Bad Joke Friday

In honor of the upcoming Olympics: I used to have a fear of hurdles, but I got over it.

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Something for Thursday

I heard a performance of this on the radio the other day, and since this is one of those “Hear it once and hum it for days and days” pieces, I just have to share it. It’s one of the most famous overtures of all time, even if the opera it opens isn’t performed very often. The overture is in four sections, and the third and fourth comprise two of the most famous passages of classical music ever, with the slow section often used to accompany pastoral imagery in film and teevee, and the final section…well, everybody knows what association eventually resulted there, don’t we?

Here is Rossini’s Overture to William Tell.

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In (partial) defense of SCORPION

So we’ve been watching a show called Scorpion lately. It just wrapped up its second season; we’re four or five episodes into the second year.

Scorpion is a techno-thriller show about a team of supergenius misfits who are all brilliant at something but who all lack social skills to one degree or another (and they’re led by Walter O’Brien, the guy among them who boasts both the highest IQ and the least amount of social acumen, and who is apparently based in part on a real guy), and their Homeland Security handler who manages their caseload and the local waitress from a diner who ends up helping the team to interact with people who are not supergeniuses. Together, this team – called “Scorpion”, hence the name of the show – addresses problems.

I’ve always liked this kind of story, the team-of-skilled-folk who put their skills together to accomplish amazing stuff and solve problems. I guess it goes back to The A-Team for me, although this style of story certainly goes back much farther than that; The Guns of Navarone is one such story, I suppose. Maybe Mission: Impossible! is as well. But this show’s most recent ancestor seems to be the wonderful Robert Redford-led ensemble caper flick Sneakers. The formula is always the same: each person in the team has a different skill set, and they are called upon in various ways to help out in the missions. You have the leader, the supergenius hacker; the supergenius psychiatrist; the math genius who is afraid of his own shadow; and the mechanical wizard who can do anything with a set of tools and whose main means of expression is harsh bluntness.

Scorpion is basically our current source of light, fun action entertainment. It’s not a great show, although I do sometimes get the impression that it could be, if it ever really homes in on its tone. The first season never quite got there, and my general impression was that the writers really needed to just let go an embrace the full-on potential their show and its characters have for some really gonzo geeky storytelling. Happily, they seem to be trending in that direction in the second season. There’s been some really gonzo stuff happen already, and hey, the second season gave us a slow-motion shot of Katherine McPhee in a wet t-shirt. (What can I say.)

So Scorpion’s not a great show, but it’s a fun show with some potential. I think it needs to delve even more into its wit and potential for comedy, and avoid the pitfall of getting too “dark and serious”, outside of maybe an episode or two, here and there, just to change things up. Scorpion is at its best when it uses humor along its way, and I hope the writers sharpen the wit as the show moves forward. They’ve already discovered the fact that with stories like these, once you establish what each character can do it’s cool to stick them in situations where one has to call on skills that another member of the team has.

Some other things Scorpion does well? For one thing, the cast is terrific. These aren’t great actors, by any means, but there’s a lot of chemistry here, which is important in a show about a team. You really do get the sense that these people all like and care about each other, even their gruff Homeland Security handler agent (played by Robert Patrick, the T-1000 himself).

For another, I like that Scorpion’s challenges are varied. Sometimes they have to do straight-up espionage, such as an episode in which they have to break into Cuba’s central bank; other times they have to help find a group of lost hikers in an area where wildfires are starting to sweep through. Each episode manages to come up with a different bunch of challenges, so thus far there’s not a real sense of formula yet.

Additionally, while there are serial elements to the show (and I do think that Scorpion is leaning too heavily on romance amongst the team members in this regard), so far there is not some big overarching mytharc story behind it all. I love that. There’s no “Who killed so-and-so’s parents” or any other slowly-unfolding larger story to Scorpion. There’s no “big bad villain” to be sought after over the show’s run, with BIG DRAMATIC DEVELOPMENTS in the major storyline coming in sweeps-month two-parters. We have a few budding romances, and an ongoing story involving hero Walter O’Brien’s dying sister. (As of this point in our viewing, she hasn’t died yet, but I know that she does go, soon.) In a time when every show seemingly has some continuing story behind its individual episodes, and in a time when those continuing stories often get drawn out to the point of nobody caring anymore (I’m looking at you, Mentalist, with your chase of Red John going on way past the point of giving a crap), it’s refreshing to see a show that really downplays its serial aspect.

Scorpion is mainly exactly what it sounds like: a fun, likable show that isn’t trying terribly hard to be more than that. And you know what? That is just fine.

And besides….

I know. I’m the worst.

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Finding time

People often talk about “finding” time to write, as if there’s a few minutes to be found under the couch, or “making” time to write, as if by sheer force of will we can make the next hour contain 69 minutes instead of the usual 60. I don’t much care for either notion. There is no more time for you than there is for me, and unless you’re incredibly fortunate, there are likely roughly as many demands on my time as there are on yours.

So no, you don’t “find” or “make” time to write. All you can do is use the time you’ve already got. I wish I had more time to write, but then, so do all who live to see such times. All we have to do is decide what to do with the time that is given to us. (Seems I’ve heard someone say something very like that before…hmmmm….)

John Scalzi put it all very bluntly a few years back, and I tend to agree strongly with him here:

So: Do you want to write or don’t you? If your answer is “yes, but,” then here’s a small editing tip: what you’re doing is using six letters and two words to say “no.” And that’s fine. Just don’t kid yourself as to what “yes, but” means.

Yes.

But still, lectures like that aren’t always the answer. Specific examples might be helpful, if you’re struggling to somehow pack more writing into your day. All of this involves tradeoffs. It involves concluding that some existing time-sinks in your life need to be adjusted, in terms of their priority, in order to squeeze something else in. In some cases, it might even involve making some painful decisions regarding things that you really like doing, so ultimately it all comes down to the question of just how much you like writing in the first place, and the only person who can answer that is you. These are the things that I did when I decided that it was time to shift from “I wanna write sometime” to “I’m gonna write NOW.” Some of it is about using time for writing; others are about maximizing the quality of my writing time.

1. Get up earlier. Unless you’re a morning person by temperament – and I am not – this one sucks. But I had to do it. I used to get up at 6:00 am to get ready for work (my shift starts at 7:30 most days, and I have a roughly 15-minute commute). I started getting up at 5:30, thus gaining an extra thirty minutes of writing time before work. Does it suck? Yeah, sometimes. I am not, as I note, a morning person. But the time’s gotta come from somewhere, and there are fewer demands on my time early in the day than later, so that’s when I’ve decided that I have to get some of the work done.

2. Write during lunch. In fact, that’s what I’m doing now! As I write this, it’s my lunch period. Now don’t worry, I’m not giving up eating. But what I’ve done is utilize the down time I get at work differently. My job allows me a 15-minute break and a 30-minute lunch period each day. I used to take the break in the morning sometime, and then lunch around 1:00. Now I take the break around noon, during which I eat (because quite frankly, it doesn’t take more than 15 minutes to eat), and I take the lunch period around 2:00 or 2:30, during which I exclusively write.

It helps that I have my own small work area with my own door, so I can get privacy, and it also helps that I have never much liked the atmosphere of “break rooms”, no matter what job I had. Am I missing out on some social time with coworkers? Maybe, but I get plenty of that anyway.

3. The crockpot is your friend. It really, truly is. Now, you don’t want to overdo it, but several nights a week it falls to me to cook, and sometimes it’s nice to have a meal option that doesn’t involve losing an hour or two to prepping and working over the stove. You can do wonderful things with a slow cooker, and it can really free up some good writing time. (This is also why God invented rotisserie chickens and frozen pizzas.)

4. Set a daily quota. I have been a firm believer in quotas for years, and I plan to go right on being a fan of quotas. Setting real, measurable goals and breaking them down into meaningful chunks is important to me, and it helps me feel like I’m actually making progress when I have those days when, as Stephen King puts it, I only feel like I’m “shoveling shit from a sitting position”. Make your quota high enough to be a challenge (it shouldn’t be easy), but low enough to be attainable.

This is where you have to know yourself and your level of likely useful productivity. Currently I’m enforcing a quota of 1200 words a day, because that’s what I feel I can reasonably achieve in a day while still leaving room for family, meals, showers, dog walks, reading, and other stuff. If you can write more than that with the time you’ve carved out for yourself, great! If less, then that’s fine, too. If you set a quota and find that you’re hitting it every day with ease, raise it. If you’re never hitting it, then lower it. A quota is a goal you set for yourself, and more than that, it’s a tool to help you be productive. A quota is not a stick to beat yourself with.

5. Know which days are good and which aren’t, and feel free to adjust quotas accordingly. Just because you have quotas doesn’t mean that they have to be the same every day. In my own life, with the routine we currently have, it turns out that Tuesdays are really bad for writing. More specifically, Tuesday nights are never good for writing, so if I want to hit quota on Tuesdays, I have to get out of bed and make it happen early. On the flip side I have Saturdays, which are almost always awesome writing days, so I allow myself a quota of 2000 words on Saturdays. Every day is not created equal!

6. When you hit quota, STOP. This is another thing I believe. There are days when it’s grossly tempting to plow past my quota and keep going until I double it, triple it, whatever it. I don’t think that’s a great idea, because I think it can lead me to raising my expectations for each day out, thus magnifying the shittiness of the shitty days, and it can make it easier to blow off a day when I’ve blasted quota to bits the day before. Along with my strong belief in daily quotas is an equally-strong belief in steady, consistent production. Binge-writing, in my experience, leads to days when I write nothing at all, and those days are poison to my writing-loving heart.

There’s an old adage in storytelling: “Always leave ‘em wanting more.” Well, I think it applies to writers, too: Always leave yourself wanting more!

7. Leave a note for the next session. This is something I started doing after I read Rachel Aron’s book 2k to 10k. It’s not so much “outlining”, but when I end a session “in the groove”, I always have a good idea of what’s to immediately follow. Since sometimes twenty-four hours can pass before the next session, I find it hard to jump back in with the same enthusiasm with which I finished the day before. I do some hemming and hawing as I try to recapture a thought process that ended a day before, and in this way I lose valuable time.

So when a session ends, I try to leave myself a note – two or three sentences is enough – telling me where I’m going next. It makes hitting the ground running the next day a lot easier, and when time is of the essence, hitting the ground running is pretty important.

Let’s see, what else? Some folks swear by apps that disable their Internet access or other such efforts to make their work distraction-free. I do not do this. I can get distracted by the Internet as much as anyone, but I’m pretty good at cranking away without needing distractions when I get myself going, and my whole writing practice is designed to make it as easy as possible to get into that zone. About the only thing I like to do in terms of reducing distractions is using Scrivener’s fullscreen writing environment, and even that sometimes I eschew, since I like to keep two panes open, one with the manuscript and one with my character notes or some other info file.

So that’s how I maximize the time I have in order to get the most work done. How about you all? Let me know your tricks for getting productive!

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Bad Joke Friday

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Something for Thursday

When you’re a trumpet player, sooner or later you come up against the Concerto for Trumpet and Orchestra by Haydn. It’s one of relatively few notable solo works for the instrument between the Baroque period and the modern years; it’s by one of the great composers; and it’s a fine piece in its own. There are technical reasons why the trumpet didn’t really take off as a melodic instrument until after the invention of valves in the 1820s or so (Haydn’s own concerto was written for a keyed trumpet, which was a faulty kludge of an instrument that never really took off), but it’s disappointing that none of the great Romantic composers ever saw the instrument as a vehicle for solo work.

Here is a performance by Adolph Herseth playing the solo part. Herseth (one of my great musical heroes) was not a soloist by temperament, but you can hear his amazing skill on full display here.

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The Terrible Dee-oh-gee

Cane is a terrible dog. I know he doesn’t look like a terrible dog, but he is.

Sometimes a brief respite in the grass is nice. #Cane #DogsOfInstagram #greyhound #KnoxFarm #EastAurora #wny

Today when I got home from work, he was outside with The Wife as she was hanging laundry on the line. I came outside and he did the whole “Yay! You’re home!” thing, and then he ran a bit and did his business in the corner out by the fence and ran some more and pressed up against me for pets and ear-rubs and all that sort of jazz. Then he went back inside, and I came in with The Wife. We chatted a minute or two about our days, and then I noticed Cane standing near the refrigerator. See, when he comes back inside from doing something, often times he’ll get a dog biscuit. Not always, but probably most times. We keep the biscuits atop the fridge. So I noted him standing there grinning at me, and I fetched him a biscuit, which he happily took off to his bed and munched on.

Whereupon The Wife starts laughing and says, “He just totally played you.”

I asked, “What are you talking about?”

And she replies, “I gave him a biscuit two minutes before you did! He just had two biscuits in two minutes!”

I looked at Cane, shocked at his conniving behavior. He seemed unmoved by my outrage.

And that is why Cane is a terrible, terrible, terrible dog.

Cane connived me into giving him his second biscuit in two minutes. Because he's a weasel. #Cane #DogsOfInstagram #greyhound

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Get thee behind me, June!!!

So June is over and we’re into July, which means it’s time to take a look at the month gone past in terms of writing, and offer some other news items of note, first from my part of the world and then from other writers!

:: Numbers? We got ’em!

Final June #amwriting tally. 'Twas a bit of a rocky month!

The main project was drafting the second “GhostCop” novel, and in those terms, June was productive, but not greatly productive. It was not a bad month from a writing perspective, not bad at all. It wasn’t great, either. I basically made my targets and that’s about it. There’s nothing wrong with that. There were some days when the writing was harder than others, especially one stretch toward the end of the month when external-world concerns piled on to make writing especially difficult. Basically, The Wife had to work a number of very early-in-the-morning shifts, which screwed up everybody’s sleep schedules. I’m not super militant about needing my eight hours a night, but 4.5 to 5 hours for three or four consecutive nights increasingly takes its toll on me. But I soldiered through and still managed to average over 1000 words a day for June.

I also only had one zero-word count day, but on that day I sat down and did some “prep” work, making some notes about characters and ironing out the backstory that comes into play in the book’s third act and generally nailing down what all the various conflicts are in the book. There are more moving parts in this story than I had originally expected, but it should all play out in a pretty explosive way toward the end. At least that’s the current hope! As I write this (July 2, but it will appear on July 5), I have finished drafting the first act of the book and am on to the second. I hope to have the draft done by the end of August.

:: The focus this fall, starting in September, will be the publication prep for GhostCop Book One and Amongst the Stars, both of which will appear this fall. Hooray!

:: But I’ll also be starting another series of space opera adventures! I’ll say more about this as time passes, but it’s set in the Forgotten Stars universe. The stories will likely not intersect in any meaningful way; I’m setting them in the same universe mainly because I want to use the established world-building I already have in place. As Lt. Uhura once pointed out on Star Trek, “It’s a big galaxy!” So I might as well keep playing in it. I ‘ve been doing some plot-noodling and generating information on my characters, because this is going to be a Firefly kind of adventure series, with a spaceship and her intrepid crew having exploits. And I’ve even been sketching the ship! Move over, Millennium Falcon! Take a back seat, Serenity! Meet Orion’s Huntress, soon to be one of the iconic ships in all science fiction!

Spaceship for an upcoming space opera series I plan to write! (The ship's tentative name? Orion's Huntress.) #spaceopera #SpaceshipsAreAwesome #amwriting

:: Nifty blogger and writing cohort Faith Rivens recently read both Stardancer and The Wisdomfold Path, and she graciously reviewed both, here and here, respectively. Check them out! And then read the books, because they’re good! Other people say so!

:: A few months ago I first heard the term “bullet journal”. This has nothing to do with firearms. It’s a specific way of using a journal to enhance your daily like and productivity. Blogger and writer Coryl O’Reilly explains.

:: Ksenia Anske on taking long breaks between drafts. I absolutely believe in doing this. I wait at least three months between first draft and first manuscript markups, and most times I wait even longer than that. Distance makes seeing the flaws easier.

:: It’s required by law that I link this, so here it is: George RR Martin and Stephen King sit down and chat.

It’s a grand world out there, Writerfolk!!!

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Two Hundred Forty

Happy birthday, America!

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Sparing no expense for the Prez

I look at this photo and I think one thing:

P091109PS-0503

“Two buckets and a board? Really? The PRESIDENT is coming to see what we’re doing and we can’t splurge on a friggin’ STEPLADDER?!”

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