Something for Thursday

Revisiting a favorite work of mine today, because sometimes you need to remind yourself that once in the greatest of whiles, someone on this planet really does achieve perfection. Of course, perfection is a more reasonable goal if you happen to be, say, Wolfgang Amadeus Mozart. For the rest of us, it’s something to aim at in hopes of just getting better. For Mozart, “perfection” is what happens on a startlingly regular basis. That’s what made him Mozart, after all.

I find myself liking performance by school groups and youth orchestras more and more these days, because what you might lack a little bit in polish, you tend to make up for in fresh liveliness of the musicmaking. I have a greater appreciation for flawed passion of late. Here is a chamber orchestra, with soloists, from the New England Conservatory, playing Mozart’s Sinfonia concertante for violin, viola, and orchestra in E-flat major.

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Something for Thursday

Conductor Lorin Maazel died this week, at the age of 84. He lived a fine and long musical life, and I, for one, will miss his work. Maazel conducted the very first New Year’s From Vienna concert that I ever watched, and he frequently returned to that same event over the years, and he regularly turned up on various televised classical music events. Maazel always seemed gregarious and enthusiastic about his musicmaking, and that’s a quality that is never in great enough supply, I think. Maazel never failed to convey that he really wanted you to like what he was doing.

Anyway, here is Lorin Maazel conducting The Ring Without Words, a concert version of orchestral extracts from Wagner’s great Der Ring des Nibelungen tetralogy. Thank you for so many years of great music, Maestro Maazel!


(Maazel grew up in Pittsburgh, by the way. The best things in life seem to come from either Pittsburgh or Buffalo….)

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Something for Thursday

Ahh, Hans Zimmer…one of the most vexing names in film music. It’s hard to really evaluate his influence, as his industrial approach has resulted in a strong homogenizing of the sound of movie music these days, but it’s likewise impossible to argue that he can write really good music at times. His score to Beyond Rangoon is just such a little-heard gem.

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Something for Thursday

Time for some historical epic film music from one of the very greatest of the form, Miklos Rozsa! Here is a suite from his amazing score to Ivanhoe. Not a whole lot of comment to add — Rozsa is one of film music’s immortals.

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Something for Thursday

A couple weeks ago I did some happy, upbeat songs for the Thursday Thing, so this week I’ll slow things down. Not necessarily downbeat songs, but just some slower tempi, because slow dancing is kinda nice once and again.

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Something for Thursday

It’s a bright and sunny day, and I’m in a good mood. Wow! Anyway, here are a few completely unrelated songs that are in my “Songs That Make Me Generically Happy” list. (I don’t actually have such a list, but I should make one.)


Next week we’ll balance things out with some really depressing songs!

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Something for Thursday

Last night I attended a school concert in which The Daughter was performing with her orchestra, and this work (shortened a bit) was on the program. I’ve never been the biggest fan of Jan Sibelius, but he does have his incandescent moments, and this tone poem has quite a few of them. Here is Finlandia (couple with some really nifty nature photography of Finland, so you might want to watch it on HD and in fullscreen, if that’s a viable option).


Happy Thursday, folks!

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