Your Daily Dose of CHRISTMAS!!!

Somehow I never knew that Franz Liszt wrote a suite of piano pieces called Weihnachtsbaum, which translates to “Christmas Tree”. It’s definitely not one of Liszt’s famous pieces; apparently its partially-seasonal nature combined with its general lack of virtuosic fireworks (well, comparatively so, for a piece by Liszt) have led to its obscurity in Liszt’s output. Nevertheless, it’s a fascinating and lovely listen. Liszt wrote the work for his granddaughter Daniela, who apparently gave the first performance; as she was a quite young pianist at the time, this may explain why Liszt didn’t write the piece to be as demanding for the soloist as his general work would have seemed to prompt. (Liszt, if you are unfamiliar, was one of the greatest pianists of all time, and he wrote music that is fiendishly demanding of the soloist, which in his time was usually himself.)

The suite is not entirely Christmas-based, with several of the pieces apparently being autobiographical in nature, but that’s fine, because after all, a big part of Christmas is remembering, isn’t it?

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Your Daily Dose of CHRISTMAS!!!

Unlike many in the Western world, for some reason “Fairytale of New York” has only been on my radar for a few years. I’m not sure how it so thoroughly eluded me, other than to note that this kind of music doesn’t generally form the backbone of my music listening. It’s not the easiest song in the world to love, that’s to be sure, but I always think it’s important to acknowledge the difficult emotions that Christmas always makes us feel, in the dark moments when we’re alone with our memories.

This is a lovely cover I found while looking for Christmas music featuring Uilleann pipes.

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Your Daily Dose of CHRISTMAS!!!

I could write a lengthy intro essay for this one…or I could just write, “Here’s Mr. John Denver.”

Choices, choices.

Here’s Mr. John Denver.

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Your Daily Dose of CHRISTMAS!!!

Somehow I made it to just the other day (as you’re reading this) without knowing that in 1983 David Bowie starred in a Japanese war film about the individuals living in a POW camp. The film’s English title is Merry Christmas Mr. Lawrenceand the film’s score, by Ryuichi Sakamoto, is highly regarded, possibly moreso even than the film. (I only know this by reading the film’s Wikipedia entry.) The movie doesn’t appear to have any specifically Christmas subtext, except that one of the Japanese characters wishes Mr. Lawrence, one of the non-Japanese characters, a Merry Christmas several times throughout the film. Nevertheless, the title track from the film has apparently become a Christmas standard in Japan. Listening to it now, I’m pretty sure I’ve heard it before, but I’m not super familiar with it.

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Tuesday Tones

Cascading fountain, Buffalo and Erie County Botanical Gardens

Continuing our series exploring classical music about or inspired by water, in one way or another, we have one of the most evocative tone poems of all time: The Fountains of Rome by Ottorino Respighi. Respighi lived 1879-1936, and his gift for using the orchestra for illustrative effect is nearly unparalleled. His music sings with pictorial clarity that recalls Berlioz, Rimsky-Korsakov, and echoes Richard Strauss, albeit with an Italian flavor. His scores are shot through with brilliant light.

Fountains is perhaps a bit more introspective than Respighi’s other famous showpiece, The Pines of Rome, but it contains its own moments of showpiece brilliance. One device that Respighi uses frequently, to great effect, is his off-setting of the beat; he also makes great use of a “shimmering” sound in the strings. More than any other composer, Respighi’s music always seems to have a visible “sheen” to it.

Here is more on the work specifically (credit):

Fountains is also in four movements, each representing one of Rome’s fountains at a different time of day. The opening movement depicts the Valle Giulia at dawn. Now enveloped in the suburbs north of Rome, the Valle Giulia was, during Respighi’s lifetime, a pastoral landscape. The orchestra gradually awakens, murmuring strings joined by plaintive oboes and English horn as cattle pass through the mists in the distance.

In the second movement, the majestic Triton Fountain on the Piazza Barberini springs to life in the morning light. The fountain was created by the sculptor Gian Lorenzo Bernini, and his work – and Respighi’s as well – was inspired by the story of the end of the flood from the first book of Ovid’s Metamorphoses: “The ruler of the seas sets his trident aside, smoothes the billows, and summons the sea-blue Triton who towers up over the depths… and commands him to blow into his sounding shell and by his signal recall the waters and the rivers.”

The third movement represents what is undoubtedly the grandest of Rome’s fountains, the Trevi Fountain, at midday. Respighi’s majestic writing for brass over swirling strings and cresting waves of percussion captures the fountain’s sheer scale, with its central depiction of Neptune in his shell chariot, emerging from beneath the sea and standing under a Roman triumphal arch.

The finale depicts the modest fountain in front of the Villa Medici, which sits atop a hill overlooking St. Peter’s, at dusk. Respighi’s orchestra provides the rich atmosphere of graceful birdsong, gentle evening breezes, and twinkling stars through a combination of sumptuous writing for strings and woodwinds and his use of percussion instruments such as the celesta and the orchestra bells. The work ends as gently as it began.

Here is The Fountains of Rome by Ottorino Resphigi.

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Your Daily Dose of CHRISTMAS!!!

A lot of what I post in this series every year comes from just simple YouTube searches, which I then follow until I find something interesting. This is a case in point: I searched “Appalachian Christmas”, which yielded some good stuff! One thing I almost used was a recording of an actual cantata a composer wrote using old Appalachian melodies, but…I didn’t like the performance in the recording, which sounded oddly “commercial” in my ears. So here is this, performed on a selection of Appalachian instruments. The performer, Timothy Seaman, provides this information:

I found this song, one of only three Christmas-themed shape-note hymns, in an old book back in the 1980s, and have sung it in concerts ever since; here it’s an informal ensemble (all played by me) on mountain dulcimer by Bert Berry, tuned CGC, with harmonica, then baritone mountain dulcimer by McSpadden, tuned AEA, with harmonica and Woodsong bamboo flute by Rob Yard.

The strong mountain melody is joined with these powerful words reminiscent of Handel’s Messiah’s Christmas section, drawn from prophecies in Isaiah of the coming Messiah:

1. The people that in darkness sat
A glorious light have seen;
The light has shined on them who long
In shades of death have been.

To us a child of hope is born,
To us a son is giv’n;
Him shall the tribes of earth obey,
Him all the hosts of heav’n.

2. His name shall be the prince of peace
Forevermore adored,
The wonderful, the counselor,
The great and mighty Lord.

His pow’r increasing still shall spread,
His reign no end shall know;
Justice shall guard his throne above,
And peace abound below.

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Your Daily Dose of CHRISTMAS!!!

Riley Street Station, East Aurora, NY.
Taken on Miranda (Lumix FX1000ii), using a “starburst” scene mode.
f/3.1, 1/15 sec, ISo1600

Welcome to December! Along with “normal” blogging, this month always features a daily music or video selection pertaining to Christmas. There are some items I post annually, while other things will be brand new. That’s one of the things I love about this season: every year it’s a mixture of the old and traditional with new stuff that may become tradition in the future, or rather fade into memory until someday you say, “Hey, remember that one Christmas when everybody was doing/singing/watching that one thing?”

Anyway, I hope you’ll join me in this tour through Christmas as it unfolds in my brain. The mood will be festive at times, introspective at others, sometimes happy, sometimes bittersweet…but always Christmas. Because that’s how I roll.

We’ll start with the United States Marine Band performing “A Christmas Festival” by Leroy Anderson.

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On rethinking the year as a series of Festivals (a repost)

NOTE: As stated in the title, this is a repost of something I wrote a couple years ago toward the end of summer. Now that Thanksgiving 2025 is in the rear-view mirror and most people who took the long weekend are going back to work tomorrow (except me! I took Monday off! HAHAHA!!!), we’re solidly into The Christmas Season, or The Holidays, or whatever you call this time of year. Now, I’ve always been one to factor Thanksgiving mentally into “The Holidays”: after all, that term is plural, and for me it includes not two but three separate holidays that all reflect a common theme of people coming together to celebrate one another. (In my view, celebrating Christmas absent the actual Christian content of the day is not a bad thing at all.) I hear it every single year, the vexation at Christmas-themed content before Thanksgiving, and the complaint that “We should keep our holidays separate!” That does not work for me and never has, for various reasons that I think pertain to our societal view of Time and what feels to me a hard-wired suspicion of anything that isn’t directly related to what we’re SUPPOSED to be doing with our time, which is WORK. Anyway, here’s how I tend to see the year as we move through it.

(Image credit: “Father Time”.)

It’s late August, which means it’s time for an increasingly dreary annual tradition: people posting on social media to complain about the arrival of Pumpkin Spice items in the stores and elsewhere.

First of all, there’s the usual proviso: Let People Like Things! No, your summer isn’t any shorter because the Pumpkin Spice stuff is showing up. No, you’re not being forced into cold nights or flannel shirts or raking the leaves (by the way, raking leaves is dumb and you should stop doing it) or going back to school any earlier. Just relax. The clock is not actually affected by the arrival of the Pumpkin Spice stuff.

But on the other hand…I get it, to an extent. It’s all driven by Big Retail’s cost-control and inventory-management strategies. That’s the only reason all the seasonal stuff always shows up freakishly early and seems to be gone when the actual season is in full swing. Big Retail’s problem is that it wants to sell the popular seasonal stuff to the people that love it, but retail doesn’t want to get stuck with leftover stuff if they make too much of it after the season is over. Thus you have the inherent absurdity of seasonal merchandise hitting the market well before the actual season starts, and then–and this is the part that pisses me off–disappearing from the market before the actual season has even ended.

I guarantee you this, folks: for the most part, Pumpkin Spice stuff will have completely disappeared sometime in the first half of November at the latest, except for whatever hanger-on items exist because they just didn’t fly off the shelves as planned. So when Thanksgiving Week rolls around and you’re actually thinking, “Wow, I am really in the mood for a pumpkin spice item right now,” you will be out of luck. Because the Christmas stuff, with the eggnog and the mint flavorings, will have touched down.

And that will keep on going! Because you’ll try to hit the store up to buy some last-minute Christmas candy, maybe on December 23, and you’ll be out of luck, because the stores will have sold it all down and put out the stuff for that noted holiday for which everybody on earth is known for shopping for way in advance, Valentine’s Day.

That’s just how retail thinks, and yes, it’s deeply annoying. It’s the exact same mindset that leads to the absurdity of it being really hard to find a nice winter coat in February or a new swim suit in late July.

Another dirty secret of all this is that for a lot of specifically seasonal merchandise, stores can’t even re-order. They get one giant shipment of it all at once, and then they work through it until it’s gone. If you’ve noticed that the Halloween candy is already showing up at stores? And you’re thinking, “Geez, we’re still more than two weeks from Labor Day!”? Well, that stuff arrived at the stores almost a month ago. Yup.

Businesses can claim this is all about “market forces” and it’s just what the market wants, but that’s a lot of special pleading; what’s really at work is the desire to sell what one might while also not being stuck with what one can’t. And I don’t know what the solution to that is, but that is the problem you need to solve if you want the Christmas stuff to at least not be on display until November 15 and the Pumpkin Spice stuff to sit in reserve until September. What it all boils down to, as always in our Capitalist society, is profit. And it has been determined that this is the road to maximizing profit.

As I’m thinking of this, though, I remember my earlier thoughts from about thinking of the year less in terms of being punctuated by holidays and more like being a series of festivals, not unlike the old church calendar. I’m not much of a liturgical person, but I do think the church calendar from the Middle Ages did represent a relationship with time that might have been in ways more healthy than the one we have going on now. We seem to approach holidays grudgingly, don’t we? We make sure to limit our holidays to one day, and then the day after, it’s time to put it all away and get back to work. Holidays in America are occasional interruptions in the real important thing: working and ensuring profit for somebody (almost always not ourselves). Our approach to holidays, all of them, is of a piece with our approach to time off from work in general. We take less vacation time than anybody else on Earth, and when we do take vacation, we get back to work to an overflowing inbox that makes the mere act of taking earned vacation feel like something that merits a punishment.

And all of that is baked into our general societal distrust of pleasure and leisure, which is a bigger topic than I’m going to solve right here…but I do like the idea of framing our calendar into a series of festivals. Here’s how I would break it all down:

September 15 through November 1: Autumn Harvest. This is the Pumpkin Spice period. Flannels, earth tones, pumpkin, big pots of chili, falling leaves. Also Halloween! I know that lots of people, including some dear friends of mine, would straight-up make this entire Festival Halloween, but not everyone is into the spooky/supernatural scene as strongly. It would definitely have a strong presence, though.

November 1 through The Night Before Thanksgiving: Winter Gathering. I call it this because this is usually when a lot of us start loading up on things we expect to need soon: food for Thanksgiving, or heating pellets, or whatever. It’s colder, but not actually winter yet.

Thanksgiving through January 2: Winter Lights. I dunno, I might come back and change the name of this…I thought about just calling it “Christmas” and making that into a whole Festival, because that’s how I see it, but that’s not especially inclusive, is it? A whole lot of religions have winter celebrations, and it would be nice if our societal calendar was maybe a bit less centered on the trappings of Christendom.

January 3 through February 15: Winter Meditation. This is when winter gets quieter, more reflective. But not always! This period includes Valentine’s Day and the Super Bowl, so…yeah. Generally, though, this period can be for refocusing, thinking things through, and just plain living.

February 16 through March 17: Spring training. Because there’s a sense that things are starting to shift a bit once the pitchers and catchers report!

March 18 through April 30: Reawakening. Obviously this includes the Vernal Equinox and Easter. In most places in this country this is when Spring really takes place. (Not in my neck of the woods, sadly…spring in Buffalo is generally awful, but we’ll see what our old friend Climate Change does for that….)

May 1 through June 20: BeltaneYes, I’m co-opting an ancient Celtic festival name for this period. By this point spring is well underway, baseball games actually count toward the standings, and hockey and basketball are starting to work toward their respective championships.

June 21 through July 31: High SummerYup, this is summer proper. Grilling, campfires, trips to the beach, yada yada yada. It’s also generally my personal least favorite time of year, after spring (again, this is just because of the nature of where I live), but I do acknowledge that I’m liking it more with each passing year, as my body does that thing that most peoples’ do as the years accumulate: feeling cooler every year. I wonder why this happens….

August 1 through September 14: Golden Summer. There’s a term in photography: Golden hour, which indicates roughly the hour right after sunrise and the hour right before sunset, when the sun’s angle in the sky is low and thus the light is less harsh and, well, more golden. This is the hour when the day tends to be its most beautiful, just in terms of the light that’s in the air. And yes, it’s a magical time for taking photos. Well, I think that this particular stretch of time is when summer is its most beautiful. By this point it’s still warm and bright, but the summer days feel less like a thirteen-hour bath in hot blazing sunlight. This is the time of cooling and fireflies in the woods and the campfires blazing under actually darkening skies.

And that brings us back to Autumn Harvest.

Nothing here suggests the replacement or abandonment of specific holidays, mind you! But I really do tend to see the calendar as a grouping of “times of year” than of specific dates, and I even go a bit broader than what I outline here: In my life, I tend to see “Golden Summer” and “Autumn Harvest” as not-entirely-distinct periods that begin with the Erie County Fair and last up to, and even beyond, our annual trip to Ithaca and the Finger Lakes in late September or early October. And I really do mentally file all of November and all of December and the first few days of January into one big “Christmastime” season. I just don’t see why every holiday has to be its own unique and separate atomic entity whose celebration is a complete in-and-of-itself kind of thing.

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Something for Thursday (Thanksgiving edition)

Watching the Macy’s Thanksgiving Day Parade this morning is one of our very rare forays into commercial television each year. We have become such infrequent viewers of commercial television that it’s always something of a shock to us to have to endure all the advertising. We’re always like, “We just watched four minutes of teevee! Now we have to sit through another six minutes of commercials?!”

I have to admit that I have mixed feelings about the common practice of using old songs on commercials. On the one hand, it does at times feel a bit…dirty. But on the other hand, there are a lot of songs I actually end up hearing because they get used in a commercial here or there. (Well, maybe not a lot, since we rarely watch commercials, but the number isn’t non-zero either.) This is one such song: a duet of Bob Dylan and Johnny Cash, called “Girl From the North Country”. If I’ve heard this before, I don’t remember it…but I heard it a bunch this morning on an ad that was repeated quite a bit during the Macy’s Parade. (What was it advertising? I’ve no idea!)

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“Vultures, vultures everywhere!”

Eighty-three years of Casablanca.

This morning I got in the car, turned on the radio, and as I was preparing to switch it over to my phone’s output so I could listen to a podcast, the announcer on WNED indicated that they were about to play a suite of Max Steiner’s wonderful music for Casablanca, because the film opened eighty-three years ago today.

That movie has been a part of my world my entire life. I didn’t watch it myself until sometime during, or immediately after, my freshman year of college, but I was always aware of it, and my parents always spoke very highly of it. I remember when I watched it the first time I thought, “Yeah, that’s pretty damned good, I don’t know if it’s quite as good as everyone makes it out to be, but that’s a damned good movie.”

A while later I watched it again, though…and I discovered something that Roger Ebert would later write about: the fact that Casablanca is, somehow, always better the second time. There’s just something about it that makes it a “pretty good” watch the first time and makes it utterly engrossing the second time around…and each and every time thereafter.

Eighty-three years.

When I was a kid, Casablanca was my benchmark for “an old movie”. Since it was only 29 years old when I was born, I guess I kind of set “twenty-nine years old” as my thought for what constituted an “old movie”. So, using that metric, here in the Year of Our Lord 2025, new “old movies” include Independence Day, Scream, Jerry Maguire, and the first Mission: Impossible movie.

Anyway, here’s the Max Steiner suite I listened to this morning on my ride to work. This is music to put you in the mood to be a big inconvenience to Nazis…which honestly, is saddeningly needed right now, innit?

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