Something for Thursday

Fred and Ginger, Follow the Fleet, “Let’s Face the Music and Dance”.

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Are you there, collar?

Here’s a weird thing about me: In general, I hate collared shirts.

Now, this might seem slightly confusing since to anyone who pays attention, I clearly own a number of collared shirts. But I have some specific preferences thereof.

Growing up as a kid, I detested collared shirts and I never wore them unless I was specifically ordered to by my parents. I seem to recall that this occasionally vexed my father. In third or fourth grade there was a time when he thought he’d add flannel shirts to my wardrobe, and I resisted this with some vehemence. It wasn’t so much the flannel – although they were brand new shirts, very scratchy – but the stiff collars. I probably wore those shirts a total of twice, both times when I was under orders to do so, and that was that.

What’s my issue with collars? Well, I don’t think that collars generally work well with people who don’t have long or slender necks. My neck is neither of those things, so a collar is always this stiff, annoying thing that’s rubbing all over the sides of my neck and my chin hits it and so on. Plus, collared shirts tend to be made of stiff fabric that doesn’t give terribly well, and they’re mainly designed to be worn with ties, an article of clothing for which I have zero use.

(Seriously. I own, I think, a total of two neckties, and I haven’t worn either one in over thirteen years. In fact, at this point I’m not sure I’d remember how to tie one. I can’t stand the damn things. They’re a useless long triangle of cloth that dangles over your stomach, that always has to be adjusted and fidgeted with, and serves no purpose at all. Ties, in my opinion, can all go to hell, except for bow ties with tuxes. Those look good. Oh, and screw other bow ties too.)

And I hate polo shirts too, because their collars never ever ever look good on me. They’re either too stiff or they lay weird and yuck.

My general feeling is that regular collars and polo shirts don’t look on me so much like these guys…


…as much as these guys.

Not that there’s anything wrong with those fellows, but nobody’s purposely dressing like Archie Bunker or Jed Bartlet, is what I’m saying.

Now, I do make one exception to my hatred of collars: button-down collars don’t bother me. In fact, I’ve come to like them rather a lot! Collars that are buttoned down tend to be a little narrower anyway, so they do tend to stay in position and maintain a shape better, and they don’t tend to rise up and rub my chin. Here’s the outfit I wore the other day when The Wife and I were in Ithaca. I bought this shirt for a pittance at a thrift store, and I quite like the way this turned out.

Traditional mirror selfie! If I'm being honest, I like my outfit from today. A thrifted white button-down under vintage Lee blue denim overalls, and my red Shakespeare scarf. #ootd #overalls #vintage #Lee #bluedenim

Detail. This outfit made me happy. #ootd #overalls #vintage #Lee #bluedenim #scarf


And I have several other button-down collar shirts, either denim or twill. Denim tends to be a special case, and I am willing to wear non-buttoned-down collars in denim or in a nice twill. Regular shirt fabric, though? Not so much.

Kitchen self #overalls #denim #Carhartt #scarf

Pre-writing ritual: scratching Lester's head for luck. (It doesn't work very well.) #AmWriting #Lester #CatsOfInstagram #overalls #Key

OOTD! Black twill buttondown, brown Gap overalls, and my favorite scarf! #ootd #overalls #gap #scarf


I have a green plaid-stripe twill shirt that I haven’t even photographed yet. I’ll be wearing more of this stuff as cooler temperatures arrive.

And that brings me to my newest thing: collarless shirts! Yup, that’s a thing, and I love it. I know, I know – you’ve all been aware of this kind of thing for years, but bear with me. With collarless shirts I can have the nice look of a button-up shirt without the annoying discomfort of a stupid wing collar, and I can look nice without the annoying necessity of a necktie. I’ve recently bought three collarless shirts on eBay, and I like them all. I have a red plaid one, a white one with pinstripes, and a pleasant yellow/peach one. These all make me happy and I look forward to wearing them more, moving forward!

Sigh...I just wanna go home and write.... #writerproblems #amwriting #overalls #Dickies #bluedenim #plaid

Hotel lighting is terrible. Taken before we went to dinner the other night. #collarless #dressedup

(I’ll have a better photo of that one eventually…the lighting in the hotel room where I took the photo was ghastly for this purpose.)

Ack! Flickr's cropping screwed up the last one. Trying again....

Collarless shirt detail. Another shot for an upcoming blog post.


And then there’s this flannel button-down, which I also got for just a couple bucks at the thrift place. I haven’t made up my mind on this one yet, but it was three bucks, so hey, why not?

I went to another thrift store today and found this shirt for four bucks. I was hoping for a different color than red, but this is more toward the maroon side and I like that it's a button-down collar (which is my preference on collared shirts). #flannel

So basically, I hate collars except for when I don’t.

I’m glad I took an entire blog post to say that….

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Tone Poem Tuesday

I found this while searching for recordings by Sir Neville Marriner for yesterday’s post on his passing. Marriner seems to be best known for conducting Baroque and Classical-era music, but he was far from limited to those periods. Frederick Delius lived from 1862 to 1934, and this work, On Hearing the First Cuckoo in Spring, premiered in 1912. Delius’s work defies easy classification. He is more Impressionist than anything else, it seems to me, but even that’s not a totally fair way to look at his music. This work has a very English feel to it, but some of its melodic material is based on Norwegian folksong, and Delius had many other influences in his music. He accomplishes something very atmospheric in a mere six minutes here.

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Sir Neville Marriner

Conductor Sir Neville Marriner has died. I first heard his work, as I suspect did many, in the context of the film Amadeus, but over the years since, I have heard a great deal more of his wonderful music-making. Marriner lived a long and fine life, and the music world is all the richer for his having been here. Thank you, Sir Neville!

A few selections:

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Symphony Saturday

OK, so I didn’t get my post written on Borodin’s Symphony No. 2 done, so in the meantime, we’ll go back in time and back to good old Ludwig van Beethoven. We heard the mighty Ninth Symphony a while back in a remarkable performance from the BBC Proms, but here’s the work as it well might have sounded around its premiere. This orchestra performs the Ninth on period instruments, using performance techniques and tempi that were likely in use at the time. I’m not always totally excited or satisfied by period instrument performances, but they can be a fascinating exercise in noting how music has changed in ways not just related to compositional styles. Music is an art that lives in time, moreso than any other. A person in 1716 looking on the Mona Lisa likely saw the same thing that we see when we look on the same painting, but a concert hall patron in 1816 (or later, whenever the Ninth was actually written) is most certainly not hearing the same thing that we might hear in 2016.

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Bad Joke Friday

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Something for Thursday

A few tunes from English folk singer Kate Rusby today!

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Plotting? Never! (And other stuff)

Hey there, folks! Time for a few thoughts on…stuff. (Wow, I is articulate.)

:: In the current WIP, I have reached what I think is roughly the halfway point. I hope so, anyway — I would really like to be able to finish this work in October and get right onto the next thing in November for NaNoWriMo.

At the halfway point of the WIP, I am outlining the rest. #amwriting

To that end, I am shifting from my “pantsing” approach to “plotting”. I have noticed, during the last several WIPs, that I’m slowly adopting a hybrid approach to the age-old question of whether I plot things out or write by the seat of my pants. It seems that I start off writing by the seat of my pants, merrily getting my characters into a bit of a pickle, and then I step back and start plotting as I figure out how they get out of said pickle. This seems to be paying the most dividends as I write.

When I get to the plotting stage, this is when I step away from the computer and whip out the pads and pens. Plotting on paper feels good, and the act of writing longhand a bit — even if it’s notes and rough-sketch stuff — lends a different feel to the proceedings. I’m a big fan of changing up the routine a bit, once in a while. It keeps the entire enterprise fresh.

And if anyone’s wondering, there’s a reason the word in caps in my notes above is DEATH. This particular story does not turn out well for most of the participants.

:: I’m starting to get notes back from Beta Readers and proofreaders for FORGOTTEN STARS III, so Huzzah!!! I don’t think I’m going to have the book out as early as I’ve had the last two out, but it will be out by mid-December at the latest. I’d like to be ready by November, but I’m not sure. We’ll see. So much time and so little to do — wait, scratch that. Reverse it.

:: Ksenia Anske on making sentences “turn”:

I was going to write you a whole whiny post on how I can’t sleep, and how writers and sleep are enemies, but my brain decided otherwise. I keep discovering new things every day, it seems, and this particular one helped me today in writing killer sentences. So of course I had to share it with you. Remember the post on having every sentence turn? Well, it’s even deeper than that. Turns out, a sentence can turn three ways, and it’s up to you which way you want to turn it, and according to the way you turn it, you can either rope your reader into suspense or have them relax. This is scary stuff. Scary powerful, I mean. It teaches you how to manipulate your reader, which of course is what we writers do. But I had no idea about this! And now that I know, I can’t write the way I used to anymore. I see it everywhere.

Very much worth reading! I confess that I do not understand all of it.

:: Sara Letorneau on doubt:

No writer (or anyone pursuing their dreams) is immune to the monsters of doubt. At any time during our process, we might lose faith in our story, our characters, even our own abilities. And when we do, the effects can cripple us, sometimes to the point of giving up.

I tend to…well, I can’t ignore doubt, but I note its presence and tell it to sit in the corner while I work. Mainly it’s because I genuinely don’t know how to do anything other than write.

:: Briana Mae Morgan on carving out time to write:

The thing about writing is that it’s almost never convenient. You never have time to write. Even when I worked from home, I found about a thousand other things to do besides writing. You do have to make time to write if you want to get serious about writing. Although the word “make” bothers me, because it’s more about finding the time. In today’s post, I’m sharing how I learned to use pockets of time to meet my daily writing goals.

I note that she references the new mobile version of Scrivener for iPhone and iPad devices. I gotta say…look, I’m a Scrivener fan and I use it faithfully now, but the fact that the Apple users get the really good stuff, despite being outnumbered by both Windows and Android users, kind of irritates me. Scrivener is not a huge project being developed by a company with deep pockets. I get it…but still. I want the good stuff, too!

:: John Scalzi on how we present ourselves in real life versus how we do so online:

Over on Facebook, a person who claims to have met and interacted with me (and he may have! I meet and interact with a lot of people) suggests that he wouldn’t want to associate with me because, among other things, there’s a difference between how I present myself online and how I present myself offline, which this fellow takes to mean that I say things here, that I wouldn’t say there. Which means, apparently, that I’m false/dissembling/a coward and so on.

Interesting. I wrote some months ago about my approach to social media, and I do find that I “present” differently in various spaces, owing more (I think) to the way the different communities function than out of any intent to mask aspects of my character or whatever. I mean, it’s pretty easy to follow some links and see other aspects of my character at play. I swear more on Twitter these days than I used to, and I’m unlikely to geek out in this space about Star Wars or my eternal fascination with bib overalls and/or pie throwing, but hey, that stuff is out there if you look around. Anyway….

:: Finally, I turned 45 the other day! Why not celebrate by buying a book?

If a writer can't push their books on their birthday, why have birthdays! #amwriting #indiebooksbeseen #indiebooks #sciencefiction #spaceopera

See you around the Galaxy!

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Thoughts on being 45

Hey, I’m 45.

Ayup.

But I had cake, so…ayup.

She must have died while frosting it! #cake #yum #happybirthdaytome

That’s all I got. Off to do stuff!

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Symphony Saturday

Alexander Borodin only wrote two complete symphonies and fragments of a third. In discovering this wonderful composer of late, I’m at the same time heartbroken at his relatively small output, but also amazed at its quality. This is a man who seems to have pulled in so many different directions in his life of only 54 years that he’s lucky to have got any work done at all, much less work this good.

Borodin’s Symphony No. 1 in E-flat was premiered in 1867, after Borodin spent nearly five years working on it, after his initial training by Mily Balakirev. The resulting work shows the seams of an inexperienced artist at work, and various critics have noted a debt to Robert Schumann in terms of style, but Borodin’s melodic gifts and knack for exotic color in his orchestrations is already evident.

Here is Borodin’s Symphony No. 1.


Next week, the Symphony No. 2.

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