My City

Last Sunday morning, after leaving the Outer Harbor on a photography walk, I grabbed my camera as I was cresting the Skyway heading into downtown Buffalo. (Relax, there wasn’t anybody behind me for about half a mile…it was a really dead morning on the Skyway right then.)

Some folks want to tear down the Skyway because…you know, actually, I think I’ll save that topic for another time. I’ve got another photo that I haven’t edited yet that I think will work better in the context of talking about the Skyway. For now, I still feel a thrill whenever I’m driving on it toward Buffalo and the road crests as the city rises beneath you….

Downtown Buffalo does look kind of small from this angle, because it’s a narrow and lengthy downtown. Still an exciting vista!

 

Share This Post

At the Pierce-Arrow Museum

A while back we visited the Buffalo Transportation Pierce-Arrow Museum in downtown Buffalo. We had somehow never managed to visit this attraction, but now that we have, I look forward to returning and I in fact think it may be one of Buffalo’s most under-known treasures. This museum began as a way for a local man, Jim Sandoro, to exhibit his collection of classic cars, but now it’s so much more than that. In addition to his collection of Pierce-Arrow vehicles, the museum is a fine collection of all manner of automotive memorabilia, including one car that really hit my sweet spot. It’s an amazing museum that should be better known as a local attraction than it seems to be.

I took a ton of photos during our visit, but frustratingly, my camera’s battery died just about a quarter of our way through. I have an extra, but alas–it too was dead! Yes, a goof-up on my part…luckily I still had my phone on me, thus proving the advice I often hear in the photography community: “The best camera is the one you have with you.”

As always, you can peruse all of my photos from that day in this Flickr gallery, but here are some standouts from a really good day:

Motorcycle goodness at the museum too!
One sometimes wishes for a return to voluptuous chrome figures adorning our cars, doesn’t one?
I can’t lie here: seeing this scarf made me think of Isadora Duncan’s sad fate.

I have never heard of these….
If you don’t think the Corvette is beautiful, in all generations, I just don’t know how to relate to you as a person.
This is the single most beautiful car in the museum’s collection. Every part of it gleams, and the blue-and-gold color scheme is just dazzling.

Finally, the car that thrilled me the most: this little number, that happens to have featured in one of the greatest automotive stunts in movie history. Yes, this is the very car that James Bond used in The Man With the Golden Gun to maintain his pursuit of villain Francisco Scaramanga, by executing a full cork-screw jump over a canal. (No, we are not discussing that damned slide-whistle sound effect. Harumph!)

Of course that wasn’t actually Roger Moore and Clifton James in the car doing the stunt! Notice how the interior has been reworked, with the driver and the wheel centered, to get the weight right.
Next goal: to pose with the Millennium Falcon! Or, one of Bond’s Aston-Martins.

One particularly fascinating part of the museum is its reconstruction of a gas station that was designed (but, as far as I know, never built) by Frank Lloyd Wright. I did find the museum’s display of the gas station kind of hard to follow; at first I didn’t even realize that I was looking at the gas station at all. But the more I looked at it once I realized, the more I was honestly amazed. I was unable to get any photos of the station in its entirety that were to my liking, but here are the gas hoses, as Wright envisioned them: a gravity-feed system instead of pumps, I suppose.

If you’re coming to Buffalo, add the Buffalo Transportation Pierce-Arrow Museum to your list of things to see, folks!

 

Share This Post

Pan-o-rama

One of the things I’m enjoying about Lightroom (the photo editing software I started using earlier this year) is its ability to stitch together multiple photos in a single panorama shot. The AI it uses to do this is pretty sophisticated, and I’ve had some very pleasing results thus far. This is one, from this past weekend when I went down to the Outer Harbor again (yes, I was down there two weekends in a row). This is a grain elevator in the southern end of the Outer Harbor’s general recreation area. I love how this turned out.

Bigger version here.

Share This Post

And then, there’s anti-serendipity

Serendipity is great! And it’s great when your skill level improves to the point that you start being able to recognize serendipity as it’s unfolding, and you’re ready for it!

But also nice is knowing that the shot is coming, and all you have to do is wait for it.

At one point on Buffalo’s Outer Harbor area is a small network of nature trails, and over one of these towers a metal sculpture by eccentric local artist Larry Griffis. The sculpture is of a vaguely human figure with arms upstretched as if to shout, “Hooray!” I came upon a vantage point overlooking the trail that winds past the sculpture, so I just decided to wait, because I figured it would look like the sculpture was happy to see whoever was coming.

And that’s exactly what happened.

I’ve learned from watching videos by photographers and reading their words of advice that sometimes the shot creates itself right in front of you, and sometimes you just set up and wait for the shot.

I am really enjoying photography.

“You’re here! At last!”

Speaking of that sculpture, I also found this vantage point, and I was very happy with this composition. I really like shots where the subject is framed by something in the foreground. This turned out really well, in my opinion!

Griffis sculpture on the Buffalo waterfront, seen through the trees.

 

Share This Post

Amateur mistakes, I got ’em

We were at Canalside in downtown Buffalo the other day for a greyhound meet-up. It was a lovely time and I took a lot of photos, but I wasn’t super happy with my output, because the light was really bright and garish and made compositions difficult, and because I screwed up and didn’t check my focus settings first. So I ended up taking every photo with the camera set for Continuous Autofocus, which is what you want to use when you’re photographing something that’s moving, not something that is either stationary or moving slowly.

So, few of my photos had the clarity that I wanted.

A learning experience, then!

The Inner Harbor, also called Canalside, in downtown Buffalo. All those people on the far walkway are there for the annual MS Walk, which we didn’t realize was happening. I didn’t do anything to adjust this photo from RAW because I’m really not terribly happy with it in the first place. Harumph!

Share This Post

Phil!

Last night we went to see Phil Rosenthal at Buffalo State University. If you’re unfamiliar with Phil Rosenthal, you need to watch Somebody Feed Phil on Netflix, and you need to do so now. Right now. Go watch, I’ll wait for you.

[waiting music here]

OK, now that you’ve watched…well, if you went on without watching, Somebody Feed Phil is a travel and food show starring Phil Rosenthal, a comedy writer and television producer who is best known for creating the classic show Everybody Loves Raymond. In the show, Rosenthal travels to a city and, well, eats. He visits beautiful places, eats wonderful food, and meets wonderful people. Rosenthal is an evangelist for the idea of travel and food in terms of making connections between peoples of wildly divergent backgrounds. He is not unlike Anthony Bourdain in his approach to this sort of thing, though Rosenthal is more focused on humor and joy than Bourdain was in his explorations.

The night was a delight, with Rosenthal discussing the origins of Somebody Feed Phil and his life in television and in food in a guided conversation with a Buff State professor as emcee, before he spent the bulk of the evening taking questions from the audience. Most of the questions were good an insightful–especially three by children!–but a few were unfortunately undermined by the fact that several times someone saw their question answered before their turn, and despite their best efforts at rewording things, you could tell it was the same question.

(There were also a couple of strange dudes who used their time at the mic to execute a kind of weird performance art of their own, and Rosenthal was graceful in managing his clear desire to get these two guys away from the mic. That was embarrassing, honestly.)

Did I ask a question? I did not. I don’t know what I would have asked, in all honesty…though today, I think I know, so…maybe next time. Rosenthal deeply believes in travel and food as avenues to broadening horizons and cultivating empathy; what I’d ask is his thoughts on how we overcome the fact that as good as travel is for connecting peoples, it is still something that is reserved for people of certain levels of privilege. I do get frustrated with people around me, though: I know people who go to the exact same part of Florida each and every year, at the same part of the year, and I wonder, “Why not take a year or two off from Florida and go someplace new? Why keep going there and seeing the same shit, over and over again?” (The answer, in a lot of cases, backs into the “privilege” area because they’re going to Florida to visit retired family, which means they have lodging built in. But still…doesn’t the siren song of someplace other than Jacksonville or Orlando make itself heard once in a while?)

The Wife and I made a whole date of things, of course; we went to one of our favorite local eateries, Frank Gourmet Hot Dogs, a little miracle of a place that makes wonderful food that’s almost entirely gluten-free. We had High-Five Fries, which are French fries (and Frank has the best fries in WNY) piled with melted cheese, pickles, slaw, their special fry sauce, and Nashville chicken bites. The Wife really wanted this, so I let her eat most of it. Of course, I didn’t want to go hungry, so I got a hot dog: the Modern Chicago dog, which is one of my favorite things on any menu ever.

When we got to Frank, I briefly thought, “Hey, Phil Rosenthal needs to eat before his show tonight, wouldn’t it be cool if we run into him here!” After all, Frank Gourmet Hot Dogs is well-known in the area. Alas, Rosenthal ate at the West Side Bazaar last night. Maybe on his next visit to Buffalo, though!

 

Share This Post

At the Gardens

Last week my Brother-in-Law visited us, and one of the things we did was go to the Botanical Gardens, which is always a terrific time, as well as a great place to practice photography! I organized my edited shots from that day into this Flickr album, but here are my favorites from that day:

 

From the front steps of the Gardens, you can see the looming edifice of Our Lady of Victory Basilica.
A mobile of Japanese umbrellas in the main rotunda. This took a bit of editing, but I like how it came out!
In the time we’ve been going to the Gardens, I’ve probably taken at least two dozen attempted mirror selfies in this wonderfully ornate mirror. Somehow they usually don’t turn out, mainly because I always try to do these quickly before someone comes along. This time I said the hell with it. I’ve really developed something of an ability to say “I have this camera and I’m getting my shot!” of late….
This Buddha statue, in the wonderful Tropical Plants room, is not only my favorite subject at the Gardens, but it’s one of my favorite photographic subjects anywhere in the area. I always take multiple shots of this statue when we’re there. This one turned out pretty well! The key here was the leaf in the foreground, partially shrouding the Buddha and giving the photo some depth. The fact that I’m getting shots like this is a sign, I hope, that I’m leveling up as a photographer!

I have a lot more photos from last weekend that I haven’t even edited yet! If you’re looking for a hobby that will eat some time, photography’s the one, folks.

Share This Post

“I’ll take ‘KINDS OF RAMAS’ for $1000, Ken”

The answer: “This type of widescreen photograph can be created in Lightroom by stitching together multiple photographs from a single vantage point.”

“What is a panorama?”

Last Sunday I was at Chestnut Ridge park on a wonderfully clear day, and thus I was able to take a series of shots of the entire Buffalo-Niagara region, with visibility all the way to Niagara Falls, ON and beyond, and I was further able to experiment with creating a panorama in Lightroom. And here it is:

I know, that’s…tiny, as presented here. For the full-size enlargeable version, go here. I’m very happy with how this turned out! For one thing, I never realized that the OLV Basilica in Lackawanna can be seen clearly from up there.

Share This Post

Sun and Moon (and clouds)

In Buffalo, the eclipse was simultaneously an astonishingly powerful and deeply disappointing experience. Clouds were in the forecast all along, but for the last several days, local meteorologists were constantly offering up reasons for optimism…which turned to “Sorry, we’re not clearing out until after totality, bummer, but it’ll still get dark and stuff.”

I know these folks don’t control the weather, but for all the technology and scientific expertise they have, it sometimes seems that their ability to offer up any kind of reliable forecast has been whittled down to timeframes measured in hours, or even minutes. I know some people around here were lucky enough to get enough of a view of totality to get a photo or two, but I wasn’t that lucky; all I caught of totality was a brief glimpse, maybe half a second.

Those four minutes or so of darkness, though? They were amazing. Truly, astonishingly amazing. For every cynic out there who has been saying things like “It’s just like at night, what’s the big deal,” I can’t say it any other way than to simply say, “It’s not just like night.” There was something qualitatively different about those four minutes…in how quickly they plunged over us, in how the flocks of gulls in the parking lot across the street went mad, in how everything in my circadian-rhythm loving body was screaming, “This isn’t right.” I can see how eclipses were terrifying moments for humans, for millennia, before we learned what they are and how to predict them and thus rendered them a thing of wonder.

There were other feelings, too. I couldn’t help thinking of Mom and how she would have loved to make it to today. She loved the sky and celestial happenings. I remember going to see if we could spot Halley’s Comet back in 1986, and she loved the Perseid meteor shower. She would often send me emails: “Go outside tonight and look at the moon because Venus and Mars are going to be right by it.” She would have been amazed by today, even if she would have been really annoyed by, as she would almost certainly have phrased it, “all these goddamned clouds”.

Share This Post

The Worst Shopping Center Ever Built

I’ve had this post in my head for years, and heck, it’s time to get it outta my head and into here. (Why haven’t I written it? No real reason.)

Anyway, a few miles from Casa Jaquandor is a big shopping plaza called Quaker Crossing. Here it is, via Google Earth:

Looks like any other big suburban plaza, right? And sure, because let’s be honest, suburban shopping plazas are always terrible. But this one is somehow especially terrible. Usually these plazas are terrible because they are relentlessly optimized for cars and are almost anti-pedestrian to the point they feel almost punitive if you’re trying to walk, but this one is somehow terrible for both cars and pedestrians.

OK, let’s get the pedestrian shittiness out of the way first, because it’s easy. Note the gargantuan parking lots, each of them in the middle of their clusters of stores and businesses, with large driveways bounding them. This means that if you plan to shop at multiple businesses at Quaker Crossing, you are extremely discouraged from parking in one place and walking to each business. Those large buildings across the top (north) contain a Target, a Dick’s Sporting Goods, a Kohl’s, a Premiere liquor and wine store, and a Regal Cinemas. Over in the east cluster, you have a large furniture store, a large pet store, and a bunch of smaller stores. The two clusters are separated by a four-lane driveway right up the middle, and this whole plaza sprawls out over a huge parcel, so if you need to go to both Kohl’s and the pet store, there’s no way you’re walking from one to the other. This plaza has virtually no walking infrastructure.

So there you are at Quaker Crossing and you have no choice: you’re driving to the place and then from one side of the plaza to the other. This experience is awful, too.

Here I need a marked-up diagram to illustrate the awfulness:

We start with the red circle, before we even enter the Quaker Crossing plaza. That’s the exit ramp from southbound US219, heading onto westbound Milestrip Road. This used to be a single-lane ramp that yields onto Milestrip, which is four lanes from here to its terminus at NY 5, a few miles west; that’s fine. They added a second lane at the foot of the ramp to merge into the new third lane on Milestrip when the plaza was built, to accommodate people who are coming off 219 for the purpose of entering Quaker Crossing. Again, fine!

But they put a traffic light at the end of the ramp!

So now, instead of a simple yield-and-merge situation, there’s a damned stop light to content with. Why they did this, I have no idea; I have literally seen zero other stop lights at the feet of exit ramps that are designed for merging. Now, if the ramp’s terminus was angled perpendicular to Milestrip, I would get it. But this light makes the entire exchange counterintuitive, and on busy days actually makes things a mess, because there are times when you have to start aggressively braking as soon as you exit 219S. This is nonsense. That light is stupid.

Then there’s the yellow circle, which is the main entrance to Quaker Crossing. This actually isn’t super-bad. It’s a standard 4-way intersection with lights and turn-arrows. Also, if you look closer, just west of the main entrance to Quaker Crossing is a second entrance, just one lane, basically an exit ramp from Milestrip into the western end of the plaza. We use this a lot if we’re going to the theater or to Red Robin, both of which are the westernmost businesses here. Back to the main entrance, though: it’s four lanes itself, since most people entering the plaza have to be able to turn into the left (western) portion of the plaza, or the right (eastern) portion. That makes sense…but one problem here is that for accessing Quaker Crossing via Milestrip, this is the only exit point. That means that just about everybody leaving Quaker Crossing will have to come to this one intersection. Is that horrible? Not entirely…and there is a back way out, which goes to Lake Avenue, but if you’re not going that way, that’s not a big help. Still, the exit isn’t the worst thing in the world…until you factor in the blue circle.

That’s the main intersection from which people leave the short entrance road to either turn left or right to go to wherever they mean to go in Quaker Crossing, or where people have to come if they’re leaving. The problem here is twofold: First, it’s quite close to Milestrip, so there is no time for traffic to funnel out from the main entrance on busy days; second, there are no signals there to manage the traffic. So you have four lanes each way, with turn lanes, and you have busy side driveways with people coming and going, and all of this is dependent on motorists doing right-of-way correctly. This is one of the most nerve-wracking intersections I know of, and I’m honestly surprised I don’t hear of more fender-benders there than I do.

What should they have done? My contention is that they shouldn’t have built that intersection at all. All traffic should go all the way to the northernmost point on that road, and then have people turn, maybe even using a roundabout to guide and filter the traffic through the plaza. That initial intersection is almost always a mess, and it didn’t have to be.

Now, that aqua-colored line? That’s the main driveway through the western side of Quaker Crossing. It, too, is terribly designed; curves a-plenty, entrances to side lots seemingly every hundred feet, and stop signs galore that stop traffic one way but not the other. Why didn’t they design the entire plaza with all the businesses centralized and a single driveway running around the perimeter, like a ring road? Or cluster all the businesses into one large walkable plaza? I have no idea. But this entire place is really a negative miracle of modern architectural design and planning: a giant retail plaza that is terrible to drive and impossible to walk. I honestly do not know how they pulled that off, but pull it off, they did.

Share This Post