Tuesday Tones

The recent theme here, Works Inspired By Water, will be wrapping up next week…not for lack of works to continue presenting, but because I want to move on to other things! This particular theme, which occurred to me almost randomly one day, has proven even more fruitful than I expected. It turns out that water has inspired a lot of wonderful music!

But how about a work that isn’t just inspired by water but which literally uses water as an instrument?

Enter the always fascinating Chinese-American composer Tan Dun.

Tan is a prolific composer of whose work I have both heard a lot and not enough. Throughout his career he has written a great deal of music utilizing mixtures of traditional orchestras and instruments and very, very different non-musical sound sources to create some amazing soundscapes in his work. For this piece, called Water Concerto, he incorporates sounds using water that are captivating and enervating as the piece progresses. Just looking on the scene at the beginning here, before the work even begins, is preparatory: there’s a standard orchestra there, but in front, surrounding the conductor, is a wide variety of percussion instruments along with large basins of water. The “water performer” does amazing things throughout, making this piece one that you watch as much as hear. If you are tempted to turn this off because of the lack of traditional melody, please don’t! I promise you will hear something amazing if you stick it out.

Water is an element you can’t block. You can block land, you can say this is China and this is Russia, but water has no such frontiers.

What I want to present… is music that is for listening to in a visual way, and watching in an audio way. I want it to be intoxicating. And I hope some people will listen and rediscover life’s elements, things that are around us but we don’t notice.

—Tan Dun (via)

Here is Water Concerto by Tan Dun. Next week, we conclude this exploration of Water In Music with a gigantic work indeed.

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RATE the DRAMA!!!

OK, everyone! Comment as follows: On a scale of 1 to 10, 1 meaning “a gentle No, Carla” and 10 meaning “getting swatted with a rolled-up Sunday New York Times and being sent to bed without dinner”, what level of scolding do you think Carla actually received to react like this?

Spoiler: It was no more than 2. Carla can bring the drama when she wants to.

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A thought

It seems to me that “Cops have the right to kill you if you inconvenience them in any way” is not any kind of fundamental principle for a healthy society. It is, however, an excellent fundamental principle for an authoritarian police state. An awful lot of Americans would do well to give some thought into what kind of country they really want to be living in.

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Stay warm, folks!

That’s all, really. It’s gonna be brutal.

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Something for Thursday

Here’s a movement from a Bach partita for solo violin. But what is a partita? It is simply a suite for solo instrument or voices, usually in several movements. Hey, why should everything have a complex definition?

This particular movement, the third from Bach’s Partita No. 3 for solo violin, is pretty well known, and it could be even more well-known across the universe as the centuries pass: this movement is one of the selections on the Voyager record. Cool, huh?

Here it is played by Hillary Hahn.

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Tuesday Tones

Continuing our ongoing exploration of classical music inspired by water in some way, we have this short and lovely piece by Maurice Ravel.

It took me longer than I suppose it should have to “discover” Ravel, because my introduction to him was Bolero, and that’s just bad news for anybody. Ravel’s work is so much more wonderfully colorful and pictorial than the dreary Bolero, and that is certainly true of today’s piece, Jeux d’eau

This is an early work by Ravel, and it’s sometimes considered one of the very first Impressionist works for solo piano. The title doesn’t translate well to English; literally it’s “Water Games”, but I’m not sure that works. In any event, while I generally try to ascribe specific pictorial descriptive power to music, it’s very hard to listen to Jeux d’eau and not “hear” the light shimmering on the surface of a fountain’s pool or maybe dancing on the splashes of a brook.

Ravel wrote the piece for solo piano, but it did eventually get orchestrated (multiple times, if my brief Googling is to be believed), and so I present both. The piece is only about six minutes long, you’ve got time!

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My official statement on the firing of Buffalo Bills head coach Sean McDermott

I will not be taking questions at this time.

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Sunday (last Sunday, actually) Stealing!

Now for Sunday Stealing’s quiz from last week, because I liked the questions.

1. Tell us about a time when your family got a newfangled invention (your first air conditioner, color TV, VCR, microwave, computer, etc.).

Ooooh, which one to choose! I remember our first microwave, and our first computer (a Commodore VIC-20), and even our first crockpot (which is still around, in the things that belonged to my mother).

Let’s go with the VCR. We got it in, I think, 1985. I don’t remember the brand, but it loaded through the front (many initial VCRs had the tape going into a carriage that popped up from the top of the machine). The machine had a bank of manual channel buttons running across the front where we selected the channel when we were watching through the VCR, and there was a programming process we had to go through to do it. (I don’t recall if our VCR came before we got cable down our road, or after.) It was a VHS machine; this was when people were still choosing between VHS and Beta. (For those who don’t know what this is about, with the rise of home VCRs, there were two major formats that were duking it out for market share. VHS became the standard, and Beta faded.) The first thing we recorded was an episode of Riptide, an NBC private-eye procedural show. The first movie we rented was Raiders of the Lost Ark. This was even before movie rental stores were much of a thing; that rental was from a local stereo and teevee equipment seller, and to rent a movie you had to leave a deposit of 50 bucks that you got back when you returned the tape. Later on, our town’s first actual video store opened…and they made no effort at all to classify or organize the movies in any way! You literally had to wander the entire store in hopes of seeing the movie you wanted, if you were there for a specific title. Those were fun times. I’m not particularly nostalgic for them, but I remember them with some fondness. There was a time when watching movies on clunky videotapes, forced into a 4:3 aspect ratio on low-resolution teevees (think YouTube twenty years ago), was a technological marvel. Wow.

2. Is there a particular song that sparks a childhood memory?

I’m not usually one to lock music in my mind to specific moments in time that I remember, but I will never not hear any rendition of “San Antonio Rose” and not think of my father. He loved that song and it was often on his lips.

3. What is something an older family member taught you to do?

Back in my college days, the local Hy-Vee store in Waverly would run a drawing for free turkeys every year for a few weeks before Thanksgiving, something like “Get a ticket for the drawing for every ten bucks you spend”, and one year I actually won a turkey. It was just a small 10-12 pounder, but still, hey, free turkey! My roommate had actually won one the week before and donated it, but this one I decided to actually roast up for our friends and The Girlfriend (now The Wife). But I had no idea how to do it, so I called Mom at home and got her detailed instructions as to how to make a turkey dinner. It turned out pretty good, too!

4. Back in the day, what name brands would we have found in your family’s kitchen?

Ooooh, that’s kind of tough. Campbell’s, obviously. We always had cheap Ramen on hand, but I don’t recall the brand. My parents shopped generics and store labels pretty religiously…and by generics, I mean exactly that. Rice Krispies were in a white box with black lettering that said “Crisp Rice Cereal”. There’s a brand called Shur-Fine that was in a lot of stores, if I recall correctly. The best frozen pizzas back then were by Totino’s. (I have a feeling that if I were to revisit those, I’d be grossed out big-time!) My mother always had coffee on hand; it was a staple for her while Dad hated coffee, but I don’t know what brand she used. For a while it was likely generic.

And then there was beer. My father loved beer and drank…well, in retrospect, there might have been something going on there, but some closets are best left unopened, right? I will note that even in times when money was tight, there was always money for beer. Make of that what you will…but it wasn’t like Dad was drinking the expensive stuff all the time, and this was the 80s, when the “expensive beer” was (a) harder to find out in the sticks like we were, and (b) still well in advance of the craft beer craze. Brands I remember were Stroh’s, Utica Club (this stuff came in little squat bottles), and Genny Light. I also recall a time when Dad somehow got wind that the Park-and-Shop store (this was a local chain of small grocery stores, larger than convenience stores, smaller than supermarkets) in Portville, NY had got in a shipment of Yuengling beer. (Yuengling is much more well-known and widely distributed now, but back then it was a local Eastern PA thing, and for it to show up in WNY was pretty rare). Now, I’ve just looked it up on Google Maps, and to drive from home to that store in Portville was about 25 miles, round-trip. And we did it, a few times, so Dad could buy up as much as he could get. And it was somehow my job to unload all this from the truck and stack it in the garage.

5. As a child, did you collect anything (rocks, shells, stickers, etc.)?

I had a stamp collection! I wonder if it’s still knocking around somewhere. Stamps were an interesting way to learn about history. Also comic books; I still have those someplace. For a short while, for some reason that baffles me now, I gathered up travel pamphlets. We road-tripped a lot and we also moved a lot, which meant lots of opportunity to grab a pile of pamphlets from someplace. That phase didn’t last long, but it was kind of fun. I also had a small rock collection for a bit, but that kind of fell by the wayside too.

No, I didn’t collect overalls at the time. Never even occurred to me. I did have a pair that I only wore in my room with the door shut because I was embarrassed by it (why? How the hell do I know? I was 8.). I did take notice of overalls brands as I saw them out in the wild, noting differences and whatnot…and there was even one time I saw someone wearing a specific outfit involving overalls that I have since replicated…but more on that another time!

And now, reading all this, I’m suddenly thinking that I had a kind of strange childhood….

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An Important ANNOUNCEMENT regarding the Future of This Site.

OK, y’all, listen up! Thanks to both of you.

Yes, this is the end…of scattershot posting all over the place, including this site. 

As part of my upcoming focus on content creation, I’ve decided…well, let me back up. I’ve been “focusing” on content creation for a couple of years now, actually, but I haven’t actually managed to get any real traction, have I? So, I’ve decided to take a more structured approach. See, I want to write and I want to do photography and I also want to make video content about those things and other things too and if I keep taking my former “scattershot” approach to all this, it’s hard to see how I’ll get any of it done in a way that really satisfies me. And that means…

…[audience waits with nervous tension]…

…a posting schedule.

[audible gasps from the audience]…

I know, I know. I did some kicking around of ideas recently, and I think I’ve come up with at least an initial schedule that will have me posting somewhat consistently on most of my platforms. (The wild-card will be YouTube, because that’s a whole other kettle-o-fish that I need to figure out…recording times and such.)

Here’s what I’m going to start with:

ForgottenStars.net: Sunday, Monday, Tuesday, Thursday, Friday

This site will remain my main location online. That won’t change. But I won’t be pushing myself to post each and every day (with one exception: the Christmas season, because the Daily Dose of Christmas has to be, you know, daily). Regular posting days here will be as listed above, though as always I will reserve the right to pop in on days when I’d normally not be posting.

As always, posting here will be a grab bag of whatever I’m thinking about at any given time. I might crank out a lengthy essay about some important political issue, or an even longer essay about some pop culture thing that I think is important but nobody else does, or I might still just put up a pretty photo of a flower or a dog or a cat or my snowy backyard. I might even still stick a quick piece of light classical music up for lack of anything better. You never 

Dispatches from the Forgotten Stars: First and third Thursday of every month, and maybe the fifth if there is one.

The newsletter really fell by the wayside last year, which I don’t want to have happen again.

Photography sites: Monday, Wednesday, Friday.

This refers to my main “photography showcase” sites and apps: Vero, Foto, and the Forgotten Stars Photography account on Instagram. I need to start using those sites and services regularly.

(By the way, my “regular” Instagram, @jaquandor, will continue to be what-I-want, when-I-want, and generally won’t be a major focus of my “quality” work. It’s more for daily snapshots and whatnot.)

Tiktok: Every day, though I don’t beat myself up if I miss one.

Tiktok is fun and all, and I’ll be posting there fairly regularly. (I already have been, really.) I will also try to echo content from there to my personal Instagram, though I won’t always do this. Quite a bit of Tiktok content is a word prompt superimposed atop a very short video clip that may even be soundless; sharing that short of thing to IG doesn’t always seem worthwhile.

YouTube: Ummmm….

Yeah, I gotta figure out YouTube. First is figuring out my recording setup. More to come there.

All right, moving on! Let’s go! There’s so much time and so little to do!

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Something for Thursday

What’s it like when the music and the visuals of a film meld together perfectly? Well, here’s one such example, which is simply the greatest opening credits sequence history ever. Yes, I said it.

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