Pi Day 2024!!!

Another year, another Pi Day that I didn’t observe with anything new…sigh…but here’s a repost of an earlier celebration!

It’s Pi Day, everyone!

It is also Albert Einstein’s birthday and, sadly, this year’s edition marks the passing of Stephen Hawking, about which I’ll have more to say later. But for now, let’s celebrate Pi!

 

 

 

 

 

 

 

 

 

 

Calculate Pi yourself!

NASA’s Pi in the Sky Challenge

A few videos:

(That one’s titled “Pi Day” but the video has nothing to do with Pi so far as I can see, but it’s a cool video anyway, so there it is.)

 

This is from several years ago, made for a supermarket chain called D&W Fresh Market in Michigan:

And finally, here I am, in my last (well, most recent, I hope it’s not my last!) official video observing Pi Day! As I look at this, I see the video’s running time and I wonder why on Earth I didn’t trim it down another 32 seconds….

Happy Pi Day, everyone!

Posted in On Pies In Faces, On Science and the Cosmos | Tagged , | 1 Comment

Whoa….

I’ll have more to say later at some point, but I’ve just read one of the earliest Star Trek novels, a 1974 book called Spock, Messiah!. And it is both super weird and not weird enough.

I need to think about this one.

That is all

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Tone Poem Tuesday

Today, a rarity: or something that felt to me like a rarity many years ago, when I was still playing the trumpet (and, I might add, at a pretty high level!). The evolution of the trumpet as an instrument meant that there were certain things that the instrument could do and could not do at first, when the instrument had no valves and could only produce chromatic tones by manipulation of the “embouchure”–that is to say, the lip muscles that produce the buzzing against the mouthpiece that sets the air inside the instrument to vibration. This is why many of the trumpet concertos you hear from the Baroque era pitch the trumpet in a very high register, where it is much easier to produce chromatic notes due to the density of overtones.

Now, there were a few trumpet concertos written in the Classical era, most notably by Haydn and Hummel; these were written for a virtuoso named Anton Weidinger who invented a trumpet with keys (holes in the instrument’s piping that were covered by spring-loaded keys, manipulated by the fingers). This instrument could produce chromatic tones, but aside from Haydn’s and Hummel’s concertos (which are two of the most famous works for trumpet ever written), not much came of the keyed trumpet, due to issues with its sound quality; it took a virtuoso like Weidinger to make the thing sound good at all.

In the Romantic era, though, along came the invention of valves, which finally made the trumpet a truly chromatic instrument. So, you might expect that the trumpet entered a Golden Age of concerted works as the great Romantic composers embraced the trumpet as a solo instrument, capable of much more than just reinforcing tonics and dominants?

Why…no.

It always bothered me, as a young trumpet student, that there was no solo trumpet literature at all between the Baroque and Classical eras and the Modern era, when at last the trumpet’s popularity as a solo instrument exploded. I always wondered, what if a Schumann, a Brahms, a Saint-Saens, a Tchaikovsky, had embraced the trumpet as a solo instrument in a concerto? Alas!

But it turns out that there were works for solo trumpet and orchestra during that era; it’s just that they were written by more obscure composers who lived in obscurity and who are mostly forgotten today. Enter Oskar Boehme.

Boehme was a trumpet virtuoso who was born in Dresden in 1870. He made a good living as a musician, being both a great player and a decent composer; he landed in St. Petersburg, Russia as a young man, where he lived out his life, writing music and performing and teaching. He wrote there his Trumpet Concerto, which I present below. I had never even heard of this work until a recent Facebook ad notified me of an upcoming concert in Charlotte, NC (I think) conducted by the Buffalo Philharmonic’s own JoAnn Falletta, with Boehme’s concerto on the program. Having heard it several times this last week, how I wish I had known about it back in my college days!

Boehme himself came to a bad end. He lived in Russia, after all, during and after the Revolution, until 1938, when he found himself on the bad end of one of Joseph Stalin’s purges. According to his article on Wikipedia, his music is being rediscovered to this day. I hope that’s the case, given the quality of this concerto, with its Romantic sweep and dazzling virtuosic writing for the trumpet.

 

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Sunday Thievery

I haven’t done one of these quiz-things in a while, so why not? Roger did this one, and now I’m going to appropriate it. (The quiz is from a blog called Sunday Stealing, so the fact that I’m doing this on Monday is right on brand for my “Rules? There are no rules here!” self.)

1) What is your favorite thing about winter?

Snow, I suppose…within reason! In truth, I love winter for being able to wear sweaters, and in general having more options for how to dress; dressing in summer isn’t as flexible because of the need to stay cool and the fact that minimizing layers is best.

I also love darker nights, the winter stars, and the hot drinks (coffee, tea, buttered rum, Tom&Jerry’s) hit better in winter than they do in summer.

2) What is your favorite winter sport?

To watch? Figure skating, I suppose. I also like hiking in winter, and though I haven’t done it in many years, I remember enjoying snowshoeing quite a lot.

3) What is the best winter treat?

I suppose hot chocolate, though I don’t have it very often.

4) What is the earliest time in the year it ever snowed where you live?

To the Google! Apparently in 1956 it snowed on September 20. The earliest I can remember is the October “Surprise” storm, which I believe was somewhere around the 13th or 14th in 2006.

5) What is the best way to stay warm in the winter?

Layers and warm beverages. Hats and gloves. Always hats and gloves!

6) What are your favorite things that are paper?

Books, obviously! But I also love writing on blank paper. And newspaper is great for starting charcoal aflame.

7) What are your favorite things that are cotton?

I assume all of my pairs of overalls are a cotton-based fabric.

8) What are your favorite things that are leather?

I have a pair of gloves that my mother got for me, made to measurement, from a glovemaker in Florence. They’re gorgeous.

9) What are your favorite things that are floral?

The Wife has a growing collection of orchids! She loves orchids to the point that we go to local orchid shows at the Botanical Gardens.

Also, I wish I could find a nice floral print shirt, but everything I ever find in that vein is a Hawaiian shirt, and I don’t want one of those, to be honest.

10) What are your favorite things that are wood?

I have a fountain pen made of wood! And my set of nesting dolls that I got when I was five or six. My bookshelves. And the trees that make up the forests of WNY!

11) What should you do if you think your house is haunted?

I have no earthly idea. BUT, I am acquainted with a local ghost-hunter, so I’d probably DM her and say, “Hey, wanna meet a ghost?”

12) When should you investigate a strange noise in your basement?

Immediately. Any malfunction down there that is significant enough to make a sound you can hear in the main body of the house can not be a good thing. And if it’s the sump pump, you need to get moving fast.

13) How do you know if an abandoned building is safe to visit?

You don’t! That’s the fun of it!

I’ve never actually been one to enter abandoned buildings, to be honest…but construction sites? Those, I’ve been known to explore, though not so much anymore because I’m more keenly aware of what can go badly wrong. But in college, they built a whole new music building, and I explored it in quite a few phases of the construction…including one ill-advised walk along the length of a single support beam with a drop on either side….

14) How do you decide whether to solve a problem as a team or split up and go it alone?

Well, at work I am used to working alone, but sometimes I sense the need to seek help. Now, sometimes it’s plainly obvious that I need help, because I can’t physically do the job by myself. I mean, I only have two hands, and if it’s obvious that the job needs three, then it’s time for help. Another factor, though, is the time factor: sometimes I ask for help because I can do the job myself, but if I do, it’ll take me a really long period of time. Help is necessary for efficiency sometimes. (Now, there are times when I badly underestimate the amount of time needed to get a job done, but that’s a different issue…I think….)

15) Where do you store your knives, and where would you look if one was missing?

We have a drawer where we keep most sharp objects, although we do have a set of knives in a block on the counter. If one’s missing, I look around the kitchen counters and in the sink, I suppose. (Don’t leave knives in the sink, folks. Not a great idea.)

Posted in Life | Tagged | 1 Comment

Completion!!!

Yesterday I finally completed the first round of The Song of Forgotten Stars, Book Five: Embers of Future Flames. This book has taken a lot longer than I expected, but this phase is finally done.

Also, even though there is a lot more to be done, this entire story is now more than half told. That’s quite a feeling. I embarked on this particular journey roughly 14 years ago, after all.

Posted in The Song of Forgotten Stars, Writing | Tagged , | 1 Comment

For International Women’s Day…women!

I should really update this once in a while, but here is an incomplete photographic roster of women I admire. Happy International Women’s Day!

 

Posted in Commentary, On People | Tagged | 1 Comment

From the Books, for International Women’s Day

This is a repost from a couple of years ago. I chose to repost this, about a book by astronomer Sara Seager, because it has lodged in my brain since I read it.

I generally try to avoid reading grief memoirs, for various reasons that mainly boil down to…well, I’ve had enough grief in my life already and I know that more is on the way someday*, and it’s a subject I don’t much enjoy plumbing any more than I have to. But sometimes I find a grief memoir that piques my interest and I read it anyway. Smallest Lights is such a book, and I am very glad that I read it. It’s so much more than a grief memoir, really. It’s about science and love and life and death and love again and parenthood and dealing with autism.

The Smallest Lights in the Universe, Sara Seager

It’s also beautifully written.

Not every planet has a star. Some aren’t part of a solar system. They are alone. We call them rogue planets.

Because rogue planets aren’t the subjects of stars, they aren’t anchored in space. They don’t orbit. Rogue planets wander, drifting in the current of an endless ocean. They have neither the light nor the heat that stars provide. We know of one rogue planet, PSO J318.5-22–right now, it’s up there, it’s out there–lurching across the galaxy like a rudderless ship, wrapped in perpetual darkness. Its surface is swept by constant storms. It likely rains on PSO J318.5-22, but it wouldn’t rain water there. Its black skies would more likely unleash bands of molten iron.

It can be hard to picture, a planet where it rains liquid metal in the dark, but rogue planets aren’t science fiction. We haven’t imagined them or dreamed them. Astrophysicists like me have found them. They are real places on our celestial maps. There might be thousands of billions of more conventional exoplanets–planets that orbit stars other than the sun–in the Milky Way alone, circling our galaxy’s hundreds of billions of stars. But amid that nearly infinite, perfect order, in the emptiness between countless pushes and pulls, there are also the lost ones: rogue planets. PSO J318.5-22 is as real as Earth.

There were days when I woke up and couldn’t see much difference between there and here.

Sara Seager is an astrophysicist at MIT whose main body of work involves exoplanets, their discovery around other stars, and analyzing them for signs of life. Among other things, if you wonder how on Earth (literally!) we can look for life on planets lightyears away that nobody in our lifetime (or, likely, in our great-grandchildrens’ lifetimes) will ever see directly, this book will give you some hints as to how that search is currently going. (It involves ingenious analysis of light coming from those planets. It really is amazing, when you think about it, the degree to which light energy is the main carrier of information in this universe of ours.)

In her book, Seager discusses her own work and the degree to which her work has shaped her personal life, and how her personal life has shaped her work in return. Her first husband was a man of considerable energy, whom she met on a canoeing trip; their courtship progressed on more canoeing trips all over the place. But he developed cancer, which eventually killed him at a terribly and unfairly young age. Thus this brilliant astrophysicist, whose work is an important part of the current growth of human knowledge of our universe, finds herself a single parent attending meetings of the local widow’s club, figuring out the nature of this new world she’s been thrust into. It’s the cruelest of ironies, I suppose, that this woman whose life’s work is understanding the universe and seeking other worlds suddenly finds herself in a new world, one that’s familiar to people who have known deep grief, where everything is the same and yet everything is deeply different.

Throughout Seager’s book, I found myself frequently hit in the heart by some of her observations:

:: Everybody dies instantly. It’s the dying that happens either quickly or over a long period of time. Mike spent a long time dying: eighteen months separated his diagnosis and his death.

:: There have been lessons I have chosen not to teach. Not all knowledge is power; not all things are worth knowing. Max and Alex [her sons] never saw Mike’s body. They did not see him leave the house.

:: [On the Widow’s club] All of our children had become friends. They didn’t gather because their fathers had died; they gathered because it was fun. There is a reason every children’s book is written from the perspective of the child. Children don’t care about adult concerns. We think of children as helpless when they are the embodiment of resilience, more impervious to outside forces than we could ever be again. Despite their suffering, our kids still knew pure joy.

:: Sometimes you need darkness to see. Sometimes you need light.

:: I don’t think it’s an accident that there’s a mirror at the heart of every telescope. If we want to find another Earth, that means we want to find another us. We think we’re worth knowing. We want to be a light in somebody else’s sky. And so long as we keep looking for each other, we will never be alone.

I love that last one (which actually closes the book, so apologies for the ‘spoiler’). Seager casts loneliness not in terms of presence but in terms of action: we’re only truly lonely when we accept that we are alone and stop seeking others to enrich our lives. True loneliness, really being alone, comes of a permanent turning inward, of looking down and not up. And really, how else would someone who loves the stars see things?

The Smallest Lights in the Universe is a wonderful book that stands in stark contrast, it seems to me, to the view of science as cold and mechanical and mathematical, an enterprise that somehow forgets about emotion and wonder. No less a genius than Walt Whitman expressed this view, in “When I Heard the Learn’d Astronomer”. But the numbers and the proofs surely don’t have to get in the way of the wonder; rather they inform it and give it focus. Science is not an impediment to love and life. Science is a part of those things. Sara Seager’s book shows us how.

Posted in On Books, On Nature, On Science and the Cosmos | Tagged , , | Comments Off on From the Books, for International Women’s Day

Something for Roger (on Thursday!)

On the occasion of his 71st birthday, here are The Beatles as channeled through the instrument that was Joe Cocker:

May Roger have another 71 trips around the sun in store, at least!

 

Posted in On Music | Tagged | 1 Comment

DUCK!!!

They call this fabric “duck”. I don’t know why, but they do. Duck is a canvas fabric made out of cotton, and the way it’s made it’s a lot tougher than, say, denim. And it can be a lot tougher. Apparently duck fabric has a grading system, with the lowest number indicating the heaviest and thickest duck cotton out there; that’s what you’d make sales for a yacht out of. At the upper end of the number scale is the lighter duck, for “light clothing”. Somewhere in the middle falls the duck used to make tough workwear like your Carhartt jackets and these Dickies overalls!

I just got these super-cheaply off eBay, and I like them a lot, even though they’re still really raw, which means they’re still really stiff and scratchy. They’re super comfortable, though (of course they are, they’re overalls!), and a new color in the palette is always nice.

Some more detail photos:

 

I only have three pairs in this shade of brown duck: these Dickies, a pair of Carhartts, and a pair by Berne. I also have a dark brown pair of duck Carhartts and a pair of black duck Carhartts.

Oh, and apparently it’s called “duck” from the original Dutch work doek, which refers to the fabric the Dutch sailors used for their clothes. The more you know!

 

Posted in On Bib Overalls | Tagged , | 2 Comments

A Small Haul

This year I have imposed a new rule: I will buy no books until our annual trip to Ithaca in the fall. I really really need to read up on my own library! I will make a couple of exceptions for special events, like Nickel City Con in June, where I’ll most likely want to buy some graphic novels. But other than that, I’m not buying books until October.

Unless, of course, something really unusual happens, like, say…the folks at Taschen offering a sale in which a bunch of their titles are 85% off.

Taschen makes gorgeous books. They are the creme de la creme of the “coffee table book”, just stunning volumes on many topics (mostly the arts) that are amazing objects in themselves, as well as just being high-quality all the way around. And the prices align with that quality: it’s not unusual for a Taschen book to cost hundreds of dollars (here’s a case in point). So when I got the email that Taschen was having a huge sale, I had to look. I consoled myself with the knowledge that they probably wouldn’t be marking down any titles that I actually wanted, but at least I could look, right?

Ahem.

Something like $150 later, the box containing these arrived. And that box was heavy. That James Bond book? That one alone probably weighs at least twenty pounds. The Audrey Hepburn book is also a weighty tome. I had to get the Star Wars book, obviously, especially since I already own the companion volume that chronicles the Original Trilogy. And what budding photographer doesn’t need a nice history of photography? Especially one that is produced under the auspices of the George Eastman House, a museum in Rochester that is devoted to photography (and a place I did not even know about)?

Another thing I’ve noticed about my book-selection tendencies nowadays is that I’m leaning more heavily toward books that are beautiful in themselves as well as selecting for content. More on that later sometime, though….

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