Something for Thursday

Here’s a piece to which I return many times throughout the years. I’m actually finding that the onward lurch of current events from one awful thing to the next (seriously, humanity, why are we building such an awful future?!) particularly lends itself to the reexamination of great works of art and music from earlier periods. It’s a constant effort to remind myself that humanity isn’t just capable of staggering acts of being terrible.

Here is The Lark Ascending by Ralph Vaughan Williams. (By the way, make note of the album cover pictured in the video, and if you ever see that album in a store, buy it. It’s one of the great classical albums.)

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NaNoWriMo begins!!!

Here we go, people!!! #amwriting #NaNoWriMo #writersofinstagram

Time for my sixth attempt at writing 50,000 words in thirty days! Can I do it? Stick with me and we’ll find out! The project this year is The Savior Worlds, which will be Book Four of The Song of Forgotten Stars. I succeeded at hitting the 50K mark both of my first two years of NaNoWriMo, but the last three years all ended in failure: 2014 had some plot struggles with what ended up being Amongst the Stars, and then 2015 was a truncated month in which we traveled to New York City, so I wasn’t able to cross the finish line despite a valiant effort. The less said about last year the better, but basically the results of the 2016 election sent me into a creative tailspin that had me unable to write anything at all for several weeks.

This year, we’ll see. I’m optimistic, but you never know. At least we’re not on the cusp of doing something so wildly bizarre as electing Donald Trump to the Presidency this year, right? Right?

America?

Hello?

Anyway, hopefully onward and upward! Zap! Pow!!

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Of NaNoWriMo, and other delights

Goodness, I’ve really let this site go fallow, haven’t I? Over three months of radio silence here. That’s not because of any bad developments or anything like that; just that I’ve been plugging along with writing and not really saying much here. I should change that, I think.

But anyway, here’s what’s going on:

  1. I’ve been prepping a lot for NaNoWriMo 2017. For the uninitiated, that’s National Novel Writing Month, set for November when writers the world over, amateurs and professionals and folks in the middle like me alike, all commit to attempting to produce 50,000 words of something in a single month. This will be my sixth year of participation, and I am greatly hoping to post a “win” this year. There’s no shame in not hitting the 50K mark, but I made it both of my first two years and then missed the mark three years in a row. 2015 was a special case, as my writing time for the month was greatly impacted by our six-day trip to New York City for Thanksgiving that year, and 2016…well, let’s just say that certain events in the world that began unfolding in November last year sent me into a massive slump.
  2. Oh, and my project for NaNoWriMo? I’m starting Book IV of The Song of Forgotten Stars, titled The Savior Worlds. I haven’t done any new work in that series in a long time and I’m itching to move onto the next phase of the story. To that end I’ve been planning and…outlining. Yes, outlining. Me, the pantser-to-rule-them-all. Well, if Forgotten Stars is one big story, then the first three books have told the first act. Now I’m entering Act II of the BIG STORY, and as such, I need to have a better idea of what the BIG STORY entails. Hence, planning.
  3. That being the case, I’ve temporarily shelved the project I was working on, Orion’s Huntress, the all-female Firefly-meets-James Bond-in-space thing that I’ve been working on. I have a lot of notes and material put together on that book, so when I return to it, I shouldn’t have too much difficulty getting back into its swing.
  4. Also, I’ve started preparing The Chilling Killing Wind for publication, hopefully to come in December (but, more likely, January). I’ll keep you all posted…including when I put up some sample chapters!
  5. On the subject of NaNoWriMo itself, my usual advice stands, which you can read here. I wouldn’t add much at all to this, except to reiterate: Have fun! NaNoWriMo shouldn’t feel like pressure.

See you around the galaxy, and I promise to check in more frequently!

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Something for Halloween!!!

A few items! Some scary, some…not so much.

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Without context

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Bad Joke Friday

A classical music joke:

Was Mozart’s posse called…

…his Wolfgang?

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Something for Thursday

Wow, Jerry Goldsmith really did score a lot of bad movies, including The Haunting. Nevertheless, his music is always worth a listen. Here’s the final scary music selection of the month!

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Tone Poem Tuesday

Antonin Dvorak wrote this work, The Noon Witch, after his return to Europe from the United States. It is a musical telling of a horrible story:

A mother warns her son that if he does not behave she will summon the Noon Witch to take him away. He does not behave, and the witch arrives at the stroke of noon. The witch, described as a horrible creature, demands the child. The mother, terrified that the witch has actually come, grabs her son, and the witch begins chasing them. Finally the mother faints, grasping her child. Later that day, the father arrives home, and finds his wife passed out with the dead body of their son in her arms. The mother had accidentally smothered their son while protecting him from the witch. The story ends with the father’s lament over the terrible event.

Yikes!

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Symphony Saturday

The American composers of the Romantic era are an interesting bunch, because they exist in a kind of musical purgatory. Their music is not heard much, mainly because it’s all pretty firmly ensconced in the European symphonic tradition, and thus isn’t terribly interesting in any nationalistic sense. But a lot of their music is still quite good, and the trouble with musical purgatory — especially as time passes — is that it captures works that might not rank with the greatest masterpieces, but which also don’t deserve the sad obscurity that awaits most works of art.

This symphony popped up as a recommendation for me on YouTube a while back. I had never heard of John Knowles Paine before that moment, and I listened to his Symphony No. 1 on a whim and found it quite pleasing, muscular and dramatic and at times very lyrical. The knock on the American music of the time — that it is too essentially European — is in evidence here, quite strongly. There is nothing about this symphony that sounds the least bit uniquely “American”, but that doesn’t mean it’s bad, just that the American voice had not developed yet into its own sound. That would not happen until the early 20th century, when jazz finally came along. Instead, the work should be heard as a fine piece in the Brahmsian tradition (Paine was almost an exact contemporary of Brahms).

Here is John Knowles Paine’s Symphony No. 1 in C-minor.

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Bad Joke Friday

From a newspaper in 1859. I’m so glad that bad humor is timeless!

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