Tone Poem Tuesday

If you’re familiar with the work of Robert Russell Bennett, you’re almost certainly familiar with the work he did using the tunes and melodies of other composers. And if you have any love of American musical theater of the 20th century, then you’re almost certainly familiar with the work of Robert Russell Bennett, and you may not even realize it! Bennett was largely known for his work as an arranger and orchestrator for many of the great Broadway shows of the classic era of American musical theater. Look at the fine print of many of those albums and you’ll see something along the lines of “Arrangements by Robert Russell Bennett” or “Orchestrations by Russell Bennett”.

Bennett also arranged many fine orchestral suites of Broadway music, which have become staples in the repertoire of Pops orchestras all over the world. Bennett’s suites are almost always fine compositions in their own right, with Bennett giving a lot of thought to the melodies and how they should sound in a purely orchestral setting. The suites are more than worth listening to on their own, proving that dramatic music does not always need to be heard in its original context to be effective.

Here is the Porgy and Bess: A Symphonic Picture by Robert Russell Bennett. Enjoy!

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Your Daily Dose of Christmas

Today’s featured piece is apparently really obscure, and it really shouldn’t be. At all. Ralph Vaughan Williams is one of the most revered British composers of the 20th century, and a lot of his music is not only frequently heard but in the standard repertory. So why is his masque On Christmas Night, a work inspired by Dickens’s A Christmas Carol so unknown? I only discovered it purely by accident last week while listening to one of RVW’s more famous Christmas-themed works. On Christmas Night wasn’t even recorded at all until 2006, when Richard Hickox led the City of London Sinfonia, chorus, and soloists. Googling the piece didn’t turn up much more, and the only in-depth information I was able to find comes from a review on Classical.Net, which I excerpt here:

Michael Kennedy’s standard book on the composer’s life and works doesn’t mention it, except in the catalogue. This is its very first recording. Vaughan Williams called it a “masque,” mainly because he hated the ballet’s dancing on point, and he appropriated Dickens’s “Christmas Carol” as its basis. He also drastically telescoped Dickens’s plot. It’s Vaughan Williams light, but “light” doesn’t mean “slight.”

On Christmas Night is wonderfully dramatic as it traces Dickens’s tale, and as it’s clearly meant to be used for a dance company, RVW alternates between beauty and coldness and drama and austere mystery, with familiar Christmas songs scattered throughout. After playing On Christmas Night through several times over the last week or so, I cannot fathom how it has so completely eluded the concert halls and ballet stages of the world since RVW wrote it in 1926. I hope you enjoy it! Here is On Christmas Night.

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Scenes of Almost-Winter

As I write this we’re about eleven days or so from the start of winter. I live in the Buffalo area, though, and winter is starting to show itself, like an impatient performer eager to take the stage. In fact, around here the last third of autumn really tends to be indistinguishable from autumn. We’re not blanketed with a snowpack that will last months just yet, but it’s coming. Meantime, here is a set of wintry images from Western New York. The first photo is from November 3; the last from yesterday.

Stream on a cold fall morning #ChestnutRidge #wny #orchardpark #autumn #fall #nature #hiking #trees #stream #runningwater

First snow! #winter #snow #nature #wny #Buffalo #the716

Adventurers in black and white #blackandwhite #Cane #dogsofinstagram #greyhound #greyhoundsofinstagram #KnoxFarm #eastaurora #wny #autumn #nature #hiking #trees #overalls #dungarees #biboveralls #vintage #oldnavy #oldnavyoveralls #denimoveralls #overallsa

November in Western New York #snow #wny

Winter sunrise (but it's still autumn) #sunrise #sky

Awaiting sunrise #coldmornings

The roads are closed to vehicles now. #ChestnutRidge #wny #orchardpark #autumn #fall #nature #hiking #trees

Wintry scene behind my house #snow #nature #almostwinter

Morning sky #sun #clouds #sky #sunrise

The Dee-oh-gee is interested in something #Cane #dogsofinstagram #greyhound #greyhoundsofinstagram #ChestnutRidge #wny #orchardpark #hiking #trees #nature

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Your Daily Dose of Christmas

Enya.

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Your Daily Dose of Christmas

OK, so after a really busy day of errands and whatnot yesterday I suddenly remembered about 11:00pm that I hadn’t posted a Daily Dose, so I went with a comedy number by Johnny Carson that I use every year. But that’s far from the only comedic take on The Twelve Days of Christmas! Nope, not at all. In fact, it’s probably more common to hear comedic takes on that old carol than to hear the thing actually performed straight. Cases in point:

This one here is particularly neat if you’re a music history buff:

And what about twelve days after Christmas?


And if you must hear “12 Days” performed perfectly nicely with no comedy attached, here you go:

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Your Daily Dose of Christmas

One of my favorite Christmas comedy bits:

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Your Daily Dose of Christmas

Even now it comes as a surprise to a lot of people that the trumpet isn’t just an instrument for blazing fanfares and astonishing brass coluratura fireworks. The trumpet can be a deeply lyrical instrument as well, as is heard in this short selection by the amazing Tine Thing Helseth. Here is Ms. Helseth with “In the Bleak Midwinter”.

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Your Daily Dose of Christmas

So tonight I get to go see a live performance by the biggest star I will ever have seen live: Celine Dion! In that case, we’d better hear some of her Christmas work, right?

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Your Daily Dose of Christmas

Scottish singer and songwriter Dougie MacLean has been a favorite artist of mine for years, but I only just today learned that he wrote a Christmas song of his own. And here it is!

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Tone Poem Tuesday

So this week we conclude our trip through Dvorak’s trio of tone poems that he called “Nature, Life, and Love” with the Othello Overture. There was some definite Shakespearean inspiration for Dvorak here, but it’s not wise to try to find exact correspondences in the music to the drama. The overture is definitely more stormy and takes a darker tone than the previous two installments in this trio of overtures. For a work whose alternate title indicates that what is being explored is love, it certainly seems that Dvorak has a view of love that doesn’t exclude that emotion’s more introspective and combative elements.

Here is Dvorak’s Othello Overture.

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