For want of a cell phone battery….

I’ve seen it happen to lots of people over the years…but it had never happened to me, until last night. I dropped my cell phone on the floor, and the battery popped right off.

Problem is, this happened at Shea’s Buffalo…in our seats, in the balcony. The phone dropped to the painted concrete floor. I didn’t even see the battery go off, but it did; I picked up the phone, and lo! no battery. This was before the show, and before the people with tickets in our area started really filling in, so I had an opportunity to look for it. The battery had fallen behind a seat in the row ahead of us…but since the seats up there are stair-stepped, it was hard to reach it. Worse, it was sitting halfway into a strange metal box underneath the seat.

This, we would figure out, was a heat register.

I figured I would just get down and try to fish the thing out after the show ended, so I ignored my missing battery while Les Mieserables went on. (Post on that forthcoming…suffice it, for now, to say that I gave my cell phone battery exactly zero thought for the next three hours.) But when the show ended, I let the people around us move out, and then I was down on hands and knees, trying to reach the thing. Trouble was, I couldn’t get my hands down in there — the squeeze was too tight. And my hands are by no means massive.

Meanwhile, a couple of nice people stopped by to ask if they could help me retrieve whatever it was that I dropped. I told them it was my cell phone battery, and one of these fellows — a young man in a very nice suit and who, I must say, has the tiniest hands I’ve ever seen on a grown man — gamely reached in to try and grab the wayward battery, which was balanced precariously on the brink of the heat register. I had high hopes…until I heard the telltale ker-chunk sound, and saw the expression on his face when he looked up at me. It was the look of someone whose next words are going to be bad news, such as, “Sorry, but your company is moving to Bangladesh”, or “Sorry, but we’ve just had a recall on the steak you just ate”, or “Sorry, but your battery just fell into the heating ductwork of Buffalo’s biggest theater.”

Oh well. I couldn’t be mad at the guy; it was a tough thing, he gave it his best shot, and he got down on his knees in a nice suit. Those are all things he didn’t have to do, and the damned thing was precariously balanced there in the first place. But now, my cell phone is a brick. We’ll be looking into either a replacement battery at some point in the next couple of days, or just upgrading our phones, as our current ones are about two years old. Normally I like to keep these things going for longer than this. I’m not one of those folks who gets a newer, nicer phone every year; my approach on electronics is to buy the best thing I can afford when I need one, and then use it until it dies (or until performance becomes unacceptable). But sometimes necessity forces its hand more quickly than at other times, and this is one of those times.

I wouldn’t mind just replacing the battery, but we’ll see. I wouldn’t mind a new phone, either!

(PS: not that any readers do, but don’t call or text me for now. Because I will answer neither!)

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Can we have ACORN back now?

Politics below the fold….

SamuraiFrog on Andrew Breitbart:

I wonder if even half of the conservative bloggers who are aghast and dismayed at the number of tweets celebrating Breitbart’s death called for the same kind of respect for the dead they’re calling for now when Ted Kennedy died. I know Breitbart wasn’t. He was on Twitter showing the same lack of decorum and being the same kind of asshat conservatives are whining about right now.

I’m not celebrating the death of Andrew Breitbart, but I’m not going to miss this guy, either. I didn’t know him personally, and I’m sorry that people who did and who liked and loved him lost someone they were close to. He leaves a wife and kids behind, and that’s tragic.

But he also leaves behind a legacy of public hatred. He leaves behind a Twitter page that is 8% conservative talking points, 2% chortling with glee over the pain of Occupy protesters, and 90% answering every hate tweet he gets with more hate. Andrew Breitbart created a lot of hate in this world: his legacy is insults, divisiveness, anger, lies, and hypocrisy.

So I’m not going to mourn the guy. I’m not even going to feel bad that he’s dead. I’m not going to say that the world is smaller because we lost an important conservative voice and all that nonsense, because I never considered him an important conservative voice, just a loud one. One who made it his life’s work to destroy progressives, misrepresent them, ridicule them into silence, and call them terrorists. If you’re a progressive or a liberal, how losing that is something to mourn, I don’t know.

I couldn’t agree more. I see no reason to eulogize Andrew Breitbart. If I’m loath to claim that the world is better without him, I certainly don’t see that the world was a better place with him.

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Something for Thursday

An old musical hero of mine, trumpet virtuoso Maurice Andre, passed away this past weekend. I always preferred his tone to that of, say, Wynton Marsalis; Andre’s silken tone is perfectly suited to the Baroque and Classical repertoire which he tended to dominate. Though I’m no longer a trumpet player, I’ll always admire his skill and musicality.

Here is Maurice Andre, performing Haydn’s Concerto for Trumpet and Orchestra in E-flat major.

Farewell, Maurice Andre!

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Beating This Book Into Submission

Progress: I has it

Yup, the manuscript for Princesses In SPACE!!! (not the actual title) now stands at just over 140,000 words. I’m aiming for a total length for the first draft of not more than 180,000 words, which means that if I can stick to my 500-words-a-day quota until I’m done, I should have a manuscript by Memorial Day. Then I’ll set it aside for several months before editing it, during which I’ll be at work on a project that involves neither Princesses nor SPACE!!!. It will, however, involve the son of a lighthouse keeper, a band of gypsy-thieves, and a man in black with an eye-patch and an enormous black feather in his hat. That one’s another idea that’s been knocking around my head for years, so it’s time to do some excavation. And after that, it’ll be back to my Princesses, for their sequel adventures in SPACE!!!

I love writing. I hope I can publish some of this stuff!

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A Random Wednesday Conversation Starter

What’s that one dish your mother or father used to make? You know, the one that no matter how good a cook you are, no matter how skilled in the kitchen you may be, that even though you have the actual recipe in your cookbook or recipe box, you simply cannot make to taste as good as when your mom or dad used to make it for you?

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When cats suck

I was dreaming about…something. It was a nice dream. I think I was a Viking, or a space cowboy. Something cool like that. But a sudden, insistent electronic beeping pushed itself into my dream. I wondered what it was…and then, even though it was the wrong time period for my dream, someone said, “Is that a car alarm?” This incongruity pushed me awake. It was 3:00 am.

And the beeping was still there.

“Who the hell isn’t resetting their car alarm?” I thought, thinking the beeping was coming from outside. But it wasn’t.

Now The Wife stirred. “What’s that?” she asked.

“I don’t know,” I replied. But by now I was awake enough to realize that it was coming from inside the apartment.

I staggered out toward the living room, and the beeping grew louder. The Wife stumbled behind me. When I got to the living room, I homed in the sound…just in time to see one of the cats go running away…from our cordless phone’s base. Which cat? I couldn’t tell; it was dark. But there was no doubt: The beeping was the phone’s ringtone.

I haven’t heard that phone ring in so long that I couldn’t even remember its ringtone. We turned off the ringer on our phone and let the machine do all the answering three phones and eleven years ago, so I had no hope of recognizing the phone’s ringtone on first hearing. But I picked the phone up and silenced it.

Whichever cat that was, had managed to press the “Handset Locator” button. The one that, you know, makes the phone ring, so you can find it. How did that cat do this? No idea. Which cat was it? No idea.

Took me another ninety minutes to get back to sleep, though. And I had to be up at 6:00.

Stupid cats.

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Answers, the third!

Continuing the replies to queries posed in Ask Me Anything! February 2012.

Charlie asks: Imagine you were called upon to recast the Star Wars movies, for some reason. Who would your picks be?

Hmmm, that’s tough. Very tough. Really, really tough.

If we were to reboot Star Wars right now, would it even have the same characters? Or would it go another direction? Interesting questions…but assuming that we just live in an alt-universe where Star Wars is made for the first time, right now, here’s how it might be cast. Maybe.

Luke Skywalker: Geez, I don’t know. I think you’d need a relative unknown for this role. I really do.
Han Solo: Well, if I can’t have any more adventures of Captain Malcolm Reynolds…Nathan Fillion!
Princess Leia Organa: Why not? Natalie Portman.
Ben “Obi Wan” Kenobi: We need a somewhat older Brit here, don’t we? You know, I’d be intrigued to see what Alan Rickman could do here.
Governor Tarkin: Christopher Walken.

Now, Darth Vader, C-3PO, R2-D2, Yoda, and others don’t even need casting, because they’ll be played by people in suits or CGI. When you really think about it, there really aren’t too many major human characters in Star Wars. To really get some interesting casting going, we’d have to re-do the story somehow to get some more people in there, I think. I’d love to get Clancy Brown in there at some point, but where? Meryl Streep as Mon Mothma? Michael Clark Duncan as Lando Calrissian? And Summer Glau could play a female Jedi who is so bad-ass that she doesn’t even need to use a lightsaber!

A reader who prefers to remain anonymous e-mails: What Guy Gavriel Kay novels do you think would make good movies? (Are there any films of his novels?)

What about other books? Anything you read recently that would make a good film?

So far, there are no films of GGK’s novels. I don’t think that all of them would make good movies — The Fionavar Tapestry would, by necessity, strike people onscreen as a big-time rip-off of The Lord of the Rings, because film audiences wouldn’t give him too much slack for ‘playing with tropes’ and that sort of thing. Tigana, by its structure, would be a difficult film adaptation as well. It might work as a miniseries, though.

I know that The Lions of Al-Rassan has been in development for several years.. I think it would make an interesting movie, but then, I’m biased in that it’s my favorite of his books. It would also be easy to screw up, though.

The Sarantine Mosaic is too big to fit into a single movie. The Last Light of the Sun would work, I think, and work very well. Ditto Ysabel, which would work very well as a ‘modern day’ fantasy — although the bits involving Dave and Kim from Fionavar would lack most of their impact without the earlier books as context. Given the quality of fantasy and adventure films from the far east of late, Under Heaven could be a magnificent film.

Ultimately, though, I tend to think that the GGK novel that would work best as a movie, by way of its fairly tight narrative, might well be A Song for Arbonne.

In terms of other books making good movies: I don’t normally think in these terms, but there have been some books that strike me as cinematic in their writing. I have yet to blog about it, but Jim Butcher’s Storm Front (the first of his ‘Harry Dresden’ novels) would film well, I think. There was a book I read a few years ago, called The Caliph’s House, that I think would film really well — it’s about a man who decides, almost on a whim, to move his family from London to Casablanca, into a house that’s a fixer-upper. A whole lot of ‘fish out of water’ stuff ensues.

The bit of reading I’ve done lately that would make the best movie, though, is this post of Sheila’s, about one of the firefighters she met in the course of some recent harrowing (but well-ending) stuff that went on in her life. A man and a woman, brought together by their shared love of Elvis…and one cat! (Well, not really, but a really terrific romantic comedy-drama could be made from this stuff.)

More answers to come! (And new questions are still welcome!)

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"Valar morghulis."


Tyrion, yay!, originally uploaded by Jaquandor.

So, I have now knocked off two books in George RR Martin’s A Song of Ice and Fire series. I remember A Clash of Kings as being nearly the equal of A Game of Thrones; this time out, the book impressed me ever more than I remember it doing the first time out. This could be because I know what’s coming; middle acts tend to look better once the acts that follow are in place, so that more of the structure can be seen. I don’t think that The Empire Strikes Back‘s lofty reputation began to set until after Return of the Jedi arrived, and not because the former is clearly superior to the latter, but because once the third act is out, one can see just where the second act was going. So it might well be with Clash.

In this book, the smoldering tinderbox that was Westeros in the first book explodes outright into two separate wars. Or three. Or four, come to that, depending on how one counts them. Now, instead of great Houses jockeying for position under a single King, we have four different Kings, each looking to lay claim to the realm (or a big chunk of it). In addition to them, there’s a fifth King on a crappy, rocky island looking to strike while everyone else is looking the other way, and there’s the Queen Across the Sea, Daenerys Targaryen, who is still looking to put together an army that she can bring back across the sea and claim the Iron Throne herself. It’s a heady mix.

Clash pretty much picks up right where Game left off, so we are brought up to speed on what happens to our favorite and not-so-favorite characters along the way. Arya Stark has fallen in with an officer of the Night’s Watch who has come to King’s Landing on a recruiting mission. (‘Recruiting’ for the Night’s Watch is a pretty generous word, given the dregs of society that tends to go up there.) Sansa Stark is still a virtual prisoner of the Lannisters and is still betrothed to King Joffrey, who is still Exhibit A in Why We Don’t Let Teenagers Be Heads Of State Anymore. Robb Stark is still trying to act the King in the North, with his mother’s help. Jon Snow is still on the Wall, getting ready to journey with his fellow Brothers in Black on a mission to see just what strange doings are afoot in the far frozen north. And of course, there’s Tyrion Lannister, who is sent by Lord Tywin Lannister to serve as Acting Hand of the King, which means that most of the statecraft and strategic planning in the book falls to him.

The ongoing theme continues to be the way that the people best suited for various jobs are not allowed to hold those jobs, simply because of bloodlines or sex. Tyrion has a clear gift for governing a Kingdom, but he can only do so as the Acting Hand of the King, because no one trusts a dwarf to run much of anything at all.

The ‘soap opera’ structure of the books continues to be in full effect, right down to either being excited or disappointed by the name at the head of each chapter, indicating who our viewpoint is to be for a while. This structure also helps keep the pages turning, as it’s not hard to finish one Arya chapter and then say, “Well, I’ll just keep going until the next Arya chapter.” This also means suffering through some chapters that aren’t terribly compelling, because I don’t like the characters on whom they focus. Through the next two books, I have zero recollection of what, if anything, happens to Theon Greyjoy…but damn, I hope he dies. Hate that guy.

Some random thoughts:

:: Martin is not tipping his hand at all as to whether Benjen Stark is still alive or not. And very little mention of the Others, although we saw them in the very first pages of the first book. This is taking a lllooonnnggg time to develop.

:: Martin’s writing of sex scenes is a bit too graphic for my tastes. I honestly did not need to read about Tyrion’s probing of Shae’s “secret sweetness” to the point where his beard was drenched.

:: Tyrion seems awfully prescient about how the river battle is going to go, as he starts getting things ready for it hundreds of pages before it happens. This is incredibly effective, though, as the actual battle unfolds; we follow Davos Seaworth into battle and we know that he is troubled by a gnawing certainty that he is sailing into a whole lot of shit, but he can’t put a finger on it.

:: I tended, while reading, to wonder just what it was about the Baratheons that inspires such loyalty, because frankly, they’re all jerk-offs. Robert was a drunken sot who ripped a kingdom apart because of a girl; Stannis is so busy being offended by the speck in his brother’s eye that he never notices the plank up his own ass; and Renly is just a lightweight who has no real justification for his claim to the throne outside of “Because I wanna!”. Why do so many people follow these guys? I wouldn’t follow them into 7-11 if I really had to use the bathroom.

:: Bran Stark seems to have some kind of lycanthropy thing going on, and Arya is entranced by one guy’s ability to change his face. I assume these threads will come to interesting ends at some point.

:: I’d forgotten about Brienne of Tarth, and what a tragic figure she is. It’s clear that Martin has gone out of his way with her to create a character who has zero place, anywhere, in his universe.

Next up is A Storm of Swords, which I recall as being where, for me, some of the luster on this series started to diminish. We’ll see.

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“This mortal form grows weak. I require sustenance!”

Thor was never my favorite Marvel superhero, not by a longshot. I never really got the whole thing…he was a Norse god, that much I knew, but the whole “Norse god banished to twentieth century America” never made a whole lot of sense to me. I just didn’t get it. And it didn’t help that, from my perspective, the Thor comics weren’t in the midst of a great run or anything when I was really into comics, from 1983 or so to 1989. Thor was just kind of there.
Thus, I wasn’t all that keen on a Thor movie, either…I had no major objection to one, but I wasn’t terribly interested in it, either. And frankly, the only reason I bothered to see it at all was because it’s part of the background for the upcoming Avengers movie. So I decided to check Thor out.
And you know what? I’m glad I did. Thor is a comic book movie that really succeeds in nailing what a lot of comic book movies fail to do: combine elements of Big Mjaestic Heroes With Great Powers Who Are Fighting Cosmic Horrors, along with elements of goofy fun.
I won’t bother giving a plot summary, since Thor‘s plot is fairly convoluted in that comic-book way of making sense while you’re watching it, but not being easy to remember once you’re done. There is an ancient struggle between Thor’s people, the people of Asgard, and the evil Frost Giants of Jotunheim. These places look more like other planets than mythical realms – especially Asgard, which is a fantastic cityscape and yet looks oddly unpopulated at certain points along the way. Thor is an impulsive youth who is destined to be King, as long he doesn’t keep screwing up…but screw up he does, and his father Odin (played with proper pomposity by Anthony Hopkins) banishes him. To where? Why, Earth, of course!
Of course, Thor is found on Earth by a trio of scientists, because you can’t have a Marvel comic book story without some scientists roaming around. This time, our lead scientist is played by Natalie Portman; she’s accompanied by Stellan Skarsgard (an actor who never bugs me, but also never really impresses me much, either), and a third scientist played by Kat Dennings. (Now, I had zero idea that Dennings was even in this movie, so that was a happy surprise. And I loved her character – she doesn’t have much to do, but there’s a weird ‘happy medium’ thing going on with her: she’s a scientist, but from a different discipline, so she’s usually one or two steps behind, without seeming stupid about it. Playing smart is one thing; playing smart-but-not-entirely-invested is something else.)
The production design of Thor is pretty nifty. This movie really looks like it’s inspired by a comic book. Everything is big and bold and bright and colorful (except for the Frost Giant kingdom, but what can you do there, they live on a giant ice cube), and the film’s main Earth location is not a big city but some small town in the middle of the New Mexico desert, the kind of small towns that comic books are always sticking out in the middle of nowhere so that Big Important Cosmic Things can happen there. Our scientists have a lab set up in what looks like an abandoned 1950s breakfast restaurant. And when Thor’s Hammer shows up in the middle of an impact crater, something not unlike a redneck version of the knights coming to take a whack at pulling Excalibur out of the stone transpires. (Keep an eye out for the cameo appearance by a guy playing a doofus with a pickup truck.)
Thor is a movie where the heroes can all stand around talking about kings and wars for the ages and their destinies and their duties, while also having the hero meet the heroine when she hits him with her truck…and then, the next day, hits him with her truck again. There were times, watching Thor, when I thought, “This movie shouldn’t work”…and yet, oddly, it does. Director Kenneth Branagh keeps things whisking right along; he doesn’t spend much time lingering over anything, and the script is full of tiny touches that really ring true – such as Dennings’s inability to pronounce ‘Mjolnir’ correctly, or Thor’s attempt to secure a second cup of coffee in a diner. The film’s only weak spots, for me, were in making Asgard look a bit too antiseptic, and in the guy who played Loki – he just seemed slightly bloodless. (Although, if they ever reboot Star Trek: The Next Generation, I know where they can find their Lt. Cdr. Data.)
At this point in the whole superhero thing, I don’t think a movie is ever going to come along that will supplant Superman in my heart as the definitive superhero movie. But Thor comes quite a bit closer than most have. What a fun movie!

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Sentential Links

Time for linkage…but first, check out this execution of a round of Pac Man, in which Our Hero passes straight through a ghost, unharmed, four times! The ghost? It’s…Blinky!

(I’m wondering now how long I can keep this increasingly tenuous series of words that kinda-sorta rhyme with ‘link’ going….)

:: On Thursday night at 6 p.m. I got an email from my landlord telling me there had been a fire in my apartment building but my “cat was okay” and no one was hurt. (If you read only one of the posts I link this week, read this one. I watched all of this unfold over several days, in realtime, via Sheila’s updates on Facebook. It’s harrowing and scary and deeply emotional…and it has a wonderful coda.)

:: March 9th. What a great day. Not only will I be celebrating the life of the greatest rapper of all time who died way to soon (R.I.P. Biggie!), but I will finally get to see Edgar Rice Burrough’s classic Barsoom series on the big screen!!! Given that this is the characters 100 year anniversary and that these stories featuring John Carter are the building blocks for movies like Star Wars, Alien, and Avatar… Well, quite frankly ITS ABOUT TIME!!! (I still find myself wishing they’d have titled this movie anything other than John Carter, which says absolutely nothing about the story. I mean, I hear that title, and I’m like to think it’s a feature movie about the Noah Wyle character from ER. Oh well…I’ll be seeing the movie, though! Probably not opening night, but sometime…soon….)

:: Everyone worked, everyone helped, and in the end we had brewed give gallons of sweet black beer, bottled another five of a coffee stout porter, and made a plate full of giant brats for folks to ziplock and take home to cook up for dinner. All around me was the human side of industry. People who used their kitchen, hands, stoves, cranks, and cappers to create a viking feast of meat and ale. It felt hardy. It felt primal. It felt good.

:: A 25-years-later sequel would be a bad idea for similar reasons. Part of me would love to catch up with Bender, Claire, Allison, Andy, and Brian in middle-age; maybe at a high school reunion. But most of me realizes that I still don’t want to see that. I have my own ideas about where these characters ended up that are uniquely mine. Seeing anything else on the screen is doomed to disappoint.

:: I still can’t believe the events that led to Nola’s promotion! (I love that sentence. Love, love, love it. I’m going to incorporate phrasings like that into my daily lexicon: “I still can’t believe the events that led to this equipment’s malfunction!”)

:: And think of this: unlike other issues, this one has a deadline. Having an actual date on this (imaginary) event makes it seem more solid, more real. I hate to write this, but I expect we’ll be hearing more about people going through with suicide over the next few months because of these doomsday claims. How many of them might have had a chance to seek help, to live longer, if the idea of a 2012 doomsday weren’t so prevalent?

More next week!

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The official site of Kelly Sedinger: Reader, writer, photographer, and dreamer

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