[shudders]

I’m not going to wait until my “Movies from the second half of 2024” post for this one:

This is the kind of movie you’d think was entirely contrived from a deeply silly notion until you learn that it’s essentially a true story. (Yes, yes, some of it is fudged from what happened in reality, so what, it’s a movie, people. Schindler’s List wasn’t 100 percent accurate, either.) The bones of it are as follows: a serial killer who ingratiates himself to women by pretending to be a photographer before getting them alone and killing them goes on The Dating Game as one of the bachelors, and our heroine, played by Anna Kendrick–who also directed the film in her debut–is the contestant on the show picking between the three bachelors.

Guess who she ends up picking.

This is not a light-hearted comedy, so be aware if or when you watch it; it’s more disturbing than that. It is a deeply affecting movie on a very basic level, and I think part of that is because of how Kendrick has somehow managed to walk a tightrope here. The movie feels like it’s supposed to be a light-hearted comedy, even if of the “black comedy” variety, and yet, the more you watch the more you realize it isn’t. The “almost comic” feel lulls us into a feeling of calm acceptance…much as a skilled serial murderer does.

Woman of the Hour also depicts several of our killer’s actual efforts, and in each case Kendrick shows us a moment when the woman starts to feel a bit of discomfort, but by then it’s too late. There are moments, too, when glances are shared between characters, and it’s the women who are able to pick up on a bad situation developing while the men just nod and move on because hey, “nuttin’ to see here”. I’ll put it this way: If you, as a man, were offended at all by the recent “choose the bear” discourse that unfolded on social media, then maybe watching Woman of the Hour would be a good idea, because what happens to the women in this movie is far more a reality than we like to admit.

I suppose that Woman of the Hour is actually a horror movie, but it’s one where the monster is utterly and almost boringly human. Recommended…but beware, this one might linger.

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