As a film music lover, here is some Christmas from the movies!
Your Daily Dose of Christmas
An annual selection here, as I feature a Christmas carol that is specifically near and dear to a particular reader of mine (“Hi Mom!” he said as he cheerfully waved). It’s one that I never knew much about until a couple of years ago, though. “Bring a Torch, Jeanette, Isabella” originated in the Provence region of France, which seems to be a particularly productive region of France for beautiful things. The carol’s lyrics tell the story of two girls who discover that a certain baby has been born to a woman who has been bunking down in a stable. They run off to tell the villagers of the miracle that has occurred and bring them back to pay homage, cautioning them to remain silent so the baby can sleep. (One wonders if one of the villagers the two girls fetch happens to be a young boy with a drum, but anyway.)
The tune is lovely in that wonderful way of pre-Baroque music, and even when played slow it has a gentle dance rhythm befitting the folk music of the peasants of Provence. Here are several renditions of this lovely carol (including a couple of instrumentals).
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Your Daily Dose of Christmas
Your Daily Dose of Christmas
Your Daily Dose of Christmas
Your Daily Dose of Christmas
In honor of the fiftieth anniversary of On Her Majesty’s Secret Service (see the next post down), here’s the only Christmas song ever specifically composed for a James Bond movie: “Do You Know How Christmas Trees Are Grown?”
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Your Daily Dose of Christmas
Your Daily Dose of Christmas
Another song I feature annually: Dan Fogelberg’s Same Old Lang Syne. For my thoughts on this song, I refer you to this old post. Suffice it to say that this song’s bittersweet nature appeals to me more and more with every passing year.
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Your Daily Dose of Christmas
Oddly, I cannot conceive of the Christmas Season without The Nutcracker, and yet to this day, I have never attended a live performance of the ballet. This is something I very much need to correct one of these years! But I was fortunate to play principal trumpet in my college orchestra for four years, each one of which saw The Nutcracker Suite on our Christmas program. Few pieces of music transport me to a specific time and place, but The Nutcracker Suite to me is always brightly-lit rehearsal halls as another icy Iowa winter revs up outside through those tall windows, with Maestro Janice Wade leading the orchestra (and always, always, always yelling at us for trying to slow down, in spite of the complete lack of instruction to do so in the score, at the end of the “Waltz of the Flowers.”
Anyhow, I’ll give you two options here! If you have time, give the entire ballet a listen! I’m always of the belief that given the choice between hearing the entire work and hearing extracts, one should hear the entire work. But if you don’t have time, the Suite is perfectly acceptable. Here are both: the whole thing, and the Suite.