GUEST POST!!! On the Tracking of Progress, by A.B. Keuser

Hey, folks! It’s me. Below we have a first for this site: a guest post! This entry is by A.B. Keuser, a speculative fiction author who, by her own words, “spends a lot of time making things up and figuring fun ways to kill people.” Here she discusses her methods of tracking her writing progress. Enjoy!!!

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I track my writing by day. It’s a practice I took up in 2013 when I decided to write 1,000,000-words in one year, and I’ve kept with it since because it gives me some really great feedback.

Much like Kelly, I keep track of my writing on a spreadsheet. Unlike Kelly, I record my numbers up in a calendar like set-up.

This allows me to pull day counts, week counts, and keep a running total.

Let’s look at March of this year:

This is what my monthly spreadsheet looks like.

The bulk of the sheet is the calendar where I record the actual numbers. I keep 3 lines for each date because I have a main item scheduled and then I’m usually juggling two other back-burner projects that I write on when I’ve met certain goals. This is why I color code them. With one quick glance, I can look at March and tell you what I worked on.

I like to keep track of my weekly w/c and my running total alongside this just to make sure I’m getting on with my bigger goals.

Below the calendar, I keep a running bar graph (At the beginning of the month, I set up the formula to collect the day’s totals and add it to the chart so I don’t have to worry about it later.) This is one of the most visual representations I have of my monthly writing. It’s quick, it’s tidy, and it gets the point across.

Why this works for me

My eyes get bored pretty easily when it comes to numbers. We’ve never really gotten along, so I use this method of spreadsheeting with colors and charts to keep me interested in said numbers.

I’m also a very self-competitive person. This year one of my bigger goals is to beat my totals from 2014 & 2015. It’s going well enough.

But one of the main things it allows me to do is know when I write, and when I should focus on other things and give my brain a break.

Honestly though, the main reason I do this is to hold myself accountable. As Kelly mentioned at the beginning of April, I post my counts every month. I’m not sure anyone really cares to see them outside of myself, but having them out there, in the open really helps me keep from slacking off.

The Big Picture Numbers

ab sheet 2

2013: 1,000,497
Average: 83k words per month.
Best month: February – 133,329 words
Worst month: December – 0 words

In theory, this sounds awesome, right? So much productivity! But I managed that by ignoring all but two editing projects. Which means I’ve still got some back burner projects from that year that are waiting around to be finished.

If you’re just looking to get words down on paper—maybe you need to empty out your brain because it’s gotten too cluttered—the way I approached 2013 is great. You just write. If something isn’t working, you shove it aside and work on something that does flow. You worry about the rest of the writing stuff later.

2014: 438,943
Average: 36,578
Best month: May 62,965
Worst month: December 5,880

This year was all around tamer. I was working on things with the intention of finishing them and getting them right. That meant I couldn’t shove them to the side until my brain sorted through their issues later. I had to get things done, and I had to get them done when I scheduled them.

I learned, from looking through this year’s records, that I can’t rely on myself to do any writing on Thursdays. For whatever reason, they’re my own personal Mondays, and that day just sucks the life out of me, writing wise. Sure I can force it, but the writing is pretty awful in edits, so I usually just don’t schedule myself any req words that day. I use it for admin things now, like finishing up blog posts and doing marketing backlogs, or outlining etc.

2015: 361,949
Average: 30,162
Best month: November – 63,624
Worst month: June – 3,260

Now, those numbers look okay, but when you look at what happened throughout the year as a whole, you get a different picture. 1/3 of the words from last year were written in the last 2 months of the year. This has a very specific reason. While the first 5 months of the year were incredibly consistent, June through October were weak sauce on the writing.

June has its own excuse, my sister got married in our home state so I spent a lot of time traveling and with everything going on, I didn’t get a chance to write outside of 4 days.

July-Oct shows a different sort of recording. It shows how badly medication can affect your writing. Make sure you’re on the right meds, kids!

What this tells me on the whole

When I look at the numbers I have saved in my yearly spreadsheets, I can see patterns, like the fact that Thursdays just do not work for me. Decembers are (usually) pits of non-writing hell. Weekends are lucky to average 1000-words/day, and usually I just shouldn’t expect myself to get there.

—fin—

And there you have it! Great stuff. How do you track your progress, fellow writers?

And check out A.B. Keuser’s books!

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Progress! I has it!

So my writing month of April is in the books! How did it go? Well:

Final April productivity. Whew!!! #amwriting

That word total is just in drafting Lighthouse Boy, which I have now retitled Seaflame!, after its main character. (Yes, I’m using an exclamation point in the title. Not sure if I’ll keep it, but we’ll see.) Just over 27000 words, and I think that as of this writing, I’m a chapter or two away from the end of this one. And then…Book II, at some point. Seaflame! is a duology, after all.

The other major project was editing Forgotten Stars III, and how did that go? Well:

I DID IT YOU GUYS!!!!! Now to format and get it off to beta-readers. #amwriting

Yup, the First Revised edition is done, and the book is off to the beta-readers. And yes, the title is Amongst the Stars. You heard it hear first, unless…you didn’t.

Amongst the Stars was the toughest book I’ve edited yet, because there were a lot of things I left unexplained or unsatisfactorily put-together, with notes to “Fix this later.” Well, all of those bills finally came due, so there was a lot more heavy-lifting for this rewrite, with a number of chapters that needed outright rewriting. Hopefully this all resulted in a much stronger book, but we’ll see!

So what now? Well, plowing ahead on Seaflame!, and then moving on to something else. The next book drafted will likely be a sequel to Ghostcop (which I may now have a title for; stay tuned for that announcement), and then the first book in a series of space operas set in the Forgotten Stars universe, but not related to those books story-wise. Hey, why create a whole ‘nother galaxy if I don’t have to?

I’m also starting to brainstorm a bit on the next three Forgotten Stars books, which will form Act II of the entire saga. The bummer part of this is that there probably won’t be a Forgotten Stars book in 2017, but the break might well do me good.

So there we are. As always….

Because in my head I'm still twelve. #AmWriting #overalls

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New Book! (not by me, but really good!)

TheIsland_eBook_600x900-1

 

I was fortunate enough, as a perk for having backed her Kickstarter campaign, to get a preview copy of The Island by S. Usher Evans a few months ago, and I loved it! (Here’s my Goodreads review.) It’s a terrific book about two warring nations, a prince from one of them, and a pilot from the other. When they crash on the same deserted island, these two enemies are forced into an unwelcome alliance…which grows into something else, as each begins learning uncomfortable truths about the war they’re fighting.

The book launches the Madion War Trilogy, whose second volume will be available for pre-order…soon. For now, check this one out — it’s really good! (And Evans herself is awesome.)

 

 

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Updates and What Some Other Folk Are Up To

Greetings, programs!

It’s been a while since I updated my progress and/or linked some other stuff around the Writersphere, so…I’m now going to update my progress and link some stuff around the Writersphere. Wow-za!

:: I think I have a title for Lighthouse Boy. I’m not sure yet; I like to live with titles a bit before I decide if they’re right for the books. Kind of like breaking in new shoes, I guess.

As for actually writing the book, I’m closing in on the end. I think I’m two or three chapters away — more likely three, but you never know with these things. I’ve been promising a long book, and this one is certainly that. The manuscript currently stands at just under 200,000 words, and this is only Book One! (Never fear; this is going to be a duology, not an extended series of doorstops. Just two doorstops.)

::  Editing Forgotten Stars III has been a real task. A lot of heavy lifting, with some wholesale rewriting of entire chapters. Part of the problem was that I had to literally insert an entire subplot from the get-go (which has to be there, because it solves a lot of the book’s original problems), and there are other things I did in the first draft that were problematic and had to be either reworked or jettisoned entirely. I’m well behind where I wanted to be on this book by now, but it simply couldn’t be helped.

::  I don’t know what was in my coffee this week, but I found myself entertaining a lot of new story ideas. Weird.

But enough about me! What are other folks up to?

::  Dawn Kurtagich went to Spain.

::  Briana Mae Morgan updated her editing services. Check her out!

::  Amanda Fairchild posted a short story. I wonder what’s in that freezer….

::  Friend and beta-reader Jason Bennion eulogizes Prince. Jason is a terrific writer.

::  How Jen Fulmer got her agent.

That’s about it for now. Cheerio, chaps, and we’ll see you around the Galaxy!

 

 

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On Character: Groot and Lying Cat

One of the most important traits in any character is their voice: how they speak, what kinds of things they say, what phrases they like to repeat, and so on. In my Forgotten Stars books, Lieutenant Rasharri has a number of sayings she is fond of saying all the time: “Think on what you know” being a main one. A lot of the best writers are good at giving characters specific voices. This is one of the better aspects of George RR Martin’s Song of Ice and Fire series: think of Tyrion’s sardonic wit, or — my favorite — Dolorous Edd’s eternal conviction that he and he alone will suffer all of the worst possible fates.

But sometimes you’ll have a character whose voice is extremely limited, for one reason or another. How do you allow them to show emotion, then? How you do make a three-dimensional character when they can’t speak, or can only speak in very limited ways? Let’s look at two such characters: Groot from Guardians of the Galaxy, and Lying Cat from Saga.

Groot is a walking, talking tree with enormous strength and a number of other interesting skills. He is also incapable of saying anything other than “I am Groot.”

groot 2
Groot has complex thoughts, but in terms of linguistic expression, he is completely stunted. No matter what thought he wishes to express, it comes out as “I am Groot.”

In the Guardians movie, it’s not really spelled out until later on in the film that Groot is capable of deeper, complex thoughts. He just goes along, saying “I am Groot”, and shouting it in rage when a bunch of prison guards start shooting at him. The first half of the film suggests that Groot is little more than a brainless tree-creature, but then we get some real insight into him. Half the heroes are captured by Yondu (long story), leaving Groot and Rocket Raccoon behind. Rocket wants to flee to the farthest corner of the Galaxy, but Groot has other thoughts, and begins saying “I am Groot”, over and over, but in a different tone of voice. “I am Groot!” he says, and Rocket Raccoon responds incredulously: “Save them? How are we gonna do that?”

An even more determined “I am Groot!” follows, to which Rocket responds again. This scene does more than just establish that Groot has feelings; it establishes that despite Groot’s vocabulary of three words, Rocket actually understands him.

Groot’s biggest moment comes in a moment of self-sacrifice, when he uses his own body to protect all of his companions from certain death. Rocket asks him why he is doing this, and for the first time, Groot says something else: “We are Groot.” Somehow…that is perfect. We know exactly what he means, even though his words don’t mean that at all.

So by using tone of voice, context, and a perfectly-placed change, this character with a vocabulary of three (or is it five?) words becomes one of the most expressive in the story.

groot 1
groot 3

So, what about Lying Cat? She comes from a comics series called Saga, which is an adult-themed space opera. (How adult? The opening scene is an alien woman giving birth, and her first line is, “It feels like I’m shitting!”) The comic has an immense cast, but mainly it follows two young people from different species who have fallen in love and had a baby together, despite their respective species having been at war for a long time. Saga is violent and full of sex and has as much shocking death as any George RR Martin novel, but it is also loaded with humor and heart.

The important character for my purposes here is Lying Cat, the traveling partner of a bounty hunter known as The Will. Lying Cat is just a big, nasty-looking cat who lurks about, but she can detect when anyone speaking is saying something untrue, at which point she says a single word: ”LYING.” This natural lie-detector is quite convenient for anyone in the bounty-hunting line of work.

WP_001140
So how do the writers make Lying Cat more than a plot device? There’s one scene where The Will lands on a “pleasure planet” (basically a giant brothel), but he is informed that Lying Cat is not allowed away from the ship. That results in this:

lying cat 2
While there, The Will rescues a young girl who has been forced to prostitution. A few issues later, this happens:

lying cat 1
Even a lie-detecting cat with one-word vocabulary has a moral compass, and she finds good ways to use it.

What does this illustrate, along with Groot? Even if you have characters whose expression is extremely limited, there are still ways to give them good character moments that stretch their expressive boundaries and allow them to be seen as characters. It’s a challenge, but worth it! These respective stories would suffer greatly without Groot and Lying Cat.

I kind of wonder if George RR Martin has some kind of moment like these in store for Hodor….

UPDATE: I originally identified Lying Cat as a male cat, when she is actually female. I have fixed this. I don’t know how I managed to get through thirty-plus issues of Saga without correctly identifying Lying Cat’s gender, but in truth, it simply isn’t a plot point in any way, and I can’t recall at all when this would have been established. I’m sure it was, though, and I missed it, so the error is mine — and it probably says something that my default assumption was male. That’s a post for another time, though.

 

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March Productivity!

I saw that writer A B Keuser writes a monthly post highlighting the previous month’s productivity, and that struck me as a good idea, so here’s how my month of March went! Some of this has been covered by my update post from the other day, but here are some actual numbers:

Final March tallies: over 27000 new words on LIGHTHOUSE BOY, and I'm up to Act III of FORGOTTEN STARS III. Unfortunately there are some structural issues ahead...the rough draft was pretty bloated. Still, here we go! Big things planned in April and May! T
This spreadsheet is where I track my daily writing output on whatever it is that I’m drafting at the time, and then I leave notes in the next field on editing progress on other projects. So in March I wrote just over 27,000 words in Lighthouse Boy, whilst getting to the start of Act III in editing Forgotten Stars III. I averaged 876 words a day on Lighthouse, which is above my quota of 500 words a day. (I bump that quota up to 1000 words on weekends and when I’m not doing any editing, which moving forward is not likely to be terribly often, as my projects start to pile up.) Since making 500 words while also editing is obviously no problem, I’ll likely bump that up to 750 a day.

Note that when I forget to enter a day’s total, those words get added up anyway the next time I remember to update the spreadsheet, so the average is always accurate. None of those zeroes indicates a day in which I wrote nothing. Aside from wrapping February up with the flu, I haven’t failed to write at all in quite a few months. Yay, me!

On the editing front: Forgotten Stars III has been harder to edit than the previous two, because I’m finding some glaring character issues and some structural problems with the third act that all require some heavy lifting. The bad character stuff (basically, I had a character act very “not himself” in the original draft, trying to create a “Has he switched sides for real?” suspense, but when re-reading the draft, I realized that not only did it not work, it was conceptually awful, so out it came) is gone, but now I’m face-to-face with the troublesome stuff in Act III. I want to have this book to beta readers this month, so I’ve got some real work to do.

Also, I spent the first two months of this year being very sporadic on the blogging front, and I’m trying to get back in the habit of blogging regularly. I want to post something here at least once a week, and I’ve been posting a lot of stuff to Byzantium’s Shores and to Driftwood Upon the Bosporus, so I’m getting better there.

It’s also looking increasingly like I will attempt vlogging soon, so I’ve been writing notes for that and doing some tech testing. And I even wrote a little comedy sketch about the dangers of procrastination for writers that a friend and I will be filming when the weather here in Buffalo Niagara actually improves (we’ll be shooting outside and the sketch involves me getting a pie in the face), so there’s that. Busy month!

Let’s see what April brings!

Good morning, world! It's April Fools Day, so celebrate laughter! #aprilfools #overalls #pieintheface

(I posted that photo in various social media on April Fools Day, and it makes me happy, so it’s here, too.)

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Updates and a Quick Trip around the Writerverse

Time to bring you up to speed on my progress, and highlight some other writers’ goings-on!

Writing at the Reinstein Library. #amwriting #overalls #vintage #Key #HickoryStripe #scarf #r2d2

One: I wanted to publish GhostCop in July, but I’m pushing that to September because I’ve been mulling things over and I realize that I want/need to tweak a few things. It’s all minor stuff, but stuff I need to address so as to make the book more resonant (I hope). I’ll tackle those revisions (shouldn’t take more than a few days) after I finish first edits on Forgotten Stars III.

Two: Hey, what about Forgotten Stars III? Well, I’m a bit behind where I wanted to be by now, but I still hope to get the book to beta-readers by mid-April. I hit a mini-slump last week (in general writing terms), and I had consecutive chapters that were, shall we say, a bit problematic. These chapters required a bit more editorial heavy lifting than I’m used to. Luckily, as I write this, I have moved past that particular obstacle! Huzzah!!

Three: Lighthouse Boy continues a-chugging along. This book is going to be enormous, so I’m leaning toward breaking it into two books anyway. The draft is currently at about 175,000 words, and there will likely be another 25-30K before the draft reaches a logical break point in the story, so I’m probably going to call BOOK ONE done and and start writing a GhostCop sequel.

Four: Oh, did I mention that I have the title for GhostCop? No? Well, I have the title for GhostCop. I’ll announce that later in the summer, when my plans for that book’s release start to ramp up.

Five: What’s after that? Well, I’m planning on a break from the Forgotten Stars series after Book III. I’m actually planning a second series of space operas that will take place in the exact same universe, but they won’t be a part of the Forgotten Stars story at all (in fact, they may not even take place at the same time as those books) and they’ll have a more adult tone. I’m thinking a mashup of James Bond and Firefly. We’ll see. I already have ideas for these, and I’ve even started character sketches (which is something I rarely do, but I thought I’d give it a shot this time).

Six: There is no six. That’s about it.

And now for some goings-on with other writers I know and love!

::  Writer Jenna Woginrich has posted an excerpt from a book she’s writing about her relationship with her horse, Merlin. Woginrich is one of my favorite online personalities, and she’s a damned fine writer. Her dream was to live on her own farm and being a part of a farm community, and she decided some years ago to do just that. If you’re in want of inspiration for tenaciously grabbing hold of the life you want, check her out.

I still remember parking it on my parents’ wrap-around porch and telling it, no, promising it, that I would write about it someday. There on the slate-blue paint leaning against a white railing I promised a bike from Kmart that I would write a book about her. So that’s what I’m going to do. Kind of.

Let’s hit the wind.

::  Ksenia Anske on being denied her brain:

Because I was born a woman, I was the second sort from the moment I got out of my mother’s womb. I was abused. I was underfed. I was neglected. I was dismissed. I was told I was wrong, no matter how hard I tried to please. But worst of all, I was denied my brain.

Powerful stuff.

::  I have to admit that I am long past the point where I find inspiration in the rejection letters of big-name writers. But hey, check out JK Rowling’s rejection letters from her Robert Galbraith novel, if you like that sort of thing.

::  All-around fab person Briana Mae Morgan wrote a play called Touch, and she posted it, one scene at a time, on her blog. Here’s Act I, Scene I. (It’s in two acts. I can’t vouch for it because I haven’t read it yet, but Briana’s awesome, so I’m sure it’s fine.)

::  Sara Letourneau on the astonishing masterpieces that are the three scores to the Lord of the Rings films, by Howard Shore. She names favorite cues and everything! Good stuff. That music is amazing and makes for great writing music as well. (That reminds me…write a post about music and writing….)

That’s all for now. See you around the Galaxy!

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What happens when you’re done?

So what do you do when you finish writing a novel? What happens after you publish it?

I can’t speak for every writer out there, but for me, the answer is clear: I start the next one.

There was a teevee show about ten years ago, called Studio 60 on the Sunset Strip. It was created by Aaron Sorkin, and was his first big project after The West Wing. In all honesty, it wasn’t very good, for a lot of reasons, and it only lasted a single season. But there were some wonderful moments in it, including one that’s my favorite.

If you didn’t see the show, it was about two men, a writer and a director who are creative partners, who are brought in to basically reboot a late-night teevee comedy sketch show (basically a fictional Saturday Night Live) that has gone off the rails and whose former showrunner had to be fired after a spectacular on-air meltdown. As they start work, the writer guy (played by Matthew Perry) sets up shop in the old showrunner’s office, and he discovers a digital clock on the wall that counts down the days, hours, minutes, and seconds to the next episode’s airing. It’s a constant reminder, in big red electronic digits, of the next deadline and the constant pace of time draining away toward that deadline. “Oh man,” Matthew Perry says. “No wonder he went crazy.”

The rest of the episode focuses on the production of that first new episode, with lots of struggles along the way, but in the end, the episode airs successfully despite the production difficulties. In the episode’s final shot, Matthew Perry is in his office, watching the show go on, and he’s smiling with his sense of accomplishment…until he glances at the big red digital clock, which is already ticking down to next week’s show.

That’s a little like how it feels to me when a project gets finished. I’m not really one to take long breaks from writing, so usually when I finish one phase of a novel’s life – first draft, first edits, second edits, proofing, design, publishing – I shift immediately into the next one. As soon as I finish something, I can feel the big red digital clock in my head, already ticking down on the next thing. Now, I don’t have a specific deadline in mind most times, but I do move on, sometimes within minutes.

Writing for me is almost compulsive. When I have a rare day on which I don’t write at all, I feel really weird about it – even during the bout of the flu I had this past February, during which I lost two days and felt well and truly awful about it. I suppose, in this regard, I’m wired like Anthony Trollope, whose writing regimen Stephen King describes thusly (in On Writing):

At the other end of the spectrum, there are writers like Anthony Trollope. He wrote humongous novels (Can You Forgive Her? is a fair enough example; for modern audiences it might be retitled Can You Possibly Finish It?), and he pumped them out with amazing regularity. His day job was as a clerk in the British Postal Department (the red public mailboxes all over Britan were Anthony Trollope’s invention); he wrote for two and a half hours each morning before leaving for work. The schedule was ironclad. If he was in mid-sentence when the two and a half hours expired, he left that sentence unfinished until the next morning. And if he happed to finish one of his six-hundred-page heavyweights with fifteen minutes of the session remaining, he wrote The End, set the manuscript aside, and began work on the next book.

Once in a while I think that maybe I should take a vacation from writing, but…well, how could I? I’ve got stories to tell! Some days I find the work harder than others, and some days I do procrastinate a little (I recently skipped an entire day on editing Forgotten Stars III just to finally catch up on some blog posts, so I could have something to post for once). But I do, pretty much, work each and every day, even if just to get 500 words written. Forward progress is forward progress, after all. And like I said, I’ve got stories to tell.

How about you all? How do you handle the “I’ve just finished” blues?

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AuthorLifeMonth!

Well, I got busy and then I got the flu and then…yada yada yada, I guess. However, if you recall, last month was “AuthorLifeMonth” on Instagram, so here are the rest of my entries!

Day 12 of #AuthorLifeMonth: Killed Darlings. This is how the first novel I wrote began. It was an Arthurian epic fantasy that told the story of Arthur's return to Britain in her time of need. I had a lot of nifty ideas for this story, some of which I stil

Day 12 was “Killed Darlings”. “Kill your darlings” is a common bit of advice for writers; it means that you can’t get overly attached to things in your writing, if removing them would make the writing better. It also means letting projects go, which is what this represents: my first attempt at writing a novel, an Arthurian fantasy called The Promised King. It was intended as a duology, and I actually got the first one, The Welcomer, finished and posted it online in blog form. But some stuff happened in the mid-2000s, and as way leads on to way…I doubt I’ll ever come back this way again. I did learn a lot from writing that book, though.

Next is Day 13, “Favorite Books in the Genre”.

Day 13 of #AuthorLifeMonth! Favorite books in genre. Here are two books each from SF, Fantasy, and horror/supernatural. These are all amazing books.
Here we have two books each from my preferred genres: fantasy, science fiction, and horror. I could take variants of this photo all day and still have books to use!

Day 14 was “Favorite Cover”. I figured this meant favorite cover of our own, but I only have two and I can’t possibly pick between them, so I went elsewhere: the wonderful cover for Nicholas Basbanes’s book A Gentle Madness, which is about book collecting:

Day 14 of #AuthorLifeMonth brings us to Favorite Cover. I love both of mine and they are meant to look as part of a larger set, so I'm interpreting this one as "favorite cover to someone else's book". This, the cover to Nicholas Basbanes's wonderful A GEN

Who wouldn’t want to read that!

Day 15 was “Swag”. All I have right now are business cards.

Day 15 of #AuthorLifeMonth: Swag! All I have right now are these business cards. I plan to have bookmarks printed later this year. Maybe buttons, too! #amwriting

Day 16 was “Where you write”. This photo is my workroom at the day job; I often use my thirty-minute lunch period as a writing session.

Day 16 of #AuthorLifeMonth! One of my main writing spaces is my worktable at The Store (home of the day job), where I've taken to using my 30-minute lunch breaks for writing. I also like cafes and libraries, along with the deck of my house. This year I'm

Yes, it’s cramped, but I do tend to do well in tight spaces. (Not that open spaces freak me out, or anything.)

Day 17 brought us “Where You Relax”. I love to kick back and read at home, but there’s also some very real spiritual revitalization to be found in the woods and forests and along the rocky streambeds of Western New York. I’ve always enjoyed hiking, but the last year or so, with the dog as my partner…it’s becoming nearly an obsession.

Day 17 of #AuthorLifeMonth: Where I relax. For me, it's all about the forests of WNY and Erie County. This is Sprague Brook Park, one of my favorite haunts, a bit farther away from Casa Jaquandor than most. Hiking in nature "regrounds" me, if that makes s

Day 18 was “Research”, so here’s a part of the background work for The Adventures of Lighthouse Boy: the poem “The Highwayman” by Alfred Noyes. Reading in the genre is research, for me; I like to get an idea of what kinds of tales can and have been told, as well as seeing if I can figure out various tricks of those trades.

Day 18 of #AuthorLifeMonth (which I missed): Research! I don't do a lot of direct research, in the usual sense. I look things up as I need them, or I do a lot of "grab bag" reading and let the brain do its witches' cauldron thing. I also try to read in th

That’s it for now. More to come, sooner than later!

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On “Forcing It”

I’m a firm believer in writing every day, even on the days when the mere thought of sitting down at the computer to write makes me want to stick my head in an oven. There are times when we just don’t want to do what we’re supposed to do, and when we face with a distinct lack of enthusiasm things that usually fill us with joy. It’s just too easy to let one “I’ll write tomorrow” become a sequence of them; once we lower the bar just a little, it’s all too easy to keep on lowering it. Next thing you know, you’re one of those “I only write when the Muse strikes me” folks, and except for the ones that are brilliant prodigies, those people usually don’t come to much in the writing world.

However, there are times when you simply can’t write. Maybe you’re traveling and you’re away from your computer all day. Maybe you’re going in for surgery. Or…maybe a very fast-moving bout of the flu comes along and knocks you completely on your ass for two days.

Guess which one of those happened to me this past weekend!

Yeah. Here’s how I documented my high degree of irritation in my Productivity Log:

February was mostly a good #amwriting writing month, except for those last two days. I'm on the mend, though: 780 words today! Hey flu, you can GFY now.

The symptoms started manifesting Saturday evening, and through Sunday it was clear that I was going through a wringer. That was the first day I didn’t write, because it was getting harder and harder to focus on anything other than avoiding coughing (by this time my throat was so raw that any cough felt like being stabbed in the neck). By Monday morning…oy. I spent most of Monday either in bed or on the couch, and by the time I dragged myself in front of the computer in the evening, nothing made sense and I couldn’t summon the energy to touch the keys. I quite literally couldn’t even force a few words out.

Hence the zeroes.

I was still quite sick on Tuesday, but by then I knew that I was recovering — this was a really fast-moving and fast-burning flu, as I’ve noted — so late Tuesday night, I took a go at it. Part of me was thinking “Dude, we’re not ready, don’t make us do this,” but the other part vetoed that part and so the struggle started. It wasn’t the easiest writing session I’ve ever had, but it wasn’t as hard as I had feared, either, and I got 700 words. Which is over my quota.

Today I went back to the Day Job, and I continue to mend, which is nice. I had my usual 6:00 am writing session as usual, for the first time since last Friday, and I hit quota again there, too. The only hiccup, really, is that I can’t do any editing work tonight on Forgotten Stars III because I did some editing work today during my lunch break and left the friggin’ editing notes on the current chapter there. But that might be a good thing, because you’re getting this post! I keep intending to post more frequently here. I have to get better at that…

…but now, I’m gonna go upstairs and watch some teevee with The Wife.

Situation returning to normal, though, and soon, all systems should be functioning!

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