Tone Poem Tuesday

A new composer to me! And thus, hopefully, to you.

One of my favorite eras of “national” classical music is the English music of the 20th century, starting with Holst and Vaughan Williams and continuing on to Britten, William Walton, and others. To that roster I now add Ruth Gipps. (Provisionally, thus far. I’ve only listened to two pieces of hers, after YouTube Music suggested a new album of her work the other day.)

Gipps lived 1921 to 1999, and she had a full musical life in her years: she founded two orchestras, composed fairly prolifically, and taught extensively. Her impact on British musical culture was such that she was appointed an MBE (Member of the Order of the British Empire) for her work. And yet, her own compositions are mostly unknown. Perhaps this is because her style is Romantic and tonal in nature, and one cannot rule out simple sexism. Whatever the reason, Gipps’s work is only now starting to see some reappraisal, partly because of conductor Rumon Gamba’s ongoing series of recordings of her work.

This piece, the Coronation Procession, dates from 1953, several months before the official coronation of Queen Elizabeth II. It’s a fine work in a genre that has produced some stunning classics like the Elgar Pomp and Circumstance marches. Katherine Cooper of Presto Music writes:

It’s a little gem of a piece, relatively light on pomp and circumstance until the final stretch but brimming with colour, energy and excitement as Gipps evokes cavalry, fanfares and the poised elegance of the young queen with almost cinematic vividness. In lieu of the broad string themes which sit at the heart of similar works by Elgar and Walton, Gipps gives us a minor-key melody for her own instrument, the cor anglais (which features prominently in several works on the album) before the music swells to a suitably majestic climax as the Procession enters the Abbey.

Here is Coronation Procession by Ruth Gipps.