:: Me: [long angry rant of frustration] (BAHHH HAHAHAHAHA! Go forth, Interweb, and Bastianich someone today! [The humor of this will be completely lost on people who don’t watch Master Chef.)
ASIDE: I haven’t said anything about Ray Bradbury because, well, many others have said it better, and I give a small selection of them above. Bradbury is yet another of those writers whose work I have not read enough of but whose work I’m somewhat familiar with; in his case, it’s mostly through his short fiction, which is invariably amazing, no matter what his subject matter at the time may be. Ray Bradbury lived long and he certainly prospered. If there are such things as souls, I hope his is among the stars!
Non-Bradbury links:
:: Here’s a simple rule: if you want to be a musical, you have to write original songs. (Well, let’s be careful here. Many of the most beloved film musicals of all time don’t have any original songs, as they are film adaptations of stage musicals. And two of the musicals most often cited among lists of greatest musicals ever, Singin’ in the Rain and An American in Paris, almost exclusively feature recycled, existing songs. There are two original numbers in Singin’, and none in American in Paris, which uses the songs of George Gershwin, who had been dead fourteen years when the film came out. The fact is, filmed musicals that recycle songs from earlier works have a very long pedigree.)
:: Ever wondered how big the fictional continents of Westeros and Essos are compared to the real-life USA and UK? (I was actually planning to figure this out for myself, given that in A Dance with Dragons, GRRM provides a specific 300-mile distance between two points on the Westeros map, but now I see I don’t have to. Huzzah! Basically, while Westeros is significantly skinnier than the continental USA, a journey from the Wall to the southern coast of Dorne would be roughly equivalent to going from San Francisco to Boston.)
:: So I’m giving us credit for helping out Santana by not having been there. (Heh. Finally getting that first no-hitter…maybe I just don’t get it because I’m a Pirates fan and they’ve got a few no-hitters, but it strikes me as odd that such an event could be as big a monkey on the back of a franchise as the commentary has indicated since Johan Santana threw the first no-hitter in Mets history the other night. I mean, a no-hitter is awesome and all, but…well, would you trade a World Series win for a no-hitter in some regular season? I sure wouldn’t. The Mets have two World Series wins to their credit. Was a no-hitter that big a thing? Or was it just that it became a big thing once the game reached, say, the seventh inning and Mets fans all over realized what might be happening?)
These links are culled from the list of blogs participating in the A-to-Z Challenge. I haven’t done enough surfing of the other participants, so herein I shall try to partly atone for that.
Time for links…but first, minx! Or rather, the soundtrack to an adult film called The Minx. Now there’s something I never knew about film music. (No, the link is not safe for work. Ye Gods!)
I can never get over Casablanca for the sheer accidental nature of its greatness. So much art is meticulously crafted, labored over with exquisite care, pored over by its creator until he or she feels that every note, or word, or brushstroke, or frame is in its perfect place…and then along comes Casablanca, with its script still being written while shot, with its ending determined by sudden epiphany, and then that ending not even working until someone figures out how to edit it together…I just can’t get over that. A movie about the making of Casablanca couldn’t possibly seem anything other than contrived — “Those two producers, suddenly looking at each other and shouting, ‘Round up the usual suspects’! Give me a break, like that would ever happen!!!” And yet, it did. Wow.
I’ve always liked Roger Ebert’s view that Casablanca doesn’t have its greatest impact until you watch it the second time. I can attest to that…I enjoyed it well enough the first time, but when I watched it again, six months later, the thing just shattered me. I then watched it every single Sunday afternoon for six weeks. Movies like Casablanca are one of the only reasons I find death fearsome: I don’t want to enter a state where I can never see Casablanca again.
I think you might have wandered into the wrong theater by accident. (I’ve got my own post about John Carter on the way, but until then, here’s a placeholder.)
But he hasn’t. He knows perfectly well that his budget concentrates its cuts on the poorest Americans. It’s been pointed out hundreds of times, after all. If he found that troublesome he’d change it. Since he hasn’t, the only reasonable conclusion is that this is exactly what he intends. Let’s stop pretending otherwise. (All I need to know about Paul Ryan is that he requires his staffers to read Atlas Shrugged. One can’t hold up a brighter billboard for moral inadequacy than that.)