Bad Joke Friday

A lycanthrope transforms in front of his friend for the first time.

“Oh my god,” says his friend, “You just turned into a wolf.”

“Yes,” he replies, “I am a were.”

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Something for Thursday

This movie seems rather forgotten nowadays, even though it won Best Picture over Saving Private Ryan. This is legendarily due to some serious politicking done by Miramix in this movie’s favor, but frankly, I’ve always liked it more than SPR, whose reputation seems to me to rest on the strength of one remarkable sequence that is surrounded by some fairly routine storytelling.

Here is a suite of music from Shakespeare In Love. I’ve listened to this a bit while writing Seaflame! (formerly Lighthouse Boy), because part of that book involves acting and theatrical troupes, and because it’s just lovely music.


(By the way, here’s an update on my writing progress of late!)

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The last full measure of devotion

An annual repost.

Tomb of Unknown Soldier


Know, all who see these lines,
That this man, by his appetite for honor,
By his steadfastness,
By his love for his country,
By his courage,
Was one of the miracles of the God.

— Guy Gavriel Kay

“The Green Field of France”, by Eric Bogle

Well, how do you do, young Willie McBride,
Do you mind if I sit down here by your graveside?
And rest for awhile ‘neath the warm summer sun,
I’ve been walking all day, and I’m nearly done.
I see by your gravestone you were only 19
When you joined the great fallen in 1916,
I hope you died quick and I hope you died clean
Or, Willie McBride, was it slow and obscene?

Did they Beat the drum slowly, did they play the fife lowly?
Did they sound the death-march as they lowered you down?
Did the band play The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

Did you leave a wife or a sweetheart behind
In some faithful heart is your memory enshrined?
And, though you died back in 1916,
To that faithful heart are you forever 19?
Or are you a stranger without even a name,
Enshrined then, forever, behind a glass pane,
In an old photograph, torn and tattered and stained,
And faded to yellow in a brown leather frame?

Did they Beat the drum slowly, did they play the fife lowly?
Did they sound the death-march as they lowered you down?
Did the band play The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

The sun’s shining down on these green fields of France;
The warm wind blows gently, and the red poppies dance.
The trenches have vanished long under the plow;
No gas and no barbed wire, no guns firing now.
But here in this graveyard that’s still No Man’s Land
The countless white crosses in stand mute in the sand
To man’s blind indifference to his fellow man,
And a whole generation who were butchered and damned.

Did they Beat the drum slowly, did they play the fife lowly?
Did they sound the death-march as they lowered you down?
Did the band play The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

And I can’t help but wonder, no Willie McBride,
Do all those who lie here know why they died?
Did they really believe when they answered the call,
Did they really believe that this war would end wars?
Well the sorrow, the suffering, the glory, the pain
The killing and dying, was all done in vain,
For young Willie McBride, it all happened again,
And again, and again, and again, and again.

Did they Beat the drum slowly, did they play the fife lowly?
Did they sound the death-march as they lowered you down?
Did the band play The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

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DEE-YOU-ENN

I haven't been posting much because I'm THIS CLOSE to finishing the first draft of SEAFLAME, Book One. TODAY I FINISH WRITING THE THING, fellow writer-warriors!!! #amwriting

My intent has been to post here at least once a week, but obviously that hasn’t happened lately, and the reason is my usual one: I’ve been really focused on cranking out the words on SEAFLAME!, and guess what! Today I finished the first draft!

So…how did it come out in the end? Well:

It. Is. DONE. [thud] #amwriting

I’m not gonna lie, folks: while I gave myself permission to write a long book, mainly because I wanted to write a long book, I didn’t quite expect it to be this long! That’s a lot of words. It’s about 60,000 words longer than Stardancer‘s first draft, about 50,000 longer than The Wisdomfold Path‘s, and it’s about 30,000 longer than what was my longest book to date yet, Amongst the Stars. Plus, this is only the first book in a duology, and I plan to take a break from this project before I draft Book II, so it’ll be a while before this book sees the light of day beyond my own eyes. Sorry, folks, that’s just the way of it. But I will say this: I think I’ve done some really nifty work here, if I do say so myself. Certainly there’s some very strong character writing, and I look forward to seeing how it’s received!

SEAFLAME! is my Dumas-inspired adventure novel, and it’s a “fantasy” by virtue of taking place in a completely imaginary world, and there is no magic in it at all. It was a lot of fun to write, and I’m really glad to have a draft complete, because this is a project that I’ve started three times already. Third time was the charm, though!

So what’s next? Ghostcop II (more on Ghostcop to come in the next few months), and then the first draft in a new space opera series (which will be set in the same universe as The Song of Forgotten Stars, but the stories won’t intersect), and then either SEAFLAME! Book Two or Forgotten Stars IV. I like having my work planned out way in advance. Almost makes me feel like a real writer!

Onward and upward! Zap! Pow! #AmWriting

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Symphony Saturday

This work may not even actually be a symphony, but I’m featuring it nonetheless, because for a time Nikolai Rimsky-Korsakov actually did consider it a symphony (his Symphony No. 2), before redubbing it a “symphonic suite”, called Antar. His inspiration here was an Arabian story about a man named Antar who saves a gazelle from a bird of prey, and when the gazelle turns out to be a magical Queen, she decides to reward him by showing him the three greatest joys of life (vengeance, power, and love). Rimsky-Korsakov had a love of Asian and Eastern European myths and tales, which most notably manifested in his masterpiece Scheherazade, but Antar is also a fascinating listen, whether it’s a symphony or not.

Here is what might be Rimsky-Korsakov’s Symphony No. 2…or what might not be his Symphony No. 2.

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Bad Joke Friday

Oh those wild, wacky Russians of yore!

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Something for Thursday

A selection from Trevor Jones’s score to the teevee movie Merlin. This was made when filmed fantasy was just starting to make its big comeback, a couple of years before The Lord of the Rings, and it’s actually not a bad production, if a little dated in some respects. Trevor Jones’s music, however, is terrific.

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Go look at this!

Want to see a really neat photo of a flower? Sure you do!

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Mugging!

One of my more esoteric fascinations is with Toby mugs and jugs. These are mugs or pitchers or other vessels worked into the detailed likeness of a person, usually just the head if it’s a mug, but featuring the entire body (usually seated and holding a pitcher or drinking vessel of their own) if it’s a jug. The Wife doesn’t get the appeal, but I think they’re great. This falls in, of course, with my long-noted love of drinking vessels of all types, from mugs to glassware to ceramic flagons to waterskins to, well, you name it.

I first discovered the existence of Toby mugs in, of all places, a cookbook by Jeff Smith (aka, The Frugal Gourmet), which focused on cooking at Christmastime. There’s a photo in that book of a table laden with Christmas fruitcakes and puddings, with a couple of Toby mugs off to one side. Presumably this is because Toby mugs originate in Victorian England, and according to Smith, heavy puddings and cakes such as are served at Christmastime (in properly Dickensian dinners, I suppose) are English in genesis. He notes in the caption that “Toby mugs traditionally held sauces for the table at Christmas.” I have no idea if that’s accurate or not; I just loved the visual of these head-shaped mugs on the table.

Longtime readers may remember that I bought this handsome guy some years ago, at a local antique place that has since gone out of business.

Toby mug V: I've had this guy for several years, but for completeness's sake, here he is! #antiquing

I love that guy! He makes a good place to display my pocket watch, too!

Flash-forward to the other day, when I traveled with my sister to an antique place near Rochester, NY, and there I found (among other cool things) these four mugs! In one trip, I quintupled my collection!

Robin Hood (note that the mug handle is his bow):

Toby mug II: Robin Hood. Note his drinking horn and that his bow is the mug handle! #antiquing

Don Quixote:

Toby mug I: Don Quixote. My wife makes fun of them, but I love these things. #antiquing

Then two which were not identified, both of which were marked “as is” and both of which sold for five bucks together. I don’t know why; the only blemish I can find is a very small crack in the sad-looking fellow, and since I don’t plan to use these as drinking or serving vessels, the crack doesn’t do anything against the display qualities.

Tobh mug III: I don't know what he's supposed to be, but his handle is a key. Maybe some secretive cleric, protecting a secret? #antiquing

Toby mug IV: No idea who he is, either, but he was marked 'as is' and sold for two bucks. He has a tiny crack in his crown, but as I'm not using these for liquid distribution, I thought I'd give him a bookshelf to hang out on for two bucks. Something abou


Wow, that lower fellow is sad-looking indeed! I wonder what his story is. Anyway, it was fun to scratch that itch for a while. Will I get more? Maybe! But not for now.

(Wondering about this odd bit of drinking-vessel ephemera? Well, as further evidence that for any given thing there is a museum devoted to it somewhere, it turns out that there’s an American Toby Jug Museum in Chicago! This just blows my mind.)

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Symphony Saturday

Apologies for missing this feature last week! Last Saturday was a really hectic day that didn’t afford me a real chance to sit down and go Whew! until rather late, at which point I was still facing my daily writing quota, so that’s what happened. But let’s get back into the swing, shall we? Last time I alluded to a major Russian waiting in the wings, and here’s a major Russian, just not the one I was referring to. I’m talking to day about Nikolai Rimsky-Korsakov, of whose symphonies I wasn’t even aware until just last week.

His first symphony is a student work of sorts, and in honesty, it rather feels like a student work. He makes use of Russian folk melodies throughout, but his orchestration is right out of the German tradition, and the composer even admitted heavily relying on Berlioz’s Treatise on Orchestration (one of the classic texts on the subject, to this day) and the advice of his teacher, Mily Balakirev. Of course, Rimsky-Korsakov himself would mature into one of the greatest orchestral colorists of all time, but that was still in his future.

Here is the Symphony No. 1 in E minor, by Rimsky-Korsakov.

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