The blanketing of the world

Or at least my little corner of it.

Over the last few days, local meteorologists have been sounding the alarm that today could potentially bring some significant lake-effect snow to the region. Lake-effect snow, for those unfamiliar with such things, is snow that is fueled by cold winds traversing the still-warm and open waters of a large body of water, like Lake Erie. Those winds pick up moisture, and then when they hit land, they dump it, usually in narrow bands of nastiness that are often just a few miles wide. It’s not uncommon for towns in the band to get a lot of snow while towns outside the band, just a few miles away, get almost none.

Lake-effect snow bands often start in the Buffalo metro area and almost always, after a few hours, shift southward into what’s called “Ski Country” in these parts, so unless you live in those regions, usually you can count on a lake-effect storm not lasting all that long, even if it dumps a good amount of snow.

That, however, is not the case with this one. The lake-effect band has not budged, as of this writing. It started very late last night, and I got up at 4am to check things out. At that point, this is what the local weather map looked like. The blue area is the lake-effect band, and at this point it had looked like this for roughly four hours.

We live right smack in the middle of that. The blue area there is the lake-effect snow band.

Eight hours later, I took another photo of the weather map:

Ayup. The snow band has gotten a bit wider, but other than that, it’s in the exact same position it was nearly twelve hours ago when it fired up.

We are getting absolutely socked here at Casa Jaquandor. Virtually every town on my side of the City of Buffalo has imposed travel bans; there are snow plow trucks stuck in ditches. Our street got plowed a couple of times, earlier, but nothing since, because what’s the point?

I’ve seen my share of big snowfalls here, but this will be right up there with the biggest I’ve ever seen. Meanwhile, friends of mine who live less than twenty miles away are posting photos of their snow-dusted front lawns, blades of grass still visible, under sunny skies.

The following photo has been making the Buffalo social media rounds this morning, taken by a passenger on one of the last flights to actually get out of Buffalo Niagara International Airport. When I say that lake-effect snow can form very sharp lines between clear skies and snowy doom, I am not exaggerating.

That big expanse of gray at the right is Lake Erie, and at the lower-right corner is Downtown Buffalo. Casa Jaquandor? Well, we’ve been swallowed up by that enormous cloud of white doom. But hey, I still have electricity and the Interwebs and food and rum and Scotch and overalls and blankets and kitties. We’ll make it through!

The Empire needs to quit searching my backyard, though.

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Good talk, good talk! See you out there!

A frequent feature of the message boards at the NaNoWriMo website is all the “pep talks”: brief essays on writing, sometimes by major authors which are then sent out to the entire NaNo community, and sometimes by regular participants which are then beamed to the local area forums. One great example of the latter ran yesterday, by a fine woman who goes by the Twitter handle So_I_SAW. I asked her permission to run it here, and she graciously conceded, so here it is:

The world doesn’t need my novel. Let me say that again: the world doesn’t need my novel. I have no delusions of grandeur. I won’t be writing the next Harry Potter (or insert whatever book/series in your genre that fits). I don’t think I’ll be writing a game-changing novel.

So why do NaNoWriMo at all? Good question, particularly since I’ve yet to “win”, heck I have yet to finish any of the writing ideas I’ve started.

It’s simple really. I need my novel. I need the outlet. I need the story. I need the characters I live with to come out onto the page so I can re-read about them whenever I want. I need the story that I wish someone else would write. I am my primary audience. I need this.

Doing NaNo gives me a chance to refocus. There are so many authors, self or traditional published, who dismiss the event all together. If we really wanted to write we’d do it all the time. We’re not trying hard enough to make time. No novel is ever truly complete in a month. (To that last one I say, no duh. This month is about writing, not fixing and editing.) But to the other comments? I think the statements are unfair. Life gets in the way sometimes. We move, we have jobs and bills, and families. We experience creative drain. Illness. Stress. Or sometimes we just can’t write. Personally I had a few life events that took significant time and energy away from every other aspect of my life. My marriage was falling apart, I was unemployed and struggling with severe depression and a loss of a family member. It was too much all at once. I couldn’t make myself write, read, heck, I could hardly form sentences some days. The truth is, sometimes we just can’t write and hearing we aren’t trying hard enough is unhelpful. Take the break and come back later. And if you’re like me, re-read your old writings for a good laugh.

Doing NaNo allows me to try. Even better, I can do it knowing that there’s a whole world of people also trying. It’s less lonely. There’s a nice satisfaction to adding to my word count and our region’s word count. I can refocus my ideas, have a place to update my stats, complain, and get inspired with other people doing the same thing. I get a touch of healthy, encouraging pressure by participating. I’m reminded that I need this. I can practice leaving all the things that have previously held me from writing.

The world doesn’t need my novel.

But I do.

Every thing in the history of the world that’s been worth doing has had to start somewhere, and that the world doesn’t always make a huge deal of things doesn’t mean they’re not worth doing. So go ahead and start!

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Resetting the Clock

Lord knows I had my issues with the Aaron Sorkin series Studio 60 on the Sunset Strip, but there are a few moments from it that stick in my head, the best being in the second episode, I think. Matthew Perry is playing the late night comedy show’s head writer, and he’s moved into the office vacated by the previous guy, who had just been fired for a live on-air rant about how awful teevee is, or something. That’s not important. What’s important is the the old writer had a digital clock on the wall that counted down the time to the next episode’s airing, which meant that he had a constant reminder of how he had to always be working.

Well, in the second episode, our writer guy and his director buddy (played by Bradley Whitford) put together the first episode of their era in charge of the show. It’s a long, slow struggle, and they barely pull it off. The very last scene has the Perry character realizing that they’ve done it, they’ve got the show finished and it’s good and it’s on the air and it’s all over — and then Perry happens to turn to the “Countdown to Next Episode” clock, just in time to see it reset and start counting down again.

That’s it. Moment’s over. Back in the saddle.

Or, a wonderful moment (one of many) in the best baseball movie ever, Bull Durham. Our pitcher, Nuke LaLoosh (Tim Robbins), has just had a pretty good inning, retiring the side in order after spending most of his early season struggling with his control. He comes back to the dugout and takes a seat next to his veteran catcher, Crash Davis (Kevin Costner):

NUKE: I was great, huh?

CRASH: Your fastball’s up, your curveball’s hangin’. In the Show, they would’ve ripped you.

NUKE: Can’t you just let me enjoy the moment?

CRASH: Moment’s over.

My point? Stardancer is out (and really, if you haven’t ordered a copy yet, what are you waiting for!), and I’ll have more to do to sell it and market it and bask in its inevitable glory, but for now, the clock has reset, and the moment’s over.

Time to keep writing.

It’s a good think I happen to love writing, but I’d still like to punch the person who said, “The reward for doing good work is the opportunity to do more work.”

Now, if you’ll excuse me…I’m off to do some work. Sigh!

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Those three little words….

AVAILABLE FOR PURCHASE!

STARDANCER front cover

STARDANCER back cover


Yes, today is the day. I’ll have more to say later on, but for now: Stardancer is now available for purchase on Amazon.com.

Currently the book is available in print only, but the Kindle e-version will follow in two or three weeks (more likely two), with other platforms to follow once any exclusivity periods run out.

As I say, more later.

For now, STARDANCER is available for purchase!!!

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T-minus One!

Oh wow…One day to STARDANCER! How to wrap it up? Well, there is a teen romance aspect to the book, so…Danny and Sandy will finish out the countdown.


Tomorrow, folks! Tomorrow, all things change!

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What’s in a title?

So I was scrolling through Instagram the other day, and I happened upon a new photo on the Official Star Wars Instagram feed:

And thus was the Actual Title of Star Wars Episode VII introduced to the world. Interesting!

Jason is less than thrilled with this title:

I hate to be one those fans, you know, the ones who seem to derive more pleasure from bitching about the thing they supposedly love than, you know, actually enjoying it, but I have to admit I am… not impressed. It’s become somewhat axiomatic that the prequel titles — The Phantom Menace, Attack of the Clones, and Revenge of the Sith –  were ridiculous and clunky (and there are even some who say the same of the original trilogy titles, A New Hope, The Empire Strikes Back, and Return of the Jedi), but I disagree. I liked them from the start, because they evoked the saga’s origins in the old Flash Gordon cliffhanger serials of the 1930s, whose episodes had titles like “The Unseen Peril” (sound familiar?), “The Prisoner of Mongo,” and “Doom of the Dictator.” They have an enthusiastically pulpy sound that I personally find appealing. The Force Awakens, on the other hand… the tone is off, to my ear. It sounds very much like the title of a fan film to me, so many of which seem to be sooooo self-consciously serious, at least in my experience of them.

I can kind-of see his point. It does sound slightly generic, and besides, can the Force really be said to awaken, if it really is an energy field created by all living things? “Awakens” seems to imply that the Force can go dormant, which isn’t entirely in line with my understanding of things. But anyway, I suppose we’ll see.

Mainly, I’m just bugged that they missed so obvious an opportunity to stick to the X of the Y pseudo-tradition in Star Wars titles. They didn’t even have to change the concept: Star Wars Episode VII: Awakening of the Force.

Titles of series items are interesting things. Some creators take an approach of similarity or formula when titling things, so we get the Indiana Jones films being Indiana Jones and the X, although the less said about the ham-fisted retconning of the first Indy film into Indiana Jones and the Raiders of the Lost Ark, the better. The Harry Potter books all take a similar approach: Harry Potter and the [Magical MacGuffin], and Robert Ludlum’s three-word titles (The Parsifal Mosaic, The Matarese Circle, The Matlock Paper) are true-form things. On the other end of the scale, there are the James Bond movies and titles, which have no traits in common from one to the next.

Teevee shows sometimes do interesting things with titles. Every episode of Friends was titled “The One With the…” or “The One When…”, in keeping with the way a lot of people of that age describe teevee shows. (“Hey, ever see the one when Ross does that dumb thing?”) Remington Steele always had the word “Steele” in its episode titles, and The Mentalist always includes a color.

My approach? I don’t try to be consistent from one title to the next. Each project has its own title, even projects within a series. It’s just better that way for me.

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