Pianist Leon Fleischer has died, at the age of 92.
Something for Thursday
For John Lewis.
Share This Post
Maestro Morricone
Ennio Morricone, one of the greatest of all film composers, has died. He was 91. His music was often expansive and melodic, evocative and emotional. I often find his work hard to characterize, to be honest, but his finest work is often meditative and introspective. He often took a non-intuitive approach to scoring certain films, like his famous work on the “Spaghetti Westerns” of Sergio Leone. He wasn’t about to strive for the Americana-west sound of an Elmer Bernstein or a Dmitri Tiomkin
Share This Post
Something for Thursday
Dame Vera Lynn has died at the age of 103.
Share This Post
Something for Thursday (Thank you, Adam Schlesinger)
Singer and songwriter Adam Schlesinger has died of complications from Covid-19. He was an amazingly prolific singer and songwriter who worked on his own material with his own bands, as well as songwriting for movies and teevee. I’ve heard a lot of his work…and I haven’t heard a whole lot more. My primary exposure to him came via the amazing, wonderful show Crazy Ex-Girlfriend, a show I adored with each and every episode. Here are some of the songs on which he worked.
Share This Post
Something for Thursday: Thanks, Kenny
Kenny Rogers died this past weekend. He had a long and productive life of music-making, and I won’t try to offer a major retrospective here. I will note that Rogers was just…always there, wasn’t he? And he was always there in a good way. Never once did I hear Kenny’s rough voice and think, “Uh, no, I’m not in the mood right now, Kenny.” He was always good, always reliable, and in his best songs he always knew how to sell the emotion of the tune.
This song, I believe, was a favorite of my father’s back in the day. Thanks for the music, Kenny Rogers!
Share This Post
Bring Back
Since St. Patrick’s Day is approaching, I thought I’d listen to some Irish and Celtic music while at work today. A good starting point for such a mood is always The Chieftains, so I looked up one of my favorite albums of theirs, Fire in the Kitchen. This isn’t exactly considered an “official” Chieftains album, as its selections were all recorded on the spur-of-the-moment as they toured in Canada and appeared with a number of that country’s notable Celtic acts, but it is quite a wonderful album anyway. One of my favorite tracks is this haunting rendition of “My Bonny Lies O’er the Ocean”, sung hauntingly by a woman named Laura Smith.
It suddenly occurred to me that I know nothing at all about Laura Smith, so I looked her up.
She died the day before yesterday.
Sigh.
Share This Post
REPOST: Love, Logic, and Why I Don’t Write Dystopia: Some Rambling Thoughts on the Occasion of Leonard Nimoy’s Passing
Leonard Nimoy died five years ago today. Here’s the post I wrote on that occasion.
When The Wife and I were on our honeymoon, one of the stops was the Boston Museum of Science. I’m always a fan of science museums. During our visit, we saw a movie in their OmniMax theater. I don’t remember what the movie was, to be honest, but I do recall a bit at the beginning of the show, when the lights dimmed and a voice sounded over the speakers, which said something like this:
Good afternoon! The movie will begin shortly, but before it does, we need to properly calibrate our theater’s sound systems for use. To do this, we have enlisted the aid of a person who grew up in this very neighborhood. You may find his voice familiar.
This was followed by a beat of silence, and then another voice said:
Hello. Who put the BOMP in the BOMP shoo BOMP shoo BOMP; who put the RAM in the RAMALAMADINGDONG.
The second voice, the “local kid made good”, was Leonard Nimoy’s. I think most folks in the audience recognized that voice before he actually said “This is Leonard Nimoy”; his voice was, actually, one of the most familiar I ever knew. Gravelly and distinguished, that voice was, and Nimoy knew how to use it, which words to emphasize and where to pause just ever-so-slightly for effect.
I don’t remember a time when I wasn’t aware of Leonard Nimoy on some level. More precisely, I should say that I don’t remember a time when I didn’t know who Mr. Spock was. I remember Star Trek episodes very early on, all the way back to the first house I ever lived in. Trek was my sister’s thing, but I remember vague images from it. The most specific one I have is at the end of an episode called “Friday’s Child”, when, at the end, all is well and the female guest star’s character has given birth, and observing Dr. McCoy making baby talk to the kid, Spock asks why baby talk is a thing at all.
A lot can be said about Nimoy and Spock, and a lot has been said about Nimoy and Spock over the years. Most fascinating to me was Spock’s arc through the six “Original Crew” movies, from his attempt in The Motion Picture to purge himself of emotion to his own resolution of the “Kobayashi Maru” test to his rescue to his work to put his own brain back together (interesting that no fewer than three major Trek stories, one episode and two movies, devoted large amounts of time to putting Spock’s brain and mind back together), and finally to the confident, competent officer we saw in The Undiscovered Country. In that film, when Kirk and McCoy get in serious trouble and are arrested, Spock just calmly assumes command and immediately begins the investigation to find the evidence to free them. Through that film, Spock acts with a calm acceptance that the truth will come out, that they will find the evidence, and that they will find it by searching for it calmly and logically. It is of a piece with his line in the film about the need for faith, to trust that “the Universe will unfold as it should”.
My personal favorite Spock moment comes at the end of what is certainly one of the very best Trek episodes ever, “The City on the Edge of Forever”. Knowing that if he allows Edith Keeler to live, the future will change and Starfleet and the Federation will never happen, Kirk stops McCoy from pulling her out of the path of the oncoming car. McCoy rages at Kirk:
“You deliberately stopped me. Jim! I could have saved her! Do you know what you just did?!”
And Spock — ever calm, ever logical, ever accepting of what must be — simply says:
“He knows, Doctor. He knows.”
Nimoy knows that he can’t express sadness in that line. He cannot express heartbreak or the awfulness of the choice that Kirk has just had to make, and all the same, Nimoy conveys that Spock knows these things. He knows these things, he knows that they are real, and he does not belittle them in any way.
Since I’ve no memories at all of a time before Star Trek, it’s fair to say that it — along with Star Wars, obviously — are the biggest influences of mine in terms of my notion of what the world will look like, hundreds or thousands of years in the future. Will we always face problems and struggles and very real difficulties? Absolutely. But I don’t believe in dystopia. I cannot, will not believe that there is a future in the offing when the world is wrecked and everything is in ashes and only a very few are living well while the rest of humanity exists in dimly-lit squalor. I cannot, will not believe that, and that’s why I cannot, will not write it.
I believe that whatever difficulties and challenges we eventually face, we will do it from a brightly-lit viewpoint where it’s always clear how far we’ve already come. I believe that when we take to the stars, our ships will be beautiful and that they will explore with grace, and that we will confront our futures with logic and science as well as warmth and a twinkle in the eye that’s always there.
Why do I believe those things? In large part, because of a teevee show and some movies that Leonard Nimoy starred in.
After his long and prosperous life, Leonard Nimoy now belongs to the past. But he’ll always be a part of my future…my “Undiscovered Country”.
Share This Post
Memories of Lester
Share This Post
Farewell, Vonda N. McIntyre (From the Books)
Science fiction and fantasy author Vonda N. McIntyre has died.
I feel that I’ve done McIntyre a disservice all these years. I’ve read a lot of her work, but none beyond her well-known tie-in books in the Star Trek and Star Wars universes. But on the other hand, she wrote all those books voluntarily and she wrote some of them so well that they stand up even outside their tie-in status. And what’s so bad about tie-in work, anyway? There’s a reason the Trek and Wars franchises are so well-established. I do own a couple of McIntyre’s non-Trek books, and I should probably make reading them a higher priority.
One novel of hers that I especially liked was her original Trek novel Enterprise: The First Adventure, in which she told the story of how the very first voyage of the starship Enterprise under the command of Captain James T. Kirk went. This novel posed a number of challenges for McIntyre: she couldn’t rely on the tried-and-true relationship tropes of Trek. Kirk and McCoy were already good friends at this point, but neither knew the Enterprise‘s Vulcan science officer; there couldn’t be any hint here of “I have been, and always shall be, your friend.” McIntyre also wrote a Lt. Sulu who didn’t even want to be on the Enterprise, and Commander Montgomery Scott who was so skeptical of his new Captain and so possessive of “his” ship that he nearly let his attitude force Captain Kirk to order his transfer off the finest ship in Starfleet.
Another thing McIntyre did in this book is to show that Kirk’s ascent to commanding the Enterprise wasn’t just a straight-line thing that involved no sacrifice at all. Star Trek II: The Wrath of Khan, which McIntyre novelized, established that there was one woman in Kirk’s past life who was much more than a momentary conquest. Dr. Carol Marcus might have been the love of his life, and she was the only one (that we ever knew of) to bear James T. Kirk’s child. So in Enterprise, Vonda McIntyre wrote a wonderful scene in which Kirk is torn between his dream of command and a woman he loves. It’s the kind of amazing character writing at which McIntyre excelled. She made you care about these characters. Her writing is full of scenes like this, and now I have to wonder even more what magic she was able to conjure with characters of her very own.
Here’s the scene.
Carol turned, uncharacteristically flustered. “Jim–!”
“Hello, Carol.” He stopped. He wanted to say everything to her, or he wanted to say nothing. He wanted to make love with her, or he wanted never to see her again.
“Talk to you later,” Dr. Eng said, and made a diplomatic exit.
“How are you feeling, Jim?”
He ignored the question. His heart beat hard. “It’s wonderful to see you. I have to leave soon. Can we…I’d like to talk to you. Would you have a drink with me?”
“I don’t feel like having a drink,” she said. “But I will go for a walk with you.”
Jim paused beside Gary, still hoping he might awaken. [That’s Gary Mitchell, Kirk’s best friend who was his First Office in the episode “Where No Man Has Gone Before,” before his character died.] “Get well, my friend,” Jim said, and left Ms. Chapel the note to give him when he regained consciousness.
They did not have to discuss where to go. Jim and Carol walked toward their park.
Without meaning to, exactly, Jim kept brushing against Carol. His shoulder touched her shoulder; his fingers touched the back of her hand. At first she moved aside.
“Oh–” Carol said impatiently the third time Jim touched her. She took his hand and held it. “We are still friends, I hope.”
“I hope so too,” Jim said. He tried to pretend the electric tingle of physical attraction no longer existed between them, but he found it impossible to deceive himself that much. Being near Carol made Jim feel as if a powerful current case a web over both of them, exchanging and intensifying every passion.
“Are you sleeping any better?” Carol said.
Jim hesitated between the truth and a lie. “I’m sleeping fine,” he said.
Carol gave him a quizzical glance, and he knew he had hesitated too long. She had held him too many times, when the nightmare slapped him awake in the darkest hours of the morning.
“If you want to talk about it….” she said.
“No. I don’t want to talk about it,” he said in a clipped tone. [This all happens in the aftermath of a bad incident that left Kirk emotionally scarred.]…”No,” he said again, more gently. “I don’t want to talk about it.”
Still holding hands, they reached the small park and set out along the path that circled the lake. Ducks swam alongside them, quacking for a handout.
“We always forget to bring them anything,” Carol said. “How many times have we walked here–we always meant to bring them some bread, but we never did.”
“We had…other things on our minds.”
“Yes.”
“Carol, there’s got to be some way–!”
He cut off his words when he felt her tense.
“Such as what?” she said.
“We could–we could get married.”
She looked at him; for a moment he thought she was going to burst out laughing.
“What?” she said.
“Let’s get married. We could transport to Spacedock. Admiral Noguchi could perform the ceremony.”
“But why marriage, for heaven’s sake?”
“That’s the way we do it in my family,” Jim said stiffly.
“Not in mine,” Carol said. “And anyway, it still wouldn’t work.”
“It’s worked for quite a number of generations,” Jim said, though in the case of his own parents the statement stretched the truth. “Carol, I love you. You love me. You’re the person I’d most want to be with if I were stranded on a desert planet. We have fun together–remember when we went to the dock and snuck on board the Enterprise for our own private tour–” At her expression, he stopped. “It’s true.”
“Yes,” she said. “It’s true. And I’ve missed you. The house is awfully quiet without you.”
“Then you’ll do it?”
“No. We talked about this too many times. No matter what we do, it wouldn’t make any difference. I can’t be with you and you can’t stay with me.”
“But I could. I could transfer to headquarters–“
“Jim…” She turned to face him. She held both his hands and looked into his eyes. “I remember how you felt when you found out you’re getting command of the Enterprise. Do you think anyone who loved you would want to take that away from you? Do you think you could love anyone who tried?”
“I love you,” he said. “I don’t want to lose you.”
“I don’t want to lose you, either. But I lost you before I ever met you. I can get used to the quiet. I can’t get used to having you back for a few weeks at a time and losing you over and over and over again.”
He kept seeking a different solution, but the pattern led him in circles and he could find no way out.
“I know you’re right,” he said, miserable. “I just…”
Tears silvered Carol’s dark blue eyes.
They kissed each other, one last time. She held him. He laid his head on her shoulder with his face turned away, because he, too, was near tears.
“I love you too, Jim,” she said. “But we don’t live on a desert planet.”
That‘s how you write a heartbreaking farewell scene…and it comes very early in the book, before we even see Captain Kirk on the bridge of his new ship. McIntyre knew how to set the emotional stage for her stories.
I really do owe her a reading with newer eyes….














