“A ship in port is safe, but that’s not what ships are for”

From a walk at Buffalo’s Canalside and the Military and Naval Park a couple weeks back, the USS Little Rock presented a particularly nice look. I was there early enough that the sun was reflecting off the water in between the ship’s starboard side, casting a wonderful shimmering dappled effect on the hull. I like that because of photography I am starting to see what light is doing, in addition to just seeing where light is.

The shift in thinking about photography, from capturing images or subjects to capturing light, has been one of the most fascinating parts of this entire enterprise for me.

Share This Post

And now, a dragonfly

Walking at Knox Farm yesterday, I arrived at the pond on the park grounds and noticed a bunch of dragonflies zipping around one end. These dragonflies were pretty striking-looking, with stripes on their wings. I stuck around a bit, trying to photograph them, and I actually did manage a few, though not without an unforced error. Earlier I had been trying to get a few photos of a couple of bees drinking from a birdbath, and to do those I put my camera into its Macro mode. And then, I forgot to take the camera out of Macro mode for trying to shoot the dragonflies, which I had to try and shoot from a distance. So, the focus wasn’t what I would have liked had I not screwed up my camera settings, but a few shots turned out OK. Here’s one that I gave a quick and rough edit earlier on Snapseed (a good mobile photo editing app). I’ll try to give it a better polish using Lightroom sometime in the future, but for now, this looks pretty good to me.

 

Share This Post

On the wing

I doubt I’ll ever have the patience to really embrace wildlife photography as my genre of choice, but I have to say that I’m very happy with how these two shots turned out. One nice thing about photography I’m discovering is that you get pretty much immediate feedback as to how you’re doing, which means you know when you’re leveling up a bit.

Bigger versions can be found on my Flickr stream. Sharp photos of moving birds has been a challenge for me…and I didn’t even use burst to get these!

 

Share This Post

Inspo

“Inspo” is a word I see online a lot. Obviously it’s a short form of “inspiration”, but it seems to me to imply a more informal kind of inspiration: it’s something that provokes an enthusiastic response, and possibly a desire for emulation.

The other day Pinterest served up this photo for me, and…well, for me, that’s straight-up inspo of the highest order. This is almost precisely the kind of vibe I find myself striving for these days: a soft and cool poofy shirt, worn under a pair of softly broken-in bib overalls, and a fun hat. (Maybe I’m not wearing this kind of hat specifically, but…hey, you never know.)

I have no idea what the source of this photo is, and I’ve looked, using both Google’s Image Search and Bing’s. At this point I can’t credit this creator, but if it’s yours, let me know. For me it’s not just fashion inspo, it’s also photography inspo! The pose is genuine and cheerful, and the bushes are placed in such a way as to create both background and foreground bokeh. The light is also terrific, providing a bit of side-light and back-light. Portraiture is a fascinating genre of photography that I don’t know a whole lot about, yet.

Do you find random inspo in different places? Or do you seek it out?

Share This Post

“Made with AI”?

An interesting controversy fired up on social media over the weekend. I’m not sure where it stands now, but apparently Instagram was…well, let me start with a photo of my own. I made this photo a few weeks ago while walking at the Buffalo Outer Harbor, and I posted this edit to Flickr:

It’s a simple composition, really: a woman walking away on the pedestrian path that goes along the water. There are streetlights to her left, and up ahead is the edifice of an abandoned grain elevator, with faded corporate logo and a more recent giant graffiti at the bottom (I can’t get beyond my feeling that the graffiti has the interrobang backwards–it should be ?!, not !?). I increased the saturation in a few specific colors, bringing out the green both for contrast and to heighten the places where weeds are coming up between the sidewalk slabs, and I dialed up the contrast a little, because I like the sun on the woman’s shoulders and also the slight hint of reddish-brown in her hair. Oh, and I cropped it down, because I wanted the distant background to be entirely the old grain elevator, and not any of the sky above it.

But that’s not all I did to edit this photo.

Here’s the original jpeg that came out of the camera (I now shoot in both RAW and jpeg outputs):

Do you see it? Or, more precisely, them?

Two trash cans, at lower left. I didn’t want them there. One was easy: I cropped the photo so it was gone completely. But the other? For that I used a tool called “Generative Fill” in Lightroom, which you can use to remove things you don’t want in your photo. After you use a “brush” in lightroom to paint over what needs to come out, an AI-driven engine analyzes the photo and substitutes in what it thinks the photo would look like if the selected thing wasn’t there. This isn’t always an ideal tool–weird artifacts can remain in the photo that make it clear something was done there–but if you’re removing simple stuff, it does surprisingly well. My edited photo, to my eye, looks like there was never a trash can at all in that spot.

What came up over the weekend was this: Apparently Lightroom actually saves something in a photo’s metadata that indicates that an AI-assisted edit was made when the new photo is generated based on the Lightroom edits, and when such a photo is uploaded to Instagram, the service affixes a “Made with AI” tag to the photo.

The reaction to this was, naturally, one of annoyance, because surely there’s a difference between using an AI engine to remove a single minor element from an otherwise “real” photo, and the kind of “Made with AI” imagery that we associate with the term–the weirdly plastic-looking photos that start to take on a creepy tone as we look to the details and notice things like that person seems to have three hands, or that lady has six fingers while this guy only has three, or wow, look how tight that person’s clothes are, it’s almost as if they’re painted on. (By the way, you know what AI still doesn’t get right at all? The buckles on bib overalls!)

I did post my photo to Instagram, but it is thus far not marked as “Made by AI”. I’m not sure if that’s because IG has rethought this policy at all, or if there’s something about the fact that I posted the photo via sharing from Flickr, so maybe the metadata didn’t go along for the ride. I did note my edit in the image description, though, because that does seem like the right thing to do. But maybe I’m wrong.

Anyway, I’ll be following this issue with great interest.

Share This Post

Pan-o-rama

One of the things I’m enjoying about Lightroom (the photo editing software I started using earlier this year) is its ability to stitch together multiple photos in a single panorama shot. The AI it uses to do this is pretty sophisticated, and I’ve had some very pleasing results thus far. This is one, from this past weekend when I went down to the Outer Harbor again (yes, I was down there two weekends in a row). This is a grain elevator in the southern end of the Outer Harbor’s general recreation area. I love how this turned out.

Bigger version here.

Share This Post

And then, there’s anti-serendipity

Serendipity is great! And it’s great when your skill level improves to the point that you start being able to recognize serendipity as it’s unfolding, and you’re ready for it!

But also nice is knowing that the shot is coming, and all you have to do is wait for it.

At one point on Buffalo’s Outer Harbor area is a small network of nature trails, and over one of these towers a metal sculpture by eccentric local artist Larry Griffis. The sculpture is of a vaguely human figure with arms upstretched as if to shout, “Hooray!” I came upon a vantage point overlooking the trail that winds past the sculpture, so I just decided to wait, because I figured it would look like the sculpture was happy to see whoever was coming.

And that’s exactly what happened.

I’ve learned from watching videos by photographers and reading their words of advice that sometimes the shot creates itself right in front of you, and sometimes you just set up and wait for the shot.

I am really enjoying photography.

“You’re here! At last!”

Speaking of that sculpture, I also found this vantage point, and I was very happy with this composition. I really like shots where the subject is framed by something in the foreground. This turned out really well, in my opinion!

Griffis sculpture on the Buffalo waterfront, seen through the trees.

 

Share This Post

Serendipity, part two

Getting back to my ruminations on serendipity in photography, which I began the other day: I’m learning that what makes photography difficult as an art is bridging the disconnect between what the eye perceives and what the camera captures. We’ve all had that experience, haven’t we? We see something amazing, and we take a quick photo of it–doesn’t matter what kind of device we use–and later on we look at the picture and we’re disappointed. Why? Because it just didn’t look like that.

I’ve been realizing of late that often the point isn’t to capture what it looked like to the eye. It’s to capture something and then manipulate it until it approaches what we think the eye saw.

That’s important. We don’t really remember what our eyes saw at any given moment. Any good trial lawyer knows this: eyewitness testimony is rarely reliable. We go to a place we haven’t been in a long while, and we realize that it doesn’t match up our memories of what it looked like. So, when editing a photo, the point isn’t to capture exactly what the eye saw, it’s to suggest for someone else what our eyes saw. And that might mean introducing some less-than-perfectly-accurate factors, like shifting colors, adding more light to a place that had a little less, tweaking colors, applying vignette where there obviously was none.

Back to my photowalk the other day at Buffalo’s Outer Harbor: I was down there fairly early in the day, when the light was soft and diffuse; there were low-hanging clouds, but not so many as to make the day actually cloudy. There were breaks in the clouds that allowed pools of sunlight to shine down on certain things here or there, and one such spot was the seawall that separates the Harbor from the open water of Lake Erie. Most of the seawall was gray and nondistinct, but there was one place where the seawall was lit bright by the sun through the break in the clouds.

But how to photograph that? I couldn’t figure a way to do it that wouldn’t result in a pretty boring photograph of blue water, a narrow line of sunlit rock, and blue-ish sky above. I took a couple test photos, and each was boring. I tried it in landscape and portrait orientation, and both had the boring “Why am I looking at a wide-angle shot of a seawall?” thing going on. I tried zooming in, but then I lost the contrast of the lengths of seawall that were not lit by the sun.

Then I saw the bird.

I’m not sure what kind of bird it was. I doubt it was my friend the eagle, but it was slowly, gracefully, flying just a foot or two above the surface of the water, from left to right, across my field of vision.

Another pleasant development is that I’m getting fast with my camera to the point that I am more able to react to these things. Turns out that bird, who occupies only a tiny place in it down in the corner, makes the photo.

Serendipity is a wonderful thing. So, too, is getting good enough to recognize the serendipity when it comes and the skill to put it to good use.

Share This Post

Serendipity, part one

Yesterday I was able to go out and do a photography walk for the first time in a month. We’ve been on a very annoying weather pattern where it’s been rainy every weekend, which has dampened my photography practice. But finally, yesterday was a gorgeous day. I went down to the Buffalo Outer Harbor, and I’ll have more to say about this particular day at some point soon (I’m still editing the photos, for one thing). But there were a few moments of pure luck where I didn’t know what I had until I reviewed the photos. One, which I’ll share later this week, I noticed when I reviewed the photos on-site on my camera’s LED screen. But this one, I didn’t realize until I was all the way home and was reviewing the day’s efforts on my laptop.

Early on in my session, I saw a big bird flying toward shore, not quite toward me, but close. I lifted my camera, got the bird in frame, and I snapped the photo. I was expecting a hawk of some kind, or maybe even a Canada goose. I was not expecting this:

Pure luck…but as Randy Pausch said in his Last Lecture, “Luck truly is where preparation meets opportunity.” (I know he didn’t originate that saying, but he’s the person I associate with it.)

Again, I’ll say more on this later…and maybe also in a video…but really, I just want to share this photo that I took of an eagle. I might be leveling up at this photography thing!

Share This Post