A Very Public Service Announcement

Well, folks, it’s time to get moving with a long-delayed project. It’s time to start serializing The Promised King, Book II: The Finest Deed. No, the book isn’t done, but I’m not going to let that stop me!

When I serialized Book I: The Welcomer over the course of 2005, I posted chapters twice a month, on the first and third Sunday of each. I won’t be able to match that frequency now, since The Finest Deed is unfinished, so I’ve elected to halve that frequency. So for the time being, I will do one chapter a month, which will appear on the first Sunday of each month.

Which means, in turn, that Chapter One will appear there this coming Sunday.

Now, if I get a good head of steam going and wind up significantly ahead of my goals, I may up the frequency occasionally to add a second chapter per month; however, I will make no promises on that score save one: I will always post in the sidebar of The Promised King‘s site the date that the next chapter will appear. This way, you won’t find that you’ve missed a chapter if you only check in monthly.

Thus, for those of you who’ve been wondering what will become of Lady Gwynwhyfar and Sir Baigent and Lord Matholyn and King Arthur in their struggles against Cwerith ap Cellamma, the Traitor King, it’ll begin Sunday, June 3. And if you haven’t read The Welcomer yet, what’s stopping you? All the chapters are there!

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Letter to a Mother, Gone to Sea


Today is International Pixel-Stained Technopeasant Day, a holiday decreed by fantasy author Jo Walton in response to Howard Hendrix, a guy who views people who put their written work online as equivalent to union scabs, or something like that. I, of course, have been putting fiction of mine online for quite a while now; see the links in the sidebar (under “Notable Dispatches”) and, of course, Book One of The Promised King.

Here is a story I wrote a couple of years ago, submitted once, and then forgot about after I stamped all over the rejection slip and cursed the editor who passed on it and vowed eternal vengeance upon him and his children. (Well, not really. But I was disappointed; I rather like the tale.) If you’re a newer reader who hasn’t read any of my fiction, I hope you like it and peruse some of my other stuff.

***

“Letter to a Mother, Gone to Sea”

Dearest Mother,

Father is gone now, and I can finally come down to the Sea. The Sisters do not know that I have come here. I know that I will have to say extra penance for taking leave, but I had to come down and offer this message to the Sea. It may never reach you, and even if it does, I may never hear your reply. I know that has to be the way of it. You are from the Sea, and Father was from the Land, and there are laws governing such unions. We don’t speak of those laws, we who now serve the One God. But some of us remember them.

I have never told anyone the truth of my birth, of what my mother truly was. Anyone I told, like Father, would wonder if I belong to the Sea, or to the Land, or perhaps both. Maybe that’s the real reason I wrote this letter, and why I have braved the anger of the Sisters to come down and give this message to the receding tide. I wonder myself which is the greater part of my soul, the Water or the Earth.

My last memory of you is probably the last memory you have of me: on the morning I turned nine, you came to the side of my bed, and you kissed me and cried one tear. Then Father carried you down to the Sea, and I never saw you again. The next day Father and I left our little home by the Sea and went to the Mountains. When I asked, he would only tell me that you were gone to your true home. I saw that the question hurt him, and for that reason I didn’t ask him again. But I long wondered why your true home was not with him or with me. Part of me still wonders that.

I watched the Sea disappear behind our wagon, a little bit at a time as the hills surrounded us, until the last bit of blue water vanished behind one more hill. The moment when I will give this message to the water will be the first time in all the days since then that I have laid my gaze upon the Sea. There are times, however, when I keep vigil in the tower chapel and the wind shifts from the north and the west, and I catch the tiniest whisper of salt on the air, and I think of you. I don’t know if any of the Sisters realize if that bit of salt on the air is even there.

Father, it turned out, had cousins up in the high country, kinsmen of whom I had never known until we arrived there. He paid what little gold he had for a tiny parcel of land, and he pledged to them the fruits of his labor for the first two years in exchange for three cattle. Father knew cattle.

The days became routine very quickly, even in the colder months. There was work, always work, and there was prayer. And we read from Father’s books. He only had the eight books to read from, but how we read from them, both of us, by the light of the candles. After three years of such work, when I was twelve, Father and I went to sell our best cattle at market, and he bought two new books. Those books, perhaps even moreso than the provisions we bought, sustained us through a very cold winter. I like to think that you and he read those books together.

But even when we read the books, Father would become very sad whenever the words would speak of the Sea.

I didn’t ask him about the Sea until I turned thirteen. It was the only time he ever became truly angry. He forbade me to ever mention the Sea again, and he made me vow to never journey to the Sea until after he was dead. I feared at first that he might actually strike me, but he didn’t. He never raised a hand to me in the years we had together. I think he was always afraid to show anger toward me, and now I know why: he was afraid that I would leave him and follow you to the Sea. Even though he took me up into the Mountains, he always knew that my way would be clear, if I needed it to be. I would merely need to follow the streams and the rivers down to the Sea. Down to you.

What else of our life up there? Sometimes we gathered with other clans. The stories that we told around their fires were tales of magic, of beasts living in the mists, of mountain hollows where thieves and brigands and outlaws lived. Father knew so many tales. Is that one reason you loved him?

And one time a King’s Man actually came riding up our road. How handsome he was in his finery! But he had come only to give us news that the old King had died, and his son had been crowned the new King. Tidings came slowly to us. Wars were over before we ever learned they had begun.

Our only other connection with an outside world was through the Brothers in the Monastery and the Sisters in their Convent. Father never really trusted them, but how I loved the music that echoed through their halls, music that had been brought here from a place called Rome, on the other side of the world, and that hadn’t been changed in something like a thousand years. In that way their music is much like the song of the Highland folk. Do you have music in your world, out there beneath the waves?

Father first became sick two winters ago, and he was never truly strong again. I think he knew from the first night of coughing that he was going to die, but he never let me see the fear in his eyes or hear the sadness in his voice. That is, he didn’t think I saw those things. But I did. He tried to hide it from me, but I always saw the pain in his body and in his heart. Sometimes he would spend a long while just gazing off into the distance. I know now that he was really looking down the Mountains, down toward the Sea.

Father became weaker and weaker as the days and months went on. He called it “the Fever”, but I think he started getting truly sick when he took you back to the Sea. I could see that Father was wasting away, and I finally knew that he was never going to get stronger when he sat down beside my bed one night and, before blowing out the candle, spoke to me of you.

I think that we both wanted to speak of you many times before that, and maybe if we had, Father’s heart might have been stronger when the Fever came, and maybe I would have found my place between the Waters and the Earth. But I was afraid that speaking of you would cause Father too much pain, and he was afraid that speaking of you would kindle in me an unquenchable yearning for the Sea. And thus he would lose me, as he lost you.

He told me how on a stormier day than the other fishermen would brave, he took his nets to sea anyway, and how he was caught in a terrible squall within sight of land. He told me how his boat sank from beneath him, and how when he himself was swamped by the waves, you came to him. He told me of the strength he felt in your arms and in your tail as you propelled him forward, toward the shore; he told me that fighting the seas and the tides and the waves and the winds nearly killed you. When he pulled himself up onto the shore at last, and took air into his lungs again, he found you beside him, near death. And though he had been told throughout his childhood that mermaids are dangerous creatures – “To care for a mermaid is to lose your heart to her forever,” the fishermen say – he brought you to his cottage and to his hearth, where he brought you back to health.

He told me how you soon took the form of a human woman and exacted that fabled price from him: you laid claim to his heart. But what the legends didn’t reveal was that a man could lay claim to the heart of a mermaid in equal measure, and that you thus became his wife, and that you bore him a child…a daughter. Me.

Father began to weep when he told how you became weaker and weaker with each passing winter that you spent on the land, within sight of the Sea but never returning to it, and he told me how he finally realized that you would have to return to the waters if you were to live. Thus he sacrificed a life with his love that she might live, though it meant that he could never see her again. Even so, the memory was too painful for him at first, and that was why he brought me to the Mountains. That, and the fear that I would be more mermaid than maiden and that I would follow you into whatever realm lies beneath the waves.

It never occurred to me, until after Father told me all this, how it must have hurt you as well. If you had decided to stay, you would have died. If you had decided to stay, you and Father would have no more been together than if you left. I suppose that Father’s choice was between you living and you dying, but to still be with you was forbidden. That is the true law of unions between man and mermaid.

Father died on the first day of Spring, as we reckoned it up there in a place where the snow still falls and ice still forms on the pools in the streams in the heights of summer. The Sisters came to us in his final hours, that he might not die unshriven, and they took me in after they buried him in the yard within their walls. They gave me sanctuary, and have asked me to become one of them. I have not yet decided. I am not certain if that is my way, or even if I shall return. I do not know what I shall feel, when I stand once more at the side of the Sea.

Father knew that I would come to the Sea, though, for his last words to me told me something that you had told him. “If you wish to speak to the mermaids,” he said, “you can only wait until one of them comes unbidden to you. But it is also said that the mermaids read the messages that are written by those true at heart, who then seal their words within a bottle and throw the bottle into the Sea. Do that, sweet Daughter. She will find your message, so long as you are true at heart.”

Father’s words are all I have now, Mother. I do not know if I am true at heart, but I hope that I am and that these words find their way to you. But you are just one mermaid, and I am just one girl, and the Sea is so very wide.

I hope that when I stand beside the waters, I realize my place. Perhaps it is beneath the waves with you, or perhaps it is amongst the hills of the Highlands. Soon I shall know. I set out for the Sea as soon as I write these last words. Perhaps you will be there, waiting for me. Perhaps.

Your Daughter

(This is the text of a letter found inside a corked bottle on a beach near Halifax, Nova Scotia, in 1957. Scientific analysis suggests that the paper on which the letter is written is over two hundred years old. It has been hypothesized that the two spots of water damage on the paper are tearmarks, but residue in one of the spots suggests that this spot may not be the tear of a human.)

~Finis~

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Tales of a Dead President

Over at Buffalonews.com, they’ve posted the nine finalists for the short story contest online, including the Grand Winner of All The Universe (ahem). Apparently they’re only up for thirty days (after which time I’ll probably post my own story here, thus ensuring its permanent location on the Interweb). The stories are as follows:

Twelve Presidents, by ME!!!
The Color of Dreams, by Jennifer Cantie
Goodnight, Ernest, by Partho Sarkar
McKinley’s Blood, by Meg Jones
The Red Carnation, by Lou Rera
One of a Set of Two, by Timothy Driscoll
Love and Anarchy, by Trudy Cusella
The Wilcox House 4, by Beatrice McManis
Far Away Places, by Cynthia Keiken

As of this writing, the only of these stories that I’ve read is Ms. Cantie’s, which I enjoyed. I’ll peruse the others over the next week or so as well.

Maybe next year’s contest will have a futuristic, Science Fiction theme; if so, I’ll set my story at the 2147 Grand Opening of Bass Pro Buffalo!

(And thanks to Sharon LoTempio of the News for the notification that the stories are online.)

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The Ecstasy of Influence

Anyone interested in the increasingly important issues of copyright and intellectual property needs to read this Jonathan Lethem essay. A brief sample:

Honoring the commons is not a matter of moral exhortation. It is a practical necessity. We in Western society are going through a period of intensifying belief in private ownership, to the detriment of the public good. We have to remain constantly vigilant to prevent raids by those who would selfishly exploit our common heritage for their private gain. Such raids on our natural resources are not examples of enterprise and initiative. They are attempts to take from all the people just for the benefit of a few.

Any text that has infiltrated the common mind to the extent of Gone With the Wind or Lolita or Ulysses inexorably joins the language of culture. A map-turned-to-landscape, it has moved to a place beyond enclosure or control. The authors and their heirs should consider the subsequent parodies, refractions, quotations, and revisions an honor, or at least the price of a rare success.

A corporation that has imposed an inescapable notion—Mickey Mouse, Band-Aid—on the cultural language should pay a similar price.

The primary objective of copyright is not to reward the labor of authors but “to promote the Progress of Science and useful Arts.” To this end, copyright assures authors the right to their original expression, but encourages others to build freely upon the ideas and information conveyed by a work. This result is neither unfair nor unfortunate.

Contemporary copyright, trademark, and patent law is presently corrupted. The case for perpetual copyright is a denial of the essential gift-aspect of the creative act. Arguments in its favor are as un-American as those for the repeal of the estate tax.

Art is sourced. Apprentices graze in the field of culture.

Any text is woven entirely with citations, references, echoes, cultural languages, which cut across it through and through in a vast stereophony. The citations that go to make up a text are anonymous, untraceable, and yet already read; they are quotations without inverted commas. The kernel, the soul—let us go further and say the substance, the bulk, the actual and valuable material of all human utterances—is plagiarism. For substantially all ideas are secondhand, consciously and unconsciously drawn from a million outside sources, and daily used by the garnerer with a pride and satisfaction born of the superstition that he originated them; whereas there is not a rag of originality about them anywhere except the little discoloration they get from his mental and moral caliber and his temperament, and which is revealed in characteristics of phrasing.

Read the whole thing. It’s brilliant.

(via)

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It’s just stringin’ words together

Well, folks, since the Buffalo News website doesn’t update until 9:00 a.m. ET, and since I don’t get home from work until around 3:30 p.m. ET, I won’t have a direct link to the Item In Question until late this afternoon. But you can get at it yourselves by directly visiting the News‘s Life and Arts section, here, and then following the links there. [UPDATE: Direct link is right here.]

What am I talking about? Well, I actually won the News‘s short story contest. This story is the first piece of my fiction that has ever appeared in print anyplace other than this blog, or my serialized novel The Promised King. This is my first nibble of success as a fiction writer, ever. So pardon me while I bask in the glory a bit.

Actually, forget it. Me basking in the glory can only, in the end, result in a scene like this:

So no basking for me. But that’s not to say that you all shouldn’t bask in my reflected glory. Bask, I say! BASK!

OK, now that we’re all done basking: regular readers of this blog know that I came within a few hours of missing the deadline for entering this year’s contest. This story did not write itself, and up until about a week before the deadline, I didn’t even have the main idea in mind. So I can’t really say where the idea finally came from. It seems kind of an obvious idea to me now, with the tale written and done with, but when I read the assignment for the contest, my only thought was, “How in the hell am I gonna write this?”

Maybe I was just out of practice. The truth is that I have written very little fiction over the last few years. A lot of that was the sapping of my energies with keeping Little Quinn alive, and then the even worse sapping of my energies following his passing. I haven’t stopped writing entirely, of course: I’ve posted here fairly consistently, and I’ve also committed a number of acts of poetry which, as they were intended for people very dear to me in “real” life, won’t ever be posted here. But fiction? This was only the second story I’ve done since Quinn died. So a lot of my difficulty may have been due to atrophied muscles, so to speak.

But those muscles now have that nice, pleasant ache that comes of doing a light workout for the first time after an extended period of inactivity. Put another way: I’m writing fiction again, bitches!

(So yes, I’ll finally get The Promised King done. I mean that. I’m going to beat that book to a bloody pulp if I have to, but it’s getting done.)

The remainder of this post will be aimed at people who are likely viewing this blog for the very first time. Some of you don’t know me from Adam; others know me by virtue of working with me at The Store. Therefore, some notes:

:: If you’re wondering right now, “What is a blog?”, think of it as nothing more than an online diary. That’s really it. There have been rivers of ink and buckets of bandwidth respectively spilled and expended over the last few years discussing what blogging is and what it’s good for and all that, but at its most basic, it’s just writing. Online. Entries called “posts” are grouped by the dates on which they were written, and presented in reverse order of “freshness”: on the main page, the post at the very top of the page is the most recent one I wrote. You can use the archive menu, which is in the sidebar somewhere (down a bit from the top of the page) to read older material; the main page only displays the last eight dates’ worth of posts. Also, in the sidebar you’ll find all kinds of stuff: links to specific older posts within this blog that give you more background about me, links to profiles of mine that appear on several other websites with which I am affiliated, a number of favorite quotes from books I’ve read, a photo of me that changes to a different photo each time the page is loaded (go ahead, hit “refresh”, and you’ll see a new photo there), another list of links to older posts of mine that I like a good deal (sort of a “greatest hits” from the five years I’ve been producing this blog), and more. If you want to explore the blog, the sidebar is the key.

(Why the self-photo? Because the vast majority of my readers have never ever met me in person, and I don’t expect that to change. Being able to put a face with the writing is always helpful.)

:: What this blog is, and what it is not: Basically, I use this space to riff on anything that I may or may not think much about. It’s literally an online diary of the “Here’s what I read today, here’s a good movie, here’s something I saw on the Web somewhere, here’s what I think about something someone else said on their blog.” This blog is not “civilian journalism”. I’m not a reporter of any kind, nor do I devote large amounts of space to discussing Buffalo politics or the goings-on in this region. While I admire (and, in some ways, envy) the efforts of other bloggers to subvert “Old Media” in this region and in the country as a whole, I’m not an activist in that regard.

This blog is one of the many ways in which I engage the world “out there”. Jeff Simon, the Buffalo News movie critic, once described a film — Cameron Crowe’s Elizabethtown, I think — as a “cinematic mix tape”. That’s kind of what my blog is: it’s a mix tape of stuff I like, with occasional rants about stuff I don’t.

:: This is not to say that I never write about politics here. I do, on occasion. I’d estimate that less than fifteen percent of my posts contain outright political content, and I post a lot, so generally you’re not going to see large amounts of politics in this space. But you will see some, so I should note that I’m pretty much a solid leftie-liberal-pinko who thinks that the world would be a lot better off had the results of the 2000 election more accurately reflected what the majority of voters in Florida actually intended to do (rather than the vagaries of what they actually did). So be aware: if your response to directly encountering Liberalism is to scream “GAHHH, get it off me!”, you will get some Liberalism on you here.

:: For any coworkers of mine who may be reading this, welcome aboard. You’ll learn a lot more about me than you might have already known by reading through what I’ve posted here over the years I’ve been doing this (five years, versus the three I’ve been working at The Store). Some of it you may find interesting; other stuff you may find dull as ditchwater. You never know. You’ll learn about the depths of my unreasoning loathing of Tom Brady, and my equally unreasoning love of George Lucas. A number of posts here will give you some idea of what life with our son Quinn was like, and other posts will make you wonder what it is that I apparently smoke in great quantities when I’m not at work.

I haven’t been keeping this blog secret in any way; I haven’t mentioned it outright, but it is publicly available, and easily found by anyone putting my name into Google. This is just an aspect of my life that I don’t discuss much in person.

Now, having said that, let me state outright my personal policy on blogging about work: I don’t do it. Period. With the exception of Mr. Wegman’s death, when I posted a tribute here, I won’t even name my workplace — I only refer to it as “The Store”. This may seem a bit extreme, but I invest more than a little time in this particular hobby, and I want it clear at all times that in no way is anything I write here ever intended as the statement of a Person Working For The Store. I never post in this space as a representative of Our Company, so nothing that happens at work shows up in this space. Period. I don’t mention my coworkers by name, and I don’t share the funny anecdotes that arise from working day-to-day with as wonderful a group of people as I do.

Of course, this is mostly to hopefully make people breathe easier. I imagine that some folks read in the News that I’m an avid blogger, and then think, “Oh, shit! I hope he didn’t blog about the time I _____!” Rest easy: No matter what you ______ and no matter how funny it was when you ______, I didn’t write about it here.

But there’s a flip side there: someone may be thinking, “Hey, isn’t the time I ______ something that would be worth writing about?” And yes, many times it was. But in the proper place. Consider the many times you’ve tried telling an anecdote about something that happened at work that was absolutely hilarious at the time it happened, and how many times you end such a story with “You had to be there, I guess.” When you think about it, just about all situational humor is of the “You had to be there” variety, so before you can make that situational stuff funny to someone who wasn’t there, you have to make them feel as if they were there. That’s what good fiction is all about. So if I ever decide to write about a napkin full of red pepper seeds, or a cat named “Boobie”, or the difficulties of finding the perfect Wayne’s World or Clerks reference for any given situation, it will be in fiction and not here. With all the names changed.

Anyway, I hope you all enjoy the blog. I imagine I’ll get lots of questions about it, that’s for sure.

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Writings Elsewhere — an Index

This is an index to writings of mine that appear online, outside of this blog.

For Green Man Review:

films:

Amadeus

music:

Skott Freedman, Some Company

Talisman, Music of Russian Princesses from the Court of Catherine the Great

Aaron Copland Omnibus

Brigadoon
(Complete Score Rerecording)

Emanuel Ax plays Haydn Piano Sonatas

Mendelssohn, Bruch: Violin Concertos (Midori, violin)

The American Tenors

Julie Powell, Heart of a Woman

Glimmer

A Laura MacKenzie Two-fer

The Lord of the Rings Trilogy: filmscores by Howard Shore

Maggie Sansone, Mystic Dance: A Celtic Celebration

Sigurd Lie: Orchestral Works

Beyond the Sunset: The Romantic Collection, Blackmore’s Night

Winter Carols, Blackmore’s Night

Tchaikovsky, Violin Concerto (Bell, Tilson Thomas, Berlin PO)
Sacred Bridges (The King’s Singers, Sarband)

Fences, The Lonesome Brothers

Where the Mangoes Are, Kate McDonnell

Big Shoes, Dave Rowe

Tidings, Allison Crowe

Secrets,
Allison Crowe

Sigurd Lie: Orchestral Works

Mystic Dance: A Celtic Celebration, Maggie Sansone

House of Flying Daggers, Shigeru Umebayashi
Hero, Tan Dun

books:

Classical Music Intro Books (omnibus)

The Lewis Barnavelt Trilogy, John Bellairs

The Bastard King, Dan Chernenko

The Royal Road to Romance, Richard Halliburton

A Winter Marriage, Kerry Hardie

Latro in the Mist, Gene Wolfe

Take Joy: A Book for Writers, Jane Yolen

The Disappearance of Sherlock Holmes, Larry Millett

Low Red Moon, Caitlin R. Kiernan

Daughter of Hounds, Caitlin R. Kiernan

A Splendor of Letters: The Permanence of Books in an Impermanent World, Nicholas Basbanes

The Last Light of the Sun, Guy Gavriel Kay

Move Under Ground, Nick Mamatas

Trouble in the Forest: A Cold, Dark Night, Tristam Kyth

The NPR Curious Listener’s Guide to Celtic Music, Fiona Ritchie

Travels with Barley:

A Journey Through Beer Culture in America, Ken Wells

Bloodline, Kate Cary
Once Upon Stilettos, Shanna Swendson

The Enclycopedia of Fantastic Victoriana, Jess Nevins

A Chalice of Wind: Balefire, book one, Cate Tiernan

The Caliph’s House: A Year in Casablanca, Tahir Shah

Ensign Flandry, Poul Anderson

Fitzpatrick’s War, Theodore Judson

Horseman: The Hollow, book one, Christopher Gordon and Ford Lytle

The Unseen, books one and two, Richie Tankersley Cusick

Freddy and Fredericka, Mark Helprin

The NPR Curious Listener’s Guide to Celtic Music, Fiona Ritchie

Trouble in the Forest, Trystam Kyth

Evenings with the Orchestra, Hector Berlioz

I also once wrote several pieces for a website on Asian pop-culture called Destroy All Monsters, but that site has since expired. I don’t know if those old pieces will surface on the replacement site, Yellow Menace, when that site relaunches sometime this year. I’ll update if those pieces turn up again.

For now, they were on the film RAN, the animes Voices of a Distant Star and Black Jack: Infection, and the manga Ranma½ (volumes 1 and 2).

UPDATED 4-14-07

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