I suppose it’s something of a cliche: the composer who aspires to serious work and yet finds their greatest success in crafting music for the popular world. Such was the fate of Robert Russell Bennett, whose name will be well known to anyone well-schooled in the history of twentieth century American musical theater. Bennett worked for many long years as an arranger and orchestrator for the most famous Broadway composers: George Gershwin, Richard Rodgers, Jerome Kern, and Frederick Loewe, among others. Bennett adapted the melodies written by Rodgers for the acclaimed television documentary series Victory at Sea, with Rodgers later admitting that Bennett “made his music sound better than it was”.
If you’ve ever attended a “Pops” concert where your local orchestra played a medley of selections from one or more of the great Broadway musicals of the mid-1900s, you’ll have heard Robert Russell Bennett’s work, whether you knew it or not. He was deeply skilled at this job, crafting wonderfully dramatic and musically consistent suites from melodies that weren’t his. This particular suite is one that I played in college, and in truth, it was my first real introduction to the music of Frederick Loewe. So much did I love these melodies that I later explored the musicals themselves, and found myself entranced with the particular magic that unfolded when Loewe’s tunes were wed to lyrics by Alan Jay Lerner. We played this piece in the Symphony at the same time that I was becoming mildly obsessed with Arthurian literature, so of course later that year I watched the film version of this particular musical. Camelot is…well, it’s a stretch to call it any kind of a classic, in all honesty. It feels oddly bloated and somehow kind of lifeless on the screen, no matter how gamely Richard Harris throws himself into his work. It’s an odd duck of a film, and I’m told that the stage show was pretty hit-or-miss as well.
But oh, those songs. Those amazing, wonderful songs…and this wonderful suite. Here is the Suite from Camelot, original music by Frederick Loewe, and arranged by Robert Russell Bennett.
