Striking

I’m generally of the view that ownership, or management, or capital, or whatever should almost never be listened to or taken seriously during times of labor strife, and that in such times you should listen to the striking workers. Not working is always the last choice, for obvious reasons, and when it gets to that point, things are generally well and truly bad.

Writer Mark Evanier has been one of my go-to sources for the ongoing Writers Strike in America’s teevee and film industry. This post is a good example of why:

This includes putting up with the most maddening part of it: Hearing some guy who gets paid a zillion dollars a week tell us that the business is hurting and there’s simply no money to give to us. When I hear this — and we always hear this — I always think, “Your only responsibility is to make as much money as possible for your company. If it’s doing that badly, shouldn’t you be fired?”

While we’re toughing it out, it would help to think about preparing for the next one. If we take a terrible deal this time, the next one will come sooner and be a whole lot worse.

If the last few years haven’t driven home the degree to which labor is getting short-changed their share of the spoils from record profits, I don’t know what kind of economy will.

 

Posted in Commentary | Tagged | Comments Off on Striking

A flower.

 

Posted in Photographic Documentation | Tagged | Comments Off on A flower.

Searching for Jose Iturbi

Seventy-eight years ago today, the movie Anchors Aweigh was released.

Anchors Aweigh might not be quite remembered as one of the classic musicals, but it’s a damned good one, if a bit overstuffed and overcomplicated in its story. The story: two Navy sailors, played by Gene Kelly and Frank Sinatra, are on leave in Hollywood. Kelly is a ladies’ man, while Sinatra has no luck with the ladies (you can tell right there the level of movie fantasy we’re engaging), and they strike out for a night on the town, with lots of implied debauchery (at least for Kelly). But they are brought in by cops to help out a kid, played by a nine-year-old Dean Stockwell, who thinks he’s going to join the Navy. They take him home and meet the kid’s mother, who is a young singer who wants to sing in the movies. Our sailors somehow (it’s been a while since I saw the movie) get the idea that telling the mom that they can help her because they know famous composer/conductor/pianist Jose Iturbi (which they don’t), and all manner of shenanigans ensue. First Sinatra is in love with the mom, but then he falls out of love with her and in love with a waitress, while Kelly falls in love with the mom too, and the kid is there, and…yeah, it’s a really convoluted story for a movie of this type! But all of that is mainly set dressing for the songs, and Anchors Aweigh has a ton of them, each one with a lot of charm. The most famous number is probably the fantasy sequence in which Gene Kelly dances with an animated Jerry the Mouse…but they’re all nice, including this one, where Kelly and Sinatra tell some sailor buddies all about their wild exploits with a couple of girls.

Spoiler: this is all bullshit. None of this happened, but they gotta save face, right?

Anyway, Anchors Aweigh is a terrific movie. It’s not a great one, but it’s got a lot going for it and in fact the good stuff in it is so good and so plentiful that you forgive the movie’s flaws.

 

Posted in On Movies | Tagged | Comments Off on Searching for Jose Iturbi

Something for Thursday

A month ago I shared a new song and accompanying video by Canadian singer-songwriter Shannon Dooks. Now she has posted a new version of the same song, this time just piano and voice. It’s still a wonderful song, and I think I like this version even more.

 

Posted in music | Tagged | Comments Off on Something for Thursday

Pizza Hut Memories (a repost)

Earlier today I saw this tweet from a local Buffalo foodie whose content I’ve enjoyed for years:

Some years ago, Pizza Hut notably exited the entire Western New York market. There were once, oh I don’t know, maybe thirty or forty Pizza Huts in the region (including the Rochester and Western Finger Lakes area), but they were all gone, all at once. I worked for Pizza Hut for four years back in the 1990s (I’m less than a year away from the 30th anniversary of my hire date there!), and back in 2008 I wrote the post below about my experiences working there. It wasn’t a great job, by any means; it sucked in a lot of ways, not the least of which was that Pizza Hut was as cheap as any fast-food establishment back in those days. Six years after I left the Hut, I started work at The Store as an entry-level part-time maintenance worker whose job was emptying garbages and cleaning bathrooms, and my starting pay was more than I was making at the end of my four-year career as a Pizza Hut shift manager, so that tells you something.

But there were some good and fun times there, too. As a lover of all things pizza, I’m never one to look down on a well-made pizza, no matter what style, and I believe to this day that there is absolutely nothing wrong with a Pizza Hut pizza, if it’s properly made. (The recipes, at least back then, were easy for an unmotivated cook to screw up, and if you did screw up the recipes, the result could be pretty poor. I have no idea what the recipes are like now.) Also, while I generally don’t put a ton of stock into the idea that specific drinks need to be served in specific vessels, there are times that’s true: Pepsi simply does not taste nearly as good in any vessel other than those old-school pebbled-texture red plastic glasses they had at Pizza Hut. Also, no iteration of Pac-Man or Ms. Pac-Man was ever as much fun as the sit-down cocktail-lounge style machines they had at Pizza Hut. And you couldn’t beat those cheesy fake “Tiffany” style lamps that tried to make you think they were stained glass worked into the shape of the words “Pizza Hut”.

I read this old post and I remember a lot of that stuff with clarity, much of which I’d forgotten about. The Pizza Hut upper managers–Area Managers and a Market Manager–spent so much time in existential angst over the impending arrival in the WNY market of Fazoli’s and Papa John’s! Now, years later, I think there might be a Papa John’s or two in the area, and Fazoli’s has been gone so long I doubt anybody remembers it who didn’t have a Pizza Hut Area Manager babbling constantly about it for two years.

And now, years later, I can admit one bit of unsavory customer service in which I used to engage. If you’ve been in restaurants, you remember the people who would come in late at night and then…just sit there. Until well after closing. And they would not take the hints: turning off the music, putting chairs on the tables, running the vacuum. They’d sit and they’d sit and they’d sit, and they wouldn’t be the least bit apologetic when they left, either. Well, I had my own way of dealing with that: I cranked the air conditioning in the dining room. This actually tended to work pretty well, especially if the squatters were middle-aged or older; folks like that hate being cold, and when the air duct is blowing right on them (we had an, ahem, “unspoken” policy of seating very-late customers beneath the AC vents), their squatting became a lot less enjoyable. And they never complained! They didn’t catch on! The most any of them ever said was, “Wow, it’s cold in here without the ovens on!” Yeah, that’s it. So I offer that tip to you, O Weary Restaurant Workers Of The World: A cold dining room is quickly an empty dining room.

I remember those four years with a mixture of angst for time I really could have put to better use, but also with a certain bit of wistful remembrance. They weren’t bad years…but if given the opportunity to trade those years for different ones, well…I’d have to ask what you’re offering, is all.

Here’s the old post.

One mildly unremarkable news story that happened in Western New York during the period when I was on extended blogging hiatus [I took about three months off from blogging in late summer and early fall of ’08.] was the closing throughout the region of a whole bunch of Pizza Hut locations, including the one where I started working back in May of 1994. There’s nothing much remarkable about this; suburban Buffalo is blessed with an abundance of former Pizza Huts that are now dentist’s offices, early education places, Chinese takeouts, and so on. I’ve avoided talking much about those years in my professional life, but now, since the restaurant where I started isn’t even open anymore and since I left Pizza Hut’s employ in May of 1998, more than ten years ago, I figure it’s safe to describe what it was like back then.

In May of 1994 I really needed a job, since the part-time gig I had at St. Bonaventure University was no longer available. Luckily, I had a connection with the local Pizza Hut (hereafter, ‘PH’) management team, in the person of the girl I was dating at the time. (I’d later marry that girl, so no hard feelings that through her I ended up working at PH.) Long tale shortened, she put in a good word for me, which in addition to my Mad Job Interview Skillz, got me hired as a cook. At that time, the city of Olean, NY had two PH locations. Since I was dating one of the managers at one, I ended up at the other. Thus it began.

Olean’s remaining PH location is in the “main business district”, which basically means it’s in “downtown” Olean. The other one was in a fairly sleepy location (at the time), and it was a much smaller, and older, facility. I’m not sure how old it was, but it was old. I’d gone to that PH as a teenager, eight or nine years earlier, with fellow members of the concert band after school concerts. In the time I lived in that town – and we moved there in 1981 – I don’t ever remember a PH not being at that spot. The place was ancient, with extremely tight quarters in the “back of the house”. When I started, there wasn’t even a mechanical dishwasher; all dishes were washed by hand. This was, you may surmise, less than fun. That PH location finally got a dishwasher a few years later, after I had moved to the other location in town.

One funny little quirk of the place was that the big drain in the middle of the parking lot wasn’t actually connected to the city’s storm drainage system, so that when we got a big rain, the lot would invariably flood. This went on for years, with the company paying some local outfit to come out with some long hose and a pump to send the water into the storm drains proper, which were just past the entrance to the parking lot. Three years would go by before the company would finally authorize the work to actually connect the lot drain to the city drains. I have no idea how much the guy made who came out to pump the lot before that happened, but I’ll bet it was a lot.

This drainage problem led, on one memorable occasion, to a moment of high comedy when my manager became convinced that the problem was that a pizza box had lodged over the drain cover, thus preventing the water from going down. He set out to remove the phantom pizza box. The problem was that the lot was heavily puckered toward that drain, so the water quickly reached a depth of more than a foot. Manager guy (whose name I don’t even recall anymore) decided that rather than get wet, he’d walk out there in two mop buckets, one foot in each one. Unfortunately for him, Manager Guy was also a small, not-very-heavy guy, so when he moved himself – standing in his two mop buckets – far enough out into the lot, the buckets actually started to float. I’m not sure how he managed to extricate himself from that situation without falling and completely dousing himself, but watching him float in two mop buckets in the middle of our parking lot was fairly surreal.

At the time, PH had a menu item called a “Neapolitan pizza”. This was one of their takes, over the years, on the foldable New York City-style crust. It was actually a decent pizza, but it went off the menu shortly after I was hired, so that was that. But we had one regular customer who was quite the pain in the arse, and he always ordered a Neapolitan. He was a cranky old guy who looked the part: old jeans and t-shirt, ball cap with the mesh back that he just kind-of perched on top of his head, and a permanent expression that made quite clear that he remembers how hard things were back in the day. Anyway, this guy would order his Neapolitan with pepperoni, and then he’d stand at the counter staring at you the entire time. Since I would always be working the “cut table” – the spot where pizzas come out of the oven, and are then cut for either boxing or placed on peels or in their pan for dine-in – he’d be staring hard at me. And then, as he realized his time was nearing, he’d start yelling at me: “Don’t burn my pizza!” He’d order me to pull the bloody thing from the oven the second I could reach in there and grab it, and I’d indulge him just to get him the hell out of there. The problem there is that pulling a pizza from a conveyor-belt oven before it’s completely exited results in underbaked pizza, but that was fine by this guy; he wanted his pizza to be somewhere between “yellow” and “perfect golden brown”. The other problem was that on an underbaked pizza, the cheese and toppings will slide all over the place, a problem which I’m sure this guy had because he would invariably tilt the pizza box way up to a 45-degree angle on his way out the door, which had to result in all of his toppings sliding to one side. And yet, every week, there he was.

Anyway, I started by learning how to make pizza the PH way. I have to be honest here, folks: I know that a lot of people think that PH is basically the lowest form of pizza that exists, but I’ve never had a problem with the PH product itself, as long as it’s made correctly. I really think they’ve got some good food there, at least as good as any corporately-developed product can be. (Well, not always. They did have some misfires while I was there. Their take on stromboli, called simply “Boli”, weren’t anything to write home about; neither was the “Tripledecker”, a pie that came with two thin crusts, between which was sandwiched a layer of cheese, with the sauce, regular cheese, and toppings above the upper crust. That thing was a major pain to make, you could feel your arteries hardening while you ate the thing – and that’s not even bringing up the twist they introduced on the Tripledecker, the “Tripledeckeroni”, which put a layer of pepperoni on top of the cheese that was inside the two crusts. Oy. As for the Boli, it wasn’t very popular at all, but that’s probably because they rolled that thing out at the same time they offered a special all-summer-long promotion called “Pizza and More”, which meant that if you dined in and ordered anything over and above a medium with cheese, you got unlimited salad bar, breadsticks, and dessert pizza. This thing was a nightmare.)

While I worked for PH, the method of pizza making changed not once but three times. One method involved color-coded cups to measure out the ingredients, which were then layered on the pizza in a specific order; another eschewed layering in favor of tossing it all, cheese and all, into a mixing bowl and then spreading that all over the pie. I have no idea how they do it now, but I thought the system they had when I left was pretty good. That was when they switched from canned veggies to fresh ones, which is probably when I realized that while canned mushrooms taste like rubbery shit, fresh mushrooms are a gift from Heaven.

Anyhow, that little PH is closed now, leaving just one in Olean. That surprises me, a little, although Olean’s probably like every other town in Upstate NY, with population slowly leaking away. However, a year or two after I was hired, the end of town where that tiny PH was located became much busier with the additions of a new Wal-Mart, K-Mart, Staples, Home Depot, a new movie theater, and so on. That the place has now closed interests me, since in terms of location, it was in a pretty good spot.

I haven’t set foot in those restaurants in nearly ten years, so I have no idea if any of the people I worked with are still there. About six months into my PH career, the manager there (the skipper of the USS Mop Buckets) left to pursue other opportunities, so The Girlfriend was promoted to the job of manager. This meant that I had to transfer to the other, larger restaurant, which was also a lot busier. That was when I started training to become a shift manager, which felt like a big deal at the time. Of course, PH isn’t a place that showers money on its workers, and when I eventually left PH, it was for another company that starts its dishwashers at a higher wage than what I was making at PH to run the place in the boss’s stead.

But I digress. What else do I remember from my years at The Hut? Well:

I remember the craziness on every other Thursday night, because that was when the biweekly “coupon drops” hit the newspaper. Our business was heavily spiked by the coupons that ran in the paper every other week…except one week, when we all stood around at 5:00 waiting for the phone to ring. Eventually it did, when the little old lady whose phone number had been misprinted in the ad as being our phone number finally called us to see why on Earth everybody in town was calling her to order pizza. Oops.

I remember the cook who’d been with PH forever when I got hired. He lived right around the corner in a trailer park, and he had a monster crush on his next door neighbor, the “Neighbor Lady”, as he called her when he talked about her, which was often. I’ve wondered what became of that guy, whether he was still there, and whether he had to find a way to get to the PH across town. He didn’t have a car at the time, and I don’t know if he even drove.

I remember a delivery driver whose forehead broke into a massive rash when he wore our ballcaps. I’ve never seen anything like that, before or since. He came to me and said, “Dude, I can’t wear this hat. Look.” He had this giant crimson stripe running right across his forehead. It was amazing to behold. There was another delivery driver who was a really bad employee; he just had trouble showing up for work, and when he was finally shown the door by management, he actually asked, “Can I go work at the other PH now?” There was a very sweet driver who was an evangelical Christian, and yet she had a pretty good sense of humor, especially with regards to the fairly salty humor the rest of us tended to display, and another evangelical Christian driver who refused to run a delivery to the local sex-toy shop when they placed an order. Drivers were a fun lot to have around, even if we were always short on them. It got quite maddening to hire a good driver, only to have them come to us a month later and tell us they needed to quit because of the wear and tear on their cars. What did they expect?

I remember working the first night that the company started running advertising on teevee for the newest thing, our “Stuffed Crust” pizza. We got absolutely killed that entire weekend. Cheese in the crust? That was a home run of an idea. What I remember most from that first night the ads ran was a family who let their snotty twelve-year old son place their order; he was such a little shit on the phone with me that his mother called us back to apologize and confirm that we hadn’t tossed their order.

Prank orders were fun, too. Strangely, fake delivery orders rarely happened. There were some kids who once a month tried having ten pizzas sent someplace; I always just took the order and then ignored it. The more annoying thing was when people would place a carry-out order at my PH, and then show up at the other one to pick it up, or vice versa. The phone numbers were completely different.

Lunch buffet was usually a fun ninety minutes; we had a pretty cool crowd that included some local teachers who were all really nice people. The bad days for buffet were when there was a half-day of school, because we were walking distance from the middle school. In my experience, unsupervised middle school kids are the worst behaved of all childhood age groups. Those days were nightmarish. On one such day we knew we were going to get crushed, so I called in extra help: this old lady whom we’d hired to do nothing but carry pizzas out to the buffet. She said she’d be right in…and promptly went to her other job, at a local department store, thinking it was them and not us who’d called her in. Oy.

I remember having to call the fire department when one of our inset light fixtures in the building blew. They brought over three fire trucks for this, even though we were literally right next door to the fire department. I mean, right next door. As in, you had our building, the parking lot, and then the fire hall. I never complained about feeding those guys cheap again. (We gave then a fifty percent discount at the time.)

I remember people who genuinely didn’t understand why they could call us from ten miles outside of our delivery area and expect our drivers to go to some dark parking lot just inside the delivery area and wait to make the exchange. I also remember people who would get indignant when we had a monster snow storm and we had to shut down delivery service for the night. Funniest were the Canadians who would call us for delivery to the Holiday Valley ski clubs in Ellicottville, which is twenty-five miles from Olean. One funny Canadian once said to me, when I explained that we didn’t deliver at such distances, “Wouldn’t you think a ski town like this would have a pizza delivery joint?” He had a fair point. I wonder if Ellicottville ever got its own pizza delivery joint?

I remember the guy who called our 1-800 number to bitch because we were closed early; our posted hours were until 10:00, and he was pissed we were closed when he showed up at 9:15. Why did we close? Because half the town, including us, was out of power when a drunk drove his car into a transformer. We were without power for more than three hours starting around dinner time. The guy who complained wasn’t about to concede anything to us, not even on the point that had we opened right then and let him in, we wouldn’t have been able to cook anything for him. None of that mattered, though; he was going to get his complaint in.

Great customers? We had ’em, people whose faces and, in a few cases, even names I still remember. There was the older couple who came in each and every Tuesday night around 8:30 to share a medium Supreme, and there was the lady with the incredibly bubbly and infectious smile who came in every other Thursday for a large pepperoni. We also had a very picky elderly woman who would come in for an order of breadsticks and a Diet Pepsi, but she was such a stickler for freshness that she insisted on physically witnessing the cutting of the sticks and the pouring of the Pepsi. One night I saw her walking in the door, so that’s when I cut her breadsticks, just so I could hand her the box at the exact moment she arrived at the pickup window. She shook her head and said, “I’ll wait for the next pan.” Okey-dokey…this went on once or twice a week for months until one day she comes in and says to the other shift manager, “You guys always take good care of me, so I’d like to do something nice. How about tickets to a Sabres or Bills game?” It turned out that she was the wife of John Rigas, then-owner of the Sabres and also then-not-yet-convicted for fraud. So it was because of her that I got to watch a Bills game from the comfy confines of the former Adelphia Cable luxury suite. (The Bills lost. It was the Todd Collins era.)

Of course, there were also the not so good customers. For the first year and a half I worked there, we had lunch buffet on Sundays, which was a colossal pain in the arse, as it lasted two hours (as opposed to the ninety minute weekday buffet) and being Sunday there wasn’t much “lunch hour” business, so tables turned much more slowly. We’d fill up with church families, most of whom were all very nice, but there was one family that would insist that their two daughters were both under twelve years old, so as to get the lower price. This despite the fact that I could observe one of the girls driving, and that both were, shall we say, richly endowed for eleven year olds. I was always amazed that this family thought nothing of leaving church on a Sunday and making it their first order of business to come to PH and bear false witness in order to save a few bucks.

Sometimes we’d host childrens’ birthday parties. Servers hated these because they required much more intensive attention to the party, which meant that they couldn’t take many other tables while the party was there, usually resulting in lower tips. Once a party came in and took up a server for two hours, during which she did nothing but wait on that party. They left no tip at all. Our menus at the time stated a policy of charging automatic gratuities on parties of eight or more people, but upper levels of management directed us not to enforce this policy. I have never understood this; I have never yet met a server who dispute my view that large parties tend to tip less.

My coworkers were, for the most part, all nice people, with the occasional dud. I’ve often wondered what became of more than a few of them. I attended a couple of weddings for coworkers, and a bunch of them attended mine. A Friday morning ritual for several years was to breathlessly discuss the events on the previous night’s episode of ER (this was when the show was fresh, new and good.) Oddly the Bills were never much a topic of discussion, but one guy I worked with was ecstatic when the Yankees won their first of several World Series, in 1996. Back then cell phones were new and only three or four employees had them; I was talking about movies with another employee when he asked me, “Hey, at the bottom of all the movie posters these days, what’s all that stuff that says ‘HTTP’, colon, backslash backslash”? One guy came along who was a terrific geek, and we merrily discussed Star Wars (the Prequels were just rumored at that point) and The X-Files and such, until he left a few months later. I think he became a teacher eventually. Good on him; he’d have been a good one.

For a while, all the PH locations west of Syracuse were in one big division, but apparently there weren’t enough area directors right then, so for a while, each area director was responsible for seventeen or eighteen restaurants. So when ours showed up for his monthly visit to go over numbers, he brought in all of his paperwork in a giant binder on our restaurant, sat down with my manager, and…discovered that he’d brought the books for the wrong restaurant. That was pretty funny. I was highly intimidated by that guy, for some reason. Ever since then, I’ve wondered why. He was, after all, just a guy.

Gradually, the Upstate New York market got chipped up as the company sold off certain markets to franchise operators. For the time I worked for PH, our restaurants were company-owned, but it wasn’t long after I left that all of the WNY PH locations became franchise-operated as well. Since then, I’ve seen ads on teevee for lots of new products they’ve come out with: another attempt at a New York City crust called the “Big New Yorker”; a calzone thing apparently called a “P-Zone”; baked pasta dishes that come in big foil pans; other versions of bread sticks, and so on. I’ve never had any of these, although that P-Zone thing looks pretty lethal.

It was interesting to work at PH during the 1990s, when all kinds of new casual-dining restaurants, each with its own “concept”, were coming along. Shortly after I started, PH acquired a chain of sub sandwich from New England called D’Angelo’s, and they then started to roll these out into Western New York, mainly in the Buffalo area. I liked the D’Angelo subs a good deal, but that “concept” didn’t last long, and within three years, I think, all of the PH-D’Angelo restaurants had either switched to PH’s alone, or had closed altogether.

Interestingly, we didn’t spend a lot of time worrying about Domino’s or Little Caesar’s. (Probably with good reason, since I haven’t seen a Little Caesar’s in years and I have no idea where the closest Dominos to me is, either.) The big competitors we always had to worry about, or were always told to worry about, were Fazoli’s and Papa John’s. Fazoli’s was a chain of Italian fast-food eateries, like Sbarro but without the pizza. One of these opened up in Olean, right across the street from my first PH (the smaller one), right about the same time that all that other retail showed up on that end of town. It was, naturally, a really popular place for a while, and then…it wasn’t. Fazoli’s closed down in Olean after less than three years, if memory serves, and there isn’t a single one left, that I know of, anywhere in Buffalo. As for Papa John’s, we were constantly on the lookout for the major push into the Buffalo and Rochester market that they were certainly gearing up for. That major push never came. I never even saw a Papa John’s until we moved to Syracuse in 2002, when we tried it for the first time. We liked it, but the place shut down two or three months after we moved there. So much for Papa John’s.

Today, PH still exists in this area, although their footprint is even smaller than it once was. When I worked there, I attended a meeting once that was led by our “Ops Director” (two levels of management above store manager), and he told us in a spiel about business planning that the Buffalo market is hard for national pizza chains because in this city, nearly every street corner has a mom-and-pop pizza place on it. That much is certainly true. I know, off the top of my head, of six pizza joints (Nino’s, Capelli’s, Papa Geno’s, Pizza4U, Roz’s, and Ricotta Pizza) within a mile of my apartment, and we live out in the ‘burbs. My nearest PH is five or six miles distant. There is a PH about fifteen minutes away that apparently has some kind of “Italian Bistro” theme going on, and another that’s about a twenty minute drive away (fairly close as the bird flies, but impossible to get to without traversing heavily-trafficked suburban streets) that calls itself “Wing Street”. (I have zero idea what that means, outside of my supposition that it involves chicken wings in some way.)

So, that’s what it was generally like to work at PH for four years in the 1990s. It wasn’t a great job and it didn’t lead me to any particularly fantastic heights, but I did have a lot of fun and learn some stuff about working for a living. Not a bad use of four years when I didn’t much know what I wanted out of life.

Posted in On Food and Cooking, On Memories | Tagged , | Comments Off on Pizza Hut Memories (a repost)

Tone Poem Tuesday

John Adams’s first orchestral work, written in 1979, came well before the operatic work that made him well-known in the 1980s. It’s an interesting listen: solemn and meditative, and yet shot through with an odd kind of mystical optimism.

On his site, Adams describes the work:

The music also concerns itself with registers, both very high and very low. Bass sound is witheld from the entire first part of the piece, making its appearance, when it finally arrives,  a genuinely surprising and gratifying event. Likewise, long areas of similar figuration in the high winds or metallic percussion (glockenspiel and crotales) create their own feeling of formal unity. With its long “camera pans” and hints of aerial photography the music is very much influenced by film techniques. In no other work of mine is the dramatic impulse kept so consistenly reined in in favor of a natural progression of form and materials. “Common Tones in Simple Time” could justifiably be called “a pastoral with pulse.”

“Pastoral with a pulse”. I like that.

Posted in music | Tagged | Comments Off on Tone Poem Tuesday

Jiggety-jig

This newfound habit of mine, in which I post here on Monday through Thursday and then don’t post at all Friday through Sunday, is not an intentional habit at all; it’s just one of those seeming habits that gets dictated from without by external realities. In this case, it’s that we left town Saturday and did not return until Sunday. The reason for our trip was our annual visit to the Sterling Renaissance Festival. I took a lot of photos on this trip, and you can see them all at the Flickr album here (I’ll have more to say on the general topic of photography later this week, I hope), but here’s a small selection:

God save the Queen!

The Falconer’s owl

Melee!

I think this photo captures best the feeling I love so much about the Renaissance Festival.

The jousting field

End of Day Revelry: the pub sing!

I got NO sauce from my turkey leg on my white shirt. Victory! (And no, I didn’t get any on the overalls, either.)

The Sterling Renaissance Festival remains one of our favorite getaways of the year, and this year’s was especially delightful because we all hadn’t been able to attend since 2019, before COVID. The Festival was canceled in 2020 and I’m not sure if it happened in 2021 or not, but that year we couldn’t go anyway, because of Reasons. In 2022 we were able to go and we pre-ordered three tickets, for The Wife, The Daughter, and myself–but then The Wife had ankle surgery in early summer, and that ruled out her attendance. The Festival is a ton of walking, and it’s rustic walking, with the Festival grounds occupying the side of a forested hill. Getting around the Festival for an entire day is tiring for a fully healthy adult, believe me!

We did notice that the Festival is showing some signs of wear around the edges, if that makes sense: buildings in slightly greater disrepair than usual, some decorations in desperate need of re-painting, and some vendor booths and buildings actually empty (though some of those boasted signage that their particular vendors would be joining the Festival later in the year). And the crowds were definitely smaller…but that did make for a bit more enjoyable time. I do hope that none of the above was indicative of a Festival in decline, and that they’ll be back up to full strength moving forward. It’s a quirky and fun way to spend a day, even if it costs quite a bit of money. Most things do, nowadays.

Instead of driving all the way home, we stayed overnight in Palmyra, NY, after having dinner at our favorite fried chicken joint in Webster, NY. One note about staying overnight in Palmyra: that town is literally holy ground for the LDS Church, so you will almost certainly be surrounded by Mormons. This doesn’t bother me particularly, but it might bother some…and who’s to say if I bothered the Mormons! I’m not usually attuned to people staring at me, but it was hard not to notice some of them being somewhat flummoxed by a long-haired bearded guy in overalls and a poofy-sleeved shirt walking through the lobby of the Best Western by the Hill Cumorah site.

Anyway, getting out of town and doing something fun was a delight–and as it happens, this year it felt like a necessary delight. (More on that…someday, perhaps.)

(NOTE: I am aware of the controversy that has erupted in recent weeks surrounding the Sterling Renaissance Festival, the people who own it, and one employee there. My comments section is not the place to litigate that situation, and I will approve no comments referencing it.)

 

Posted in Life, On Travels and Adventures, Photographic Documentation | Tagged , , | Comments Off on Jiggety-jig

Something for Thursday

I haven’t seen the movie yet, and likely won’t until it hits a streaming service, but I’ve heard the music, and I can say that in that department at least, Indiana Jones and the Dial of Distiny fires on all cylinders. Of course, how could it not? The score is by John Williams, after all.

Here is the arrangement of “Helena’s Theme” for violin and orchestra. This is a complex and sophisticated theme, less obviously melodic than earlier lyric themes for these movies–Marion’s Theme, Willie’s Theme, and the Grail Knight Theme, for example–but it is no less heartfelt and moving, for all that. It sounds to me like a blend of an old-fashioned emotions and a new personality, as well as a complex musical introspection noting the difference between youth and age. That seems appropriate for this movie, which I do look forward to watching.

Posted in music | Tagged | Comments Off on Something for Thursday

“It isn’t fair, it isn’t right” (From the Books)

A literary anniversary went by last week, and I do want to mark its passing: on June 26, 1948, seventy-five years ago, The New Yorker published a new story by author Shirley Jackson. By this time Jackson was an established writer, albeit early on in her career, and her June, 1948 appearance in The New Yorker is the event that put her on the literary map, so to speak. And what an event that story’s publication was: that story became one of the most controversial ever published by that magazine, and to this day the story is a classic of the horror genre, which is even more notable as it does not contain one bit of supernatural behavior in it. No, this story is a simple one of the horror of human interactions and human adherence to tradition, and most disturbingly, the oh so human way of managing to put human life into a position of secondary, or even tertiary, importance.

The story is “The Lottery”. You can read it here. I recommend doing so; it’s a great work that has lost none of its ability to disturb in all its years. It’s not a long read, and I wouldn’t dream of spoiling it, if you haven’t read it.

Jackson would later write a lecture about her experiences with the reaction to “The Lottery”. I don’t know where or when she actually delivered this lecture, but it’s been anthologized in a book called Come Along With Me, which anthologizes several of her stories, a couple of lectures, and a novel draft on which she was working at the time of her untimely death in 1965.

Here is a portion of that lecture:

On the morning of June 28, 1948, I walked down to the post office in our little Vermont town to pick up the mail. I was quite casual about it, as I recall–I opened the box, took out a couple of bills and a letter or two, talked to the postmaster for a few minutes, and left, never supposing that it was the last time for months that I was to pick up the mail without an active feeling of panic. By the next week I had had to change my mailbox to the largest one in the post office, and casual conversation with the postmaster was out of the question, because he wasn’t speaking to me. June 28, 1948 was the day The New Yorker came out with a story of mine in it. It was not my first published story, nor my last, but I have been assured over and over that if it had been the only story I ever wrote or published, there would be people who would not forget my name.

I had written the story three weeks before, on a bright June morning when summer seemed to have come at last, with blue skies and warm sun and no heavenly signs to warn me that my morning’s work was anything but just another story. The idea had come to me while I was pushing my daughter up the hill in her stroller–it was, as I say, a warm morning, and the hill was steep, and beside my daughter the stroller held the day’s groceries–and perhaps the effort of that last fifty yards up the hill put an edge to the story; at any rate, I had the idea fairly clearly in my mind when I put my daughter in her playpen and the frozen vegetables in the refrigerator, and, writing the story, I found that it went quickly and easily, moving from beginning to end without pause. As a matter of fact, when I read it over later and decided that except for one or two minor corrections, it needed no changes, and the story I finally typed up and sent off to my agent the next day was almost word for word the original draft. This, as any writer of stories can tell you, is not a usual thing. All I know is that when I came to read the story over I felt strongly that I didn’t want to fuss with it. I didn’t think it was perfect, but I didn’t want to fuss with it. It was, I thought, a serious, straightforward story, and I was pleased and a little surpised at the ease with which it had been written; I was reasonably proud of it, and hoped that my agent would sell it to some magazine and I would have the gratification of seeing it in print.

My agent did not care for the story, but–as she said in her note at the time–her job was to sell it, not to like it. She sent it at once to The New Yorker, and about a week after the story had been written I received a telephone call from the fiction editor of The New Yorker; ti was quite clear that he did not really care for the story, either, but The New Yorker was going to buy it. He asked for one change–that the date mentioned in the story be changed to coincide with the date of the issue of the magazine in which the story would appear, and I said of course. He then asked, hesitantly, if I had any particular interpretation of my own for the story; Mr. Harold Ross, then the editor of The New Yorker, was not altogether sure that he understood the story, and wondered if I would care to enlarge upon its meaning. I said no. Mr. Ross, he said, thought that the story might be puzzling to some people, and in case anyone telephoned the magazine, as sometimes happened, or wrote in asking about the story, was there anything in particular I wanted them to say? No, I said, nothing in particular; it was just a story I wrote.

I had no more preparation than that. I went on picking up the mail every morning, pushing my daughter up and down the hill in her stroller, anticipating pleasurably the check from The New Yorker, and shopping for groceries. The weather stayed nice and it looked as though it was going to be a good summer. Then, on June 28, The New Yorker came out with my story.

What ensues is an encapsulation of Jackson’s reaction to the reactions to her story, which roughly fall into general groups: those who wonder if the events described in the story are based on reality, those who think the story is disturbing fiction, and…well, those pretty much are the two camps. Jackson’s story even inspired a number of “Cancel my subscription!” reactions. One particular such demand is phrased quite well:

Heretofore mine has been almost a stockholder’s pride in The New Yorker. I shared my copy with my friends as I do the other possessions which I most enjoy. When your latest issue arrived, my new distaste kept me from removing the brown paper wrapping, and into the wastebasket it went. Since I can’t conceive that I’ll develop interest in it again, save the results of your efforts that indignity every week and cancel my subscription immediately.

Ouch.

The New Yorker did a retrospective of reader reaction to “The Lottery” ten years ago, which you can find here; one interesting tidbit is that the magazine did not always label its fiction and nonfiction pieces, so perhaps the befuddlement of some readers who couldn’t determine on their own that “The Lottery” was just a story with no basis in the daily life of any small town in America is to be excused. I don’t know, I wasn’t there. But surely these events would have been common knowledge if they were real, yes? I mean, wouldn’t everyone know about that small town in such-and-such a state where every year they got everyone in the town together and held a lottery to choose one of its denizens for–wait. That would be spoiling it, if you haven’t read “The Lottery”.

Posted in On Books | Tagged , | 2 Comments

Tone Poem Tuesday: The Annotated “Stars and Stripes Forever” (a repost)

This is a repost of something I wrote some years ago. Back in my BlogSpot days this post was a regular driver of search-engine traffic to my blog; I’m not sure if that’s the case now or not, but it can always bear a repeating!

Anyhow, in my Something for Thursday series, I’ve lately posted several Grand Marches from various operas, and now I’m thinking a bit of the wide variety of music that falls under the general category of the “March”. You have Grand Marches, as I’ve noted above, that involve long musical scoring to big set pieces in operas. You also have the Funeral March, which are generally downbeat and sad-sounding, for obvious reasons. You have Processional Marches, with Elgar’s Pomp and Circumstance Marches being prime examples. And there are the Military Marches, patriotic marches, circus marches, symphonic marches, and so on. Lots and lots of marches.

One of the most famous of all marches is, of course, John Philip Sousa’s The Stars and Stripes Forever. It’s a staple of nearly every patriotic-themed classical music concert you might ever attend, and the march is as central a staple in July 4th festivities as hot dogs or fireworks. In college, when the Shanghai Symphony Orchestra played a concert on our campus, their first encore work was The Stars and Stripes Forever.

Sousa wrote many marches — hence the moniker “The March King” — a number of which are very familiar to our ears now (Washington Post and Liberty Bell among them), but The Stars and Stripes Forever is by far his most familiar work. It can sound a bit clicheed these days, but like all works that have to a degree become clichee, when you blow off the dust and actually listen to the thing, you can hear anew those qualities that allowed it to become cliche in the first place.

The Stars and Stripes Forever is also a perfect example of the traditional American military march, which in their heyday of the late 19th and early 20th centuries tended to follow specific forms. If you were to join a concert band in rehearsing one of these marches, you would hear some odd-sounding terms: “Let’s begin at the second strain, first time through.” Or, “Just the trombones, please, starting at the dogfight.” You’d be thinking, “What’s a dogfight? Are there going to be planes flying in aerial combat above our heads?” Well, of course not! So what we’ll do here is go through The Stars and Stripes Forever, with my notations below indicating at which point each section starts.

(This is one of the niftiest musical videos I’ve ever seen, by the way.)

0:07 to 0:10: The is the Intro section. Most marches will have some kind of intro section.

0:11 to 0:24: This is the First Strain, which is will be repeated once.

0:24 to 0:39: The First Strain, repeated. Sometimes, but not always, a band or orchestra will perform a repeat of a strain differently than they did the first time: they’ll dial down the dynamics, playing the repeat softer, or maybe they’ll actually vary the instrumentation a bit. This is often at the discretion of the conductor. Marches in this genre tend to be “modular” in construction, making it easier to tailor the piece a bit depending on the demands of the performance. You might need to make it longer or shorter, depending on the situation, so a conductor might decide to repeat each strain twice instead of once; but then deciding to play the first repeat softer and the second repeat softer still, or some other kind of variation. Some conductors, with experienced ensembles, will even have hand signals ready so they can indicate to their ensemble such a change while in the midst of performance.

0:39 to 0:54: Here is the Second Strain, first time through. Note that it is more lyrical than the boisterous First Strain. In a well-written march, the strains will usually contrast in some way.

0:55 to 1:09: Now we repeat the Second Strain. Note in this performance that the brass join in the melody and it’s a bit louder and more boisterous than the first time through. This difference is why, in rehearsal, our conductor will say things like “OK, start at the second strain, second time through.” He has to let the brass know if they’re playing or sitting out.

OK. After we’re done with the first two strains — and there are usually just two — however many times we’ve performed them, with whatever performance variations our conductor has decided upon, we’re onto the Trio. Sometimes we’ll have a key change when we hit the Trio, along with some other way to differentiate the Trio from the Intro and the first two strains. In Stars and Stripes Forever, our relatively brisk sound of the first two strains yields to a longer, more lyrical melody — even more lyrical than what we heard in the second strain. Additionally, there is less syncopation now, although Sousa still puts key parts of emphasis on the occasional off-beat. A Trio section is often the longest part of a march, and it often revolves around a single melody or musical idea, as opposed to the first and second strains, which posit musical ideas briefly and then shuffle them off the stage. The Trio is the main attraction, as it were.

Now, with our Trio section, there’s only one main musical idea going on, but we’re going to hear it three times. Sousa doesn’t want to bore us, so he’ll change it up a bit each time. How? Let’s see:

1:10 to 1:39: The Trio, first time through. Sometimes we might call this the First Strain of the Trio, or we might just call it the Trio, first time. In any event, this specific case is one of the most recognizable melodies in musical history, and in terms of marches, it’s probably the most famous march melody ever. (It might be a close second to Elgar’s Pomp and Circumstance March #1…or the Elgar is a close second to Stars and Stripes. Not sure which.)

By the way, note that Sousa doesn’t just give us this melody by itself; he continues to remind us that this is still a march by putting all those little staccato flourishes softly playing behind the melody. There’s always something going on in a Sousa march, something new or different or contrasting with the main thing at any given moment. Case in point: when the melody reaches its highest note at 1:24, note the descending arpeggio in the lower brass, or at 1:34 when we reach a high note again, a little “tweet” of a fanfare in the trumpets.

Note, also, that one time through the First Strain of the Trio takes as long as two times through each of the First and Second Strains.

1:39 to 2:02: Now, having heard the complete Trio strain one time through, we’re going to repeat it twice. But unlike the First and Second strains, which are repeated in immediate succession, we get a bit of contrast in a passage that stands in marked rhythmic and dynamic contrast to the Trio strain. This contrasting section, found in the Trios of many marches of this type, is called the Dogfight. We’ll hear it twice through; this is the first time. The Dogfight isn’t really a melody, per se; it’s more of a martial fluorish. Note that the Dogfight is, by itself, longer than either the First or Second Strain.

2:02 to 2:30: The Trio strain, repeated (or, alternatively, the Second Strain of the Trio). Sousa lowers the dynamics again, back down to a softer setting, but we get the first variation of the Trio here. The Stars and Stripes melody plays again in its entirety, but this time with a brilliant touch: a counter-flourish played by the solo piccolo. Note also that the little trumpet fanfares from the first time through aren’t there anymore, in favor of our piccolo solo.

2:31 to 2:55: The Dogfight, second time through. Many performances play the Dogfight a bit louder this time through, and have the Dogfight end with a crescendo into the Trio strain’s final repeat.

2:55 to end: Now we get the last repeat of the Trio strain (or, alternatively, the Third Strain of the Trio). After hearing the Trio strain played softly twice, this time Sousa lets it all hang out: everybody’s playing at full-bore, including our intrepid piccolo player. Now, a lesser composer might think that just hearing this great melody with the entire band playing forte might be pleasing enough to send the crowd away, but Sousa isn’t done giving new things to hear. Specifically, this last time, he gives a countermelody to the low brass that plays mostly on the off-bars of the main melody; when the main theme is holding a long note, the low brass are doing their thing.

And at the very end? That final punctuating note that the march ends on? That’s called the Stinger.

Most marches of this type derive their excitement from variations along the way, as described above: variations in dynamics (loud versus soft), variations in instrumention (who plays what and when), variations in backing detail (little fanfares versus that solo piccolo line). What doesn’t vary is tempo: a march of this type will always end at the same tempo it started. The only place I’ve ever heard a change in tempo in The Stars and Stripes Forever is at the very end of the Dogfight, the second time through, where some conductors — not all — will throw in a ritardando on that last descending scale before the Trio strain’s final repeat, and that’s about it. A march is not the place for the type of rubato that you might hear in, say, some Romantic symphony.

Anyhow, there you have it: a road map to The Stars and Stripes Forever. Next time you’re hearing this march while eating a hot dog and watching fireworks, note the march’s tight construction!

Posted in music | Tagged , , | 1 Comment