Sunday Stealing (Monday edition)

I don’t know what happened, but for some reason this post did not go live on Monday even though I scheduled it to do so.

Here we go!

Have you ever…

Skipped school?

I never skipped the entire day, no. I did, however, skip the occasional class. A few times I got in trouble for this. From the vantage point of 35-40 years later, I find it hard to care.

Lettered in a school sport?

Ha! No way. Though, the swim coach made occasional noises about me trying out for the team. I kind of wish I’d have attempted that.

Made a prank phone call?

Yes, in college. Just once or twice, though. It really wasn’t my thing and I didn’t honestly think it was funny. Plus, it was pretty damned obvious who I was, so the next day there were ramifications. Not a fan of that sort of thing.

Paid for a meal with coins?

Ha! Yes! More than a few times, actually, back in the day when scrounging together coins was a nice little windfall. And here’s a dirty secret: If you count out the coins yourself and present them to the register person at the restaurant in a respectful way, they do not mind. They like having change on hand. It makes their lives easier. Just don’t walk up with a handful of assorted change and dump it on the counter and make them count it out. (Also, it’s less of a big deal in Canada where the $1 and $2 denominations are coins already.)

Restaurants will be especially forgiving if you pay in coins early in their hours, before they’ve had a chance to build their cash supply on hand. Restaurants tend to start the day with limited ability to make change. One time at Pizza Hut, some snot-nosed teenage boy came in with his girlfriend (I actually hope it was their first date and she saw what a schmuck he was), and they ordered a medium cheese and two waters. Total bill was something like $8.50. This little prick flicks a $100 at me, when all I had on hand was fives and ones. I asked if he had any smaller bills, and he smirked and said, “No.” So I sent that little shit off with $91 in singles, and then for the next few hours every time my servers had waited on a few more tables and had a few more in tips I yelled, “Cash ’em in!”

Laughed until some sort of beverage came out your nose?

Oh yeah. In fact, I was the lucky kid who was abnormally susceptible to The Giggles, and the other kids damned well knew this, so a lot of times the lunch period was “Get Kelly to laugh while he’s drinking milk” time. Fun bunch, those.

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Something for Thursday

I’m going to get back to my little series featuring Black Music From The 1970s soon, but this song has been living rent-free in my head of late, so that means it’s time to feature it here. It’s by Canadian singer-songwriter Tobias Jesso Jr., and it was featured in the final episode of the first season of the amazing show Shoresy. The song seems to me to be about two people who are accepting of their own limitations and each others, and they love each other anyway. I love the delicate piano-and-voice minimalism of the song. Enjoy!

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Tuesday Tones

It’s St. Patrick’s Day, which means I’m going to take a quick break from American Black composers. (Sadly, a brief attempt to locate Irish Black composers did not turn up much of anything at all. I did not dig super-deeply, though.) We’re going to dig back to the music of one Charles Villiers Stanford, an Anglo-Irish composer whose music has been overshadowed since his lifetime (1852-1924) by the likes of Edward Elgar and the British masters who followed. Stanford’s music is lyrical and Romantic, and it’s always pleasing. Not necessarily pleasant, as he brings a lot of good Romantic fire to his work, but pleasing. I’ve never heard a work of Stanford’s that left me thinking anything other than, “I’m glad I heard that.” This work is a good example. Stanford wrote six tone poems that he called “Irish Rhapsodies”, and this is the fourth of those. It is subtitled “The Fisherman of Lough Neagh”, and what a wonderful work it is–brooding and melodic and, in the end, just wonderfully triumphant.

As I was listening to this work, I read that George Bernard Shaw criticized Stanford’s music as lacking passion. I’m not sure what Shaw was listening to when he said that, because it sure as hell wasn’t this.

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Yeah, y’all need to step it up.

We’ve all known someone who had one significant accomplishment, and then on the basis of that one achievement they enjoyed notoriety and reputation based on that one achievement, though they never managed to come close to achieving anything on that scale again, right?

Yes, I’m talking about the Ides of March.

The Death of Julius Caesar (1806), by Vincenzo Camuccini (1771-1844)

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Something for Thursday

Continuing an exploration of Black Music of the 1970s, we have Minnie Riperton today.

Riperton was a native of Chicago who tragically hit it big with her soprano voice, enormous range, and an airy tone that gave her songs an ethereal tone and then died of breast cancer when she was just 31. Her legacy endures, not just because of her music, but because of her influence on artists after her like Michael Jackson and Tupac Shakur. Her legacy also endures because her daughter is famed actress and comedian Maya Rudolph.

Maya Rudolph, daughter of Minnie Riperton, in a SNL portrait.
Apparently Ms. Rudolph looks amazing in overalls.

Here is Minnie Riperton’s biggest hit, “Loving You”. 

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Tuesday Tones

Jonathan Bailey Holland is a composer originally from Flint, MI who is currently the Dean of the Bienen School of Music at Northwestern University. According to his bio, he has had music performed by ensembles all over the world, and he has taught at a number of universities as well as at many music festivals and arts schools. And like many of the other composers in this ongoing mini-series of mine, I never heard of him until now. I have thus far only heard the work presented below, so I can’t discuss Dr. Holland’s general approach, but this work is minimalistic and haunting in its evocative use of a very small ensemble (flute, clarinet, violin, cello, piano, percussion) and its use of moody dissonances throughout. The work is chillingly meditative, befitting its title: The Clarity of Cold Air. This work does seem to me to fit the mood of the streetscape photo I posted the other day….

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