Not much.

(Remember in Ghostbusters when Venkman says, “Cats and dogs, living together — MASS HYSTERIA!!!”? He never met our crew.)
The Wife and I have become big fans of the Alton Brown-hosted cooking competition show Cutthroat Kitchen, and not just for its gonzo competition stuff but because it also has actually broadened our food horizons a bit, whenever the challenge dish is something we haven’t heard of before. Such an example came up a few weeks ago, when Brown tasked his competitor chefs with making a dish called shakshuka.
Being unfamiliar with the dish, I googled it and discovered that it’s a dish of Middle Eastern origin, in which a rich tomato sauce is made and then eggs are poached on top of it. I was intrigued by this on a number of levels: I love eggs, I love tomato sauce, and I love Middle Eastern cuisine, and when I started looking at recipes, I realized that this dish is well within my ability to cook. So cook it I did! I used this recipe from Epicurious.com, and…the results were mixed.
We enjoyed the dish more than enough to put it on the “Make it again!” list, but there were some areas of concern. First, the recipe calls for way too much salt, so I’ll be correcting this massively when I make the dish again. Second, the recipe’s stated cook-time for the eggs was too long to our taste, resulting in hard-cooked eggs. I’m not sure if we want runny eggs, but hard-cooked was a little too much. But still: for a first-time-attempt, the dish turned out well and I’m looking forward to trying it again.
Here’s my finished product:

(Oh, and I omitted the bay leaf, because seriously, f*** bay leaf. Those things are useless.)
I found this poem in the collection Good Poems for Hard Times, edited by Garrison Keillor. It’s a moody poem, not at all optimistic, as it hinges upon an unmet person at an awful time in their lives. It casts Ithaca as a cold, bleak place — and assuming that the author means Ithaca, NY, this is not my experience at all, but there’s nothing about my experience that trumps another’s. And besides, perhaps author Leonard Nathan isn’t actually referring to Ithaca, NY but calling back to the mythic Ithaca of Odysseus and his long journey home.
Toast
by Leonard NathanThere was a woman in Ithaca
who cried softly all night
in the next room and helpless
I fell in love with her under the blanket
of snow that settled on all the roofs
of the town, filling up
every dark depression.Next morning
in the motel coffee shop
I studied all the made-up faces
of women. Was it the middle-aged blonde
who kidded the waitress
or the young brunette lifting
her cup like a toast?Love, whoever you are,
your courage was my companion
for many cold towns
after the betrayal of Ithaca,
and when I order coffee
in a strange place, still
I say, lifting, this is for you.
An unabashed love poem by Christina Rosetti. This is one of the more heartbreaking poems I know, because it unflinchingly stares at the certainty that all love must end, and that the inevitable ending provides those left behind with terrible choices about how to approach memory.
Remember
by Christina RosettiRemember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more day by day
You tell me of our future that you plann’d:
Only remember me; you understand
It will be late to counsel then or pray.Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.
All right, we got a barn-burner here. Seriously, you’ll be needing good speakers and you’ll be wanting to turn them UP, especially for the last movement. Today it’s the Symphony No. 3 in C minor by Camille Saint-Saens, better known as the “Organ” Symphony. This is one of the great warhorse-works in all classical music, and there’s a reason for that.
This symphony is, quite simply, awesome. It’s amazing. With all respect (well, some respect, anyway) to Tchaikovsky’s 1812 Overture, this symphony is the musical equivalent of a fireworks show. Maybe not all the way through, obviously — it opens with an ethereal chord followed by a meditative passage before the tempo quickens, and there’s a wonderful slow movement, but when that final section arrives, with that first gigantic chord in the organ, well, that’s when the clouds disperse.
I first heard this work in excerpt form at EPCOT, of all places, as parts of it are used (along with other French works) in the Impressions de France film in the French pavilion. I bought a recording of the symphony within months, and it has been a favorite piece of mine ever since. In fact, my college roommate and I used to use the last movement as background motivational music whenever we were getting dressed for a band or orchestra concert (we were in both). Toward the end, when the entire brass section gets to just let it all loose, the effect is one of the most thrilling in all of classical music.
The Organ Symphony was written in 1886 for the Royal Philharmonic Society in London, although Saint-Saens dedicated the work to Franz Liszt after that great composer’s passing. The Symphony’s structure is slightly odd: it seems like it’s in four movements, but the first two movements and the last two are played without break, so in reality, the work is in two sections. It’s easier to refer to the four movements, though, so that’s the convention I follow here.
Here is the Organ Symphony by Camille Saint-Saens. And seriously, turn this thing up — and check out the timpanist in the symphony’s closing seconds. That guy is getting every ounce of pleasure out of every single drumbeat!
I saw that writer A B Keuser writes a monthly post highlighting the previous month’s productivity, and that struck me as a good idea, so here’s how my month of March went! Some of this has been covered by my update post from the other day, but here are some actual numbers:

Note that when I forget to enter a day’s total, those words get added up anyway the next time I remember to update the spreadsheet, so the average is always accurate. None of those zeroes indicates a day in which I wrote nothing. Aside from wrapping February up with the flu, I haven’t failed to write at all in quite a few months. Yay, me!
On the editing front: Forgotten Stars III has been harder to edit than the previous two, because I’m finding some glaring character issues and some structural problems with the third act that all require some heavy lifting. The bad character stuff (basically, I had a character act very “not himself” in the original draft, trying to create a “Has he switched sides for real?” suspense, but when re-reading the draft, I realized that not only did it not work, it was conceptually awful, so out it came) is gone, but now I’m face-to-face with the troublesome stuff in Act III. I want to have this book to beta readers this month, so I’ve got some real work to do.
Also, I spent the first two months of this year being very sporadic on the blogging front, and I’m trying to get back in the habit of blogging regularly. I want to post something here at least once a week, and I’ve been posting a lot of stuff to Byzantium’s Shores and to Driftwood Upon the Bosporus, so I’m getting better there.
It’s also looking increasingly like I will attempt vlogging soon, so I’ve been writing notes for that and doing some tech testing. And I even wrote a little comedy sketch about the dangers of procrastination for writers that a friend and I will be filming when the weather here in Buffalo Niagara actually improves (we’ll be shooting outside and the sketch involves me getting a pie in the face), so there’s that. Busy month!
Let’s see what April brings!

(I posted that photo in various social media on April Fools Day, and it makes me happy, so it’s here, too.)
I was going to spend a little time this morning selecting a poem for today…and then I saw this on Tumblr. It’s a poem by Neil Gaiman, illustrated by an artist named Chris Riddell. Since Gaiman himself posted it on Tumblr, which is a sharing-based platform, I’m guessing it’s OK to share it here.
April is National Poetry Month! And every year I forget about it completely, not realizing that we’re in the midst of National Poetry Month until April 19 or some such thing. Well, not this year! My goal is to post a poem each day this month. Some will be longer than others, some will be serious and some not, some will be love poems and some not. Who knows? My goal is to spend a month exploring some poetry. I’m a firm believer that writers should read poetry in order to get a sense of what can be done with language, and to learn other ways of expressing ideas.
Since today is April Fool’s Day, here’s a poem that has some of that April Fool’s kind of punch, in that the first time you hear it, you think it just has to end a certain way…and then it famously doesn’t. (Also, baseball’s regular season starts on Sunday! Go Pirates!)
Casey at the Bat
by Ernest Lawrence ThayerThe outlook wasn’t brilliant for the Mudville nine that day:
The score stood four to two, with but one inning more to play,
And then when Cooney died at first, and Barrows did the same,
A pall-like silence fell upon the patrons of the game.A straggling few got up to go in deep despair. The rest
Clung to the hope which springs eternal in the human breast;
They thought, “If only Casey could but get a whack at that—
We’d put up even money now, with Casey at the bat.”But Flynn preceded Casey, as did also Jimmy Blake,
And the former was a hoodoo, while the latter was a cake;
So upon that stricken multitude grim melancholy sat,
For there seemed but little chance of Casey getting to the bat.But Flynn let drive a single, to the wonderment of all,
And Blake, the much despisèd, tore the cover off the ball;
And when the dust had lifted, and men saw what had occurred,
There was Jimmy safe at second and Flynn a-hugging third.Then from five thousand throats and more there rose a lusty yell;
It rumbled through the valley, it rattled in the dell;
It pounded on the mountain and recoiled upon the flat,
For Casey, mighty Casey, was advancing to the bat.There was ease in Casey’s manner as he stepped into his place;
There was pride in Casey’s bearing and a smile lit Casey’s face.
And when, responding to the cheers, he lightly doffed his hat,
No stranger in the crowd could doubt ‘twas Casey at the bat.Ten thousand eyes were on him as he rubbed his hands with dirt;
Five thousand tongues applauded when he wiped them on his
shirt;
Then while the writhing pitcher ground the ball into his hip,
Defiance flashed in Casey’s eye, a sneer curled Casey’s lip.And now the leather-covered sphere came hurtling through the
air,
And Casey stood a-watching it in haughty grandeur there.
Close by the sturdy batsman the ball unheeded sped—
“That ain’t my style,” said Casey. “Strike one!” the umpire said.From the benches, black with people, there went up a muffled
roar,
Like the beating of the storm-waves on a stern and distant shore;
“Kill him! Kill the umpire!” shouted someone on the stand;
And it’s likely they’d have killed him had not Casey raised his
hand.With a smile of Christian charity great Casey’s visage shone;
He stilled the rising tumult; he bade the game go on;
He signaled to the pitcher, and once more the dun sphere flew;
But Casey still ignored it and the umpire said, “Strike two!”“Fraud!” cried the maddened thousands, and echo answered
“Fraud!”
But one scornful look from Casey and the audience was awed.
They saw his face grow stern and cold, they saw his muscles
strain,
And they knew that Casey wouldn’t let that ball go by again.The sneer is gone from Casey’s lip, his teeth are clenched in hate,
He pounds with cruel violence his bat upon the plate;
And now the pitcher holds the ball, and now he lets it go,
And now the air is shattered by the force of Casey’s blow.Oh, somewhere in this favoured land the sun is shining bright,
The band is playing somewhere, and somewhere hearts are light;
And somewhere men are laughing, and somewhere children
shout,
But there is no joy in Mudville—mighty Casey has struck out.
I’ve always had a love-hate relationship with April Fool’s Day. A lot of the humor of the day always seems at least slightly mean-spirited, aimed at getting a “Gotcha!” moment more than an actual laugh that’s shared all the way around. But on the other hand, a day dedicated to laughter and joking and celebrating all things funny isn’t really a bad thing, is it? So try to find some laughter, if you can. Here are few funny things, and remember to take time to laugh today!
Somewhat profane:
And finally:
(Note to self: Make arrangements to get a pie in the face soon….)
I buy all my weapons from a guy named “T-Rex”.
He’s a small-arms dealer.