Links!
ASIDE: I haven’t said anything about Ray Bradbury because, well, many others have said it better, and I give a small selection of them above. Bradbury is yet another of those writers whose work I have not read enough of but whose work I’m somewhat familiar with; in his case, it’s mostly through his short fiction, which is invariably amazing, no matter what his subject matter at the time may be. Ray Bradbury lived long and he certainly prospered. If there are such things as souls, I hope his is among the stars!
Non-Bradbury links:
:: Here’s a simple rule: if you want to be a musical, you have to write original songs. (Well, let’s be careful here. Many of the most beloved film musicals of all time don’t have any original songs, as they are film adaptations of stage musicals. And two of the musicals most often cited among lists of greatest musicals ever, Singin’ in the Rain and An American in Paris, almost exclusively feature recycled, existing songs. There are two original numbers in Singin’, and none in American in Paris, which uses the songs of George Gershwin, who had been dead fourteen years when the film came out. The fact is, filmed musicals that recycle songs from earlier works have a very long pedigree.)
:: The next transit is due on December 10, 2117. I suppose there’s always a chance that someone will develop a longevity serum in the next couple decades… (Nah. Cryogenics, man. That’s the way to go.)
More next week!
I am more concerned about the dumbing down of the English language rather than its brevity.
Hey, maybe the deep sleep in the "Prometheus" flick will become a reality 10-15 years from now. You never know, right?
I have noted that the thing I don't like about recent musicals is that they are almost entirely pop songs that people already know (Mamma Mia, Movin' Out).