This week’s selection is stretching the definition of “tone poem” probably past the breaking point, as this piece is not orchestral at all; it was originally written for harpsichord but we’re going to hear it on piano. It’s by Jean-Philippe Rameau, a French Baroque composer and musical writer who lived contemporaneously with J.S. Bach. And with that, you now know as much about Rameau as I do.
I heard this piece on the Open Ears Project podcast (which I highly recommend!). The Open Ears Project is kind of like my “Something for Thursday” series, only it’s a different notable person each week describing a particularly meaningful musical work. In this particular episode, Icelandic pianist Víkingur Ólafsson discusses his experiences with Rameau in general and with this piece in particular. I really do recommend listening to the podcast for his thoughts. For this post, right here, suffice it to say that the piece is very fast, and very quick; it’s over in about two minutes and it really does seem to capture the energy, if not the exact sound, of a bunch of birds squabbling. There’s even a moment when the music stops, completely stops, for a second, as if the birds have just happened to all stop squawking and chirping at the exact same moment.
This is a tone poem, even if it comes nowhere near an orchestra. Here is Le Rappel des Oiseaux by Jean-Philippe Rameau.
