On Masks

Mask!

So, among everything else, 2020 has become The Year We All Wear Masks.
Or it should be that, but an awful lot of people are proving wildly resistant to the idea, on various bases. There are the always-entertaining libertarian types who are loath to follow any governmental guideline, no matter how wise or just or sensible, because it’s from the government. There are the fact-challenged skeptics who refuse to believe that the COVID-19 pandemic is real, or they accept that it’s real but overblown, or they simply believe themselves to be relatively bullet-proof and take a “Let’s just roll the dice!” attitude, without considering that with a disease like this, you’re not just rolling your dice but the dice of people around you, some of whom are likely loved-ones.
As for me? Well, I’ve largely been fine with wearing the mask, though I honestly can’t say I would have adopted the mask as quickly and readily as I did had my job at The Store not made them a requirement (which they did, in turn, based on an executive order by Governor Cuomo). I like to think that I would have heeded the strong recommendations from the CDC and other officials, but I have my pig-headed moments too, so maybe I wouldn’t have been as wise on this as I would like to imagine. Luckily for me, I’m not going to find out.
I never liked Halloween costumes that involved masks when I was a kid, and the first day I had to wear one at work, I had similar difficulty. It took a couple of days for me to figure out the ins-and-outs of the masks, which started out as the disposable paper ones. My glasses were a problem, of course! I realized that if I kept moving, the force air circulation would keep my glasses from fogging up. As soon as I stopped, though, then I’d fog up instantly. This also happened with the washable and reusable masks my company soon provided. I started carrying my glasses case with me, because I could just take the glasses off when I was working on something close, like doing a repair on a piece of equipment or…writing.
The bigger problem I had with those masks was that the elastic cords and bands that went around my ears made them ache something awful. I could wear the mask for about an hour before I had to take it off to give my poor ears a break. There are workarounds for this, of course, but right about this time an online friend named Zace Myers, who is an artisanal clothing maker in Ohio who makes, among other things, really amazing bib overalls (and I am years overdue in blogging about his overalls!), decided to apply his skills to mask design. After a couple trials and refinements, he settled on the design I’m wearing in the photo above.
The elastic bands go around the head, and not the ears, which is the main thing! And the brass nose-piece is great because you can easily bend it to properly shape your particular nose. The upshot is that now my glasses never fog up! There is a small tradeoff here: the mask does push my glasses up on my face just slightly, so they’re a tiny bit north of where I usually position them. In most cases that wouldn’t be a problem, but my glasses are transition lenses, so the mask pushing them up results in the glasses not quite lining up with where I best look through them. This is not a big deal, just a tiny, minor thing. My poor ear cartilage not feeling like it’s on fire is the major thing. (Here’s where to buy them, if you’re so inclined!)
As for breathing, I find that after wearing masks for most of the day, every day I’m at work, I’m actually getting used to them. The extra heat inside them doesn’t faze me much (and I might even like that aspect come winter, if we’re still masking as I assume we will be), and I have zero difficulty breathing in them. The act of breathing feels slightly different, obviously, and I think that a lot of people are so used to completely unencumbered breathing that they assume difficulty where there is none. I know that my pulse-oxygen levels have not suffered one bit from wearing the mask, and in truth I am at the point where I even forget I have it on.
I see some snarking online here and there about masks, and one that especially irritates me is “You don’t have to wear one when you’re driving by yourself, Sheeple!” I’ve responded several times, with varying degrees of politeness (I was, I’ll admit, not at all polite in responding to some MAGA-Republican running for Congress someplace), that if I’m making multiple stops I don’t want to be putting on the mask, taking it off again, putting it on again, taking it off again, lather rinse repeat, everywhere I go. What I don’t get is people who rip the mask off the second they exit a place, whether it’s a store or whatever, and make this show of gasping for air. Come on, folks. Let’s get a grip.
Well, this has gone on long enough, I guess. Mainly my take on masks boils down to: I wasn’t thrilled to have to do it, but now that I do, well…could be worse. It’s an easy thing to do, it’s not at all a major imposition on my life, and it’s a perfectly valid means of helping to protect others. This last point is what gets me about all this: The resistance to mask-wearing has really provided a fascinatingly specific case study–not that we needed yet another one, but here we are–in the ever-depressingly American resistance to thinking in terms of collective benefit. Our centuries of mythology about “rugged individualism” is either going to be set aside and soon, or it’s going to lead us to erasing ourselves from the march of human history. I’ve believed this for years. I just never thought that something like “Wear masks for a while, or millions will die” would be the thing that would prove it.
Wear your masks, people.

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Tone Poem Tuesday

I’ve featured the music of Samuel Coleridge-Taylor (1875-1912) before, and with good reason: he was a fine composer whose work deserves to be better known. Coleridge-Taylor was a British composer of mixed race (a white mother and a Creole father). As a British composer living when he did, Coleridge-Taylor composed in the style of late Romanticism, and his work–full of dense orchestrations and dramatic mood-shifts–anticipates greater English masters like Edward Elgar and Arthur Bax. Coleridge-Taylor unfortunately died of pneumonia when he was only 37, yet another voice whose works of comparative youth tantalize at the depths that might have been plumbed in later years if not for illness.

This work, the Ballade in A minor for orchestra, was commissioned for a choral festival at the urging of none other than Elgar himself, who saw the young composer’s talent. The Ballade is an energetic and lyrical work of late Romantic warmth.

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Maestro Morricone

Ennio Morricone, one of the greatest of all film composers, has died. He was 91. His music was often expansive and melodic, evocative and emotional. I often find his work hard to characterize, to be honest, but his finest work is often meditative and introspective. He often took a non-intuitive approach to scoring certain films, like his famous work on the “Spaghetti Westerns” of Sergio Leone. He wasn’t about to strive for the Americana-west sound of an Elmer Bernstein or a Dmitri Tiomkin

One of the finest albums of film music I know is a collaboration album he did years ago with Yo Yo Ma, performing selections from his film scores. I cannot recommend this album highly enough, especially if you’re new to Morricone and you have no idea where to start. That can happen with composers as prolific as Morricone was.
Farewell, Maestro. Your music will linger!

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4 July 2020

Of all Independence Days, this one is something else, isn’t it? I personally find it hard to celebrate this year, for oh so many reasons. About the most positive feeling I can muster this year is a grim resolve, the vow that no, this ain’t over, not by a damn longshot. I’m not giving up on my country forever, but it’s hard right now to see it ever becoming the land to which it aspires (and, for a certain population, believes it always was until something went awry, hint hint wink wink nudge nudge as to what that might be).
Anyway. Happy birthday, America. 

America isn’t easy. America is advanced citizenship. You’ve gotta want it bad, ’cause it’s gonna put up a fight. It’s gonna say, “You want free speech? Let’s see you acknowledge a man whose words make your blood boil, who’s standing center stage and advocating at the top of his lungs that which you would spend a lifetime opposing at the top of yours.” You want to claim this land as the land of the free? Then the symbol of your country cannot just be a flag. The symbol also has to be one of its citizens exercising his right to burn that flag in protest. Now show me that, defend that, celebrate that in your classrooms. Then you can stand up and sing about the land of the free.

The American President, written by Aaron Sorkin

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Something for Thursday (Friday edition)

Yesterday was a pretty busy day in my world, as I was getting ready for a nice long weekend. Ahhhhhh!!!

It’s Independence Day Weekend, when we’re supposed to be celebrating America. In 2020 that’s…well, frankly, it’s a pretty tall order. The American brand is not having one of its best years, but it can at least be hoped that perhaps this year is something of an acceleration year as the country starts to again pivot toward the country it should be.
Anyway, here’s something purely American: Wynton Marsalis playing some jazz. It’s a piece called “Perdido”. Written by trombonist Juan Tizol, it’s a jazz standard that goes all the way back to Duke Ellington. I’m not always the best jazz listener, but the big band stuff from that era usually makes me happy, and Wynton Marsalis is, of course, a genius.

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Tone Poem Tuesday

David Baker (1931-2016) was a Black composer who was a deeply skilled jazz musician and teacher whose career spanned decades, first as a jazz musician playing the trombone. An automobile accident left him unable to play the trombone, so he switched to the cello and ended up at Indiana University. His first teaching job, in the mid-1950s in Missouri, ended with his resignation when he married a white opera singer. Missouri still banned inter-racial marriage at that time. Baker would not return to the classroom for more than ten years, when he finally arrived at Indiana University. There he started the university’s Jazz Studies program, which he chaired for more than 40 years. All through this he composed influential works in jazz and in the interstitial area between jazz and classical music.

This work, his Fantasy on Themes from the Masque of the Red Death, is a short and interesting work of modernism. It opens with a long roll in the snare drums, and it is full of interesting sonic effects, including the use at one point of a wind machine. Several melodies are present, most recognizably the famous chant of the Dies Irae, a theme used to enormous effect previously by composers like Berlioz and Rachmaninov. I enjoyed this piece a great deal, but I’m also interested in listening to more of Baker’s music because there’s not a lot of jazz here, and jazz was apparently his guiding star, musically-speaking.

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You say tomato, I say….

Tastes change as we get older, don’t they? There are many foods I loved as a kid that I find myself kind of grossed-out by when I sample them as I get older (most of it mass-produced sweet shit, so this isn’t a bad thing). On the flip side, there are quite a few foods that I disliked in my younger years that I find myself coming to like a great deal. Many of these are vegetables, which is a good thing! I don’t see myself ever turning the corner on broccoli–that one will always be a bridge too far for me–but over the last ten to fifteen years I’ve taken more and more a liking to olives, mushrooms, and even asparagus! Preparation helps a lot: I’m not likely to ever like steamed asparagus much, but grilled asparagus, brushed with olive oil and dusted with kosher salt prior to grilling? That’s good stuff.

But today, I’m talking about the tomato.
Tomato!
Like most people in this country, tomato-based stuff has always loomed large in my diet: pasta sauce, pizza sauce, and yes, ketchup. (I use ketchup less now than I once did, but I still like it on a burger and it’s my dip of choice for fried potatoes of all kinds.) But raw tomatoes? I was always a hard “Nope” on those. I remember getting frustrated with my parents when they’d take my sister and I out for pizza and then order raw tomato slices as one of the toppings. Whenever I went to Subway or Burger King, I always ordered my sub or Whopper with no tomatoes.
I’m not sure really when I started reversing course on this stuff, to be honest. It’s not a new development. At some point…I dunno, maybe I got a Whopper with the tomatoes left on and I didn’t feel like complaining and I just went with it. Or I tried the tomato-and-onion vinaigrette thing that comes as a side dish with the Chiavetta’s Barbecue Chicken dinner at the Erie County Fair and liked it. Or…well, I don’t know. Most likely The Wife, observing one of her family’s food traditions, decided on August to make BLTs for dinner, and I decided to just go ahead and try the tomato on the thing instead of just going with a BL, and discovered that it was actually good.
On reflection, it’s interesting to note how many of my food-opinion reversals have arisen because I didn’t want to be a pain in the ass to The Wife, who was being nice enough to make dinner. So, long story short, I’ve enjoyed raw tomatoes for a while now. (Although I haven’t tried raw slices on my pizza. Maybe I should!)
One thing I never tried before, because I didn’t know it was a thing, was the Tomato Sandwich. I’d never heard of such a thing until a week ago when I read this article on Food 52:

The tomato sandwich is, in my opinion, both under and over-appreciated, depending on the camp you fall into. Some just don’t appreciate the magic of a perfect tomato sandwich, while others, like me, think about it more often than is technically healthy. (I figure if fantasizing about tomato sandwiches is among the worst of my vices, I’m probably okay.) When tomato season is in full swing I tend to have a tomato sandwich for lunch at least three days a week. 

It’s nothing fancy, but over the years I tweaked until I came up with the tomato sandwich that best suits my taste: two pieces of whole grain toast spread with mayo and stuffed as generously as possible with slices of ripe tomato, plus some salt and coarsely ground black pepper.

I saw that linked on social media, read the article, and immediately thought, “I gotta try that.” As luck had it, I read that article last Saturday morning, before our first trip of the season to the Hamburg Farmers Market (opened a month later than usual due to the damnable COVID-19), and when I saw a vendor selling tomatoes, I bought a couple because I just had to try that sandwich. How simple a concept, how elegant a recipe! Toasted bread, mayo, tomato slices, salt, and pepper. Even though the tomatoes aren’t in season yet–I assume that Market vendor grew them in a greenhouse–I went full-speed ahead. I got the tomatoes home, sliced one on my mandoline, and assembled the sandwich.
Then I ate it so quickly I didn’t even think to get a picture of it until I was done and basking in the heavenly flavor.
So here is yesterday’s tomato sandwich. I had to make another one as soon as we got home again from the Farmers Market, this time having bought a quart of tomatoes.
Yet more food of recent days! I have discovered tomato sandwiches. Thick tomato slices, mayo, kosher salt, pepper, all on toasted wheat bread. I am now wondering if my favorite part of the BLT for all these years has actually NOT been the bacon. #yum #san
This sandwich is utter heaven. The salt and the pepper and the mayo combine with the juices of the tomato to make the most wonderful sauce for the toasted bread, and of course there’s the delightful coolness of the tomato slices themselves. After eating my second one of these in a week, I find myself wondering if in all the years of having BLTs each August during tomato season, my favorite part of the sandwich has actually not been the bacon after all.
All hail the mighty tomato!

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Tone Poem Tuesday

Last week I featured a work by Florence Price, and this week I’m going to do it again, because Price was a fascinating composer whose work is increasingly captivating me. This is a three-movement orchestral transcription of an earlier piano work of Price’s, called Dances in the Canebrakes. From what I have been able to piece together, Price wrote the piano version not long before she died, and the work was then later orchestrated by friend and fellow composer William Grant Still.
The work is not long, and its three movements abound with dance and jazz. I had to look up the word “canebrake”, and it turns out to be a thicket of particular kinds of grass that grow tall and thick — over two feet tall, actually. It’s the kind of thicket that grows at the edges of ponds or slow-moving streams, and they are apparently quite common the southeastern United States, where Price spent a good deal of her life.
Now, why would one dance in a canebrake? I honestly don’t know, but the image suggests a certain degree of abandon and a picture of summery heat as one dances. To be willing to dance in thick tall grass in an uneven spot where there may be water lurking beneath, one must be quite happy indeed, and this is a purely happy work. Price isn’t doing any brooding here; there’s dancing to be done!
Here is Dancing in the Canebrakes by Florence Price.

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A convert to earbuds

Behold my new Bluetooth earbuds!

Ear Buds: Anker Soundcore

These are Soundcore Spirit x2 earbuds, made by Anker.

I’ve never been a fan of earbuds…until now. My preference for personal music listening has always been “over-the-ear” headphones, and I have several pairs of them, including a nifty Bluetooth pair that dispenses with the cord. I’m actually a fairly late adapter to the whole Bluetooth thing, for reasons that I honestly couldn’t describe for you beyond the simple aesthetic: I tend to like a cord. But once you start to get used to cordlessness, well…it’s awfully hard to go back.

Earbuds have never worked terribly well for me, especially in their first iterations. I found that they never stayed in my ear canal very well, and I’d have to jam and twist them in there so they were actually uncomfortable if not outright painful. Inevitably they would twist and vibrate their way out until they fell out of my ear entirely, which somehow always managed to happen during the climactic passage of whatever it was I was listening to at the time. Hence my “over-the-ear” headphones, and I’ve gone through a bunch of these over the years.
But now I have taken the plunge on a pair of Bluetooth earbuds, and after using them for a few weeks, I can report that my verdict is in. I will never give these up. I love them.
Ear buds now seem to come in neat little carrying cases, and these are no different:

Ear Buds: Anker Soundcore

Now, as someone who only preferred corded headphones until now, I’d never given it much thought, but it turns out the case is a crucial part of the whole cordless ear buds thing. The case is how the buds get charged, and more, the case is the main power source for the buds! The buds carry impressive battery power on their own, but when you pop them back in the case, the case itself recharges the buds. So when you plug in the case for charging, you’re really charging the case itself. Those three little LEDs at the front of the case? Those indicate the battery power.
The LEDs on the buds themselves indicate things like pairing status and the like. I haven’t dug too deeply into this, but the buds automatically power down when they’re put in the case (and they snap into their respective recesses with a satisfying magnetic click), so when you open the case, everything lights up again so you can see that the buds are pairing to one another. (And let’s be honest: every piece of cool tech nowadays needs to have some kind of nifty glowing-LED component, no? If you buy a gadget with no glowy LEDs, you pretty much wasted your money, didn’t you!)

Ear Buds: Anker Soundcore

Ear Buds: Anker Soundcore

One thing I’ve noticed is that the one-size-fits-all approach seems to have finally gone away. Ear buds now come with a selection of pads and collars one can switch out, depending on the level of comfort and sound. I played with these buds for a few days and then decided that while I was impressed, maybe I actually did need to trade the pads for a different size. After a little experimenting, I figured out what size works best for me.
In the past, ear buds have become uncomfortable or downright painful for me to use after about half an hour. These ones? I can actually forget they’re in my ears (much to the occasional chagrin of The Wife, because the other nifty thing about ear buds these days is that often you can’t tell someone is wearing any). 
The other thing that makes these perfect for me is the ear hook. These don’t just rely on being stuffed into the ear canal to hold them in place, which I greatly appreciate. I actually prefer ear hooks like this in my earphones, and now my ear buds.

Ear Buds: Anker Soundcore

They’re very lightweight; that center part where all the electronics are barely weighs anything at all, and like I’ve noted, the buds are actually easy to forget. Each bud also has a pair of buttons that control things like volume and allow you to navigate forward or back through tracks of whatever it is you’re listening to. There is also functionality to answer phone calls through your phone, but I haven’t used that feature at all, so I can’t report on it. Likewise the fact that you can click a button three times to activate your phone’s voice assistant thing (Siri, Google, or I suppose Bixby on a Samsung Galaxy phone). I don’t use voice assistant things, so I have no opinion on that score.
I do have an opinion of the sound in general, which is fantastic. The bass is nice and heavy, without overwhelming. I don’t feel much need to tweak the sound settings, which is good because there are only two default equalizer settings. Anker does have an app that supports a lot of its products and provides abilities to fine-tune them, but unfortunately these buds are not supported by their app. Maybe this will change, but if it doesn’t, I am hardly disappointed in my purchase. I do wonder how long these will last, having never owned wireless ear buds before. I am not exactly hard on my electronics, though; I try to make things last until either natural failure or eventual obsolescence. Either way, I hope to be listening to music and podcasts on these buds for a long time to come!

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