Yes, that’s right: NaNoWriMo (National Novel-Writing Month) is just around the corner! It’s that wonderful time of year when thousands of writers around the world spend their Novembers chasing the goal of averaging 1,667 words a day. I will be participating for my FIFTH consecutive year. My record is two-and-two (I made a game effort last year, but I fell short due to our NYC trip at the end of the month, and I have a lot of trouble feeling guilty about that). I wrote this post for Byzantium’s Shores a couple of years back, conveying my advice for achieving NaNoWriMo success, and while certain facts in the post have changed (i.e., what I’m working on this year), the advice has not, so here it is! I’ve edited it a little to reflect where I am this year.

National Novel Writing Month, or “NaNoWriMo” as it’s usually called, starts on November 1. This will be my fifth time doing it, and I can’t wait! My project this year is a science fiction, space-opera novel I’m not-actually-calling Lightning Bug. My project’s official NaNoWriMo description is as follows:

The all-female ragtag crew of the spaceship-for-hire Orion’s Huntress seems to always find a way to bite off more then they can chew, or get in over their heads, or find themselves up the creek without a paddle…and yet, with pluck and guile and a bit of blaster-fire, they manage to keep flying! In this story, they take on an urgent job and a mysterious passenger with her own agenda….

This is the first novel set in a new series that takes place in the same universe as my Forgotten Stars novels (the third of which to be published this December).

NaNoWriMo isn’t really about finishing. It can be, but my experience is that it’s more about the work. It’s about setting a high goal and working toward it, relentlessly, and with some camaraderie that can’t always be found in real life. Fifty thousand words in one month is absolutely doable, but it’s also not the easiest target to reach if you’re not used to it, and it’s particularly devilish that the challenge comes in a month with only 30 days and one of the major holidays of our year. (Well, for now, anyway, since we seem hell-bent as a culture on making Thanksgiving about as relevant a holiday as Columbus Day, but that’s a rant for another time.) NaNoWriMo is about producing a big chunk of work, regardless of worrying about if it’s good or not. So, in that vein, if you’re considering participating in NaNoWriMo this year, here are my thoughts on how to best approach it for success:

1. Know what you’re going to write.

Have your mind made up so as soon as you sit down at the keyboard on November 1, you can charge out of drydock, thrusters on full. Don’t sit down at the keyboard and then try to decide what story you’re going to tell.

Now, “Know what you’re going to write” has some wiggle-room. I’m the type of writer called a “pantser”, meaning, I write by the seat of my pants. I don’t outline entire novels prior to writing, and if I do any outlining at all, it’s merely a scene or two in advance just so I can work out the timing and sequence of events in my head in the very near term. Other than that, I rarely have any great idea where the story is going.

Perhaps, however, you’re an outliner. You like to have a detailed outline ready to go, or maybe you like to figure out your characters in gory detail prior to writing. Lots of writers spend lots of time doing this kind of prep work — outlines, character sketches, that sort of thing — and if you’re one of them, have as much of that done as possible before November 1. November is not a time for prep work, if you’re doing NaNoWriMo.

2. Choose your style, and the simpler, the better.

Remember, NaNoWriMo is about producing a lot of words in a specific timeframe. Therefore, it’s not really the best time in the world for experimenting with your literary style. If your default style is toward the florid but you’ve had a hankering for writing a crime novel in a kind of Dashiell Hammett style, maybe November isn’t the right time. Likewise, NaNoWriMo really is not the time to write your near-future dystopian tragedy in rhyming Iambic pentameter.

3. Give your internal editor the month off.

Again, you’re looking to cover a lot of ground in November. You can edit later. There just isn’t time for revision, unless you realize that your story has gone well-and-truly off the rails and that you simply must backtrack to Albuquerque so you can take that left turn you missed. If you have to do this, fine, but don’t delete the work you’ve done. Leave it in there. Move it to the end of the file, past a couple of page breaks, but those words are still work you did. When it comes time to verify your wordcount at the end of the month, all Na NoWriMo will do is count your words. Nobody is going to read your work to make sure it’s coherent.

So: if you really have made a story error, by all means, go back and take another stab at it, without deleting what you’ve already produced. Generally, though, NaNoWriMo is not the time to try and make every sentence sing and put every word in its exact place.

4. Know when you are going to write.

This might actually be the most important thing. If you’ve been noodling around with writing for a long time but new to the crunch of NaNoWriMo, you’ll likely be very surprised at the amount of work and time involved in producing 1667 words in one day, much less every day for thirty days. Plan your writing time, right from Day One. It’s important. Know when you are going to write. If you normally get up at 7:00 every morning, maybe get up at 6:15 and write until seven. If there’s usually an hour after dinner when you’re unoccupied, set that aside for writing. On Sundays, maybe join the football game in progress after 2:00 instead of insisting on watching the whole thing. You have to budget your time, because while the NaNoWriMo goal of 50000 words in thirty days is doable, falling behind is also very doable, and getting caught up once you’re behind by even a day or two is a lot less doable. Make every effort to start the month ahead, so that if you need to take a day or two later on to produce less than 1667 words, you can afford it.
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It’s good that this year NaNoWriMo starts on a Saturday (unless, of course, your job doesn’t give you Saturdays off). Getting off to a strong start is essential, and with two weekend days to launch, the schedule is quite conducive to it. Take advantage! Don’t tell yourself that you can make it up with a couple of 5000 word marathon sessions at some point, because quite frankly, you won’t.

What NaNoWriMo really helps is to train the brain — mindhack, if you will — to see writing as a job that can be approached in discrete chunks, as opposed to some mystical process driven by the capricious magic of some Muse. Believe me, there’s enough magic and mystery in writing already, so it can also be seen as a job where a daily word count is similar to a pro painter’s “Get this many square feet of the wall painted today”.

5. Have some music preselected and ready to go.

If you’re the type of writer who likes music as you work, figure out what your music is going to be. Make your playlist. Select some albums. I write to music, and I like to pair my work to my listening. Writing a fantasy swashbuckler? Here are some suggestions! I’ll also be producing a post at some point about music for writing space operas.

And make sure your music is accessible. Figure out what’s available on Google Play or whatever streaming service you use. Figure out what’s available on YouTube. Load some music onto your phone, for if you’re writing someplace without an Internet connection. If you’re old school, make a stack of CDs or vinyl. It’s all part of creating your writing mood, and getting in that mood quickly.

6. Don’t let friends and family guilt you about your focus this month.

Luckily, this has never been a problem for me, but I know it has for others (there’s a long thread about it on one of the NaNoWriMo message boards). If anyone gives you shit about writing, be firm in claiming this time for yourself. If they press, tell them that you have set a personal goal for yourself and you are working toward it. Would they guilt you if the goal you set was, say, running a marathon and you were doing a lot of training? I’m guessing not. Well, it’s the same thing. A personal goal that needs met is still a personal goal, no matter what. And if the other person is mocking of your personal goal? Well…I can’t really offer advice there, except to note that mocking someone’s goals, dreams, and efforts to make those things come true isn’t really something that should be endured from a “loved” one.

7. Interact with other people pursuing the same goal!

NaNoWriMo is a fairly big deal. The website has a lot of separate forums, from genre forums to forums for people of similar age groups to regional forums so you can connect with people in your area. Some areas even have “meet-ups”, where you can actually go and hang out with other writers who are having their own sessions. I’ve never done that (in this area, the meet-ups always seem to be held in the Northtowns, which is a bummer), but I wouldn’t mind someday. Find NaNoWriMo people on whatever social media you use — Twitter and Instagram have a lot of them — and share thoughts and success stories and kudos and cheers and vexing frustrations. Writing can be lonely, but it doesn’t have to be.

8. Don’t lose the story.

It’s about telling a story, after all. So go ahead and tell it!

(Oh, and my user name is Jaquandor, for those who want to “buddy up” or whatever it is they call it.)

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Hey there, folks! Time for a few thoughts on…stuff. (Wow, I is articulate.)

:: In the current WIP, I have reached what I think is roughly the halfway point. I hope so, anyway — I would really like to be able to finish this work in October and get right onto the next thing in November for NaNoWriMo.

To that end, I am shifting from my “pantsing” approach to “plotting”. I have noticed, during the last several WIPs, that I’m slowly adopting a hybrid approach to the age-old question of whether I plot things out or write by the seat of my pants. It seems that I start off writing by the seat of my pants, merrily getting my characters into a bit of a pickle, and then I step back and start plotting as I figure out how they get out of said pickle. This seems to be paying the most dividends as I write.

When I get to the plotting stage, this is when I step away from the computer and whip out the pads and pens. Plotting on paper feels good, and the act of writing longhand a bit — even if it’s notes and rough-sketch stuff — lends a different feel to the proceedings. I’m a big fan of changing up the routine a bit, once in a while. It keeps the entire enterprise fresh.

And if anyone’s wondering, there’s a reason the word in caps in my notes above is DEATH. This particular story does not turn out well for most of the participants.

:: I’m starting to get notes back from Beta Readers and proofreaders for FORGOTTEN STARS III, so Huzzah!!! I don’t think I’m going to have the book out as early as I’ve had the last two out, but it will be out by mid-December at the latest. I’d like to be ready by November, but I’m not sure. We’ll see. So much time and so little to do — wait, scratch that. Reverse it.

:: Ksenia Anske on making sentences “turn”:

I was going to write you a whole whiny post on how I can’t sleep, and how writers and sleep are enemies, but my brain decided otherwise. I keep discovering new things every day, it seems, and this particular one helped me today in writing killer sentences. So of course I had to share it with you. Remember the post on having every sentence turn? Well, it’s even deeper than that. Turns out, a sentence can turn three ways, and it’s up to you which way you want to turn it, and according to the way you turn it, you can either rope your reader into suspense or have them relax. This is scary stuff. Scary powerful, I mean. It teaches you how to manipulate your reader, which of course is what we writers do. But I had no idea about this! And now that I know, I can’t write the way I used to anymore. I see it everywhere.

Very much worth reading! I confess that I do not understand all of it.

:: Sara Letorneau on doubt:

No writer (or anyone pursuing their dreams) is immune to the monsters of doubt. At any time during our process, we might lose faith in our story, our characters, even our own abilities. And when we do, the effects can cripple us, sometimes to the point of giving up.

I tend to…well, I can’t ignore doubt, but I note its presence and tell it to sit in the corner while I work. Mainly it’s because I genuinely don’t know how to do anything other than write.

:: Briana Mae Morgan on carving out time to write:

The thing about writing is that it’s almost never convenient. You never have time to write. Even when I worked from home, I found about a thousand other things to do besides writing. You do have to make time to write if you want to get serious about writing. Although the word “make” bothers me, because it’s more about finding the time. In today’s post, I’m sharing how I learned to use pockets of time to meet my daily writing goals.

I note that she references the new mobile version of Scrivener for iPhone and iPad devices. I gotta say…look, I’m a Scrivener fan and I use it faithfully now, but the fact that the Apple users get the really good stuff, despite being outnumbered by both Windows and Android users, kind of irritates me. Scrivener is not a huge project being developed by a company with deep pockets. I get it…but still. I want the good stuff, too!

:: John Scalzi on how we present ourselves in real life versus how we do so online:

Over on Facebook, a person who claims to have met and interacted with me (and he may have! I meet and interact with a lot of people) suggests that he wouldn’t want to associate with me because, among other things, there’s a difference between how I present myself online and how I present myself offline, which this fellow takes to mean that I say things here, that I wouldn’t say there. Which means, apparently, that I’m false/dissembling/a coward and so on.

Interesting. I wrote some months ago about my approach to social media, and I do find that I “present” differently in various spaces, owing more (I think) to the way the different communities function than out of any intent to mask aspects of my character or whatever. I mean, it’s pretty easy to follow some links and see other aspects of my character at play. I swear more on Twitter these days than I used to, and I’m unlikely to geek out in this space about Star Wars or my eternal fascination with bib overalls and/or pie throwing, but hey, that stuff is out there if you look around. Anyway….

:: Finally, I turned 45 the other day! Why not celebrate by buying a book?

See you around the Galaxy!

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