Prometheus

I know, I know…I’ve said a bunch of times that I have little to no use for the Alien movies, which I suppose would rule me out of bothering to see the forthcoming Prometheus, which as I understand it isn’t actually a direct prequel or anything of that nature, but is set in the same universe, so I suspect there’d be some overlap. This trailer for the film, though, is making me question that resolve.

This looks less like Attack of the Killer Space Vaginas, and more like a dark space opera, with ships exploring the unknown, massive alien artifacts, and so on and so forth. Who knows…and with trailers these days, you never know, because trailers can make the worst movies look like giant storehouses of Awesome, so we won’t know until the movie comes out. But I am really intrigued by this trailer.

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Thank you, Ralph McQuarrie

Ralph McQuarrie, conceptual artist for many films, died the other day. Every article and blog post out there cites his art that heavily influenced the eventual look of, among other films, Star Wars, and the frank truth is that without McQuarrie’s concept paintings, Lucas might well have never convinced any studio to bankroll the film in the first place.

Here’s a sampling of his work, via AICN:

Enjoy the stars, Mr. McQuarrie!

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Fixing the Prequels: Revenge of the Sith (part three)

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And…we’re back! And in a lot less than ten months, too. Huzzah! In the ‘Credit Where Due’ department, for the purposes of this series I’m referring to the film’s script here.

When we left off last time, our Jedi Heroes had been caught, with Chancellor Palpatine and R2-D2, whilst trying to escape the ship of General Grievous. The space battle is raging on, but our heroes are brought to the bridge of the ship, where they come face to face with Grievous, a fairly bizarre individual who seems to be mostly robot, but with some kind of biological parts, who is hunchbacked, and who is constantly afflicted by a hacking cough. (This cough is actually explained by the final installment of a series of animated shorts called, appropriately enough, The Clone Wars, which aired on one of the cable networks between AotC and RotS, but it’s not really important here…unless one wants to know why a person who is something like ninety percent droid is coughing. I personally, did not.)

As Grievous confronts the Jedi, he refers to Obi Wan as ‘the Negotiator’, a touch that I like because it implies that Kenobi has a kind of reputation that he’s picked up in the course of the Clone Wars, not unlike Erwin Rommel’s ‘nom de war’, ‘the Desert Fox’. When Grievous meets Anakin, he notes that he expected someone of his reputation to be a bit older; Anakin replies: “General Grievous. You’re shorter than I expected.” I’ve always liked this line.

The rest of this plays out pretty much by numbers: R2-D2 creates a diversion, long enough for Obi Wan and Anakin to recover their lightsabers and free themselves from their bonds, at which point they go on yet another Jedi rampage against battle droids. There’s nothing particularly major here that we haven’t seen before in the Prequels, and it flashes by pretty quickly (albeit with an entertaining bit that comes when Obi Wan realizes that a particular model of battle droid can keep right on fighting even after decapitation). Grievous manages to escape yet again, this time by smashing one of the windows open and letting himself get blown out into space; he then uses a grappling hook to get himself to an escape pod while Obi Wan and Anakin have to take the controls of the ship, which is starting a death plunge into the atmosphere.

This whole sequence is really well done:

OBI-WAN and ANAKIN go over to the navigator’s chair.

ANAKIN: All the escape pods have been launched.

OBI-WAN: Grievous. Can you fly a cruiser like this?

ANAKIN: You mean, do I know how to land what’s left of this thing?

ANAKIN sits in the pilot’s chair and sees on a screen the back half of the ship break away. There is a great jolt, and the ship tilts forward.

OBI-WAN: Well?

ANAKIN: Under the circumstances, I’d say the ability to pilot this thing is irrelevant. Strap yourselves in.

OBI-WAN and PALPATINE strap themselves into chairs. ANAKIN struggles with the controls of the ship. The ship starts to glow, and pieces break off. ARTOO moves in on Palpatine ‘s controls and assists in flying the cruiser.

OBI-WAN: Steady . . . Attitude . . . eighteen degrees.

ARTOO beeps.

ANAKIN: Pressure rising. We’ve got to slow this wreck down. Open all hatches, extend all flaps, and drag fins.

OBI-WAN: Temp steady. Hatches open, flaps extended, drag fins . . .

A large part of the ship breaks away.

ANAKIN: We lost something.

OBI-WAN: Not to worry, we’re still flying half the ship.

I love that last line of Obi Wan’s. This whole sequence is fun, tense, and the effects are amazing. This brief shot is one of my favorite sights in all the Star Wars movies:

And all the other visual details are terrific here: the flames of reentry outside the bridge windows, the fireships that come alongside to smother the burning ship in fire retardant, the way the ship flies through a thick cluster of clouds to suddenly emerge above the capital city of the Republic. The ship’s bridge is dominated by yellow and green lighting, which is a color scheme we haven’t seen before. I also like how well-conceived this sequence is, in terms of details. Yeah, they may actually be scientifically implausible, but within the rules of his universe, George Lucas has thought out some stuff. The cruiser has ‘drag fins’, big metal flaps that extend out and provide increased air resistance to slow the ship down when it’s in the atmosphere (and remember, we’ve already established that cruisers of this size can land planetside), and the afore-mentioned firefighting ships.

Of course, Anakin brings the ship in for an impressive crash landing (taking out a control tower in the process…I always wonder if that tower was full of space traffic controllers, maybe one declaring this to be the wrong week to be giving up Death Sticks). The dust is settling, everyone is breathing a sigh of relief, and Obi Wan sums it all up: “Another happy landing!”

At this point, we’re finally done with an action sequence that has taken over twenty minutes of the film’s opening. It’s almost a short film in itself, complete with three acts, and it was an exhilarating way for George Lucas to start the film. Now comes quite a bit of talking and politics. Not that a lot of this bothers me, but the pace slows down quite a bit now.

A shuttle brings the Chancellor, along with his Jedi rescuers, back to the Capital, where Obi Wan and Anakin have another bit of repartee:

ANAKIN: (to Obi-Wan) Are you coming, Master?

OBI-WAN: Oh no. I’m not brave enough for politics. I have to report to the Council. Besides, someone needs to be the poster boy.

ANAKIN: Hold on, this whole operation was your idea. You planned it. You led the rescue operation. You have to be the one to take the bows this time.

OBI-WAN: Sorry, old friend. Let us not forget that you rescued me from the Buzz Droids. And you killed Count Dooku. And you rescued the Chancellor, carrying me unconscious on your back, and you managed to land that bucket of bolts safely . . .

ANAKIN: All because of your training, Master.

OBI-WAN: Anakin, let’s be fair. Today, you are the hero and you deserve your glorious day with the politicians.

ANAKIN: All right. But you owe me . . . and not for saving your skin for the tenth time . . .

OBI-WAN: Ninth time . . . that business on Cato Nemoidia doesn’t count. I’ll see you at the briefing.

I like the bit about keeping score – it’s reminscent of the Original Trilogy, and the friendly rivalry between Luke Skywalker and Han Solo. Next there’s a brief bit as Palpatine assures Mace Windu that the Senate will insist on continuing the war as long as General Grievous is at large; with Count Dooku dead, Grievous is now the leader of the droid armies. Not much is made of the fact that Dooku wasn’t just a military leader, but a political leader as well – who will rise to lead the Separatist movement?

Of note here is that Palpatine has managed to create an environment of perpetual war in the Republic, a war that has the support of the Senate and is being led by the Jedi. And yet we know there is tension between the Chancellor and the Jedi, so the question arises – never really addressed by the films – as to just what the relationship is between the Jedi and the Chancellor and the Senate. The Jedi seem to be a somewhat independent body, governing themselves, but taking input from the Senate. But they’re starting to not like what they are being required to do; as Mace Windu basically stated in AotC, they are basically policemen, not soldiers or military leaders. And yet that is their new role. Interesting, then, that a key facet of all of Palpatine’s machinations is to manipulate the Jedi into serving a role that they are not well-suited to serve.

Anyway, back to the movie. The Chancellor and the Jedi and the rest of a group of Senators walk off. (In this bunch is one Jar Jar Binks, who is almost unnoticed except that he has his one line of dialogue in the movie, “Excuse me”. What was funny about this is that when I saw the film in the theater back in 2005, as soon as people noticed Jar Jar, there was no booing or hissing – just several people in the theater exclaiming, “Hey, it’s Jar Jar!” and some murmurs of recognition, not all of which sounded angry. Make of that what you will…but sometimes I wonder if Jar Jar isn’t quite as hated as most people think he’s hated. Or maybe I’m just delusional….) Anakin exchanges words with Senator Bail Organa (Jimmy Smits, who had quite the political acting life in the mid-2000s, appearing as a Star Wars Senator and as the successor to President Josiah Bartlet in The West Wing), and then he notices someone in the shadows of one of the great pillars. It’s Padme.

Now, why isn’t Padme in the group of dignitaries meeting the Chancellor upon his return? She is one of the most influential political figures in the Senate. Clearly it’s because she needs to meet Anakin in somewhat private. They embrace, and this exchange takes place (material not actually in the final film in red):

ANAKIN: I missed you, Padme.

PADME: There were whispers . . . that you’d been killed.

ANAKIN: I’m all right. It feels like we’ve been apart for a lifetime. And it might have been … If the Chancellor hadn’t been kidnapped. I don’t think they would have ever brought us back from the Outer Rim sieges.

ANAKIN starts to give her another kiss. She steps back.

PADME: Wait, not here . . .

He grabs her again.

ANAKIN: Yes, here! I’m tired of all this deception. I don’t care if they know we’re married.

PADME: Anakin, don’t say things like that. You’re important to the Republic … to ending this war. I love you more than anything, but I won’t let you give up your life as a Jedi for me . . .

ANAKIN: I’ve given my life to the Jedi order, but I’d only give up my life, for you.

PADME: (playfully) I wouldn’t like that. I wouldn’t like that one bit. Patience, my handsome Jedi . . . Come to me later.

ANAKIN embraces her, then looks at her.

ANAKIN: Are you all right? You’re trembling. What’s going on?

PADME: I’m just excited to see you.

ANAKIN: That’s not it. I sense more . . . what is it?

PADME: Nothing . . . nothing . . .

ANAKIN: You’re frightened. (a little angry) Tell me what’s going on!

PADME begins to cry.

PADME: You’ve been gone five months . . . it’s been very hard for me. I’ve never felt so alone. There’s . . .

ANAKIN: . . . Is there someone else?

PADME: (peeved, angry) No! Why do you think that? Your jealousy upsets me so much, Anakin. I do nothing to betray you, yet you still don’t trust me. Nothing has changed.

ANAKIN: (sheepish) I’m afraid of losing you, Padme . . . that’s all.

PADME: I will never stop loving you, Anakin. My only fear is losing you.

ANAKIN: It’s just that I’ve never seen you like this . . .

PADME: Something wonderful has happened.

They look at each other for a long moment.

PADME: (continuing) I’m . . . Annie, I’m pregnant.

ANAKIN is stunned. He thinks through all of the ramifications of this. He takes her in his arms.

ANAKIN: That’s . . . that’s wonderful.

PADME: What are we going to do?

ANAKIN: We’re not going to worry about anything right now, all right? This is a happy moment. The happiest moment of my life.

So: Padme’s pregnant, and judging by her clothes, she’s somewhat far along. That’s probably why she’s staying the shadows, then; this is not a condition she wants to become common knowledge, for obvious reasons. Someone will ask who the father is, and someone else will figure it out, to the doom of Anakin’s career as a Jedi, even though he says that he wants to just come out with it and let the chips fall where they may. I like Anakin’s reaction to the news of her pregnancy: he’s shocked at first, a bit overwhelmed, and then he manages to return to happiness. So, is he really happy that he’s about to be a father? Or is this something he neither expected nor wanted? I think that the evidence in the film supports both possibilities, and I like the ambiguity of his response to being told and the way he covers it up almost immediately. At the point of the revelation, John Williams’s music does not become lovely or plaintive; instead it churns in the basses, underscoring nicely Anakin’s conflicted emotions about becoming a father.

I do think that Lucas made a wise choice in eliminating the bit about Anakin suspecting Padme of having another suitor. While his loss of trust in Padme will be the final straw in his march toward the Dark Side, it’s much too early to plant that seed. Nevertheless, here is where I would make my first actual change in the film: as they embrace on final time, I’d have someone from the Jedi council see them embracing. The obvious choice here is Mace Windu. Why? Because I think a few seeds need to be planted here for later in the film, and because I think that the film needed to get a reminder in earlier on that Mace Windu has never really been in Anakin’s fan club. He wouldn’t say anything to Anakin and Padme; not now, anyway. But he’d look back and see their embrace and start to recognize it for what it is: a Jedi indulging forbidden love.

Now we cut to General Grievous and his arrival on the planet Utapau. For longtime Star Wars fans, the name of the planet Utapau is exciting (although we don’t hear it for a while yet), as it is one of the very earliest planet names George Lucas tossed around way back in the early 1970s when he was originally cobbling together his notions for a big space adventure epic movie. After Grievous lands, he makes contact with Darth Sidious, who is behind everything; Sidious orders him to move the Separatist leaders to Mustafar and then answers Grievous’s concern about Count Dooku’s death with the revelation that he’s already got his eye on a new apprentice, “one who is far more powerful”. Uh oh….

And then we are whisked back to Coruscant, for a nice quiet scene between Anakin and Padme at night on the balcony of their 800th-floor apartment. Or what’s supposed to be a nice quiet scene, because…well, this is what happens.

PADME: Annie, I want to have our baby back home on Naboo. We could go to the lake country where no one would know . . . where we would be safe. I could go early-and fix up the baby’s room. I know the perfect spot, right by the gardens.

ANAKIN: You are so beautiful!

PADME: It’s only because I’m so in love . . .

ANAKIN: No, it’s because I’m so in love with you.

PADME: So love has blinded you?

ANAKIN: Well, that’s not exactly what I meant . . .

PADME: But it’s probably true!

Yeah…I know. There’s just no way for me to sugarcoat this one, folks: this scene is a stinker. In a movie that so far has been hitting all the right notes, this scene comes along and reminds everyone of their biggest complaints about the last two movies, what with lines about how Padme’s not like sand and how Anakin is tortured by his love for her and so on. I tend to roll my eyes whenever I hear someone trot out the “George Lucas needs someone to tell him when his ideas suck” meme (otherwise known as the “Gary Kurtz Conjecture”, under the notion that it was Gary Kurtz’s steady hand that kept Lucas from doing stupid things that ruined the only two Star Wars movies that anybody likes, or so the story goes), but this scene unfortunately provides some ammunition for that camp. It’s not quite as bad as the Single Worst Scene In Star Wars History, but…well, it’s right up there. I hate hate hate the way this scene ended up.

So, let’s fix it. Here’s what should have happened here:

PADME: Annie, I want to have our baby back home on Naboo. We could go to the lake country where no one would know . . . where we would be safe. I could go early-and fix up the baby’s room. I know the perfect spot, right by the gardens.

ANAKIN: You are so beautiful….

PADME: It’s only because I’m so in love . . .

ANAKIN: No, it’s because I’m so in love with you.

PADME: So love has blinded you?

ANAKIN: No! I mean…uh….

He sees that she is grinning at him.

ANAKIN: You got me again.

PADME: Only because you make it so easy.

ANAKIN: You know that I’m not good at talking about my feelings.

PADME: You’re not so bad at it, when you stop trying to talk like a poet. There aren’t many famous Jedi poets, are there?

ANAKIN: (laughs) No. I tried reading some Jedi poetry, once…hundreds of lines about the Force. An entire book that sounded like Master Yoda…I didn’t understand any of it.

He comes to her side.

PADME: What are we going to do? When the war is over and the baby is born? You can’t be a Jedi and a father.

ANAKIN: I know. So I’ll be a father.

PADME looks at him.

PADME: You’ll give up being a Jedi?

ANAKIN: (smiling) For what I’d be getting in return? Yes.

They embrace.

Something like that…something which would show that Anakin is thinking ahead a bit, and that he has a happy ending right there for the taking, if he just doesn’t screw it up…which we know he’s going to. It would heighten the tragedy of his fall, and like I did in fixing AotC, I’d fix some bad dialogue by actually calling attention to it.

This scene is followed by a brief dream sequence, in which Anakin sees Padme giving birth, but it’s a horrible, painful experience in which she is shrieking in agony. That’s about all we see, before Anakin snaps awake and walks out to the living room. We don’t really see it in his dream, but he interprets it as meaning that Padme is doing to die in childbirth, and the script bears this out by indicating that in the dream, Padme actually dies. Cut to the living room, then:

ANAKIN walks down a flight of stairs onto a large veranda. The vast city planet of Coruscant, smoldering from the battle, is spread out before him. He is distraught. PADME descends the stairs and joins ANAKIN on the veranda. She takes his hand. He doesn’t look at her.

PADME: What’s bothering you?

ANAKIN: Nothing . . .

ANAKIN touches the japor snippet around PADME’S neck, that Anakin gave her when he was a small boy.

ANAKIN: (continuing) I remember when I gave this to you.

PADME: How long is it going to take for us to be honest with each other?

ANAKIN: It was a dream.

PADME: Bad?

ANAKIN: Like the ones I used to have about my mother just before she died.

PADME: And?

ANAKIN: It was about you.

They look at each other. A moment of concern passes between them.

PADME: Tell me.

ANAKIN: It was only a dream.

PADME gives him a long, worried look. ANAKIN takes a deep breath.

ANAKIN: (continuing) You die in childbirth . . .

PADME: And the baby?

ANAKIN: I don’t know.

PADME: It was only a dream.

ANAKIN takes PADME in his arms.

ANAKIN: . . . I won’t let this one become real, Padme.

They embrace, then part.

PADME: Anakin, this baby will change our lives. I doubt the Queen will continue to allow me to serve in the Senate, and if the Council discovers you are the father, you will be expelled from the Jedi Order.

ANAKIN: I know ….

PADME: Anakin, do you think Obi-Wan might be able to help us?

ANAKIN: I don’t need his help . . . Our baby is a blessing.

Obviously, I would have eliminated the bit about Padme worrying about Anakin’s future once the baby is born; I’ve relocated that to the earlier scene. It doesn’t seem to fit naturally in the scene where Anakin is dealing with a new dream about his wife’s death.

The shooting script has a bit of dialogue in there in which Anakin angrily asks if Padme has told Obi Wan anything; I’m glad this is left out, as I still think it’s too early for the jealousy angle to show up. I’ve always liked this, though – that Anakin isn’t just afraid of losing Padme, but that he’s having dreams and visions about it, and he’s already had a similar experience with his dreams of the future dolorous fate of someone he loved – his mother – coming true. He desperately wants to prevent this future, but even though he vows that he won’t let it happen, he is already suspecting that he doesn’t have the power he will need to do so.

And since Palpatine knows about Anakin’s actions against the Sandpeople in AotC, it’s reasonable to assume he knows about the dreams then, too. The wedge is already there, waiting to be driven in.

Oh, and that bit with Padme wearing the Japor snippet around her neck, the one Anakin gave her as a boy way back in TPM? That’s fantastic. It’s a great touch by Lucas, one which will pay off with a gorgeously sad visual late in the film.

Anakin doesn’t want to go to Obi Wan for help, but he does go to someone: he goes to Yoda. In the next scene, Anakin is talking to Yoda and gets some helpful advice:

INT. CORUSCANT-JEDI TEMPLE-YODAS QUARTERS-DAY

YODA and ANAKIN sit in Yoda ‘s room, deep in thought.

YODA: Premonitions . . . premonitions . . . Hmmmm . . . these visions you have . . .

ANAKIN: They are of pain, suffering, death . . .

YODA: Yourself you speak of, or someone you know?

ANAKIN: Someone . . .

YODA: . . . close to you?

ANAKIN: Yes.

YODA: Careful you must be when sensing the future, Anakin. The fear of loss is a path to the dark side.

ANAKIN: I won’t let these visions come true, Master Yoda.

YODA: Death is a natural part of life. Rejoice for those around you who transform into the Force. Mourn them, do not. Miss them, do not. Attachment leads to jealousy. The shadow of greed, that is.

ANAKIN: What must I do, Master Yoda?

YODA: Train yourself to let go of everything you fear to lose.

And by the look on Anakin’s face, we see that boy, is that ever not what he’s looking to hear.

This leads to one of the more interesting things about Jedi philosophy, as we hear it from Yoda throughout the Star Wars saga. Anakin is worried about his loved one, but Yoda tells him that the way to deal with his fears for her fate is to let her fate unfold and, basically, ignore it. This is virtually the same advice Yoda will give Luke Skywalker twenty years later, in TESB, when Luke has visions about Han and Leia suffering greatly:

LUKE: And sacrifice Han and Leia?

YODA: If you honor what they fight for…yes!

The advice goes about as well then as it does for Anakin, although Luke’s doesn’t end nearly as badly. The question is: why is this?

I think it’s because Luke is able to do something that Anakin tends to find extremely difficult: he is able to trust his friends, where Anakin only looks inward, to himself, to his own powers and his own abilities. And why is this? Well, I suspect it’s partly because Luke doesn’t grow up – even partially, as Anakin does – inside the sequestered and sheltered bubble that the Jedi put themselves in. The Prequel Trilogy depicts the Jedi as an almost ascetic group who are supposed to be denying their emotional lives in favor of devotion to the Force. Luke later demonstrates that fealty to the Force is not at all incompatible with having love and friendship in one’s life. I wonder if this isn’t part of why the Jedi fall – because they’ve turned so far inward that they genuinely believe that attachment is bad, friendship is bad, love is bad…because under certain circumstances, they can lead to the Dark Side.

From Yoda’s perspective, though, it’s Anakin’s love for Padme that leads him straight to the Dark Side, straight to joining the Sith, and straight to playing a role in the final fall of the Jedi. So when Luke comes along and wants to be trained and then has his own visions of horrible things happening to his loved ones and rushes off to save them, Yoda must clearly be seeing that as “And here we go again.” He thinks everything is about to be undone by the passions of the Skywalkers, again. Once again, I end up admiring the way Lucas has events from the Original Trilogy having echoes and parallels in the Prequel Trilogy.

And there we will stop. Next time, Anakin is drawn into the political world, and his desires for power start to get stroked as well as his fears for Padme. Tune in!

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Fixing the Prequels: Revenge of the Sith (part two)

part one

When last we left our intrepid Jedi – months and months ago – they they had just made their way through an immense space battle to land on General Grievous’s ship, through which they must now make their way to find the captive Chancellor Palpatine. This is pretty standard “infiltrate the enemy ship” stuff, but it’s all pretty fun to watch anyway, because Ewan McGregor and Hayden Christensen actually have pretty good chemistry together. In this whole sequence, I like how Christensen portrays Anakin as more self-assured, more confident, but less obviously-arrogant than he had been in Attack of the Clones. The effect goes a long way to highlight the tragedy of Anakin’s later fall from grace.

(Before I go on, I should note the very long stall in this series of posts, with an apology for those who actually enjoy reading this stuff. My reasons are the usual whiny “Nobody knows I’m doing this, but that Red Letter Media turd gets all kinds of love whenever he speaks!” stuff. So let’s just stipulate all that and move on, shall we? OK!)

R2-D2 is another part of the puzzle here, and he has his own problems. He is trying to lie low when a couple of battle droids enter the landing bay, but his efforts are stymied by the fact that Obi Wan keeps talking to him, very loudly, via the commlink. Thus R2 is distracted at several points where Obi Wan and Anakin would find having a droid plugged into the computer system fairly convenient.

All of this is pretty standard Star Wars derring-do as Obi Wan and Anakin make their way to the observation deck where they suspect Palpatine is being helped. I find it all a lot of fun to watch, and it could have been even longer, what with some deleted scenes from this sequence that are available on the DVD. In one scene, our two Jedi heroes wind up in the ship’s giant fuel pipes; in another, they are surrounded by droids and communicate with one another with baseball-coach type hand signals. These scenes are fun to watch, and I’m glad they’re on the DVD, but I don’t think they would have added much to the proceedings except for some fun action material. This entire sequence of the film takes an impressive bit of time, though, which is probably a good chunk of why it needed trimming.

Here again, by the way, we see R2 using his rockets that AOTC revealed, and yet another new gizmo: R2 has a supply of oil which he’s able to squirt on the battle droids and all over the ground before setting it on fire. As usual, a lot of Star Wars fans complained about this, but also as usual, I’m fine with it. For one thing, I rather like what is now something of a gag, which is that each time there’s a new Star Wars movie, we see something else that R2 can do. And what’s also nice is that really, none of these particular abilities is particularly outlandish given what an R2 unit essentially is: a robotic space mechanic. You know how, within reason and given the right set of attachments, you can do pretty much anything with a Dremel rotary tool or Multi-Max? Well, that’s what R2 is: a big, intelligent, Dremel tool. (Hmmmm…Dremel’s colors are blue and silver, not unlike a certain droid…hmmmm….)

The other thing that stands out in this entire sequence, once we land on the ship, is that there’s no music at all. We have music and all manner of sound effects when Obi Wan and Anakin are flying their ships through the space battle, but once we’re on General Grievous’s cruiser itself, there is no music at all: just ambient sounds of machines and distant explosions and wind in the elevator shafts and so on.

Our two Jedi reach the observation deck and find Palpatine there, restrained to a chair that looks a lot like the throne he will later use in Return of the Jedi. The room is bounded on all sides by giant windows that are overlooking the space battle. Now Dooku enters, and after a bit of preliminary boasting, the lightsaber battle begins:

OBI-WAN: (bows) Chancellor.

ANAKIN: Are you all right?

PALPATINE: (quietly) Count Dooku.

PALPATINE makes a small gesture with his hand. OBI-WAN and ANAKIN turn around. The elevator DOORS CAN BE HEARD OPENING AND CLOSING as COUNT DOOKU strides into the room. He is above the Jedi, standing on a balcony, with two SUPER BATTLE DROIDS. The Jedi turn to see him. He looks down on the Jedi. 

OBI-WAN: (quietly to Anakin) This time we will do it together.

ANAKIN: I was about to say that.

COUNT DOOKU jumps down to the main level. 

PALPATINE: Get help! You’re no match for him. He’s a Sith Lord.

OBI-WAN: Chancellor Palpatine, Sith Lords are our specialty.

OBI-WAN and ANAKIN throw off their cloaks and ignite their lightsabers. 

COUNT DOOKU: Your swords, please, Master Jedi. We don’t want to make a mess of things in front of the Chancellor.

OBI-WAN and ANAKIN move toward DOOKU.

OBI-WAN: You won’t get away this time, Dooku.

OBI-WAN and ANAKIN charge COUNT DOOKU. A great sword fight ensues.

COUNT DOOKU: I’ve been looking forward to this.

ANAKIN: My powers have doubled since the last time we met, Count.

COUNT DOOKU: Good. Twice the pride, double the fall. 

I really like this scene…all of it. Especially the little reference to their last confrontation with Dooku, at the end of AOTC, when Anakin decided to charge in by himself and got tossed aside for his trouble. They lost that duel because they didn’t work together; this time, Anakin is willing to wait. But he hasn’t grown up too much; he is still willing to boast about the growth of his powers.

What happens next is something of a pitched duel in which it still seems that Dooku is their better; he again manages to toss Anakin aside, and then he again incapacitates Obi Wan. But this time, Anakin is much stronger and holds his own…only merely that, until Dooku says something else:

COUNT DOOKU: (continuing) I sense great fear in you, Skywalker. You have hate, you have anger, but you don’t use them.

This goading of Anakin proves ill-advised for Dooku, as he immediately uses his hate and his anger. A minute later, he cuts off Dooku’s hands and takes his saber, now holding two blades at the neck of the helpless Count. He knows that a Jedi is probably supposed to be merciful in such a situation, but Palpatine, laughing, tells Anakin: “Kill him. Kill him now.”

This is a deeply chilling moment. Palpatine’s warmth – feigned though we know it was in the previous two films – disappears instantly as Palpatine says “Kill him.” And when Anakin hesitates, Palpatine allows his coldest, harshest tone to come forth: “Do it.”

And Anakin does. Right there, with Palpatine looking on and with Dooku’s eyes wide as he realizes he’s just been betrayed, Anakin beheads the helpless Count.

Now this dialogue:

PALPATINE: You did well, Anakin. He was too dangerous to be kept alive.

ANAKIN drops COUNT DOOKU’s lightsaber, moving to PALPATINE. 

ANAKIN: Yes, but he was an unarmed prisoner.

ANAKIN raises his hands toward PALPATINE, who is strapped in the Admiral’s Chair. The Chancellor’s restraints pop loose. 

ANAKIN: (continuing) I shouldn’t have done that, Chancellor. It’s not the Jedi way.

PALPATINE stands up, rubbing his wrists. 

PALPATINE: It is only natural. He cut off your arm, and you wanted revenge. It wasn’t the first time, Anakin. Remember what you told me about your mother and the Sand People. Now, we must leave before more security droids arrive. 

Something interesting happens here, something easy to miss. As noted, this scene takes place in an enormous observation room with giant windows on all sides, so that during the entire lightsaber duel, we can see the space battle raging in the sky beyond; and occasionally, we hear the sounds of ships as they fly by very close to the windows. At the moment that Palpatine refers to Anakin’s mother’s fate at the hands of the Sandpeople, there is a sound that could very well be a ship in space outside*, or it could be the cry of one of the Sandpeople. It’s a little aural reminder of what has gone before…and Palpatine is already starting to lay the groundwork for Anakin’s temptation to the Dark Side of the Force.

But what’s really interesting is that Palpatine allows Dooku to start that particular ball rolling, with his line about Anakin having hate, anger, but not using them. I always wonder…has Palpatine already decided to start working on Anakin’s conversion? Or has he just now realized the potential of what he has in Anakin?

In AOTC, Palpatine manipulated the Jedi Council to assign Obi Wan and Anakin to the protection of Padme following the assassination attempt. Was he doing that with the intent of pushing Anakin’s emotions to the fore, with temptation in mind, or was he simply working to sow seeds of dissent and distrust within the Jedi order? I might lean to the latter, except that we know that Palpatine has made good on his word to young Anakin from the end of TPM (“We will watch your career with great interest.”). It’s significant that Anakin has shared the dark secret of what happened to his mother – and what he did after that – with Palpatine.

As this scene ends, Anakin picks up the incapacitated Obi Wan and slings him over his shoulder, over Palpatine’s objections that they don’t have time to dally over him. “His fate will be our own,” says Anakin, and they start making their way back down to the landing bay.

Of course, this is a Star Wars film, so they don’t get there. They encounter some more trouble with elevators, this time when the cruiser they are on takes heavy fire and starts to aim straight down toward the planet, throwing off the perspective. Anakin and Palpatine enter an elevator shaft and start running down the walls, which are now the floors, since the ship is dropping straight down. But then the bridge crew gets things under control again, causing the ship to level back out again…which means that the walls of the elevator shaft are now walls again. Needless to say, they get out of this predicament, just as Obi Wan wakes back up; then they are back in a deserted corridor and trying to get back to the landing bay when they are imprisoned by something called “ray shields”. After Obi Wan protests “How did this happen? We’re smarter than this!”, Anakin suggests that they just patiently wait for R2D2 to come along and release them. Obi Wan is surprised that Anakin is suggesting patience, but the plan goes awry when R2 does, in fact, arrive…with a whole bunch of warrior droids with him. “Do you have a plan B?” Obi Wan asks…and that’s where I’ll stop for this time.

If it seems like I haven’t done much ‘fixing’ in a series called ‘Fixing the Prequels’, well, it’s generally because I think that the entire opening sequence of RotS is as masterfully done as anything in the entire Star Wars saga. There’s just nothing to fix here, but a lot to admire. Don’t worry, though; we’ll start fixing stuff next time out. In that installment we will deal with General Grievous, reunite two young lovers, and start to get hints of Darth Sidious’s plan to lower the shroud of the Dark Side over everything. Tune in! (And it won’t take the better part of a year to get there, either.)

* I know, I know, “Sound can’t travel in space”. For the purposes of Star Wars…actually, for most filmed SF in general…I just don’t care.

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“Greetings, Programs!”

“The Grid – a digital frontier. I tried to picture clusters of information as they moved through the computer. What did they look like? Ships? motorcycles? Were the circuits like freeways? I kept dreaming of a world I thought I’d never see. And then, one day….”

“You got in!”

“That’s right, man! I got in.”

The first time I realized, as a kid, that there were limits to how far my interests intersected with most of the other kids was when a movie came out in 1982 called TRON.

I was, probably, the ‘nerd’ in school, although I wasn’t walking around with my button-downed shirt tucked into my too-high pants and my writing instruments tucked into a pocket protector. I didn’t wear a tie to school. (I actually loathe neckties, I didn’t learn to tie one until I was 24, and I only own exactly one necktie right now whose location in the bedroom I don’t even know and have not worn since a job interview in 2003. But that’s another topic.) I didn’t know a blessed thing about sports, so when it came time to play football or softball in gym class, I’d have to have the games explained to me.

But even so, to be in fifth and sixth grade in the early 1980s meant that we were all, nerds and jocks, part of “Star Wars nation”. By this I mean that, for the most part, we all saw the same movies, so even if I had no input on conversations of the weekend’s football games, I could still join in with speculations on whether or not Han Solo would return from his carbonite prison, or talk about how bad-ass Indiana Jones was, and so on. I had a friend who was as big a fan of the James Bond movies as I was, so we had those. And so on.

But along came TRON, which I wanted to see because it looked freakishly cool. And I did see it that summer, planning to discuss it with all my friends that fall when I saw them again (TRON was a summer movie). To me, TRON was the obvious next thing in the line from Jaws to Star Wars to Close Encounters to The Empire Strikes Back to Raiders of the Lost Ark to ET. However, to my dismay, not one of my friends saw TRON. I remember a couple of abortive “Hey, did you see TRON?” conversations, all of which ended with something like, “Is that the weird movie inside the computer” or something? Yes. Yes, it was. At the time I was known for various reasons as the resident ‘computer nerd’, so it stood to reason that I’d like the computer movie. But computers weren’t ubiquitous just yet.

(Now, in truth, I wasn’t that big of a computer geek. I loved them, and I dabbled, but I never really had the determination to dig as deeply into computers as I could have, and anyway, a few years later my nascent fascination for computers took a big developmental hit when I got bitten by a beast called music. There’s an alternate me, though, in some other universe, in which I became one hell of a hacker who eventually wrote programs for NASA. And there’s still another alternate me, I would wager, that also became a hacker but for shadowy governments and groups based in Eastern Europe. That guy sports a goatee and likes to sit in quite contemplation, steepling his fingers together as be mulls over what manner of mayhem he wishes to unleash upon cyberspace this week.)

Now, this wasn’t exactly a traumatic experience. OK, the other kids didn’t see TRON. No biggie. I didn’t watch football, they didn’t see TRON or appreciate Star Trek. It was OK. But not until college would I find other fellow travelers who’d seen and liked TRON. The movie was my first intimation of a thing that might later be called “geek culture”, but at the time, it was an underground thing. The geeks hadn’t taken over the world just yet, and in truth, back then it didn’t much feel like they would. So into my memory banks went TRON, filed under “Things I Like That Not A Lot Of Other People Did”. I certainly never figured that TRON would get a sequel, even though the innards of the ENCOM system seemed like such fertile ground for exploration.

Thus, imagine my surprise when a sequel, to be called TRON Legacy, was announced.

I suppose it was inevitable, given Hollywood’s current fetish for remakes and reboots and other ways of working with old properties instead of developing new ones. Lots of times, these kinds of projects make me roll my eyes, but others make me think, “Hmmmm, why not?” (And I’d be outright lying if I didn’t admit that a part of me is just waiting for Firefly to get old enough for someone in a suit in Hollywood to say, “Hey, howzabout we reboot that?” Of course, with my luck, Joss Whedon will have no involvement and Roland Emmerich will direct a script by Roberto Orci and Alex Kurtzman.)

I liked what I saw of the trailers to TRON Legacy, which seemed to be implying a grittier “World Inside the Computer” than the original, with a look that was unmistakably TRON but also slightly Matrix-influenced. And, even though the movie itself got generally mixed reviews, I found myself really enjoying it. Really enjoying it. TRON Legacy was, for me, like scratching a spot that I didn’t realize was itchy until I touched it.

In terms of story, TRON Legacy really doesn’t break a whole lot of new ground. It gives us the kid (Sam Flynn) with the absentee father (Kevin Flynn) who has a lot of issues with responsibility and a willingness to flaunt danger, but who is called upon to embark on a Quest of sorts when he receives an odd piece of information that may bear on his father’s fate. In Sam’s case, Kevin Flynn’s old friend Alan Bradley tells him that he’s just received a message from Kevin Flynn’s old video game arcade, a place that has been shut down for years. Sam goes there, finds a hidden door that leads to a secret computer lab set-up, and when he starts tinkering around, a laser-imager-thing fires up, pulling Sam into “the Grid”, as the System is known.

The Grid, in the movie, is clearly the World Inside the Computer from the first film, fast-forwarded twenty-eight years or so. The script used terms like “Grid” instead of other terms that we might expect, such as “The Net”, which seems to cover over a conceptual point that the film never really addresses: how the World Inside the Computer of TRON would be given the surging of Moore’s Law and of the development of the Internet. Maybe a future sequel (one is said to already be in development) would look into this sort of thing: what would viruses be like in the World Inside the Computer? And how would Programs – depicted as people in the System – be affected by things like DRM? But maybe this sort of thing would be too esoteric.

TRON, though, didn’t really deal with computer issues either, even for the computers of the 1980s. There was never really a sense of how bad things would be for humans – ‘Users’ – if the Master Control Program succeeded in taking over the entire system. Ultimately, the World Inside the Computer was a setting for a not-terribly-original story of plucky heroes defying the odds against a tyrannical villain; what was unique was the film’s look and the paraphernalia of the story. A lack of originality in the original story can be overlooked, if at the same time we’re watching things like Recognizers, Sailships, and, of course, light-cycles. All this is, of course, mainly because TRON purported to be inspired by the just-starting-to-snowball computer revolution, but what really inspired TRON was the then-in-full-swing video arcade game craze.

TRON Legacy shows us a World Inside the Computer where things have gone wrong since the original events that, at the time, were thought to be setting the stage for a Golden Age in that world. What happened? Why? And how does it involve Kevin Flynn, and by extension, his son Sam? This is the story of the film, which involves some of the programs from the original film, mainly Flynn’s alter-ego program CLU. (Now, CLU had been executed – ‘derezzed’, short for ‘deresolution’, in TRON lingo – in the original film, so either Flynn had a backup CLU or this is CLU 2.0. The film doesn’t say, but there’s an interesting question to be explored in the TRONiverse regarding the ontological status of backups, which would literally be identical copies of programs! In a way, they’d be more perfect than clones, wouldn’t they? Bring on TRON Episode III: Attack of the Backup Copies!)

TRON Legacy makes no real effort, as I note above, to ‘update’ the TRONiverse in a way that reflects what we now know about computers. Instead, it goes on its way, creating its own terminologies for the System. Thus we have a subplot involving Flynn’s inadvertent creation of a sentient ‘race’ of programs, which are then summarily destroyed by CLU; what kinds of programs would those be, anyway? TRON Legacy studiously avoids drawing parallels between what happens in the Grid and what happens in our own computers, so again, we have a story that’s unfolding in an amazing-looking world that’s more organic and less stylized than the blocky, 8-bit-looking world of TRON. TRON Legacy is visually stunning, there’s no doubt about that. One stylistic tic of the film that I noticed in a big way is the symmetrical construction of a good many of the big, establishing shots. If you like symmetry in your movie visuals, TRON Legacy is your movie. Another is that the film is firmly entrenched in the much-derided “teal and orange” tradition which is currently at sway in movies. I’m of mixed mind on this. On the one hand, I’m tired of the limited color scheme in movies today. But on the other, it works very well in TRON Legacy, seeming like an extension of the original film’s blue-and-red.

So what about that story, then? In terms of the dressings of the Grid, there’s not a lot new – it all simply looks a lot better now. The light-cycle sequence in the new film is amazing, and there are more battle scenes involving the discs that Programs wear on their backs. There is a love story and there is a redemption story and there is the whole father-and-son story, which has double parallels because Kevin Flynn is not just Sam’s father, but in a very real way, he is CLU’s father as well. Jeff Bridges plays Flynn this time out as equal parts Obi Wan Kenobi and The Dude, to good effect, saying things like “It’s amazing how productive doing nothing can be.” We’re not entirely sure how he’s managed to survive twenty-plus years in the Grid, but it doesn’t really matter. Bridges does double-duty, actually, also playing CLU with scenery-chewing malevolence. (He’s also been digitally ‘enyouthened’, to make up a word on the spot, thus solving the problem of having CLU look like the Jeff Bridges of 1982 – or at least more like that than the Bridges of 2010.)

Sam Flynn is a pretty interesting character, too. On the one hand, he’s your standard ‘young man with daddy issues and trouble with responsibility’, but he’s not sullen or bitter, which is nice. It would have been too easy to have Sam brooding his way through the film, but he doesn’t; he engages with the world, partly accepting it and partly disbelieving it.

The performance of the film, though, belongs to Olivia Wilde as Quorra, Kevin Flynn’s main ally in the Grid. She is a blend of strength and intelligence and raw naivete, a program who serves a User incarnated before her, and who learns more about the world of the Users than anyone in the film should probably know. She shows up almost out of the blue, to help Sam, and we soon learn that she is Kevin Flynn’s closest ally in the Grid – his only ally in the Grid, actually. She is also deeply interested in the world of the Users, having read the books that Kevin Flynn has surrounded himself with in his Grid apartment, but not quite understanding certain details:

QUORRA: Between you and me, Jules Verne is my favorite. Do you know Jules Verne?

SAM: Sure.

QUORRA: What’s he like?

At the end of the film, Sam Flynn is able to bring Quorra with him into the ‘real world’, the world of the Users, and as the film closes, he is driving along on his motorcycle with Quorra clinging to his back as she looks with wonder on the sunset for the first time. Wilde does something here that amazes me: she doesn’t so the slack-jawed stare that you might expect. Instead, she takes in the sunset, and then she turns back forward to lower her face and bury it in Sam’s back, in a gesture of intimacy that’s probably best saved for the back of a motorcycle. But even as she lowers her face, her eyes again flick upward and around, to see what she might see. She can’t decide what to look at, but she doesn’t want to stop looking, even as she acts on feelings for the son of her hero. Wilde’s performance in TRON Legacy is pitch-perfect, and it is her character that is key to the whole film. Quorra’s journey is the longest one in the film, and Wilde’s portrayal of her quiet joy upon reaching her journey’s goal is absolutely wonderful.

The music for the original TRON was provided by pioneering synthesizer composer Wendy Carlos. Given that film’s video game subtext, the music was crafted to sound like video game music (and then was used in the actual TRON video game, which was, incidentally, a pretty awesome damned arcade game in itself!). TRON Legacy‘s deepening of the textures of its world calls for more intricate music, and it is provided by techno group Daft Punk, in what is frankly one of the finer electronic scores I’ve heard for a movie. It is otherworldly, sometimes rhythmically pounding and at other times dreamy, but almost always melodic and haunting. This is the kind of film music that makes me laugh when I hear other film music fans talk about how that particular art’s better days are farther and farther in our past.

I would not contend that TRON Legacy is a great film. But it is a slick and extremely well-constructed entertainment.

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Wow, I’m sure glad that I’m not a fanboy!

I see that the Red Letter Media guy has a new review up, this time of Indiana Jones and the Kingdom of the Crystal Skull. I have to admit to being, well, kind of sick of this guy. Part of the problem I have with reading a lot of pop-culture, geek-stuff, and F&SF-related blogs and websites is that the RLM reviews tend to be extremely popular with this crowd, which means that every time a new one shows up, there will be links to in on most of the sites I frequent.

It also means that RLM’s reviews are now taken as a kind of gospel. Ever since the RLM review of The Phantom Menace went live, nearly any time I see any discussion of the Prequel Trilogy anywhere online, sooner or later, someone will cite the RLM Prequel reviews as the end-all of any debate that occurs. It’s an even greater certainty that RLM will be mentioned than Godwin’s famous increasing likelihood of a mention of Hitler in any political discussion. The RLM reviews have become shorthand for “The Prequels suck and anyone who thinks otherwise is delusional”. I’ve even seen many an assertion — made with, I can only assume, complete sincerity — that the RLM reviews should be required viewing in film schools.

Now, as I’ve written before, I haven’t actually watched any of them, all the way through. I’ve sampled about five minutes of his TPM review, and a few minutes of Attack of the Clones. I haven’t even bothered to look at the Revenge of the Sith one. First, I’ve found the speaking voice of the guy (who goes by the name “Mr. Plinkett” in the reviews) extremely unpleasant to listen to; second, I was turned off by the bizarre “serial killer” antics that punctuate the videos (I can’t even describe this adequately, but the idea seems to be that Mr. Plinkett is a murderer who reviews movies, or something like that).

But most of all, just watching a few minutes of a couple of reviews made pretty clear to me that despite their exhaustive length (for some folks, the fact that the reviews are really, really long somehow makes them more correct or authoritative), there was unlikely to be much of anything new going on. After discussing TPM with people in person and online first in newsgroups, then in message boards, and finally in blogs, I’ve pretty much come to the conclusion that I’ve heard it all. Sure, maybe “Plinkett” has something new to add, but to be quite honest, I don’t think I’m missing much by not checking out for myself.

Maybe, though, there’s actually nothing new there, as I thought. The other day I found a link to a very long rebuttal of the “Plinkett” reviews, which I have now downloaded (oddly, it’s a PDF) and skimmed through. Assuming that the writer is being accurate in his description of “Plinkett”‘s claims, and I see no reason to suppose that he isn’t (he provides citations of where in each video each claim comes), there is truly nothing new in the “Plinkett” reviews that I haven’t heard before. Even though I didn’t read the entirety of the rebuttal, I’m glad it exists, because it’s nice to see someone actually say that no, “Plinkett” isn’t the very final word in All Things Prequel, and because it’s always nice to encounter a fellow traveler.

It’s lonely out here, liking the Prequels….

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Shiny in the Black: A “Firefly” Christmas (conclusion)

Continuing my fanfic exercise in what a Christmas-themed episode of Firefly might have been like.
part one
part two
part three

“Those aren’t toys,” Kaylee said. “Those are agricultural supplies for a new colony. Did you change the job while you were out?”

“Seal it back up,” Mal said. “That stuff is perishable, and by breaking the seal, we’ve started the decay process.”

The crew stood around, staring at the crate that was supposed to contain toys for the children of the orphanage on Haven but really contained farming seed and fertilizer that had supposedly been destined for Whitefall. Jayne and Book lifted the facing of the crate back into place and restored the seals. When they were done, Jayne stepped back and looked at Mal.

“Well, Mal, guess we got ourselves another hiccup.”

“Yeah, looks that way.” Mal muttered another curse in Chinese and then he kicked the crate for good measure.

“That won’t hurt the crate,” River said.

“It will hurt your foot if you do that again, though,” Simon said.

“So, what now?” Jayne said. “That’s it then, isn’t it?”

“I don’t know,” Mal said. “I’m thinkin’.”

Zoe cleared her throat. “Captain, you know Jonas better than any of us. How likely is he to hold this against us?”

“Worried about us having another enemy?”

“I’m running out of space on the piece of paper where I keep their names written down, sir.”

“Yeah. Preacher, how did this happen?”

“I have no idea, Captain,” said Book. “I double-checked the numbers. We had the right slot number in the warehouse. The only way this happens is if the warehouse workers put the crates in the wrong slots themselves.”

And with that, a silence settled over the crew as they realized what had happened.

“Well, this is new,” said Jayne. “Never stolen the wrong goods before.”

“Yeah, this is definitely a wrinkle we haven’t tried before,” said Mal. “All right, I’m open to suggestions.”

“Suggestions for what?” It was Wash, who had just come down from the bridge. “Everyone’s looking awfully glum here.”

“We stole the wrong goods, honey,” Zoe said.

“Now there‘s something we haven’t done before!” Wash said. “Now what?”

“See?” Mal said. “Took him all of two sentences to get up to speed on this.”

“What do we do?” Kaylee asked. “Captain?”

“Maybe the children want to play as farmers,” River offered. “They can grow their own vegetables and work the soil.”

“River,” Book said, “the orphanage is in the middle of a city that’s a hundred miles in diameter. There’s no soil except what’s in the decorative flower pots.”

“That sounds depressing,” River said. “Children need space.”

“Well, we can’t solve every problem at once,” Zoe said. “Captain, Jonas is gonna know that he can’t open the crate without breaching the shelf-life of the goods that he thinks are in there.”

“I was thinking the same thing,” Mal said. “If that’s the case, then Jonas has no idea that he’s got a crate full of toys on his ship. Which means that he’s on his way to Whitefall. He won’t know anything is wrong until Patience does. Of course, knowing Patience, she’ll have already tried to shoot him.”

“So that’s it then,” said Jayne. “We ain’t gotta do a gorram thing. Let them shoot each other and then we can sell this stuff to whoever takes over for Patience. Make back our coin, and then some.”

Mal considered this. After a moment, Shepherd Book stepped forward.

“Captain, I know that your ship is not a democracy, but I must voice my opposition to what Jayne has suggested.”

“Yeah, I thought you might,” Mal said. “Wash, go get us on a course for Whitefall. Get us there fast. We want to get there before the shooting starts.”

“You got it,” Wash said as he headed back up the stairs. “A pilot’s job is never done! Until he lands, then he’s done until the next job….”

“Zoe,” Mal said, “I’m gonna need your help figurin’ out how to approach this one. We’ve got to make a switch without both Jonas and Patience deciding that I’m cheating them.”

“Sounds like a challenge,” Zoe said.

“Why I’m givin’ it to you.”

“Wait a minute!” Jayne said. “We’re gonna try to get the toys back? Anybody else think that’s crazy?”

Simon shrugged. “I think it’s kind of shiny,” he said. Kaylee grinned at him.

“Doc, I’m gonna do somethin’ hurtful to you someday soon,” Jayne said. “Mal, how can you even consider this?”

Mal looked at Shepherd Book. “I took a job,” he said. “And even though the job’s starting to bring some trouble, truth is, that’s what jobs do. And there ain’t a job in the ‘Verse that I’m like to walk away from once I take it.”

Jayne shook his head. “I can’t ruttin’ believe this.”

“Hey, look at the bright side,” Mal said. “We’re goin’ to Whitefall to try and do business with Patience.”

“Probably be some shooting,” Zoe added.

Jayne laughed harshly. “Day’s gonna come when you’re not gonna be able to buy me off by lettin’ me shoot some folk,” he said.

Mal considered that. “Well, that’s gonna be an interesting day. Come on, Zoe. We need to brainstorm.”

***

It took them the better part of a day to get to Whitefall, which was a pretty miserable and dusty rock way out on the fringes. Malcolm Reynolds didn’t much like this world; it was run by a crusty woman named Patience who didn’t tend to practice any, and who had a nasty habit of trying to shoot him. She’d succeeded once, but the last time, Mal had got the better of her. He’d done the job, and despite some unkind words as regarding his character, he’d gotten paid. But this one was going to be tricky, no doubt about that.

“OK, Mal, we’re here,” Wash said as Whitefall loomed before the ship. “Now what?”

“Well, Patience is a woman of habit,” Mal said. “So I’m thinkin’ she’ll want to meet with Jonas in that same spot she chose to meet us in last time we were here. Good spot for an ambush. So we’ll go there and hope we’re in time to avoid some fisticuffs and general tomfoolery.”

Zoe looked at Mal. “‘Tomfoolery’, sir?”

“What? You know I like to dust off archaic words now and then.”

“Part of what makes you charming, sir.”

“Thanks for sayin’. Now, if I’m Patience, I’m puttin’ two snipers in the hills around that meeting spot, after we took care of the one she ahd there last time. And Jonas is gonna have his own sniper up there somewhere too. So Jayne and the Shepherd will take care of the snipers for us, and then we walk in and make everybody happy.”

“Aren’t we doin’ an awful lot of counting on the Shepherd to shoot people on this job?” Zoe asked.

“Probably, but that book of his is nonspecific as regards kneecaps and elbows, if I remember right. Wash, same landing spot as before.”

“Sure thing, Mal,” Wash said. “And I’ve got Jonas’s ship on the scanner now. They’re landing as we speak, two hilltops over. Looks like we got here in time.”

“It’s a Christmas miracle, Captain,” Zoe said.

Mal rolled his eyes. “Now don’t you start,” he said. “Let’s go get ready. Wash, put her down.”

“Sure thing, Captain,” Wash said.

Mal and Zoe walked down to the hold, where Jayne and Shepherd Book were waiting.

“Captain,” Book began, “I feel I should apologize for having gotten you into this business.”

“Did it with my eyes open,” Mal said. “But if you’re volunteering for a month of mess duty, I don’t think I’ll hear any objections from the rest of the crew.” He glanced around at Kaylee, Simon, River, and Inara, who all just stood there placidly. “And a month it is! All right, Zoe and me have come up with what we think is a nicely nuanced plan.”

Jayne grunted. “Book and I take out the snipers and cover you while you and Zoe try to talk some sense into Patience and Jonas?”

“Yeah, that’s about it.”

“We gotta start comin’ up with plans that don’t have quite as much ‘if’ in ’em,” Jayne grumbled.

“Every time I ask you for input, your first words are ‘I shoot them’.”

“Yeah. Not a lot of ‘if’ when the other guy’s got bullets in him.”

“OK. Get that crate ready. And Kaylee, keep the engines warm. We may need to make a fast break for it.”

“Be easier if you’d let me replace that drive inducer that I keep warning you about,” Kaylee said.

“New year’s comin’,” said Mal.

***

The scene that confronted Mal and Zoe when they peered over the edge of the knoll above Patience’s rendezvous spot was about what Mal expected: Patience sat atop her horse, while her men had Jonas at gunpoint, and Jonas’s men had Patience’s men at gunpoint. Everybody had everybody else at gunpoint.

“Whole lot of gunpoint,” Mal muttered.

“Not too late to find a desk job, Captain,” Zoe replied.

“More of us than there are of you, Jonas,” Patience said. “And I’ve got a sniper aimin’ at you right now. You’re not walkin’ away.”

“I got a man took out your sniper,” Jonas replied. “I’m not stupid, Patience. And my men are better shots than yours. Now how about you toss me the coin and we’ll be on our way?”

“All I see here is a big crate,” Patience said. “You might as well open her up and let us see the goods.”

“Suits me fine,” said Jonas. “Randy? Open it.”

Keeping his hands visible at all times, Randy popped open the crate and swung it open. “Uh, Captain?” he said.

“This some kind of joke, Jonas?” Patience asked. “That don’t look like seed and fertilizer to me.”

“What?” Jonas turned to Randy. “What is she gorram talking about?”

“This crate, sir,” Randy said. “It’s full of…toys.”

“Toys?”

“Toys, sir.”

Toys?!

“This some kind of joke, Jonas?” Patience sounded annoyed. “So you’re gonna dump fake goods on me after you have my money?”

Jonas looked uncomfortable.

“Do we go down now?” Zoe asked.

“Shhhh,” Mal said. “Things haven’t gone south enough yet.”

“Patience,” Jonas said. “Uhhhh….”

“I’d like to hear an explanation,” Patience said. “Before I shoot you myself.” She pulled out her pistol.

“Malcolm Reynolds cheated me!” Jonas said.

“Reynolds?” Patience’s eyebrows went up. “What’s he got to do with this?”

“Funny you should ask!” Mal called out as he rose up and sauntered over the knoll, his pistol in his hand but not aimed at anything. Zoe came behind him, her shotgun in her hand as well.

“Reynolds!” shouted both Patience and Jonas at the same time. Both also pointed their pistols at him, at the same time.

“Well there we go,” Mal said. “Two criminals suddenly united in purpose. Warms the heart, eh, Zoe?”

“Sure does, sir.”

“Mal, I’ll shoot you where you stand,” Patience said.

“And I’ll shoot you again before you hit the ground,” Jonas said.

“Sure,” Mal said. “But then you wouldn’t hear the explanation and my counter-proposal.”

“Explanation?” Jonas roared. “You switched the crates and took the good stuff! What were you going to do, let me get shot and then sell Patience the real goods?”

Mal thought. “Huh. Zoe, that might have worked.”

“Surprised you didn’t think of it, sir.”

“I gotta be goin’ soft in my old age.”

“Happens to the best of us, sir.”

“Jonas, we didn’t switch a gorram thing. The warehouse workers screwed up. Those crates were in the wrong spots. We took what we thought was our crate, but it was really yours. And you got ours, thinkin’ it was really yours. Kind of an irony, ain’t it?”

Patience rolled her eyes. “Right now I’m wondering which of you is the less competent one,” she said.

“Well, that would be him,” Mal said. “No offense, Jonas, but at least we discovered the problem and we’re here to make it right. Now here’s our proposal. We take our crate and go on our way. You get your crate, which we stashed about a mile away from here. Then you two finish your business and everybody goes away happy. Or we go away happy and you shoot each other. Whatever you prefer.”

“Or I just take all the goods and keep my coin,” Patience said. “Mal, you’re still not very bright. Neither are you, Jonas. You may have taken out one of my snipers, but I put two up there.”

“Yeah, Patience,” Mal said. “As to that, we took out Jonas’s sniper who took out your sniper. And then we took out your other sniper. So now the only two snipers up there are mine. And they’re good, believe me. Aren’t they, Zoe?”

“The best, sir.”

“Yup. So, Jonas, we’ll take this crate now. Yours is a mile that way.” He pointed. “No reason for anybody to get shot.”

“You takin’ my hauler too, Mal?”

Mal shrugged. “I suppose we can leave it behind once we get our goods back on my ship. As a good-will gesture and all.”

“Or we can come with you and make sure we get it back,” Jonas said.

Mal shrugged. “Or that,” he conceded. “We just want our goods.”

“A bunch of toys?” Jonas shook his head. “What are you up to, Reynolds?”

“I’m doin’ a job,” Mal said. “Why does everybody keep asking me that?” He turned to Patience. “Give him the coin, Patience, and go get your box and keep running your little world. Nobody needs to get shot here. It’s Christmas.”

Patience blinked. “It’s what?”

“Never mind. Just get out of here.”

Patience sighed. “Every time you show up on this world I end up losing money,” Patience said as she tossed a sack of coin to Jonas. “That crate ain’t there and I’m puttin’ a bounty on you, Mal.”

“Yeah, well, I’ve got a track record here, Patience,” Mal said. “I get you the goods and then I get paid. The way a transaction’s supposed to be. You’re the one likes shootin’ people and tryin’ to get out of paying, so I’d just as soon you rode off with your men and stopped disparaging me.”

Patience laughed. “Fine, Mal, have it your way. But if you don’t mind some advice, you need to stop expecting transactions to run the way they’re supposed to. That’s why you’re still flying around in a rustbucket.” She gestured to her men, who stood down, and then they rode off.

“She only says that because she can’t fly in a ship for ten minutes without puking,” Zoe said.

“Yeah, well, let’s get this stuff back to Serenity. We’ve still got a job to do. Jonas, if you would?”

Jonas sighed. “You heard him, men. Let’s go. Least we can with him saving our bacon on this one.”

Jonas’s men grumbled but obeyed. Mal spoke into the mouthpiece on the wire he wore under his coat. “Jayne? Preacher? You can come down now. We’re all good here.”

“How’d you know where to find us, anyway?” Jonas asked.

“Dealt with Patience before,” Mal replied. “Let’s move.”

“Did you really leave her goods a mile away?”

“Yup.”

Jonas shook his head. “You could’ve kept them, sold them someplace else. Made double profit.”

“Thought of that,” Mal said. “But I need to be able to do business. No need to make an enemy out of Patience until I have to.”

They moved the crate of toys back to Serenity, whereupon Jonas ordered his men to start back to their own ship. Mal ordered his crew to get the ship ready for departure, and then he went outside with Jonas.

“Well, Mal,” Jonas said, “it was a pleasure, as always. Now, if that’s all–“

“Not quite,” Mal said. “I’ll be taking the coin that Patience gave you.”

Jonas blinked. “What?”

“You heard me,” Mal said. “You took coin from me that wasn’t yours to take. And despite that, I still came here and saved your gorram hide. Way I see it, you owe me. Let’s square up right now. Get it over with.”

Jonas stared at him. Mal sighed.

“Jonas, you really want to see what a good draw I am? And what a good shot?”

Jonas sighed and pulled the bag of coin from his jacket pocket and flipped it to Mal. “Every time I wonder how it is you stay in business, you pull something like this out of your hat.”

“Not much of a secret,” Mal said. “I don’t set my sights too high. I just keep flyin’.”

“Yeah. Well, do me a favor and don’t tell anyone you took my coin from me.”

“As far as I’m concerned, it was a payment offered in good will.”

Jonas nodded. “Yeah, call it that. But stay away from me for a while, would you?” He lit a cigar and went to join his men. Mal turned and went aboard the ship.

“OK, Wash, let’s fly. We need to be in Haven’s air within twelve hours.”

“We can just make it,” Wash replied over the loudspeaker.

Serenity lifted off.

***

Eleven and one half hours later, they were flying toward Haven. Mal came up to the bridge, where Wash was looking at a scanner.

“So?” Mal asked. “What’s the new problem?”

Wash blinked. “I didn’t call you!”

“I know, but we’re due for the next problem with this job. What is it?”

Wash pointed to the scanner. “Alliance ship in orbit. They haven’t scanned us yet, and maybe they won’t, but if they do–“

“They might board us,” Mal said. “Then again, they might not. They’re in stationary orbit?”

“Uh-huh,” Wash said. “Right above the part of town where our Shepherd’s orphanage is.”

Mal muttered several curses in Chinese.

“That’s what I said,” Wash replied.

“All right. Let me think.” Mal thought. And then he pressed the intercom button. “Would everybody please report to the hold? You too, Inara. I need everybody.”

***

The plan was this: Mal, Zoe, and Wash would stay aboard Serenity, in stationary orbit on the other side of the planet. They would load all of the toys onto Inara’s shuttle – individually, because the shuttle wasn’t big enough for something the size of that crate – and then Inara would fly down to the orphanage in the middle of the night, when Shepherd Book assured them no one would notice something like a shuttle landing on the roof. Then, Jayne, Book, Simon, Kaylee, and River would take each toy individually to a child.

It wasn’t one of Mal’s most thought-out plans, but it was the best he could come up with on fairly short notice. Mal thought it was a decent enough plan, until Zoe said “Nice plan, sir,” which was what she usually said when she thought his plans were scenarios for utter disaster. But that was the plan, and so it was that on the night before Christmas, when all through the orphanage not a child was stirring, a shuttlecraft flown by a registered Companion came down to land on the roof.

“All right, we’re here,” Jayne said as he grabbed an armful of toys. “Let’s get this ruttin’ job over with.”

“Said with the true spirit of the day,” Shepherd Book said. “All right, everyone follow me. And keep quiet. The whole place is asleep.”

“They always knew when I was sleeping,” River said. “They knew when I was awake.”

“She’s gonna be all right, isn’t she?” Jayne asked.

“Sure,” Simon said. “Isn’t she always?”

Jayne shook his head as Shepherd Book led them across the roof and into the orphanage via the roof access door, which Book lockpicked open in seconds.

“Real great security here,” Jayne remarked.

“It’s an orphanage,” Book said. “One where everybody knows there’s nothing worth stealing.”

They went downstairs, where they found themselves in a very large room, with bunk beds running down each side, and a child sleeping in each bed.

“All right, there are four more rooms like this,” Book whispered. “Every child gets a toy.”

“Right,” Jayne said, and he ran off and started randomly sticking a toy on each bed.

“Jayne!” Kaylee protested. “You can’t do it like that! You can’t give a boy a doll!”

“Why not?” Jayne asked. “They don’t like it they can trade.”

“Just do it right,” Kaylee said.

“What kind of toys did he play with?” Simon muttered.

In this way they went through the room, distributing a toy to each child. Somehow, miraculously, they got through all of the rooms without waking a single child, giving a toy to each one, one toy to each of three hundred children.

Except the last bed, which, when Jayne approached it, he discovered was empty. No child here, just rumpled sheets. Kid probably got up to go to the bathroom, or get a drink of water. “Huh,” Jayne thought. He looked at the toy in his hand – a teddy bear – and decided that he rather liked it. He’d always wanted one when he was a kid, and never got one. And this one was real nice, with a bow around its neck and everything. So there was a toy left over. So what? Kid shoulda been there in bed. Kid’s loss. He turned and headed back for the ship.

Meanwhile, River was taking her time over each gift, gently laying it on each bed, and whispering a rhyme over each child. What made it take even longer was that she was inventing each rhyme off the top of her head. Simon wondered if he should intercede, but since she was speaking in verse about things that weren’t somehow grimly dark or eerily foreboding, he thought it was best to just let her go.

Also meanwhile, Kaylee found herself wondering if it was really fair to try to pigeonhole these kids into girl toys and boy toys. After all, her toys had been wrenches and hammers and drivers and blast drills and parts from a hundred different ship engines, and look how she’d turned out! Nothin’ to be ashamed of. It was a fine life, even if once in a while she wanted something a little more than engine parts and dirty overalls.

Also meanwhile, Inara saw that the orphanage’s one lone security guard had had his curiosity piqued by some strange noises, and he came shuffling up the stairs to find a shuttle sitting on his roof. He was about to blow an alarm whistle when she came down and silenced him with a look and a flash of leg. It always worked, especially with young men like this. Barely old enough to grow a beard. Staring at her as though he’d just seen an angel. Sad world, Haven, she thought. No wonder Companions almost never come here.

“Is there a girl you like?” she asked him.

He managed to nod.

She removed a ruby brooch from her robe and handed it to him. He gulped.

“Give this to her,” she said. “And say nothing of me tonight.”

He managed to nod, again. A major accomplishment, that. And so she sent him on his way, knowing that this would be their little secret, forever. Inara could keep secrets, and what would he say? Would he talk of the beautiful woman in the spaceship on his roof? No. Of course not. She smiled.

Finally meanwhile, Shepherd Book went all the way to the lowest level of the orphanage, where the oldest kids were. These kids were in the worst shape, the ones most likely to end up in something a bit worst than Mal’s line of work, the ones most likely to end up on the wrong end of someone’s gun or floating dead through the Black. He had little hope that a toy, just one toy, would be enough to budge more than maybe one or two of them off the trajectory their lives had them on, but lots of miracles had started from smaller stuff than a single toy. He laid each one on a bed, and tried not to linger too much over the one particular bed, the one over there on the left. On his way back up to the roof, he paused at the door to the headmaster’s apartment. He wondered if he might say hello, under other circumstances. Or if he might rather go in there with a gun instead of a bible. He lingered there only a moment and then returned to the roof.

“Are we all here?”

“We’re just waiting on Jayne,” said Simon.

“Where is he?!”

At that moment, Jayne was muttering, “Where’s the gorram stairs around here?” He’d gotten lost. It was a bigger orphanage than he’d though, and now he had no idea how to get back up to the roof. But he had to get up there, fast; the night was getting old and people would be getting up soon. He rushed around, all over the place, looking behind every door, until he found the stairs up. “‘Bout time,” he said. And then he stopped, because there was an eight-year-old girl looking at him.

“Uhhh…hi there,” he said. “You should be in bed, youngster.”

“I couldn’t sleep,” said the girl. “I have bad dreams. I wanted a drink of water.”

“Well, you got your drink, so back to bed.”

“You’re not from here,” the girl said. “Are you here to steal things?”

“No,” Jayne said. “Not this time, anyway. Maybe tomorrow, haven’t figured out the next job yet. Don’t know. Gotta keep moving.” But he didn’t move. That girl just stood there, looking at him. All big-eyed, with her tangled hair and bedrobe that wasn’t filthy but had seen better days anyway…. “I think your eyes are stuck,” he said. “I gotta go.”

“Bye,” she said. And she stood there watching as he went halfway up the stairs, where he stopped.

“Aww, gorram it,” he said as he turned back and came back down. “This is for you.” He handed her the teddy bear. “Hold onto it tight when you sleep. Might help with them dreams. I got a preacher friend who says this is Christmas, so…have a ruttin’ happy Christmas.” And then he went up the stairs, practically running up them, to get away from the girl with the big eyes.

“That all the toys?” he asked when he got on board the shuttle.

“There were about twenty or so left over,” said Simon. “I left those in a playroom.”

“We’re all ready, right?” Inara called back.

“We’re all here!” Book said. “Close her up and let’s go home.”

Inara guided the little shuttle back into the air, and up into the sky toward the planet’s other side, where Serenity lay in orbit.

“What took you so long, Jayne?” Kaylee asked.

“Got lost,” Jayne said. “And…there was a little girl. Don’t worry, I gave her a toy.”

River pointed at his shirt, his red shirt. “A man with a beard wearing red came in the night to give her a present,” she said. “Just like the old stories!”

Jayne stared at her. “What is she ruttin’ talkin’ about?”

“Nothing,” said Book.

When they arrived on Serenity, Mal was there, waiting.

“Nice work,” he said.

“Thank you, Captain,” said Shepherd Book. “I appreciate it.”

“I did a job,” Mal said. “Soon as that tree gets dry and starts dropping those sharp needles all over my mess–“

“I’ll have it down, sir.”

Mal nodded and headed for his bunk. “Nice work, everyone,” he called out. “Zoe, wake me when we get to Persephone.”

***

A few weeks later they’d done another job, and they all had a little extra money. Not a lot, but some. So they all decided to exchange gifts. Mal wasn’t sure whose idea it was, or if it even was anyone’s idea, but it seemed to happen anyway.

Zoe gave her dear husband Wash that stegosaurus figurine he’d wanted. Wash gave his beloved wife Zoe a brand new leather vest.

Shepherd Book gave Simon an old copy of a very old anatomy book, a ‘classic text’ on the subject, from Old Earth. Simon gave River a rose made out of glass, with gold leaf on the petals; she commented on the fact that it had thorns. River gave the Shepherd a new Bible, which she promised him she would leave ‘uncorrected’.

Kaylee gave Jayne a new carrying case for Vera, his favorite gun; Jayne gave Inara a robe that she knew she would look stunning in but would never ever ever wear in front of Jayne. And Inara gave Kaylee a new engine stabilizer and one of her own robes.

And Mal? He got what he always wanted. He got to keep flying.

The End
Merry Ruttin’ Christmas
and a Happy Gorram New Year!!!

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Shiny in the Black: A “Firefly” Christmas (part three)

Continuing my fanfic exercise in what a Christmas-themed episode of Firefly might have been like.
part one
part two

“Weapons on the ground!” the voice shouted. “Now!”

“Do it,” Mal said. He shot a look at Jayne, whose expression of disgust tended to be indistinguishable from his expression of being about to lose his temper. Slowly, Mal, Zoe and Jayne all laid their guns on the floor.

“Put that package on the floor too, preacher,” said the voice.

Book put the crate down.

“All right, face the crates.”

They complied.

“Put your hands on your head.”

They complied.

“Stand on your left feet and recite the first stanza the Alliance anthem!”

Mal glanced at Zoe. “Uh, what?”

Now the voice burst out in laughter. “All right, turn ’em off,” he said. The floodlights all shut off, and the light returned to the dim of the warehouse overhead lamps. Mal turned toward the source of the voice to see a stocky man dressed in old army fatigues approaching. The man was bald except for long, stringy hairs that hung from the back of his head; he had a thick mustache and three days’ growth of beard. He gave Mal a gap-toothed grin as he put his hands on his hips.

“Ahh, Mal, what am I gonna do with you?”

Mal and the others glanced around at the ‘lawmen’, and saw that they weren’t lawmen at all. They were a motley bunch of thieves. Not unlike themselves.

“Jonas,” Mal said. “Fancy meeting you here. I never figured you to be on Ariel. Kind of a rich world for your tastes, isn’t it?”

“Gotta go where the money is, my boy,” the man named Jonas said as he lit a cigar and took a few puffs. “‘Sides, ain’t planning on being here long. I’m guessing you weren’t either.”

“Not really,” Mal agreed. “Can we put our hands down? I don’t tend to find this posture conducive to friendly chat.”

“Ain’t so sure we’re being friendly,” Jonas said. “But sure, let your hands down. Don’t make a move toward those weapons, though.”

“Of course not,” said Mal. “After all, we’re just bein’ friendly.”

“I suppose we are,” Jonas replied as Mal and his people lowered their hands. “So, Mal, what are you doing here?”

“Same as you,” Mal said. “Doin’ a job.”

“And what would be the nature of that job?”

“Well, we’re purchasing the contents of this crate right here and going with them to a…client on Haven. Easy enough.”

“Sounds easy. Haven’s a piss-poor world…wait, did you say you were purchasing the goods?”

Mal shrugged. “Yeah, we’re doin’ it the honest way this time. Wanted to see what that was like.”

“Really. Honest. Dumpin’ a box of coin here and taking the box? That’s a new version of honest. Sounds to me like you’ve found a way of stealin’ that ends up costin’ you money.”

“Yeah,” Mal said, shooting a look at Shepherd Book, “I guess we didn’t really work all the kinks out.”

“Well, Mal, I can’t let you have this box. See, we need it, too. I’m doing a job, myself, and there’s a cantankerous old woman out on Whitefall that could use some of what’s in that box.”

“Whitefall?” Mal laughed. “You’re planning on doing business with Patience?”

“Sure. Why not?”

“Oh, no reason,” Mal said. “Just make sure you plan for her to try to shoot you.”

“Nah,” Jonas said. “Patience and me go way back. I was the one who told her that she should shoot you if she got the chance.”

“Well that was nice of you,” Mal said. “She got the chance. Twice. I’m still here, still flyin’. Counts for somethin’.”

“Yeah, I guess it does. But I can’t let you take this box, coin or no. You see, Mal–“

“Hey, Captain!” It was one of Jonas’s men. Jonas rolled his eyes.

“What is it, Randy? I’m trying to be threatening here, and you’re interrupting.”

“I know, Cap, but this ain’t the box we’re here for.”

“What?”

“Look!” The wiry man named Randy held out a PDA for Jonas to look at. “See, that’s the number of the box we want. It’s the next one over. That one.”

“Really?”

“Yeah. That one’s got the farming seed and fertilizer in it. See, the one we want is in slot number 29-94-77. This slot is number 29-94-75.”

“Oh,” said Jonas.

“Well, this changes things a bit, doesn’t it?” Mal said.

“I think it does, Captain,” said Zoe.

“You see, Jonas, there’s no need to make this deal confrontational. Instead of goin’ that way, we can go another. We’re not even here for the same crate. We’ll take what we want, you’ll take what you want, and everybody’s happy.”

“Seriously, Mal? You’re after this crate? What’s in it?”

“I don’t think that really matters,” said Mal. “Haven’s not a big farming world, so you can bet I’m not looking for farming seed and fertilizer. Let’s just take what we all want and be done with it.”

Jonas kept his gun aimed at Mal as he considered things. Then he nodded at the Shepherd.

“Sure, Mal, we can do that. But I want the coin, too.”

Mal shrugged. “Give it to him, Preacher,” he said.

“Really?” asked Book.

“Yeah, really,” Mal said. “Plan was to leave the coin here anyway. But if you’re gonna take the coin, least you could do is have your boys load our crate onto our hauler for us.”

“I suppose I could do that,” Jonas said. His men grumbled, but he hissed them quiet. “A friendly gesture, right?”

“Yeah,” Mal said. “If we promise not to shoot you, can we pick up our guns now?”

“Sure,” Jonas said. “But we’ll still be coverin’ you until this is done.”

“I figured,” Mal replied as he picked up his pistol. The others followed suit.

“How’d you get in here, anyway?” Jonas asked.

“Door was open.”

“Well, I suppose you can thank me for that,” Jonas replied. “Paid the guards to leave it open and make themselves scarce. All right, boys, you heard the man. Let’s get these boxes loaded! Remember, this one here goes with them, that one down there goes with us. With the Shepherd’s coin.”

Book handed the box of coin to one of Jonas’s men, four of whom turned to the work of loading both crates while Jonas and Randy kept their pistols aimed at Mal and his people.

“Somethin’ here ain’t right,” Jayne said. “We’re gonna get screwed on this deal.”

“Well, Jayne, the screwing was built into the deal, so at least we’re not surprised by it.” Mal shook his head. “This is a weird damn job, though.”

“Nah,” Jayne replied. “There’s still some way this is gonna go south. You watch. Always happens to us.”

Mal rolled his eyes. “Not all our jobs end in disaster,” he said.

“Name one,” Jayne said.

“Well, there was–“

“You ended up drunk and with a con-woman pretending to be your wife.”

“Yeah, but it was good up to then.”

After about ten minutes, they were all outside and both crates were loaded onto their respective haulers.

“Well, Mal,” said Jonas, “I’d prefer if you’d drive off first. And try to stay out of my way in the future.”

“Pleasure doin’ business as always, Jonas,” Mal said. “But I wouldn’t mind pointin’ out that just because we were in the same place, doesn’t mean I was in your way.”

“Even so. I don’t want to get your luck on me, Reynolds. You have a history of taking on work that doesn’t leave you much of a profit. One day you’re gonna realize that ‘Just keep flying’ isn’t a great strategy for life.”

“Thanks for the wisdom, Jonas. Got some for you, too.”

“Yeah? What’s that?”

“Patience is gonna try to shoot you.”

Jonas grinned. “Let her try.” He gestured with his pistol, sending Mal and his people off.

“I’m tellin’ you, this is gonna be a bad deal for everybody,” Jayne said as they neared Serenity.

“Calm down, Jayne. Your opinion is noted.”

Mal drove the hauler back onto the ship’s cargo hold, and Kaylee closed the hatch behind them. Simon and River were there waiting; Wash was on the bridge, and he called down on the intercom.

“Captain?” Wash said. “I’m ready to lift.”

“What are you waiting for!” Mal responded. The ship shifted beneath their feet as the engines roared and Serenity lifted off. Book and Jayne were offloading the crate from the hauler and securing it.

“You see, everybody?” Mal said as he took off his overcoat and tossed it at the foot of the stairs. “Nice, simple job. No big worries, no big fuss. We’re out some coin, sure, but we’ve got a big crate full of nice, shiny toys that will make all the children in an orphanage on Haven happy.”

“Everything went all right?” said Simon. “No hiccups?”

“One little hiccup,” Mal said. “But it didn’t amount to much.”

“I wouldn’t be so sure of that, Captain,” said Shepherd Book.

“What?”

“Hey Mal,” Jayne said. “We got a problem.”

Mal glanced at Zoe. They walked aft, to where Book and Jayne were both staring at the crate, which Book had opened. Zoe took one look and let out a string of expletives in Chinese. Mal did the same, only with a string of completely different expletives in Chinese.

The crate was full of farm seed and fertilizer. They had the wrong crate.

End Part Three
Conclusion

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Shiny in the Black: A “Firefly” Christmas (part two)

Continuing my fanfic exercise in what a Christmas-themed episode of Firefly might have been like.
part one

Wash put Serenity down on the landing pad, nice and gentle. So nice and gentle that Zoe complimented him on it.

“You’re getting’ more gentle all the time, honey,” Zoe said. “You have such a gift for handling sensitive equipment.”

“Thanks for sayin’ so, my love,” Wash replied. “But I could always use more practice–“

“All right, enough of that, you two.” Mal came up onto the bridge, fully dressed in his usual brown shirt, brown pants, brown belt, brown holster, brown boots, and probably brown socks too, if one could see them underneath all of that. “Wash, you keep the ship warmed and ready to lift if some part of this job goes south. Zoe, you’re coming along.”

“I figured, sir.”

“Captain,” Wash said, “is it really necessary to have contingency plans for this job? We’re actually conducting an honest transaction for once.”

“Yeah,” Mal said. “For once. We don’t get a whole lot of practice with this kind of thing, so who knows what might go wrong. You and Kaylee keep the ship ready. River and the Doc will keep you company. Zoe, you’ll be with Jayne, the Shepherd, and me.”

“What’s Inara doing?”

“Well, I think she’s still on her shuttle, writing long entries in her diary about how much she hates me right now.”

Zoe knew what that meant. “You told her no clients.”

“We ain’t got time. Why am I always the bad guy on this?”

“Oh, I couldn’t begin to venture a guess, Captain,” Zoe said. “Let’s go.”

Mal and Zoe began to exit the bridge.

“Zoe?” Wash called out.

“Yes, love?”

“You’re going to buy toys,” Wash said. “I could use a new stegosaurus for the collection.”

“I’ll see what I can do.”

The Captain and Zoe left then, and Wash reached into the small footlocker next to his seat and pulled out a handful of his dinosaur figurines.

In the cargo hold, Shepherd Book and Jayne had the cargo hauler ready to go.

“Jayne,” Book said, “do you really need that many guns?”

“Preacher, are you carryin’ that Bible of yours right now?”

“Good point.”

They lifted a crate containing coin up onto the back of the hauler as Mal and Zoe arrived and descended the criss-crossing stairs down to their level.

“Awful lot of coin to be givin’ up,” Mal said.

“A purchase of good will is never a bad purchase,” said Book.

“You get that from that Bible of yours?”

“No, it just came to me,” Book replied. “A preacher can’t live on the words of one book alone.”

“All right,” Mal said. “Let’s go. Kaylee, open her up.”

“Be careful, Captain,” Kaylee said as she opened the ship’s cargo door and lowered the ramp. Mal, Jayne, Zoe and Book drove off in the hauler. Then Kaylee closed the ship back up. She turned away from the control and nearly jumped out of her skin when she saw that River was standing there, unblinking, just inches away.

“River! You scared me!”

“Would you like me to teach you a song?” River asked.

Kaylee blinked. “Uhhh…sure, honey. I’d love to learn a song.”

“It goes like this. ‘On the first day of Christmas, the operatives brought to me….'”

“Uh, River?” Kaylee interrupted. “Is this one of those creepy songs you learned while you were captive at…that place?”

“Yes,” River said. “I guess I should learn some new songs myself.”

“Yeah,” Kaylee said. “That would be great.”

***

Mal drove the hauler through a warehouse district of Ariel’s main city. Unlike the shiny, wealthy area they had visited a few months earlier – to steal some medicine – this area was much darker and dingier. Every planet, no matter how rich, had parts like this, Mal had long since learned. No one was rich enough to banish dirt and grime forever.

“You know where this warehouse is, right, Book?” Mal asked.

“I’ve got the address right here,” Book said, holding up an electronic data organizer. “And the crate number of the merchandise we’re getting. It’ll be in and out.”

Jayne growled. “Every time one of you people says we’ll be in and out, I go through half my ammo. I haven’t had an in and out job since–“

“Jayne, I’m sure that’s fascinating,” Mal cut in. “But just in case it ain’t, why don’t you hold it to yourself?”

“Sure, Mal,” Jayne said. “I’ll just sit here and be quiet as usual while you and Zoe tell each other the same stories over and over again. Hey, can I hear that one about that time you both got your asses kicked by the Alliance? I love that one.”

“Captain,” Mal said, pointing to himself. “First mate,” he said, pointing to Zoe. “Gun for hire.” He pointed to Jayne.

“Thank you for clearing us up on the chain of command, Captain,” said Shepherd Book. “But we appear to have reached the warehouse.”

“All right.” Mal brought the hauler to a stop near an entrance. “Standard procedure. Zoe, you’ll get us in. Then, Jayne, you’re in first, followed by me, then the Shepherd, and Zoe, you bring up the rear. We’re going to try and find this crate, get it, and be done with it before anyone knows were here.”

“In and out, Captain?” Zoe said.

“In and out,” Mal agreed.

“Not usually our thing,” Zoe said as she walked to the door.

“See, Mal?” Jayne said. “This is what I’m talkin’ about.”

“Well Jayne, that’s six hours since I last regretted hirin’ you.” Mal smiled. “I think that’s a new record for you, ain’t it? Hey Zoe, you got that door open yet?”

“Think so, sir,” Zoe said as she pressed a button that made the large bay door swing open. “Pretty easy, too.”

“Huh,” said Mal.

“Anybody else thinkin’ that was a little too easy?” Jayne put in.

Mal shrugged. “Well, we’ve got guns, so if we get into some local color, we can make our way out.”

“There might be armed guards inside,” Book pointed out.

“Cold feet, Shepherd?” Mal said. “This was your idea. But we’re here, and I’m not in the habit of runnin’ away at the first sign of something unexpected, especially if that unexpected thing is something that actually makes my life a little easier. Like an unlocked door. Shepherd, grab the coin. Jayne?”

Book picked up the crate of coin, and Jayne came forward and led them inside.

The warehouse was, pretty much, like every other warehouse in the ‘Verse. There’s only so much you can do, really, to dress up hundreds of stacks of thousands of cargo crates in an enormous, cavernous room.

“Well, would you look at that,” Jayne said. “A warehouse. We don’t see these too often.”

“Sure, Jayne.”

“I mean, yeah, we go into our share of storehouses, stockpiles, armories…there was that one depository we knocked over that one time…and before I joined you people, there was that distribution center job…but not a lot of warehouses.”

“Jayne,” Mal said, “are you trying to get on my gorram nerves?”

“Just commentin’ on the unique nature of this job, Mal.”

“Shut it, Jayne,” Zoe said. “Preacher, you got the crate number?”

Book consulted a slip of paper. “It’s 29-94-75.”

Mal looked at the manifest markings emblazoned on the side of several nearby crates, and determined which way they needed to go. “This way,” he said, and with Jayne in the lead and Zoe in the rear, they made their way down the corridor created by line upon line of stacked crates.

It didn’t take long to find it. The crate was pretty large, taller than Mal by about two feet, and about eight feet long and six feet across. Mal shone his flashlight on the crate and read the number. “This is it,” he said. “29-94-75. No other markings.”

“There wouldn’t be,” Book said. “The number is all they need.”

“Yeah, I know how shipping works,” Mal said. “All right, here it is. Now we just gotta get it out of here.”

“That crate’s a little big for me to haul out on my back,” Jayne said. “Of all the gorram–“

Zoe cleared her throat. “I think that’s the solution to our problem, Captain,” she said. She pointed to an open area about thirty feet away, where two forklifts stood silent.

“There it is, then,” Mal said. “Easy. Jayne, you’ll drive the lift. We’ll get the goods back out to our hauler, get back to the ship, before anyone knows we were here. No problem. See, I told you! Easy job.”

At that moment six floodlights turned on, three from each side, all trained on Mal and his crew.

“Malcolm Reynolds!” a voice boomed out from the darkness behind the floodlights. “Malcolm Reynolds, you are bound by law to stand down.”

Jayne muttered something in Chinese.

“In and out, right, Captain?” Zoe said.

All Mal could do was raise his hands and nod for the others to do the same.

End Part Two
Part Three

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Shiny in the Black: A “Firefly” Christmas (part one)

I feel a little bit dirty doing this…but only a little bit. I have no idea, had Firefly lived, if there ever would have been a Christmas-themed episode. Maybe, maybe not. But I got to thinking recently, that if Firefly actually had lived, and if it actually had done a Christmas-themed episode, what on Earth would a Firefly Christmas-themed episode even look like?

Well, at the risk of committing an act of fanfic…I like to think that such an episode would look a little bit like this.

Take my love, take my land
Take me where I cannot stand
I don’t care, I’m still free
You can’t take the sky from me
Take me out to the black
Tell them I ain’t comin’ back
Burn the land and boil the sea
You can’t take the sky from me
There’s no place I can be
Since I found Serenity
But you can’t take the sky from me…

Captain Malcolm Reynolds was usually the first one to exit his bunk in the morning, which, coupled with the fact that he was also usually the last one to retire to his bunk at night, went a long way to making him the way he was. Even on mornings like this one, when the night before he and the rest of his crew had been up abnormally late celebrating a score on Persephone, he was up before anyone else, no matter how much his head throbbed and the metallic taste of too much bad whiskey filled his mouth. But on this morning, as he climbed up the ladder to the hallway and shuffled toward the mess, he slowly realized that he wasn’t the first one up this time. Someone was in the mess already, and they were singing. Mal could make out the words – “God rest ye, merry gentlemen…” — and he inwardly sighed. On a typical day, Mal needed at least three cups of green tea before he was ready to deal with Shepherd Book. Today he figured to need six cups before he felt ready to talk to anyone.

“Ah! Good morning, Captain! There’s water on the stove, just off the boil, if you’re looking for tea.” The Shepherd beamed.

“Yeah,” Mal said. “I’ll get to the tea in just a moment, Shepherd, but just now I’m a bit flummoxed as to why there’s a tree in the corner of my mess.”

“Oh, that,” said the Shepherd. “I hoped you wouldn’t mind. Just a little something I picked up before we left Persephone yesterday.”

“I didn’t notice you bringing a tree on board?”

“Yes, I was worried about how to sneak it onto the ship, when I realized that God had provided me a perfect way to get it past your eyes.”

“And that was….”

“You and Jayne were ripping drunk. Zoe and Wash and the Doctor carried you on board. You weren’t noticing anything last night.”

“I wasn’t that drunk!”

“Maybe, Captain, but you got out of bed and came all the way to the mess wearing your gun, your slippers, and a pair of women’s underwear.”

“Oh.” Mal staggered over to the stove. “I think I’m gonna have that tea now, while you explain why there’s a gorram tree on my gorram boat.”

“There’s no need for language, Captain.” The Shepherd folded his hands in front of his chest, in that prayerful stance that Mal hated. Of course, Book well knew that the Captain hated it when he took that tone, which is why he did it so much more often now. Mal just grunted as he fumbled in the cupboard for his favorite mug and the tea leaves.

“Hand me the kitchen robe,” Mal said.

“Certainly.” Book opened another cupboard and pulled out a bundle of cloth, which he tossed to the Captain. This was the ‘kitchen robe’, a bathrobe that Mal kept stashed in the mess just for situations like this. He put on the robe as his tea steeped, and just in time, too, because that’s when Zoe and Wash arrived. Zoe looked all cleaned up and ready to go, as did Wash, even if no one could tell because Wash generally looked all cattawumpus, with his unbuttoned shirt over a tank top, shorts, and sandals.

“Well, this is very nice,” Zoe said. “Care to let us know what you’re wearing underneath the kitchen robe, sir?”

“I do not,” said Mal. “And you can stop laughing. We’ve all had mornings like this.”

“Not laughing, sir.”

“You laugh on the inside,” Mal countered.

“It’s true, honey,” said Wash. “You do. I, on the other hand, plan to laugh joyously out loud at our Captain and his self-induced plight.”

“I hold my liquor better than you,” Mal said.

“I never get much chance to develop my skills in that regard,” Wash replied, “seeing as how somebody‘s gotta be sober enough to fly the ship. Speaking of which, do we have a destination, Captain?”

“Can I drink my tea first before I think about business?”

“Certainly, sir.”

Shepherd Book took a step forward. “I actually have a few thoughts as to that–“

“Ooooh, pretty!” And with that, everyone turned to greet Kaylee, who had just arrived in the mess as well, wearing a freshly cleaned pair of overalls over a shirt with little red hearts all over it. “I didn’t know we could grow trees on board!”

“We can’t grow trees on board,” Mal said. “This here is a flight of fancy by the good Shepherd, who I’m sure will be explaining himself momentarily.”

“Well, I like it,” said Kaylee. “It’s shiny.”

“It’s not shiny yet, actually,” said Book. “It will be, after we decorate it.”

“Decorating?” Mal said. “A tree?”

“Yes sir,” said Book.

“So just the fact that there’s a tree on my boat isn’t even the strangest part of this whole business?”

“It’s not strange, Captain,” said Book. “It’s a tradition.”

“Preacher, you got any notion as to how many weird things people do are explained by casual use of the word ‘tradition’?” Mal sipped his tea. “That explains a lot of your whole ‘Shepherding’ job, you know.”

“Traditions become traditions because they mean something to people,” Book said. “You’ve got some traditions yourself, Captain.”

“Name one.”

“For one, your finding of an Alliance-friendly bar every year on Unification Day. And also your overindulgence every time we get a little more money for a job than you’d planned.” He smiled. “At least this tradition doesn’t involve a headache and the burning of another set of clothes.”

“Yeah, well, I’ll be taking that explanation now, if you don’t mind.”

“Certainly, Captain. It all began on–“

He was interrupted by a loud burst of raspy Chinese as Jayne Cobb staggered into the mess. “Smells like a ruttin’ forest in here,” Jayne said when he’d finished cursing in Chinese.”I hate forests. They remind me of my grandmother.”

This, as did many things Jayne said, made everyone stop talking and stare at him.

“What? Oh, I suppose you all think that forests are nice places filled with happy little creatures. Like one of Kaylee’s storybooks.”

“I don’t read ‘storybooks’,” Kaylee protested. “I’m not a child, Jayne. I’m an engineer and I’m a woman with all the needs of a woman, like—”

“Stop! Please!” Mal burst out. “You know I don’t want to hear about that, Kaylee.”

“Sorry, Captain.”

“Wash, can you just get us in the air, please?”

“I wanted to hear about this tree first,” Wash said. “I mean, since you haven’t given us a destination yet for our next job and all.”

More silence, until Zoe cleared her throat.

“By any chance, Captain, did you think to line us up a new job when we finished the old one?”

Mal shrugged. “I had other things on my mind last night,” he said.

“I’ll say,” said the newest arrival into the mess. “Although I don’t think he was exactly thinking with his mind last night.” It was Inara, who looked typically resplendent in her kimono-like morning robe. “Was she memorable, Mal?”

“Well, she–“

“You don’t remember her, do you?”

“You know, I think we’ve all got off the main topic here, which is why there’s a gorram tree on my boat!”

“Well, Captain,” said Book, “as I tried to start explaining–“

“A Christmas tree,” said yet someone else. Tensions went up as the voice of the ever-enigmatic River Tam cut through. “We had a Christmas tree at the institute. The men there said there would be presents. That was before they started the mental probes.”

River stood there in the doorway, with her brother, Simon the good doctor, standing behind her.

“River?” Simon said. “Do you remember something?”

“I remember everything,” River said. “I just choose when to talk about it.”

“So,” Simon said, “you know what the tree is?”

“I just said so,” River replied. “It’s a Christmas tree. But it’s naked. It needs decorations to make it shiny.”

“Ah,” said Book. “You see, Kaylee? That’s what I was getting at. We’ll decorate it.”

“With what?” Kaylee asked.

“Oh, all sorts of things,” said Book. “Ornaments made of painted glass. Little lights. Popcorn that we put on strings. And I even have a figurine of an angel for the very top of the tree.”

Jayne cleared his throat. “Anybody else here havin’ a hard time figurin’ out who’s crazier here, the Shepherd or the Doc’s sister?”

“I don’t think it sounds crazy,” said Kaylee. “I think it sounds nice.”

“It kind of does,” said Wash. Noticing Zoe giving him a skeptical glance, he went on, “What? I’ve been saying for years that this boat could use some more color on it.”

“My boat’s got all the color it needs,” said Mal. “Look, people, next person other than the Shepherd who talks is on mess patrol for a month. Shepherd, explain this. You’ve got until I finish my cup of tea, and if your explanation ain’t convincing, you’re the one on mess patrol.”

“A hard bargain as always, Captain,” said Book. “It’s an Old Earth tradition. The Bible tells us that one day, God decided to come into the world in the form of an infant, so he could save his people. Ever since then, believers have celebrated that night by doing things like exchanging gifts, and bringing trees into their homes to decorate. That’s what I’m doing here.”

“Shepherd,” Mal said, “didn’t I once tell you that God ain’t welcome on the Serenity?”

“You did, Captain. But it’s my belief that God is here, whether you consider him welcome or not.”

“Well, be that as it may, you’ve brought a tree onto my ship without asking me.”

“Would you have said ‘yes’?”

“No, but that ain’t the point. I like to be asked anyway. It’s my ship.”

“I just thought…it might be a source of pleasure for us,” Book said. “You don’t have to believe to celebrate.”

“You said somethin’ about exchangin’ gifts,” Jayne said. “What’s that?”

“Well,” Book said, “we could each randomly select a member of the crew and get that person a gift.” He noticed the scowl on Mal’s face. “Or not.”

“We should,” Kaylee said. “We don’t do enough nice things for one another.”

“I let you all stay on board,” Mal said. “That’s nice of me.”

“And your hospitality is known throughout the ‘Verse,” Inara said. “That’s why so many people flock to us to give us money.”

“Yeah,” Mal said, “I’m a loving man. But as to the money thing, you said something about a job, preacher? You got a lead for us?”

“I do,” said Book. “Of a sort.”

“Of a sort? The paying sort?”

“Not as such, no.”

“Then what is it?”

“There’s an orphanage on Haven,” Book said.

Lot of orphanages on Haven,” Jayne pointed out.

“Yes, but as it happens, I know this orphanage particularly well.” Book looked like he was remembering something…but then he snapped back to the moment. “I would simply like for us to take some of our recently abundant bounty – not all of which was obtained through means the authorities would entirely smile upon – and use it to purchase supplies for the orphanage. We would then deliver said items to the orphanage in time for an upcoming festival.”

“Supplies?” Mal asked.

Book nodded. “Food, clothing, and…toys.”

“Toys?” Mal repeated.

Jayne frowned. “And we’re doin’ this in exchange for what?”

Book just smiled.

“No way,” Jayne said. “No way, uh-uh. No way I’m givin’ some of my ruttin’ money to some bunch of orphans. Ain’t my fault they ain’t got no home. Let ’em grow up, find work, and make an honest livin’.”

“Is anyone besides me,” Simon said, “unusually touched by Jayne’s newfound belief in making an honest living?”

“Shut up, Doc,” Jayne said. “Least I ain’t hidin’ behind a slip of a girl.”

“No,” River said. “You hide behind a gun that you gave a girl’s name.”

Jayne’s only response to that was a grumbled growl.

“Let me get this straight, preacher,” Mal said. “You want us to spend some of the money we’ve fought and scrimped for and use it to give stuff to children? And you want us to do this on a time frame of…what?”

“Three days, Captain.”

“Three days. And we’re doing all this with no reward for us?”

“Not all rewards come in the form of money, Captain.”

“The ones that keep this boat in the air do,” Mal said.

“Come on, Captain!” Kaylee said. “I, for one, would like to do a job for once that don’t make me feel like I need a shower after.”

“Maybe we put it to a vote of the crew?” Simon offered.

Mal glared at him. “My ship ain’t a democracy,” he said. “But…Jayne?”

“Can’t decide, Mal,” he said. “Normally I’d be against this sort of stuff, but I’m thinkin’ that if we don’t do it, Kaylee here’ll be complaining about it for months. Might well be worth doin’ to keep her quiet.”

“Thanks, Jayne,” Kaylee said. “But really, it’ll feel good. Don’t you all want to feel good about something for once? I mean, feel good about something other than stealin’ from the Alliance?”

“There’s other things to feel good about?” Jayne asked.

Mal turned to his second in command for help. “Zoe?”

“I don’t know, Captain,” Zoe replied. “Normally I’m siding with you, but right now, I find myself a bit swayed by Kaylee’s youthful exuberance.”

“I can’t believe I’m even considering this,” Mal said.

Shepherd Book put a hand on Mal’s shoulder. “I think that maybe some part of you is seeking redemption,” Book said.

Mal glared at him.

“Not really helping your cause there, preacher,” Zoe said.

Book removed his hand.

“If we do this,” Mal said, “I’ve got some conditions. Kaylee, you are not allowed to badger me for an optional ship’s part for one month. Shepherd, you will do all cooking and mess duty for the same month. Jayne, one word that this job makes me soft, and I’m shooting you out the airlock.”

“What about me, Captain?” Inara asked, purposely blinking her beautiful eyelashes as she did so.

“Uh…I’ll think of something,” Mal said. “All right, Shepherd, where are we going first?”

“To buy some toys,” Book said. “Which means a trip to Ariel.”

“Wash, you heard the man. Let’s get in the air. I’m gonna go clean up. Can’t believe I’m doing this….” And with that, Mal left the mess to return to his bunk. Wash and Zoe headed for the bridge, and Kaylee left for the engine room. River gave Shepherd Book a look of reproach.

“You didn’t tell him the part about the elfin-man dressed in red who flies through the sky to give the children their presents,” she said.

“On the whole,” Book replied, “I figured it best to leave that part out of it.”

“Yeah,” Simon said. “That was…probably wise.”

Minutes later, Serenity lifted off and flew away from Persephone and toward Ariel.

End Part One
Part Two

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