Tone Poem Tuesday

Jean Sibelius is a composer with whom I am in constant need of discovery. His work is sometimes warm and melodic and fully Romantic, but other times there is an austerity to his music, a certain emotional coolness and introspection that is sometimes difficult to get a handle on. Sibelius seems to be fond of repetition of sounds and musical figures, which can create a dreamy quality in his music. This is an example of the latter voice of Sibelius: no Finlandia-esque fireworks are on display here, just a sense of meditative motion as Sibelius musically describes (or so he says) a carriage ride in the darkness, followed by the arrival of sunrise.

Here is Jean Sibelius’s Night Ride and Sunrise.

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Something for Thursday

If my records are correct, this week our Song Challenge is for A song about drugs or alcohol. Well, this one isn’t directly about those things, but it does reference them in describing the various denizens of a particular bar.

Yes, here is “Piano Man” by Billy Joel.

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Tone Poem Tuesday

Want to listen to one of the great orchestral showpieces of all time? Sure you do! Here’s Rimsky-Korsakov’s Cariccio Espagnol. And you can’t go wrong with the New York Philharmonic conducted by Leonard Bernstein.

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Something for Thursday

So this week in our ongoing Music Challenge brings us to Entry Seven: A song to drive to. There’s a lot of great driving music out there, but I always find that the James Bond movies provide a virtual encyclopedia of music that you can play while driving. Even moreso if you’re someplace where you’re able to drive fast.

Here’s one of the series’s two purely instrumental themes, and one of my absolute favorite movie themes of all time. And, I might add, incredibly fun to blast while driving. It’s the theme from On Her Majesty’s Secret Service.

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Tone Poem Tuesday

Here’s something interesting, not for how good it is but rather how good it isn’t. This concert overture, creatively titled by its composer “Concert Overture #1,” is a student work that makes for a nice and pleasant listen, but that’s about it. There’s no hint at all here of greatness to come from the composer, none of deeper musical thought at work. If this piece represented the height of its composer’s powers, that composer would be a forgotten name today.

However, this particular composer turned out to be a bit of a late-bloomer, and by the time his true abilities actually did manifest themselves, this composer ended up not only being one of the immortal greats of music, but the dominant force of Western artistic life in the second half of the 19th century. Not bad for a late-blooming Richard Wagner, eh?

Here’s Wagner’s Concert Overture No. 1. It’s a pleasant-enough work with some Beethovenian influence, and not a hint of Rheingold or Tristan und Isolde to be found.

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The Watch

So on Christmas Eve we were all gathered in my parents’ living room, opening gifts. I went to open one particular box and I heard my sister say to my mother, “Oh look, he’s opening it.” So I knew that there was something of note therein.

What it was, was a pocket watch.

There are times when Christmas hits you between the eyes. My parents gave me this beautiful pocket watch...which belonged to my grandfather, whom I never met. He died in 1949, twenty-two years before I was born. I never knew it even existed, so far as I c

I took it out and admired it. It’s clearly an antique, and I was already fascinated by it. I own one other antique pocket watch, and two that aren’t antiques that I got from a “steampunk” dealer at a local con. This one is bigger than the antique watch I already own, and it’s a hefty one too. I could tell that at some point it was lovingly restored. I figured that my sister, who has an eye for such things and does a lot of antiquing, had spotted it in some emporium or curio shoppe someplace…or that maybe my mother spotted it somewhere.

Little did I know that it belonged to my grandfather.

My father’s father was a bricklayer by trade, and he fought in World War I. Apparently he joined the war effort as a way of getting out of his tiny town in the hills of Southwestern Pennsylvania, where his only option for the future would have been to work in the coal mines. I know very little about him save those things, and that he dealt with a broken window in their house by not replacing the window but by building a fireplace. I never knew him. He died in 1949, when my father was only ten, twenty-two years before I was to come along. (I never knew my maternal grandfather, either, and both of my grandmothers died the winter of 1986-87, so I am to this day bewildered by people who live into their adulthood and beyond with multiple grandparents alive.)

I have no idea how Grandpa Sedinger (what would I have called him?) met Grammy (that’s what we called my father’s mother; my mother’s mother was Gramma) or how they courted or when they married. I have no idea how they came to live in a brick house in Pittsburgh, or much of anything else. Nor did I know, until the moment I took it out of the box, that he had owned a pocket watch by the Hamilton Watch Company. But as soon as I learned of the watch’s heritage, I couldn’t help staring at it just a few moments longer. An old thing, that watch, and it spent however many years in the pocket of a man I never knew but whose influence I must have felt daily.

I don’t carry that watch with me–it’s too much of a treasure, really. (A bit of an irony, that, given that a common feature of many of the pairs of overalls I own is a pocket just for pocket watches and a slot for the chain and fob.) It hangs on my desk, ticking away the hours, a comforting presence as I write. My mother picked up a neat stand for it on one of her trips to Europe (Florence, Italy, this time), and there it rests. Funny thing, time–a device used to measure it marks it in more ways than just its comforting ticking.

Nice to meet you, Grandpa.

I also received this wonderful stand from which to hang my grandfather's watch. I look forward to many years of this watch marking the time as I write stories! #christmas #pocketwatch

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