Anakin, and now he’s actively pursuing them.

That’s where I’ll stop here. Next time, we come in as Palpatine starts to make his move to lure Anakin away from the Jedi. Tune in!

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A few book notes

Just briefly:

:: Cetaganda is the next book up (for me) in Lois McMaster Bujold’s ongoing saga of the adventures of Miles Vorkosigan, and as usual, a fine book indeed, full of politics and intrigue and adventure as our Miles gets embroiled in the internal politics of the Cetagandan Empire, and drags his poor best friend, Ivan Vorpatril, along for the ride. I really enjoy these. I can’t really say a whole lot more than that — these books are just good, character-driven entertainment. At this point in the series, Miles is still pretty young and inexperienced, so it’s fun seeing him gain in those areas.

:: Jack Campbell’s The Lost Fleet series is, apparently, full-throttle military science fiction, following Captain John “Black Jack” Geary as he takes command of the fleet in a failing war effort and vows to bring it home. Trouble is, Geary was recently resuscitated after spending a hundred years in hibernation after completing a battle victory that has made him a legend. Thus he has to deal with the fact that his own officers treat him with worshipful reverence, which strains his relationships and fills him with dread for how morale will suffer when they realize that their hero is as human as they are.

The first book in this series, Dauntless, starts with a huge BANG, and the pacing rarely drops after the third or fourth page. Military SF doesn’t always ring my bell, but this book was terrific. I can’t wait to read more of this series!

:: Praise seems to be uniformly good to great for John Scalzi’s Redshirts, which is why I hesitate to report that I just didn’t like it. I must qualify that, however: Scalzi’s skill with characterizations and for keeping the pot boiling is still in evidence, so ultimately, I think that my reaction to this book is less a reaction to any deficiency in the execution and just that, well, this type of story just isn’t my cup of tea. Redshirts is a very meta kind of tale, meditating on the oft-cited (and equally oft-mocked) way that the poor guys in red shirts on Star Trek almost always met awful ends. Redshirts is even more ‘meta’ than Galaxy Quest, believe it or not. If you like that sort of thing, then this book will probably be up your alley. I’m not a big ‘meta-fiction’ fan, so this book just didn’t do much for me, alas.

It’s not you, Mr. Scalzi. It’s me. But I’ll keep reading your stuff!

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Shiny in the Black: A FIREFLY Christmas, part four (a repost)

(Concluding my repost of this Very Special, but not in the Blossom way, Episode of Firefly.)


part one
part two
part three


“Those aren’t toys,” Kaylee said. “Those are agricultural supplies for a new colony. Did you change the job while you were out?”

“Seal it back up,” Mal said. “That stuff is perishable, and by breaking the seal, we’ve started the decay process.”

The crew stood around, staring at the crate that was supposed to contain toys for the children of the orphanage on Haven but really contained farming seed and fertilizer that had supposedly been destined for Whitefall. Jayne and Book lifted the facing of the crate back into place and restored the seals. When they were done, Jayne stepped back and looked at Mal.

“Well, Mal, guess we got ourselves another hiccup.”

“Yeah, looks that way.” Mal muttered another curse in Chinese and then he kicked the crate for good measure.

“That won’t hurt the crate,” River said.

“It will hurt your foot if you do that again, though,” Simon said.

“So, what now?” Jayne said. “That’s it then, isn’t it?”

“I don’t know,” Mal said. “I’m thinkin’.”

Zoe cleared her throat. “Captain, you know Jonas better than any of us. How likely is he to hold this against us?”

“Worried about us having another enemy?”

“I’m running out of space on the piece of paper where I keep their names written down, sir.”

“Yeah. Preacher, how did this happen?”

“I have no idea, Captain,” said Book. “I double-checked the numbers. We had the right slot number in the warehouse. The only way this happens is if the warehouse workers put the crates in the wrong slots themselves.”

And with that, a silence settled over the crew as they realized what had happened.

“Well, this is new,” said Jayne. “Never stolen the wrong goods before.”

“Yeah, this is definitely a wrinkle we haven’t tried before,” said Mal. “All right, I’m open to suggestions.”

“Suggestions for what?” It was Wash, who had just come down from the bridge. “Everyone’s looking awfully glum here.”

“We stole the wrong goods, honey,” Zoe said.

“Now there‘s something we haven’t done before!” Wash said. “Now what?”

“See?” Mal said. “Took him all of two sentences to get up to speed on this.”

“What do we do?” Kaylee asked. “Captain?”

“Maybe the children want to play as farmers,” River offered. “They can grow their own vegetables and work the soil.”

“River,” Book said, “the orphanage is in the middle of a city that’s a hundred miles in diameter. There’s no soil except what’s in the decorative flower pots.”

“That sounds depressing,” River said. “Children need space.”

“Well, we can’t solve every problem at once,” Zoe said. “Captain, Jonas is gonna know that he can’t open the crate without breaching the shelf-life of the goods that he thinks are in there.”

“I was thinking the same thing,” Mal said. “If that’s the case, then Jonas has no idea that he’s got a crate full of toys on his ship. Which means that he’s on his way to Whitefall. He won’t know anything is wrong until Patience does. Of course, knowing Patience, she’ll have already tried to shoot him.”

“So that’s it then,” said Jayne. “We ain’t gotta do a gorram thing. Let them shoot each other and then we can sell this stuff to whoever takes over for Patience. Make back our coin, and then some.”

Mal considered this. After a moment, Shepherd Book stepped forward.

“Captain, I know that your ship is not a democracy, but I must voice my opposition to what Jayne has suggested.”

“Yeah, I thought you might,” Mal said. “Wash, go get us on a course for Whitefall. Get us there fast. We want to get there before the shooting starts.”

“You got it,” Wash said as he headed back up the stairs. “A pilot’s job is never done! Until he lands, then he’s done until the next job….”

“Zoe,” Mal said, “I’m gonna need your help figurin’ out how to approach this one. We’ve got to make a switch without both Jonas and Patience deciding that I’m cheating them.”

“Sounds like a challenge,” Zoe said.

“Why I’m givin’ it to you.”

“Wait a minute!” Jayne said. “We’re gonna try to get the toys back? Anybody else think that’s crazy?”

Simon shrugged. “I think it’s kind of shiny,” he said. Kaylee grinned at him.

“Doc, I’m gonna do somethin’ hurtful to you someday soon,” Jayne said. “Mal, how can you even consider this?”

Mal looked at Shepherd Book. “I took a job,” he said. “And even though the job’s starting to bring some trouble, truth is, that’s what jobs do. And there ain’t a job in the ‘Verse that I’m like to walk away from once I take it.”

Jayne shook his head. “I can’t ruttin’ believe this.”

“Hey, look at the bright side,” Mal said. “We’re goin’ to Whitefall to try and do business with Patience.”

“Probably be some shooting,” Zoe added.

Jayne laughed harshly. “Day’s gonna come when you’re not gonna be able to buy me off by lettin’ me shoot some folk,” he said.

Mal considered that. “Well, that’s gonna be an interesting day. Come on, Zoe. We need to brainstorm.”


***

It took them the better part of a day to get to Whitefall, which was a pretty miserable and dusty rock way out on the fringes. Malcolm Reynolds didn’t much like this world; it was run by a crusty woman named Patience who didn’t tend to practice any, and who had a nasty habit of trying to shoot him. She’d succeeded once, but the last time, Mal had got the better of her. He’d done the job, and despite some unkind words as regarding his character, he’d gotten paid. But this one was going to be tricky, no doubt about that.

“OK, Mal, we’re here,” Wash said as Whitefall loomed before the ship. “Now what?”

“Well, Patience is a woman of habit,” Mal said. “So I’m thinkin’ she’ll want to meet with Jonas in that same spot she chose to meet us in last time we were here. Good spot for an ambush. So we’ll go there and hope we’re in time to avoid some fisticuffs and general tomfoolery.”

Zoe looked at Mal. “‘Tomfoolery’, sir?”

“What? You know I like to dust off archaic words now and then.”

“Part of what makes you charming, sir.”

“Thanks for sayin’. Now, if I’m Patience, I’m puttin’ two snipers in the hills around that meeting spot, after we took care of the one she ahd there last time. And Jonas is gonna have his own sniper up there somewhere too. So Jayne and the Shepherd will take care of the snipers for us, and then we walk in and make everybody happy.”

“Aren’t we doin’ an awful lot of counting on the Shepherd to shoot people on this job?” Zoe asked.

“Probably, but that book of his is nonspecific as regards kneecaps and elbows, if I remember right. Wash, same landing spot as before.”

“Sure thing, Mal,” Wash said. “And I’ve got Jonas’s ship on the scanner now. They’re landing as we speak, two hilltops over. Looks like we got here in time.”

“It’s a Christmas miracle, Captain,” Zoe said.

Mal rolled his eyes. “Now don’t you start,” he said. “Let’s go get ready. Wash, put her down.”

“Sure thing, Captain,” Wash said.

Mal and Zoe walked down to the hold, where Jayne and Shepherd Book were waiting.

“Captain,” Book began, “I feel I should apologize for having gotten you into this business.”

“Did it with my eyes open,” Mal said. “But if you’re volunteering for a month of mess duty, I don’t think I’ll hear any objections from the rest of the crew.” He glanced around at Kaylee, Simon, River, and Inara, who all just stood there placidly. “And a month it is! All right, Zoe and me have come up with what we think is a nicely nuanced plan.”

Jayne grunted. “Book and I take out the snipers and cover you while you and Zoe try to talk some sense into Patience and Jonas?”

“Yeah, that’s about it.”

“We gotta start comin’ up with plans that don’t have quite as much ‘if’ in ’em,” Jayne grumbled.

“Every time I ask you for input, your first words are ‘I shoot them’.”

“Yeah. Not a lot of ‘if’ when the other guy’s got bullets in him.”

“OK. Get that crate ready. And Kaylee, keep the engines warm. We may need to make a fast break for it.”

“Be easier if you’d let me replace that drive inducer that I keep warning you about,” Kaylee said.

“New year’s comin’,” said Mal.


***

The scene that confronted Mal and Zoe when they peered over the edge of the knoll above Patience’s rendezvous spot was about what Mal expected: Patience sat atop her horse, while her men had Jonas at gunpoint, and Jonas’s men had Patience’s men at gunpoint. Everybody had everybody else at gunpoint.

“Whole lot of gunpoint,” Mal muttered.

“Not too late to find a desk job, Captain,” Zoe replied.

“More of us than there are of you, Jonas,” Patience said. “And I’ve got a sniper aimin’ at you right now. You’re not walkin’ away.”

“I got a man took out your sniper,” Jonas replied. “I’m not stupid, Patience. And my men are better shots than yours. Now how about you toss me the coin and we’ll be on our way?”

“All I see here is a big crate,” Patience said. “You might as well open her up and let us see the goods.”

“Suits me fine,” said Jonas. “Randy? Open it.”

Keeping his hands visible at all times, Randy popped open the crate and swung it open. “Uh, Captain?” he said.

“This some kind of joke, Jonas?” Patience asked. “That don’t look like seed and fertilizer to me.”

“What?” Jonas turned to Randy. “What is she gorram talking about?”

“This crate, sir,” Randy said. “It’s full of…toys.”

“Toys?”

“Toys, sir.”

“Toys?!“

“This some kind of joke, Jonas?” Patience sounded annoyed. “So you’re gonna dump fake goods on me after you have my money?”

Jonas looked uncomfortable.

“Do we go down now?” Zoe asked.

“Shhhh,” Mal said. “Things haven’t gone south enough yet.”

“Patience,” Jonas said. “Uhhhh….”

“I’d like to hear an explanation,” Patience said. “Before I shoot you myself.” She pulled out her pistol.

“Malcolm Reynolds cheated me!” Jonas said.

“Reynolds?” Patience’s eyebrows went up. “What’s he got to do with this?”

“Funny you should ask!” Mal called out as he rose up and sauntered over the knoll, his pistol in his hand but not aimed at anything. Zoe came behind him, her shotgun in her hand as well.

“Reynolds!” shouted both Patience and Jonas at the same time. Both also pointed their pistols at him, at the same time.

“Well there we go,” Mal said. “Two criminals suddenly united in purpose. Warms the heart, eh, Zoe?”

“Sure does, sir.”

“Mal, I’ll shoot you where you stand,” Patience said.

“And I’ll shoot you again before you hit the ground,” Jonas said.

“Sure,” Mal said. “But then you wouldn’t hear the explanation and my counter-proposal.”

“Explanation?” Jonas roared. “You switched the crates and took the good stuff! What were you going to do, let me get shot and then sell Patience the real goods?”

Mal thought. “Huh. Zoe, that might have worked.”

“Surprised you didn’t think of it, sir.”

“I gotta be goin’ soft in my old age.”

“Happens to the best of us, sir.”

“Jonas, we didn’t switch a gorram thing. The warehouse workers screwed up. Those crates were in the wrong spots. We took what we thought was our crate, but it was really yours. And you got ours, thinkin’ it was really yours. Kind of an irony, ain’t it?”

Patience rolled her eyes. “Right now I’m wondering which of you is the less competent one,” she said.

“Well, that would be him,” Mal said. “No offense, Jonas, but at least we discovered the problem and we’re here to make it right. Now here’s our proposal. We take our crate and go on our way. You get your crate, which we stashed about a mile away from here. Then you two finish your business and everybody goes away happy. Or we go away happy and you shoot each other. Whatever you prefer.”

“Or I just take all the goods and keep my coin,” Patience said. “Mal, you’re still not very bright. Neither are you, Jonas. You may have taken out one of my snipers, but I put two up there.”

“Yeah, Patience,” Mal said. “As to that, we took out Jonas’s sniper who took out your sniper. And then we took out your other sniper. So now the only two snipers up there are mine. And they’re good, believe me. Aren’t they, Zoe?”

“The best, sir.”

“Yup. So, Jonas, we’ll take this crate now. Yours is a mile that way.” He pointed. “No reason for anybody to get shot.”

“You takin’ my hauler too, Mal?”

Mal shrugged. “I suppose we can leave it behind once we get our goods back on my ship. As a good-will gesture and all.”

“Or we can come with you and make sure we get it back,” Jonas said.

Mal shrugged. “Or that,” he conceded. “We just want our goods.”

“A bunch of toys?” Jonas shook his head. “What are you up to, Reynolds?”

“I’m doin’ a job,” Mal said. “Why does everybody keep asking me that?” He turned to Patience. “Give him the coin, Patience, and go get your box and keep running your little world. Nobody needs to get shot here. It’s Christmas.”

Patience blinked. “It’s what?”

“Never mind. Just get out of here.”

Patience sighed. “Every time you show up on this world I end up losing money,” Patience said as she tossed a sack of coin to Jonas. “That crate ain’t there and I’m puttin’ a bounty on you, Mal.”

“Yeah, well, I’ve got a track record here, Patience,” Mal said. “I get you the goods and then I get paid. The way a transaction’s supposed to be. You’re the one likes shootin’ people and tryin’ to get out of paying, so I’d just as soon you rode off with your men and stopped disparaging me.”

Patience laughed. “Fine, Mal, have it your way. But if you don’t mind some advice, you need to stop expecting transactions to run the way they’re supposed to. That’s why you’re still flying around in a rustbucket.” She gestured to her men, who stood down, and then they rode off.

“She only says that because she can’t fly in a ship for ten minutes without puking,” Zoe said.

“Yeah, well, let’s get this stuff back to Serenity. We’ve still got a job to do. Jonas, if you would?”

Jonas sighed. “You heard him, men. Let’s go. Least we can with him saving our bacon on this one.”

Jonas’s men grumbled but obeyed. Mal spoke into the mouthpiece on the wire he wore under his coat. “Jayne? Preacher? You can come down now. We’re all good here.”

“How’d you know where to find us, anyway?” Jonas asked.

“Dealt with Patience before,” Mal replied. “Let’s move.”

“Did you really leave her goods a mile away?”

“Yup.”

Jonas shook his head. “You could’ve kept them, sold them someplace else. Made double profit.”

“Thought of that,” Mal said. “But I need to be able to do business. No need to make an enemy out of Patience until I have to.”

They moved the crate of toys back to Serenity, whereupon Jonas ordered his men to start back to their own ship. Mal ordered his crew to get the ship ready for departure, and then he went outside with Jonas.

“Well, Mal,” Jonas said, “it was a pleasure, as always. Now, if that’s all–“

“Not quite,” Mal said. “I’ll be taking the coin that Patience gave you.”

Jonas blinked. “What?”

“You heard me,” Mal said. “You took coin from me that wasn’t yours to take. And despite that, I still came here and saved your gorram hide. Way I see it, you owe me. Let’s square up right now. Get it over with.”

Jonas stared at him. Mal sighed.

“Jonas, you really want to see what a good draw I am? And what a good shot?”

Jonas sighed and pulled the bag of coin from his jacket pocket and flipped it to Mal. “Every time I wonder how it is you stay in business, you pull something like this out of your hat.”

“Not much of a secret,” Mal said. “I don’t set my sights too high. I just keep flyin’.”

“Yeah. Well, do me a favor and don’t tell anyone you took my coin from me.”

“As far as I’m concerned, it was a payment offered in good will.”

Jonas nodded. “Yeah, call it that. But stay away from me for a while, would you?” He lit a cigar and went to join his men. Mal turned and went aboard the ship.

“OK, Wash, let’s fly. We need to be in Haven’s air within twelve hours.”

“We can just make it,” Wash replied over the loudspeaker.

Serenity lifted off.


***

Eleven and one half hours later, they were flying toward Haven. Mal came up to the bridge, where Wash was looking at a scanner.

“So?” Mal asked. “What’s the new problem?”

Wash blinked. “I didn’t call you!”

“I know, but we’re due for the next problem with this job. What is it?”

Wash pointed to the scanner. “Alliance ship in orbit. They haven’t scanned us yet, and maybe they won’t, but if they do–“

“They might board us,” Mal said. “Then again, they might not. They’re in stationary orbit?”

“Uh-huh,” Wash said. “Right above the part of town where our Shepherd’s orphanage is.”

Mal muttered several curses in Chinese.

“That’s what I said,” Wash replied.

“All right. Let me think.” Mal thought. And then he pressed the intercom button. “Would everybody please report to the hold? You too, Inara. I need everybody.”


***

The plan was this: Mal, Zoe, and Wash would stay aboard Serenity, in stationary orbit on the other side of the planet. They would load all of the toys onto Inara’s shuttle – individually, because the shuttle wasn’t big enough for something the size of that crate – and then Inara would fly down to the orphanage in the middle of the night, when Shepherd Book assured them no one would notice something like a shuttle landing on the roof. Then, Jayne, Book, Simon, Kaylee, and River would take each toy individually to a child.

It wasn’t one of Mal’s most thought-out plans, but it was the best he could come up with on fairly short notice. Mal thought it was a decent enough plan, until Zoe said “Nice plan, sir,” which was what she usually said when she thought his plans were scenarios for utter disaster. But that was the plan, and so it was that on the night before Christmas, when all through the orphanage not a child was stirring, a shuttlecraft flown by a registered Companion came down to land on the roof.

“All right, we’re here,” Jayne said as he grabbed an armful of toys. “Let’s get this ruttin’ job over with.”

“Said with the true spirit of the day,” Shepherd Book said. “All right, everyone follow me. And keep quiet. The whole place is asleep.”

“They always knew when I was sleeping,” River said. “They knew when I was awake.”

“She’s gonna be all right, isn’t she?” Jayne asked.

“Sure,” Simon said. “Isn’t she always?”

Jayne shook his head as Shepherd Book led them across the roof and into the orphanage via the roof access door, which Book lockpicked open in seconds.

“Real great security here,” Jayne remarked.

“It’s an orphanage,” Book said. “One where everybody knows there’s nothing worth stealing.”

They went downstairs, where they found themselves in a very large room, with bunk beds running down each side, and a child sleeping in each bed.

“All right, there are four more rooms like this,” Book whispered. “Every child gets a toy.”

“Right,” Jayne said, and he ran off and started randomly sticking a toy on each bed.

“Jayne!” Kaylee protested. “You can’t do it like that! You can’t give a boy a doll!”

“Why not?” Jayne asked. “They don’t like it they can trade.”

“Just do it right,” Kaylee said.

“What kind of toys did he play with?” Simon muttered.

In this way they went through the room, distributing a toy to each child. Somehow, miraculously, they got through all of the rooms without waking a single child, giving a toy to each one, one toy to each of three hundred children.

Except the last bed, which, when Jayne approached it, he discovered was empty. No child here, just rumpled sheets. Kid probably got up to go to the bathroom, or get a drink of water. “Huh,” Jayne thought. He looked at the toy in his hand – a teddy bear – and decided that he rather liked it. He’d always wanted one when he was a kid, and never got one. And this one was real nice, with a bow around its neck and everything. So there was a toy left over. So what? Kid shoulda been there in bed. Kid’s loss. He turned and headed back for the ship.

Meanwhile, River was taking her time over each gift, gently laying it on each bed, and whispering a rhyme over each child. What made it take even longer was that she was inventing each rhyme off the top of her head. Simon wondered if he should intercede, but since she was speaking in verse about things that weren’t somehow grimly dark or eerily foreboding, he thought it was best to just let her go.

Also meanwhile, Kaylee found herself wondering if it was really fair to try to pigeonhole these kids into girl toys and boy toys. After all, her toys had been wrenches and hammers and drivers and blast drills and parts from a hundred different ship engines, and look how she’d turned out! Nothin’ to be ashamed of. It was a fine life, even if once in a while she wanted something a little more than engine parts and dirty overalls.

Also meanwhile, Inara saw that the orphanage’s one lone security guard had had his curiosity piqued by some strange noises, and he came shuffling up the stairs to find a shuttle sitting on his roof. He was about to blow an alarm whistle when she came down and silenced him with a look and a flash of leg. It always worked, especially with young men like this. Barely old enough to grow a beard. Staring at her as though he’d just seen an angel. Sad world, Haven, she thought. No wonder Companions almost never come here.

“Is there a girl you like?” she asked him.

He managed to nod.

She removed a ruby brooch from her robe and handed it to him. He gulped.

“Give this to her,” she said. “And say nothing of me tonight.”

He managed to nod, again. A major accomplishment, that. And so she sent him on his way, knowing that this would be their little secret, forever. Inara could keep secrets, and what would he say? Would he talk of the beautiful woman in the spaceship on his roof? No. Of course not. She smiled.

Finally meanwhile, Shepherd Book went all the way to the lowest level of the orphanage, where the oldest kids were. These kids were in the worst shape, the ones most likely to end up in something a bit worst than Mal’s line of work, the ones most likely to end up on the wrong end of someone’s gun or floating dead through the Black. He had little hope that a toy, just one toy, would be enough to budge more than maybe one or two of them off the trajectory their lives had them on, but lots of miracles had started from smaller stuff than a single toy. He laid each one on a bed, and tried not to linger too much over the one particular bed, the one over there on the left. On his way back up to the roof, he paused at the door to the headmaster’s apartment. He wondered if he might say hello, under other circumstances. Or if he might rather go in there with a gun instead of a bible. He lingered there only a moment and then returned to the roof.

“Are we all here?”

“We’re just waiting on Jayne,” said Simon.

“Where is he?!”

At that moment, Jayne was muttering, “Where’s the gorram stairs around here?” He’d gotten lost. It was a bigger orphanage than he’d though, and now he had no idea how to get back up to the roof. But he had to get up there, fast; the night was getting old and people would be getting up soon. He rushed around, all over the place, looking behind every door, until he found the stairs up. “‘Bout time,” he said. And then he stopped, because there was an eight-year-old girl looking at him.

“Uhhh…hi there,” he said. “You should be in bed, youngster.”

“I couldn’t sleep,” said the girl. “I have bad dreams. I wanted a drink of water.”

“Well, you got your drink, so back to bed.”

“You’re not from here,” the girl said. “Are you here to steal things?”

“No,” Jayne said. “Not this time, anyway. Maybe tomorrow, haven’t figured out the next job yet. Don’t know. Gotta keep moving.” But he didn’t move. That girl just stood there, looking at him. All big-eyed, with her tangled hair and bedrobe that wasn’t filthy but had seen better days anyway…. “I think your eyes are stuck,” he said. “I gotta go.”

“Bye,” she said. And she stood there watching as he went halfway up the stairs, where he stopped.

“Aww, gorram it,” he said as he turned back and came back down. “This is for you.” He handed her the teddy bear. “Hold onto it tight when you sleep. Might help with them dreams. I got a preacher friend who says this is Christmas, so…have a ruttin’ happy Christmas.” And then he went up the stairs, practically running up them, to get away from the girl with the big eyes.

“That all the toys?” he asked when he got on board the shuttle.

“There were about twenty or so left over,” said Simon. “I left those in a playroom.”

“We’re all ready, right?” Inara called back.

“We’re all here!” Book said. “Close her up and let’s go home.”

Inara guided the little shuttle back into the air, and up into the sky toward the planet’s other side, where Serenity lay in orbit.

“What took you so long, Jayne?” Kaylee asked.

“Got lost,” Jayne said. “And…there was a little girl. Don’t worry, I gave her a toy.”

River pointed at his shirt, his red shirt. “A man with a beard wearing red came in the night to give her a present,” she said. “Just like the old stories!”

Jayne stared at her. “What is she ruttin’ talkin’ about?”

“Nothing,” said Book.

When they arrived on Serenity, Mal was there, waiting.

“Nice work,” he said.

“Thank you, Captain,” said Shepherd Book. “I appreciate it.”

“I did a job,” Mal said. “Soon as that tree gets dry and starts dropping those sharp needles all over my mess–“

“I’ll have it down, sir.”

Mal nodded and headed for his bunk. “Nice work, everyone,” he called out. “Zoe, wake me when we get to Persephone.”


***

A few weeks later they’d done another job, and they all had a little extra money. Not a lot, but some. So they all decided to exchange gifts. Mal wasn’t sure whose idea it was, or if it even was anyone’s idea, but it seemed to happen anyway.

Zoe gave her dear husband Wash that stegosaurus figurine he’d wanted. Wash gave his beloved wife Zoe a brand new leather vest.

Shepherd Book gave Simon an old copy of a very old anatomy book, a ‘classic text’ on the subject, from Old Earth. Simon gave River a rose made out of glass, with gold leaf on the petals; she commented on the fact that it had thorns. River gave the Shepherd a new Bible, which she promised him she would leave ‘uncorrected’.

Kaylee gave Jayne a new carrying case for Vera, his favorite gun; Jayne gave Inara a robe that she knew she would look stunning in but would never ever ever wear in front of Jayne. And Inara gave Kaylee a new engine stabilizer and one of her own robes.

And Mal? He got what he always wanted. He got to keep flying.


The End
Merry Ruttin’ Christmas
and a Happy Gorram New Year!!!

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Origin: a tale of immortality

Deep in the rain forests of South America there is a secret laboratory complex that is devoted to a single project, and the result of that project is a girl named Pia. All of their work has led to the ‘creation’ of Pia, who is the first in what the scientists hope is nothing less than the complete re-engineering of the human species. And what, exactly, is so special about Pia? She is immortal.

That’s the background of Jessica Khoury’s wonderful debut novel Origin, in which Khoury explores a host of issues all the while spinning a highly engaging story of adventure and first love. It’s a very entertaining book that left a lot of questions lodged in my mind. Many of them aren’t new questions, but they’re questions that are bound to come up a lot over the next phase of human history.

What is the proper role of science?

What lengths are justified in the pursuit of scientific discovery?

To what extent should humans be biologically ‘modified’ with improvements?

And to what extent are children obliged to fulfill their own dreams and desires, and to carry out their assigned duties in the service of the dreams and desires of adults?

When we meet Pia, she is about to turn seventeen, and is on the cusp of becoming a full-fledged member of the scientific team at Little Camelot (the research facility). The entire focus of this facility, as led by a man Pia calls “Uncle Paolo”, is the development of nothing less than human immortality, which (they believe) would usher in a new golden age of humanity — a permanent golden age. How such an achievement would change humanity is mostly glossed over — there are a few discussion as to what it means to have humans stop reproducing, because they won’t need to — but that’s clearly by design on Khoury’s part, as she is depicting one of the SF’s oldest and finest tropes, the scientists meddling with things best left unmeddled, and without really working through the ethical and moral implications of their project.

Consider Pia. Khoury doesn’t entirely spell out what is meant by ‘immortality’, but she establishes that Pia cannot be harmed by normal means. She can’t even have blood drawn, because the needles will no longer puncture her skin. So, how big a bomb blast would she survive, for instance? We’re not really told, but that’s probably a good thing, as it really doesn’t have a whole lot to do with the story.

Pia’s mother seems to look on Pia with disdain, and we do learn more about their relationship as the book goes on. The novel is one of relationships across the board, each one convincingly drawn. Most central to the book is the relationship between Pia and the native boy she meets, Eio, a member of a tribe called the Ai’oans. Pia meets Eio one night when she succumbs to her desire to see beyond the boundaries of the science facility and sneaks out. In many ways, meeting Eio puts Pia sets everything to come in motion.

Khoury’s Pia is a somewhat typical teenage/young adult protagonist in that she chafes against the boundaries that have been placed upon her life. What sets Origin apart is the nature of those boundaries. They are not just imposed from without, by the scientists in control of her life (on the basis that she is literally their greatest success and she is also, for all intents and purposes, a human lab rat), but also by the very nature of her being. The possibility of love terrifies Pia, because she can’t imagine a basically unending life of always outliving those she comes to love. But she also learns that love isn’t always a force that can be ordered around.

For all the interesting questions raised in Origin, Khoury is still able to craft a book that keeps the pages turning, first during the intriguing chapters at the beginning when we’re learning about this world of hers, then in the middle part of the book when Pia is starting to really develop, and then in the kinetic and at times horrific final act, when all manner of hell breaks loose as relationships are exposed and questions are answered.

I was particularly interested that Origin doesn’t seem to be set in any real specific timeframe. What I mean by that is that Khoury keeps things grounded well enough that even as the book’s central Maguffin is the scientists’ search for immortality (which is granted by the pollen of a flower that grows in exactly one place in the rain forest), there’s a powerful sense that the book could well be happening right now…or in twenty years…or in a hundred. In terms of location, Khoury keeps the book very tightly focused. It’s an interesting choice, and it turns out that this is an excellent book to put into the hands of people whose impression of science fiction is spaceships, and lots of ‘em.

(On that very last point: reading Origin in the same year as Beth Revis’s Across the Universe and A Million Suns was a nice bit of synchronicity, given the teenage heroines in all three novels — apropos to me personally, since Princesses In SPACE!!! (not the actual title) also has a teenage girl as the main protagonist. Funny how things work out sometimes!)

I have no idea if Khoury is planning a sequel to Origin or not. I rather hope not, as the book is a fine stand-alone. And as a final bit of testimony, let me just note that I bought a copy for myself…and then, when finished, I bought another for The Daughter as one of her Christmas presents. Shhhh! Don’t tell her.

Origin is highly recommended.

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