Dispatches from Autumn

I don’t ever want to live in a place that doesn’t have Fall.

The pond at Chestnut Ridge, toward the end #ChestnutRidge #wny #OrchardPark #autumn

The pond at Chestnut Ridge #ChestnutRidge #OrchardPark #wny #autumn

"Lovin' would be easy if your colors were like my dreams: red, gold, and green...." (Yes, I am quoting Culture Club. Gotta problem wit dat?) #ChestnutRidge #OrchardPark #wny #autumn #lyrics #cultureclub #karmachameleon

Autumn leaves #ChestnutRidge #OrchardPark #wny #autumn

Looking south from the Mill Road overlook #EastAurora #wny #autumn

Where the trail goes #KnoxFarm #EastAurora #wny #autumn

Fall is taking hold #KnoxFarm #EastAurora #wny #autumn

Fall is here #SpragueBrookPark #wny #autumn

"I have been a rover, I have walked alone. Hiked a hundred highways, never found a home. Still in all, I'm happy...the reason is, you see, once in a while along the way, love's been good to me." (Yes, now I'm quoting Frank Sinatra and Rod McKuen. What can

You don't mind if I sniff this bush for five minutes, do ya? Great! Thanks, you're awesome! #Cane #DogsOfInstagram #greyhound #ChestnutRidge #OrchardPark #wny #autumn

Leaves #ChestnutRidge #OrchardPark #wny #autumn #overalls #vintage #Lee #HickoryStripe

The giants of the forest: slow to awaken, and slow to slumber. #ChestnutRidge #wny #OrchardPark #autumn

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Bad Joke Friday

Via Roger, who shared this with me on Facebook:

A duck walks into a pharmacy to and asks for Chapstick. When the pharmacist hands it to him, the duck replies, “Thanks, just put it on my bill.”

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Something for Thursday

Sometimes you have a “Holy shit, that happened?” moment in life. It can happen anytime, and it’s especially fun when it happens around a musical discovery, as it did for me last week one day when I was driving home. I turned on the classical station and heard a familiar tune: “Rule Brittania”, in an orchestral setting. I’m thinking, OK, some piece of British nationalistic music. Fine.

Now, if you know the tune of “Rule Brittania”, you know that it’s in the fine tradition of pompous Edwardian British music. It’s the kind of thing you hear as you envision armies of British soldiers stiff-upper-lipping their way through India and other places. If you want a pompous tune, “Rule Brittania” is your huckleberry, folks.

But in the case of the piece I was hearing, the composer, whoever they were, seemed to be dialing the pomposity up to eleven. Seriously, by the time the work finally came to an end — after much trumpeting and cymbal-crashing and all the rest of it — I wanted to go punch an Englishman in the junk, that’s how pompous this thing was. I’m thinking, “Who in the hell could have possibly written a piece that pompous?”

Well, the announcer guy on WNED told me who.

Richard Wagner, that’s who.

I couldn’t believe it.

I never knew that Wagner wrote anything like this, but man, it fits, doesn’t it? Wagner was one of the great Pompous Asses for the ages. In the annals of the Pompous Ass, Richard Wagner has a sacred seat in their golden hall of military flags and brass bands and arses so tight there’s barely room for the sticks.

Richard Wagner, and the “Rule Brittania overture”. This is an early work, obviously, before Wagner learned how to be subtle in any way at all. Let me know what you think.


Here’s a bit more background info on this piece.

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For Cal and his beloved Admiral….

He was almost certainly quite a fine cat.

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Tone Poem Tuesday

Last week, Calvin and Hobbes ran this oldie-but-goodie:

Well, we all know where this is going, right? Yes, technically the 1812 Overture is a concert overture and not a tone poem, but my blog and my rules, so here it is. This has never been a favorite work of mine — it’s way too repetitive and takes far to long to reach the payoff that everybody knows is coming, but I will admit that when you do finally get there, the effect can be unbelievably thrilling.

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“Flexible Whip Sword”

Holy shit.

(Yes, that is all.)

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Symphony Saturday

In exploring the world of Alexander Borodin the last few months, I’ve noticed that while his music is as packed with wonderful emotion and lyricism as any of the Russian Romantics, his music doesn’t have the same epic scale. Borodin is more content to say what he has to say in half the time that other Russians often use, and that is in no way a bad thing, because it creates in Borodin an intimacy that might not be found in Tchaikovsky’s bigger symphonies. When I listen to Tchaikovsky, it’s like entering a giant sprawling city; with Borodin, it’s like following two people through just a small part of that city. Sometimes they just talk, other times they kiss, other times they dance. Borodin’s focus seems tighter, more controlled.

The Symphony No. 2 in B minor is a perfect example. Tchaikovsky’s Fifth takes somewhere around fifty minutes, give or take, to hear. Borodin’s Second is done in about half an hour. For all its grand Romanticism and its big orchestra and all that, Borodin’s Second is done in just a little longer than it takes to hear Mozart’s Jupiter Symphony.

Like many of Borodin’s important works, the symphony took several years to complete because of constant demands upon the composer’s time. It sprang from roughly the same time period as Prince Igor, Borodin’s unfinished opera that gave us the Polovtsian Dances, and thus the Symphony has some of the same sound. The first movement is heavy and portentous, dominated by a thumping motif that sounds ominously Slavic in nature. In the second movement, Brorodin writes a scherzo that takes place in several different meters and tempi. The third movement is the slow movement, with a wonderful song-like theme for the clarinet (where would clarinetists be without the Russians, I wonder), and the fourth movement is pure triumphant dance, a release of pent-up energy that will be contained no longer.

I find in just about all of Borodin an infectious optimism and warmth, and very little of the typical Russian “brooding” that one hears so often in Tchaikovsky and Rachmaninov. Borodin’s music is filled with a love of his homeland and a yearning for its legends and heroic tales (stories of which, I must admit, I know almost nothing).

Here is Borodin’s Symphony No. 2 in B minor.


Next week: Huh. I actually have no idea!

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Speaking of scary clowns….

A text exchange that I might have had….

Reposting, but with all this clown weirdness going on, it seems relevant.... #clowns #pieintheface

My love of a pie in the face does not imply a love of clowns, folks.

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Bad Joke Friday

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It’s NaNoWriMo time!

via GIPHY

Yes, that’s right: NaNoWriMo (National Novel-Writing Month) is just around the corner! It’s that wonderful time of year when thousands of writers around the world spend their Novembers chasing the goal of averaging 1,667 words a day. I will be participating for my FIFTH consecutive year. My record is two-and-two (I made a game effort last year, but I fell short due to our NYC trip at the end of the month, and I have a lot of trouble feeling guilty about that). I wrote this post for Byzantium’s Shores a couple of years back, conveying my advice for achieving NaNoWriMo success, and while certain facts in the post have changed (i.e., what I’m working on this year), the advice has not, so here it is! I’ve edited it a little to reflect where I am this year.

National Novel Writing Month, or “NaNoWriMo” as it’s usually called, starts on November 1. This will be my fifth time doing it, and I can’t wait! My project this year is a science fiction, space-opera novel I’m not-actually-calling Lightning Bug. My project’s official NaNoWriMo description is as follows:

The all-female ragtag crew of the spaceship-for-hire Orion’s Huntress seems to always find a way to bite off more then they can chew, or get in over their heads, or find themselves up the creek without a paddle…and yet, with pluck and guile and a bit of blaster-fire, they manage to keep flying! In this story, they take on an urgent job and a mysterious passenger with her own agenda….

This is the first novel set in a new series that takes place in the same universe as my Forgotten Stars novels (the third of which to be published this December).

NaNoWriMo isn’t really about finishing. It can be, but my experience is that it’s more about the work. It’s about setting a high goal and working toward it, relentlessly, and with some camaraderie that can’t always be found in real life. Fifty thousand words in one month is absolutely doable, but it’s also not the easiest target to reach if you’re not used to it, and it’s particularly devilish that the challenge comes in a month with only 30 days and one of the major holidays of our year. (Well, for now, anyway, since we seem hell-bent as a culture on making Thanksgiving about as relevant a holiday as Columbus Day, but that’s a rant for another time.) NaNoWriMo is about producing a big chunk of work, regardless of worrying about if it’s good or not. So, in that vein, if you’re considering participating in NaNoWriMo this year, here are my thoughts on how to best approach it for success:

1. Know what you’re going to write.

Have your mind made up so as soon as you sit down at the keyboard on November 1, you can charge out of drydock, thrusters on full. Don’t sit down at the keyboard and then try to decide what story you’re going to tell.

Now, “Know what you’re going to write” has some wiggle-room. I’m the type of writer called a “pantser”, meaning, I write by the seat of my pants. I don’t outline entire novels prior to writing, and if I do any outlining at all, it’s merely a scene or two in advance just so I can work out the timing and sequence of events in my head in the very near term. Other than that, I rarely have any great idea where the story is going.

Perhaps, however, you’re an outliner. You like to have a detailed outline ready to go, or maybe you like to figure out your characters in gory detail prior to writing. Lots of writers spend lots of time doing this kind of prep work — outlines, character sketches, that sort of thing — and if you’re one of them, have as much of that done as possible before November 1. November is not a time for prep work, if you’re doing NaNoWriMo.

2. Choose your style, and the simpler, the better.

Remember, NaNoWriMo is about producing a lot of words in a specific timeframe. Therefore, it’s not really the best time in the world for experimenting with your literary style. If your default style is toward the florid but you’ve had a hankering for writing a crime novel in a kind of Dashiell Hammett style, maybe November isn’t the right time. Likewise, NaNoWriMo really is not the time to write your near-future dystopian tragedy in rhyming Iambic pentameter.

3. Give your internal editor the month off.

Again, you’re looking to cover a lot of ground in November. You can edit later. There just isn’t time for revision, unless you realize that your story has gone well-and-truly off the rails and that you simply must backtrack to Albuquerque so you can take that left turn you missed. If you have to do this, fine, but don’t delete the work you’ve done. Leave it in there. Move it to the end of the file, past a couple of page breaks, but those words are still work you did. When it comes time to verify your wordcount at the end of the month, all Na NoWriMo will do is count your words. Nobody is going to read your work to make sure it’s coherent.

So: if you really have made a story error, by all means, go back and take another stab at it, without deleting what you’ve already produced. Generally, though, NaNoWriMo is not the time to try and make every sentence sing and put every word in its exact place.

4. Know when you are going to write.

This might actually be the most important thing. If you’ve been noodling around with writing for a long time but new to the crunch of NaNoWriMo, you’ll likely be very surprised at the amount of work and time involved in producing 1667 words in one day, much less every day for thirty days. Plan your writing time, right from Day One. It’s important. Know when you are going to write. If you normally get up at 7:00 every morning, maybe get up at 6:15 and write until seven. If there’s usually an hour after dinner when you’re unoccupied, set that aside for writing. On Sundays, maybe join the football game in progress after 2:00 instead of insisting on watching the whole thing. You have to budget your time, because while the NaNoWriMo goal of 50000 words in thirty days is doable, falling behind is also very doable, and getting caught up once you’re behind by even a day or two is a lot less doable. Make every effort to start the month ahead, so that if you need to take a day or two later on to produce less than 1667 words, you can afford it.
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It’s good that this year NaNoWriMo starts on a Saturday (unless, of course, your job doesn’t give you Saturdays off). Getting off to a strong start is essential, and with two weekend days to launch, the schedule is quite conducive to it. Take advantage! Don’t tell yourself that you can make it up with a couple of 5000 word marathon sessions at some point, because quite frankly, you won’t.

What NaNoWriMo really helps is to train the brain — mindhack, if you will — to see writing as a job that can be approached in discrete chunks, as opposed to some mystical process driven by the capricious magic of some Muse. Believe me, there’s enough magic and mystery in writing already, so it can also be seen as a job where a daily word count is similar to a pro painter’s “Get this many square feet of the wall painted today”.

5. Have some music preselected and ready to go.

If you’re the type of writer who likes music as you work, figure out what your music is going to be. Make your playlist. Select some albums. I write to music, and I like to pair my work to my listening. Writing a fantasy swashbuckler? Here are some suggestions! I’ll also be producing a post at some point about music for writing space operas.

And make sure your music is accessible. Figure out what’s available on Google Play or whatever streaming service you use. Figure out what’s available on YouTube. Load some music onto your phone, for if you’re writing someplace without an Internet connection. If you’re old school, make a stack of CDs or vinyl. It’s all part of creating your writing mood, and getting in that mood quickly.

6. Don’t let friends and family guilt you about your focus this month.

Luckily, this has never been a problem for me, but I know it has for others (there’s a long thread about it on one of the NaNoWriMo message boards). If anyone gives you shit about writing, be firm in claiming this time for yourself. If they press, tell them that you have set a personal goal for yourself and you are working toward it. Would they guilt you if the goal you set was, say, running a marathon and you were doing a lot of training? I’m guessing not. Well, it’s the same thing. A personal goal that needs met is still a personal goal, no matter what. And if the other person is mocking of your personal goal? Well…I can’t really offer advice there, except to note that mocking someone’s goals, dreams, and efforts to make those things come true isn’t really something that should be endured from a “loved” one.

7. Interact with other people pursuing the same goal!

NaNoWriMo is a fairly big deal. The website has a lot of separate forums, from genre forums to forums for people of similar age groups to regional forums so you can connect with people in your area. Some areas even have “meet-ups”, where you can actually go and hang out with other writers who are having their own sessions. I’ve never done that (in this area, the meet-ups always seem to be held in the Northtowns, which is a bummer), but I wouldn’t mind someday. Find NaNoWriMo people on whatever social media you use — Twitter and Instagram have a lot of them — and share thoughts and success stories and kudos and cheers and vexing frustrations. Writing can be lonely, but it doesn’t have to be.

8. Don’t lose the story.

It’s about telling a story, after all. So go ahead and tell it!

(Oh, and my user name is Jaquandor, for those who want to “buddy up” or whatever it is they call it.)

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