A Teevee Report

Now that we’re a little ways into the new teevee season, here are some thoughts on some shows.

::  Hell’s Kitchen ended a few weeks ago, somewhat mercifully, as it turns out. This last season was awful. I wrote before about the obvious fact that the producers were keeping Elise around for the sake of drama, but as the finale unwound, it became clear that keeping Elise around for the sake of drama was the only thing keeping the show remotely interesting to watch. Hell’s Kitchen has become nothing more than formula, with nothing ever different, right down to the formats of specific episodes. I found myself predicting each episode’s challenge, before they happened. “Oh, eight chefs left? Time for the Blind Taste Test!” “Final four — time for a visit from the family members, followed by Taste It and Create It!” “Oh, it’s the final two? This means they’ll cook their five dishes for five judges, and whoever wins more gets to pick their team for the final service first.”

There is absolutely nothing ever new about Hell’s Kitchen anymore. Nothing ever happens that we haven’t seen happen to a different batch of chefs in previous seasons. The challenges are always the same; the only thing that changes are the ingredients. Each episode follows a rigid pattern: Reaction to last week; new day and new challenge; losers do crappy punishment while winners have fun; dinner service; upstairs drama over elimination nominations; elimination. It’s all just boring now. And the worst thing is, they don’t have to completely re-invent the show to reinvigorate things. Here are a couple ideas, just kicked off the top of my head randomly:

– No more “men versus women”. During the “signature dishes” challenge, each head-to-head winner goes on one team, each loser to the other. This way you get a whole team of people with a chip on their shoulder from the get-go.

– Have a challenge early on whose reward for winning is the right to trade one chef to the other team, of their choice, for a chef from the other team, of their choice.

– Leave Hell’s Kitchen. Take the chefs to actual, existing restaurants and have them cook one night for actual, paying customers. See what happens.

Just a couple of thoughts…but Hell’s Kitchen really needs to mix things up, and stop being the same thing every year with nothing changed but the faces.

::  The Big Bang Theory continues to please. I would like the show to return a bit to its ‘geek humor’ roots; the focus has been on ‘geek romance’ a bit too much. I like the ‘geek romance’ stuff just fine; the show does it well. But there’s been just a bit too much of it.

::  CSI: Miami and Hawaii Five-0 are my go-to shows for goofy, over-produced, brainless, cops-and-robbers, overactors galore, gonzo fun. Ken Levine writes about why H-5-0 is bad, but while I concede some of his points, I don’t care. On Monday nights at 10:00 when I’m tired and winding down my day, a stupid cop show is just what the doctor ordered.

::  The Office isn’t outright painful to watch, like it was last year, but it’s still not that great. It’s basically “watching someone flounder about a management job” with the same group of office cohorts. It’s not a show I look forward to much anymore; it’s something that is non-crap in a timeslot between shows I like watching.

Ohhh….wait a minute. We’re watching The Office right now as I write this, and Darryl just had one of the best lines in the show’s history. He was upset about not winning the lottery, but then he realizes he’s being an ass and says:

“You know what? My future’s not gonna be determined by seven little white balls. It’s gonna be determined by two big black balls.”

Credit where due, that was a terrific line.

::  I watched two episodes of The X-Factor. And then I stopped, because it’s the same damn thing as American Idol. I don’t care. Really and truly, I don’t care.

::  The Amazing Race is off to a typical start. It’s hard to figure out who to root for early on, so the show’s mainly about the travelogues and laughing at the annoying ones. What I do not like is the presence of two racers who are former winners of Survivor. This is irritating. They got eliminated really early on, but it’s just annoying that apparently CBS is going to be bringing former contestants back on both TAR and Survivor each time out now. I’ve stopped watching Survivor entirely because of this. If they want to bring back old contestants, then just have an “All-Stars” edition. Bringing back two contestants at a time is just stupid. (And even dumber is the apparent fact that the new contestants apparently aren’t even bothered by this — why isn’t the automatic reaction never, “Hey, these guys have played before! Screw them, let’s vote ’em out first time we’re at Tribal and then play the game our way!”)

::  The Mentalist has returned, in kind-of annoying fashion. Last season ended with Patrick Jane coming face to face, in a shopping mall, with Red John, the serial killer who murdered his wife and daughter. They even cast Bradley Whitford as Red John, giving the part some gravitas. Then, as Red John was walking away, Jane shot and killed him. That was how the season ended. With this season, Jane has to answer for killing the guy…but after that’s wrapped up, Jane drops the bombshell that I feared was coming: The guy he shot wasn’t Red John. And the second episode seemed to confirm this, so now…the Red John subplot marches on.

This, quite frankly, sucks.

I still enjoy The Mentalist, because it has a good sense of humor for a show. But the Red John thing just needs to end. It’s getting unbelievable at this point. Red John isn’t just a brilliant serial killer; he’s been established as being able to establish a large enough grip on other people that he inspires them to kill themselves on his behalf. It’s just getting flat-out unreal, and worse, continually playing the “Jane is closing in…but now he’s not!” card is lazy writing. How much more interesting to use Jane’s victory over Red John to explore what happens to a single-mindedly driven person like Patrick Jane when he finally achieves his grim goal…but instead, the search for Red John continues.

::  In a similar vein, the search for the killer of Detective Beckett’s mother continues on Castle. I’m more forgiving, since Castle wasn’t so brazen as to suggest that the storyline is over before resurrecting it next season, and because Castle is, in general, much better written than The Mentalist. But here, too, I’m starting to tire of the storyline, because it can be a crutch for the writers. It gives them something to do every time sweeps rolls around, and it gives them a way to keep stringing Castle and Beckett along, when it’s obvious they really should be together at some point.

I end up wishing that writers would have enough courage, or confidence, to finish a story and then, if the show goes on, honestly explore the implications of that story and the ramifications when it ends. It would be a lot more compelling than these types of years-long mysteries that aren’t really mysteries but rather onions with endless layers to be peeled back.

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Random Observations

Just some stuff that’s in my head:

::  Everybody hates on Mondays, but for my money, Tuesdays are far more likely to offer up a Giant Bowl of Suck. Tuesdays are just irritating. Everybody gears up for Mondays, because they’re depressing by definition, but Tuesdays? They just sit there in the tall grass, waiting to ambush you. Tuesdays are the nadir of the week. You’re still close enough to the previous weekend to remember whatever good times you had to see end to go back to work, and you’re too far from the next weekend to take solace. Tuesdays are just nothing but grind.

::  I don’t know if I’m going to bother watching the finale of Hell’s Kitchen. The show is just awful, what with the continuing, and increasingly inexplicable, presence of Elise.

::  In the “Hey, that’s never happened before!” department, I got blocked by someone on Flickr! This was really odd. I’ve never been blocked before, ever. I only noticed because I added her as a contact just the other day, and today I noticed she wasn’t showing up on my Contacts page. Weird! I’ve been defriended on Facebook and I’m sure I’ve been unfollowed on Blogger, Twitter, and Tumblr, but I tend to not notice these things…I have no idea what my numbers are, in terms of followers, on any of the services that have followers in the first place. I’m kind of intrigued as to what it was about me that turned this person off; I can only assume she took a cursory look at my photostream and concluded that I’m some kind of creepy fetishist. Oh well!

::  I have zero idea of what I want for my birthday this year. And I feel like I should be taking advantage, because I’m hitting one of the Nice Round Numbers.

Specifically, now, some food thoughts:

::  I’ve been consuming fruit smoothies in a big way of late. My method is this: I throw in a cup or so of ice cubes, followed by a scoop of protein powder (if I’ve just returned from working out, otherwise I omit the protein powder), then roughly half a cup of milk and half-to-two-thirds a cup of vanilla yogurt. Then I add fruit: usually I throw in a banana, followed either by a peach or two or a blend of berries, mostly strawberry or blueberry. Then I let the blender work its magic, and drink.

My problem, of course, is that the stuff I’ve been making my smoothies with will very shortly be out of season, and thus either unavailable or too expensive to keep on hand. We’re heading into apple season…so, do apples make decent smoothies? I will report back once I’ve found out, but an apple cinnamon smoothie sounds awesome, doesn’t it?

::  I’m also giving more and more thought to vegetarianism. Not as an entire lifestyle, but I’m liking the idea of going meatless one or two times a week. I am already eating several vegetarian meals each week, so doing this won’t be a problem. I imagine that beans will have a major presence. I need to start reading some recipes!

::  But no, I won’t be giving up meat entirely. Never! And by way of evidence, here’s a recent meal I had: a pancetta, Romaine, and tomato sandwich on a sub roll:

Oh, this was heavenly.

::  I have officially come around on fresh tomatoes. I love ’em now. I hated them when I was a kid, but I gradually learned to accept them on sandwiches and burgers and tomato slices on pizza. I’m not sure I’ll ever sit and eat tomato slices all by themselves, but otherwise, I’m becoming tomato-obsessed. It’s too bad our balcony gets so little sunlight during the summer; we can’t grow any tomatoes!

::  Oh, and I discovered hummus last week. I had a hummus, tomato, and leaf lettuce sandwich for lunch one day that was amazing.

OK, that’s about it for random blathering….

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Head on Desk

Spoilers for Hell’s Kitchen and Master Chef, under Inviso-text — highlight to read.

Good lord, both of these shows irritated the hell out of me tonight. If anyone has ever questioned the clear fact that for all the onscreen stuff involving Gordon Ramsay and the other two guys on Master Chef are deciding who stays and who leaves, it’s really the producers who are calling the shots, there can be no doubt now. Each show had a person or two who really deserved to leave on the basis of what they did in the episode, and in both cases, those people were spared.

On HK, either Elise or Carrie should have been booted. It was painfully obvious, from the way both cooked terribly, and from the way that as soon as both of them were booted out of dinner service, the Red Team found its groove and completed dinner service with few hitches. And on Master Chef, it was clear that Christian attempted to weasel out of responsibility for his and Suzy’s loss in the challenge, and that his lemon meringue pie was not as good as Suzy’s. But on HK, both Elise and Carrie were spared and Ramsay pulled a surprise eviction of Jamie (who had been part of the red team’s recovery after the Drama Queens were sent upstairs), and on Master Chef, Suzy was given the boot.

I really can’t see any rationale for this other than the producers of each show basically telling Gordon Ramsay and company that he had to keep around the people who produced the most conflict, which in reality teevee terms translates to “the best teevee”. This is the problem with these shows where eliminations are supposedly decided by the show’s star/host: it’s clear that the producers have input.

I remember the second or third season of The Apprentice, when in a “shocking” boardroom sequence, Donald Trump fired four people at once. This was billed as a stunning development, but if one considered that the show’s numbers of both contestants and episodes were known well in advance, it became clear that that season was specifically set up so that Trump would have to do a mass firing at some point or other. It’s the same thing here. There’s no doubt in my mind that the producers told Ramsay, “No way are you getting rid of Elise or Carrie just yet.” And that sucks, because watching the two of them is just annoying now.

And what exactly makes a ‘sexy’ dessert, anyway? OK, end of rant!

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Hell’s Masterchefs

Spoilerific musings on Hell’s Kitchen and MasterChef!

:: Elise is freakishly annoying. She’s not a bad cook, but she’s lazy in the challenge loser punishments and just a generic loudmouth. And I frankly don’t understand why people don’t learn that taking the “I’m not here to make friends!” approach to a reality teevee competition never works.

:: If a favorite is emerging — and it’s not a strong favorite — it’s probably Will, from the Men’s (Blue) team. He doesn’t get a whole lot of screen time during services, which is a good thing, because screen time during services tends to go to the people who blunder. Will’s main screen time comes during challenges, when he does well. I don’t think he’s had a dish criticized yet, and he did a 4-for-4 performance in the “cook four cuts of beef to specific doneness” challenge.

:: They made a big deal out of the ‘balcony tables’ overlooking the kitchen, but nothing’s happened up there that I know of. Odd.

On MasterChef:

:: I like Jennifer a lot. She definitely has cooking skill, and…well, she’s pretty. I’m shallow.

:: I wonder if the producers worked on Joe Bastianich’s personal skills or something, but he is not nearly as obnoxiously arrogant as he was last season. He’s still an occasional hard-ass, but he actually looks like he’s enjoying doing the show this time out. There’s a lot less of the “I shall now descend from Mt. Olympus to mingle with you groveling monkeys” air about him this season.

:: But then, it could just be that Bastianich is simply the second most insufferable prick in this year’s edition of MasterChef. This guy Christian is just a complete douche. He’s also a very good cook, obviously, but really — douche. He’s so convinced that he is carrying around giant bags filled with Awesome that it’s been noticed by the chef judges, who are starting to take shots at him for it. Which he is ignoring. He reminds me of the awful Benjamin from two seasons back on Hell’s Kitchen, a bullying toad who doubled down on his own screw-ups when one of the world’s greatest chefs told him he was full of it.

:: I’d love to see a Mystery Box Challenge where contestants are not given a bunch of “the most amazing” ingredients, but rather, a whole bunch of crap. I’d like to see a challenge where they’re told to make something decent out of beef kidneys, regular old American white bread, Velveeta, and stuff like that. Now there would be a serious Challenge!

That’s about it. More in a few weeks, probably.

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“You wouldn’t like me when I’m angry.”

I could swear that I’ve linked this already, but for the life of me, I can’t find where, so maybe it’s just been on my “Link this!” radar for a while, without actually getting linked. Anyway, over at Musings of a Sci-Fi Fanatic there is a truly wonderful post about the pilot episode of The Incredible Hulk (the Bill Bixby-Lou Ferrigno show).

The credits roll to the theme of Joe Harnell’s The Lonely Man and Banner’s lonely journey begins. The theme highlights the tragic reality of the figure that is David Banner always walking away alone. This version of the Hulk has been called an “American classic.” I think that is a great assessment of what the folks involved with this series, aimed for adapting from a comic book. It’s the perfect American tragedy.

This was a strong start to the possibilties ahead. As a character study Johnson gets the dark tone, but I can imagine there were suits in the room that were uncomfortable with a story centered on a tragic figure. The Incredible Hulk was clearly intended to be a big green doozy of a series. It’s one of the first comic book characters to move beyond conventions and present something much bigger and do so successfully.

It’s really a terrific post. Go read it.

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A Final Teevee Report

Some final thoughts on the teevee season just completed:

:: The only new show I ended up liking enough to mostly watch all season (I missed a couple of episodes) was Mike and Molly. There’s not a thing about it that’s original; it’s just a typical sitcom about two people who meet and fall in love and meet each other’s circle of lunatic friends and family. The “spin” of the show is that our leads are obese. The first few episodes were heavy on the fat-jokes, but they backed off a bit on that, and mostly kept the “fat” humor aimed at Mike and not Molly. It’s not a great show, by any means, but it’s a pleasant sitcom with likeable people in it. Which makes it a marked contrast to its lead-in show, the ongoingly awful Two and a Half Men.

:: I finally became a committed fan of How I Met Your Mother this season, although my impression remains the same as when the show debuted: the lead character, Ted, who is narrating the events of the show to his kids, is the show’s least interesting character. He really doesn’t need to be there at all.

:: The Office probably should have ended entirely on Michael Scott’s departure. This show has lost a significant amount of steam. The biggest mistake, I think, was in allowing Dwight to get the upper hand on occasion. I consider that a colossal blunder on the part of the writing staff.

:: We didn’t watch Grey’s Anatomy at all this year. We’ll likely watch this season over the summer.

:: I’ve already bitched about Survivor, which I didn’t watch. Rob should never have been there, period. I don’t care how much Kool-Aid he managed to get his competitors to drink; he should never have been brought back at all. I’m probably done with Survivor.

:: The Amazing Race was kind of unexciting this last time. I do wish that they would come up with a way around the fact that each year it seems like one of the final three teams ends up out of the running because they get a cab driver who can’t find the McDonald’s that’s closest to the airport, much less the destinations they have to reach.

:: I watched the first episode of two of Celebrity Apprentice, but then Donald Trump decided that he really wanted him some Teabagger Love, so the hell with him and his show.

:: CSI: Miami is as goofy fun as ever. I haven’t watched either of the other two CSIs in several years, but Miami still entertains me with its gonzo Shatner-on-quaaludes acting by David Caruso.

:: Hawaii Five-0 was OK. I wasn’t wild about it, but I did like it enough to catch most episodes. The cast developed chemistry as the season went on, and the finale episode was a hell of a cliffhanger. In fact, the cliffhanger was so good that it might be one of those cliffhangers with no satisfying resolution. I wouldn’t be surprised if next season starts off with some hand-wavey BS. But that finale was a pretty riveting hour of teevee.

:: The Mentalist was mostly entertaining, and it turned in a fantastic season finale, in which Patrick Jane came face-to-face with Red John. If it was Red John. We’ll see. Even if it was Red John, there are still lots of questions out there — such as, how did this serial killer inspire so many people to assist him in his crimes with such loyalty that they would all kill themselves rather than betray him? Next year will go into some interesting places, I think.

:: American Idol was boring, boring, boring. I can count on one hand the number of times the judges actually provided any real criticism of the contestants, so what happened was that each contestant settled into a particular comfort-area and stayed right there. There was Pia Toscano, who only sang nothing but big-voiced love ballads, Celine Dion style; there was a guy named James who, aside from one song, did everything as an arena-rock anthem; there was another woman who was very proud of her Latina heritage and therefore sang one verse of every song in Spanish; there was eventual winner, Scotty McCreery, who aside from one or two songs, did nothing but slow country tunes in his freakishly low voice. It was a dull, dull, dull year. Blech.

:: I hate Glee. Hate it. Absolutely hate it. But I’ll say this: Glee sure is a fun show to hate. It’s total crap. What do I hate about it? Well, the characters, for one. This is one of those shows that makes me constantly say to myself, “Nobody would ever act this way in real life!” In one episode, the Jane Lynch character played a sex-tape or something like that made by the glee-club director over the school’s PA system. I don’t know if that was supposed to be funny, but someone does that in real life, and they’re almost certainly suspended from their job by the end of the day. Ugh. I also hate how the show’s musical numbers are all the same: person starts singing while everyone else sits around, staring at them in rapt amazement. I hate how the show constantly implies that only singers are musicians of any worth — no lip service at all is paid to the incredibly talented instrumentalists who are never seen rehearsing or practicing, and yet who provide perfect — and anonymous — accompaniments each week. I hate the show’s reliance on cliche, from the flamboyant gay character to the way the season finale, set in New York City, opened with glittering shots of Times Square while the opening bars of Rhapsody in Blue played. Glee is ghastly garbage! (Why do we watch it? The Kid likes it.)

:: And then there’s the best damn thing on teevee, by far: Castle, which just continues to get better and better. This year featured some amazing episodes, and they managed to advance the relationship between Castle and Beckett without bogging it down. (Admittedly, though, I don’t think they have much more room to stretch things out without having them either wind up together or…not.) The ongoing tale of Beckett’s search for her mother’s murderer took some interesting twists and turns, none more so than what unfolded in the show’s brilliantly-written and acted season finale. Castle is the one show that has me wishing that late September was closer than it is.

And now we have summer teevee — Master Chef (never my favorite Gordon Ramsay vehicle), the eventual return of Hell’s Kitchen, America’s Got Talent (which is really only interesting in the first weeks, during the auditions, and before it ends up being a de facto singing competition). And, of course, movies!

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100 Teevee Memories

Rapt attention, from below

I had a great time putting together my list of 100 Movie Memories last week, so doing the same thing with teevee seems an obvious follow-up. As before, this is a collection of memories about teevee watching, memories of teevee shows, thoughts on the teevee experience, and so on. Yay, teevee!

(I’m watching teevee in the photo, I swear. It’s not meant to force my readers to stare up at my nose.)

This post is pretty long, so it’s after the fold.

100. I’m old enough to remember when if you wanted to watch The Wizard of Oz, what you did was this: you waited until sometime in March when CBS would air it one time. If you missed it, well, there was always next year.

99. Ditto the holiday specials like Rudolph and It’s the Great Pumpkin Charlie Brown.

98. My family owned just one color teevee until 1984 or 1985. That color teevee was a tiny thing, a nine-inch screen that was very curved at the corners. It didn’t show the entire picture, either; if you were watching something with subtitles, the words spilled off the sides of the screen. We had a few other teevees, but they were all black-and-white.

97. The next color teevee that we got was actually a gift my parents bought for me so I could use it with my VIC-20. This one was nineteen inches. They got a deal on it at a local store because it had been a display model, used for the store’s display-model VIC-20! Apparently their default program to have running on their VIC was the slot-machine game, because its image was burned into the screen. This wasn’t a big deal when watching, though.

That teevee would be in our family — later my family — until just a few years ago when The Wife and I finally ditched it. Its main quirk was that at some point it developed this odd habit of ticking when plugged in and turned off. So, we had to keep it unplugged when not in use. We affectionately referred to that teevee as “the clicking wonder”. This was also my college teevee, providing many hours of entertainment to my roommates, my friends, and I in various degrees of sobriety.

96. We got cable in 1985. Prior to that, we used antennae. This wasn’t a problem in Portland, OR, where we lived well-within the broadcast area of the area’s TV stations. But Allegany, NY is not well-within the broadcast area of Buffalo’s TV stations, so we had to use one of those giant roof-mounted antennae. Even so, we only got channels 2, 4, and 7; and our reception on 7 was terrible.

[OK, an aside here. It’s a long-standing quirk of this blog that I write the kinda-word “teevee” when referring to TV. But I’m going to be referring to television a lot in this post, so here on out, I’m going with ‘TV’. OK? Don’t like it, your money back.]

95. When we finally got cable, my main desires were to watch MTV and Dr. Who, which was on WNED at the time. Dr. Who eventually went away, sadly.

94. I nearly died with glee when I looked at TVGuide and saw that WNED was going to have a Dr. Who marathon one Saturday afternoon. Huzzah! This, sadly, was when I discovered the annoyance of pledge breaks. Betrayer most foul!

93. I liked The Love Boat and Fantasy Island, which I thought made a killer back-to-back combo on Saturday nights. Sue me.

92. My very, very, very earliest TV memory is a kid’s show called Bumpity. My memories are so vague about this show that I decided to Google it before I wrote this entry on this list. Voila: Bumpity!

Bumpity was created in 1971 when the FCC (Federal Communications Commission) asked local station affiliates around the country to air children’s educational programming. The ABC affiliate in Portland, Oregon answered them by producing Bumpity, a talking bump in the lawn. It all started when an employee of the station, Bob Griggs, came up with an idea to design a puppet, which he made with less than three dollars.

A talking bump on the lawn? That’s some high-concept shit right there, folks! Given the time period, I have to assume that there were some hallucinogenic factors behind the creation of Bumpity.

91. I remember my parents watching this show on Friday nights on PBS.

(Starts at the 1:00 mark, roughly.)

90. In Portland there was an “independent” TV station that wasn’t network affiliated. I don’t recall which channel it was. This channel had good stuff on after school: The Flintstones, followed by The Brady Bunch, followed by Kung Fu, followed by Star Trek. This is where my love of Star Trek really began (although those seeds had already been sown, as my sister had loved Star Trek as long as I can remember).

89. Some part of me will likely be thrilled by this until the day I die at the age of 108:

88. Before the revealing episode aired, I guessed correctly who shot JR. It was a pure guess, based on very little knowledge of what the show was even about, but still. I was right.

87. I don’t want to pretend that my liking of Star Trek and Kung Fu were indicative of keen taste and high standards on the part of my eight and nine-year-old self. My favorite show at the time was Buck Rogers.

Ummm…yeah.

86. My other favorite show at the time? This one:

(BTW, check out the Diff’rent Strokes credits when done with horror movie music. Also, in the course of searching YouTube, I’m seeing lots of clips from an episode involving a child molester? I have no memory of this, thank God.)

85. Like most young kids, I loved Sesame Street, The Electric Company, and Mr. Rogers.

And Sesame Street yielded my earliest memory of a pie in the face.

84. “We can rebuild him. We have the technology.” (The Six Million Dollar Man, which I loved. I never figured out, though, why it was that when he used his bionic leg to run at super-speed, the show depicted this by showing him running in slow motion.)

83. “Mr. McGee, don’t make me angry. You wouldn’t like me when I’m angry.” (The Incredible Hulk. I see this occasionally in reruns to this day, and I don’t think it’s bad!)

82. Things I learned from The Dukes of Hazzard: welding the doors shut on your car is a good idea; some cars survive being jumped over stuff just fine while others (invariably topped by flashing lights) do not; you can get in a world of trouble for driving around with something called “moonshine” in your car; dealing with your county police is a lot easier if you know exactly where the county boundary lines are at all times, so you can duck outside the Sheriff’s jurisdiction; short shorts are attractive. (I really only watched the show for a year or two. It really lost its magic when Bo and Luke went off someplace else and were replaced for a season by two dipshit cousins for some reason.)

81. I loved game shows as a kid. Loved ’em. My favorite was The Price is Right, but I also greatly enjoyed Cark Sharks, Family Feud, The Jokers Wild, Tic Tac Dough, and others. Game shows were fun, I tell you what. I started losing my fascination with game shows once Press Your Luck came along.

80. Pretty much until I graduated high school, a new James Bond movie would show up in theaters every odd year. The only other way to see them was to watch them when they were televised on ABC, which happened once every three or four months. It was in this way that I gradually saw the entire series…except that since they were on ABC, and our ABC station was the afore-mentioned Channel 7 with its crap-tastic reception, it would be years before I saw the Bond films in anything remotely resembling the way they were supposed to look.

79. Sunday nights on CBS had a line-up we watched pretty faithfully: All in the Family and its sequel series Archie Bunker’s Place, One Day at a Time, Alice, and The Jeffersons. For the most part, we watched the middle two shows because they were between the others, which we wanted to watch more. (I may be mistaken, but I remember that my mother didn’t care for Bonnie Franklin on One Day. I didn’t care, because by this point — I was now ten or eleven — I’d come to the realization that girls are nifty beings, and that I could happily look at Valerie Bertinelli for as long as she was on the screen.)

78. I miss extended theme songs to TV shows. Lots of times I just liked the themes without being terribly interested in the shows themselves. (One TV theme that I always thought was underrated was Cagney and Lacey‘s theme. Not that great a show, but a terrific theme.)

77. I still think The A-Team is pretty entertaining. I always loved how the bad guys always got the drop on the team, but before dispatching them, decided to lock them in a warehouse full of engine parts and tools.

76. I never really got into MacGyver. I don’t know — it just seemed to roll all of The A-Team into one guy, and he never even needed the warehouse full of engine parts and tools. Some of those things he did were pretty eye-rolling, like one episode where he and some woman are trapped in a chemical factory or something, and MacGyver stops to grab a bunch of candy bars from a busted vending machine. Later on, when they discover that a chemical reactor is leaking, MacGyver uses the candy bars to plug the leak because they’re made of sugar which will react with the leaking chemicals to plug the leak. Yeah…and then there was an episode that had MacGyver squaring off against a marching horde of army ants.

75. “Our loyalties are to the species, and to the planet. Our obligation to survive is owed, not just to ourselves, but to that Cosmos, ancient and vast, from which we spring.” –Carl Sagan, Cosmos — first the TV show, and then the book, which continue to be one of the most important shaping factors in how I view our Universe.

74. “Once you give up integrity, the rest is a piece of cake.” –JR Ewing, Dallas. I became a big fan of Dallas during the 80s. I wasn’t even bothered all that much by the “Pam dreamed all of last season!” dodge to bring a dead Bobby Ewing back to life. Dallas was fun stuff.

73. Dynasty, however, was more of a mixed bag. It was a lot trashier, for one thing, with constantly over-the-top dialog and scheming by the characters. Everyone was always vowing to “destroy” someone else. “I’ll destroy you, Blake!” “No, Alexis, I will destroy you.” This use of “destroy” became a running joke in my family: “Go clean the litterboxes.” “What if I don’t, Mom?” “Then I’ll destroy you.”

72. The other big prime-time soaps were Knot’s Landing and Falcon Crest, neither of which I particularly got into, although I liked Falcon Crest‘s theme. There was a staggeringly silly Dynasty spin-off called The Colbys, which featured Charlton Heston and Barbara Stanwyck, if you can believe that. One season of The Colbys ended with Emma Samms’s character being abducted by aliens. I shit you not. They showed the ship and everything.

71. What about daytime soaps? Well, General Hospital was always a blast, what with spy-adventure summer storylines. I was schooled in As the World Turns, thanks to my mother and sister. Once in college some friends and I were watching some movie, when an actress who had played Margo on ATWT showed up, and one girl and I said at the same time, “Margo?!” Anyway….

70. I was never a big fan of The Cosby Show, to be honest. I didn’t hate it, by any means; it just didn’t light my fire.

69. I hated Roseanne, though. Ugh.

68. During college, TV dropped off my radar in a big way. The only shows I actively pursued were Star Trek: The Next Generation and Star Trek: Deep Space Nine.

67. “Let us make sure that history never forgets the name Enterprise!” –Jean-Luc Picard, “Yesterday’s Enterprise”

66. “Time has little to do with infinity and jelly donuts.” –Thomas Sullivan Magnum, Magnum, PI. I loved this show. Still do, actually — it was so often just plain entertaining, with a wonderfully written cast of characters and a lot of intriguing mystery stories and occasional forays into espionage thrillers. At times the show could actually become very dark — there was an episode that had Magnum being called on the phone by a serial killer who would taunt him with nursery rhymes, another that had Frank Sinatra guest-starring as a mainland cop with an agenda. And then there’s the episode that had Magnum going underground to go after his daughter’s killer — that’s an episode that’s going to stay with me forever.

65. I liked both of the fall-1981 shows that sprang from the earlier-that-year success of Raiders of the Lost Ark: ABC’s Tales of the Gold Monkey and CBS’s Bring ‘Em Back Alive. Gold Monkey was probably the more successful of the two, in terms of quality, but Bring ‘Em had its charms too.

64. Maverick and Hee-haw were common when I was very young. I suspect that Hee-haw may have been an early source of my fascination with overalls.

63. I didn’t develop an interest in sports until my late teens, aside from figure skating, which I liked because my mother likes it. I also enjoyed it back when Wide World of Sports actually covered the wide world of sports.

62. As noted above, entire shows came and went during my college years without penetrating my consciousness. I was only vaguely aware of a sitcom starring a guy named Will Smith, and likewise only vaguely aware of some cartoon show that was on the still-fledgling FOX network. This show followed a family of yellow-skinned buffoon, the oldest child of which was a mischievous boy with spiky hair who apparently liked telling people not to have a cow.

61. The Girlfriend (now The Wife) and I have always had a show or two that we mutually liked a whole lot. The first one was LA Law, which was really good for its first three or four seasons. It got kind of embarrassing pretty quickly, though, after they killed off one character by dropping her down an elevator shaft.

60. Cheers was also a mainstay of college. What a great, great show that was. I remember that we ordered a pizza on the night of the finale, and the delivery guy was jealous that we were watching the show. That finale was one of the first, if not the first, “event” series finale shows, with retrospective before and late-night stuff after. I remember hissing the screen when Bob Costas, ever the clever one, said, “This is the Super Bowl of comedy, with one difference: they’ll be laughing in Buffalo.” Yeah. F*** you, Bob.

59. Sticking with Cheers for a moment: I will cheerfully admit that I liked Rebecca Howe a lot more than Diane Chambers.

58. Coach: (answers phone) Hey, is there an Ernie Pantuso here?
Sam: That’s you, Coach.
Coach: (into phone) Speaking!

57. The Cheers gang gets its final victory over Gary’s Old Towne Tavern — but not really, since they have to beg conman Harry the Hat to do it for them.

56. The only time we saw Vera’s face, it was covered with pie.

55. “Hi, I’m Larry, this is my brother Darryl, and this is my other brother Darryl.” –Larry, Newhart

54. Oooh, I can’t forget about Saturday morning TV! I was a big fan of Captain Marvel (my mother even made me a Captain Marvel suit for Halloween one year — and no, I’m not posting pictures) and the companion show to Shazam!, The Mighty Isis. Other cartoons came and went, but my favorite was always The Bugs Bunny/Road Runner Hour.

53. And don’t forget Schoolhouse Rock and In the News, narrated by Christopher Glenn!

52. If this preceded a show, you were in for something good:

51. Scooby Doo never really did it for me. I could never understand why, after however many times the monster turned out to be a guy in a suit and mask, the kids didn’t just try to rip the monster’s mask off the first time they ran into him. Didn’t make sense.

50. I didn’t discover The Simpsons until it had been around five or six years, long enough to be in syndicated reruns and have new episodes on. The Girlfriend (now The Wife) introduced me to the show. It’s waxed and waned, but I’ve been a fan all these years.

49. News events I watched unfold on TV: President Reagan’s inauguration (our teacher brought a TV in for this), which was immediately followed by news that the American hostages in Iran had been released; the 1981 eruption of Mt. St. Helens; the first launch of the space shuttle Columbia; the assassination of Anwar Sadat; the explosion of the Challenger; the inauguration of President Clinton; the final court ruling in Bush v. Gore; the election of Barack Obama as 43rd President of the United States; the killing of Osama bin Laden. (I didn’t see 9-11-01 footage until I got home from work, eight hours after the attacks.)

48. I’ve never been a big fan of talk shows. Merv Griffin was kind of cool, though.

47. “Sis-boom-bah. What is the sound a sheep makes before it explodes?” –Johnny Carson as Carnak the Magnificent, The Tonight Show. I’ve been a Johnny Carson fan ever since I was in second grade or so. The guy was terrific.

46. We got our first VCR in 1985 or thereabouts. The first show we taped — because it was on when we got the thing set up — was an old NBC mystery series called Riptide. The show was crap, but I watched that taped episode five or six times, because hey, we taped it!

45. Renting movies sure had an interesting evolution. First there were “video clubs”, not “video stores”. You had to join a club to be able to rent, and joining cost money. I remember that when we rented a movie for the first time, the place required a $50 deposit in case we ruined the tape. (The movie was Raiders of the Lost Ark, by the way.) I remember the first store in our town that wasn’t a “club” where you had to pay dues, but you just gave them some info to keep on file and then you paid your four bucks or whatever to take home a movie. This joint was called “Choice Video”, and their odd habit was that they didn’t organize their movies at all. In any way. No alphabetizing, no categorizing, no nothing. If you wanted a specific title, you had to search the store for it. You could ask the guy at the counter, but he’d just look it up and say, “Yeah, we own it.”

44. Since I’ve already done a 100 things about The Simpsons, I’ll just pick one thing from The Simpsons: Leonard Nimoy on “The Springfield Files”.

Hello. I’m Leonard Nimoy. The following tale of alien encounters is true. And by true, I mean false. It’s all lies. But they’re entertaining lies. And in the end, isn’t that the real truth? The answer is: No.

43. Say what you will, there is no TV show better for the brain when one has just completed a closing Friday night shift at a pizza place and it’s 2:00 in the morning than Beavis and Butthead. That show could be downright clever in its satire of high school idiots, such as in one episode where the boys are participating in the school’s fundraising candy bar sale, selling candy bars for $2 each. The guys sell them back and forth to each other, for the same $2. Loved that.

42. I only watched seasons two, three, and four of The Real World. I liked the San Francisco cast the best (excepting Puck, who was a douche).

41. “Harris, where’s the sex?” –Captain Miller on Barney Miller. I loved this show and watched it after school when it was in reruns for a time. This quote comes from an episode where, for some reason, the police department had Detective Harris make a porn movie, which he screened for the squad. But he’d made a film, not a skinflick, leaving Captain Miller to intone, “Harris, where’s the sex?!”

40. Little House on the Prairie was fun in its earlier episodes, but like a lot of shows that get popular and last a while, it started to take itself too seriously, and some of the later episodes are so overwrought with depressing crap that the show almost felt like self-parody. Alice Garvey’s death was impossible to take seriously, and the whole series ended with the denizens of Walnut Grove dynamiting the town to keep some evil capitalists from getting their hands on it! Wow.

But damned if I don’t tear up when I see the “Ernest Borgnine as an angel” episode. Boy Howdy, that one gets me every time.

39. Yeah, The X-Files.

38. “It’s my gift. It’s my curse.” -Frank Black, Millennium

37. I should probably say something about MTV. I grew up with MTV; I was only nine or ten when it first started up, and I saw it the first time only a year or two later, when I started visiting a particular friend after school and for sleepovers. MTV was cool at that point: just wall-to-wall music videos, which I thought were the coolest thing on Earth. My favorite of the original VJ’s was Nina Blackwood.

I’m old enough to be one of those who can whine about the gradual shift on MTV from videos to original programming, but at the time that I still had MTV as a viewing option, I enjoyed stuff like The Real World. I have zero idea what MTV is like right now, though.

True story: early in the school year in 1986, my paternal grandmother passed away. She was the first death in the family that really hit me. It was on a Friday morning. That night, the MTV Music Video Awards were on. Out of habit, even though I wasn’t much in the mood, I turned them on and watched a bit — long enough for them to cut to live footage from a Van Halen concert. Watching Sammy and the boys doing “Best of Both Worlds” really helped my mood that night.

36. I liked Caroline in the City a lot more than I would have had it starred anyone other than Lea Thompson.

35. We loved ER so much. That show’s first five or six seasons were as good as anything I’ve ever seen. We eventually fell away from the show (here’s why) but while it was good, The Girlfriend (later The Wife) and I moved heaven and earth to not miss an episode.

34. I will forever believe that NYPDBlue is one of the great underrated TV series of all time. It was so good, and so rock-solid consistent. And it had one of the finer finales I’ve seen in a series.

This isn’t the final scene, but it’s close. Andy Sipowicz’s journey from the show’s beginning to its end is a great TV achievement (and acting achievement, by Dennis Franz) that I wish got more credit than it seems to have.

33. Why Mad About You didn’t end with the wonderful birth of Paul and Jamie’s kid is something I’ll never understand. It was such a perfect moment to end on, as the show transitioned from being about a marriage to being about a family. (And, frankly, the show just wasn’t that good at being about a family.) Mad About You‘s second, third, and fourth seasons are all kinds of terrific.

32. We didn’t start watching Friends until midway through its first season. We never stopped watching it. Friends is one of my favorite shows of all time. Yes, it probably went on one season too long. I don’t care.

31. Wow, there were a slew of crappy shows that tried airing in the post-Friends or post-Seinfeld timeslots. The Single Guy? Jesse? (That one was really bad, especially since it was supposedly set in Buffalo.) Madman of the People? Good Morning Miami? All crap. Only one of those post-Friends shows stands out…

30. …my beloved Scrubs. This show is one of the things that keeps me from writing off the 2000s as a complete waste of a decade for all of humanity. Scrubs made me laugh and brought me in, emotionally, as no other sitcom has ever done.

29. Scully: Fox?
Mulder: I even made my parents call me ‘Mulder’.

For more on my love of The X-Files, see my ongoing series re-watch.

28. Starting with Super Bowl XXV (the Bills’ first appearance), I’ve never missed a Super Bowl game. Yay, me!

27. My favorite cooking shows were Emeril Live and Good Eats. Iron Chef was variably interesting, mainly depending upon the secret ingredient. I remember an oddly compelling little game show on FoodTV called Ready, Set, Cook!, which would pair a regular person with a chef, and in twenty minutes they had to come up with a dish using ten bucks’ worth of ingredients provided by the contestants.

26. I watched a fair amount of the first season of Survivor, and I decided that I didn’t like the show, because it seemed to me set up to reward a person with a particular skill set that would make that person not all that much fun to be around. I eventually came around, only to be turned off again by the show’s fetishistic worship of that nitwit Rob Mariano. I have no idea if I’ll bother watching the show when it returns (and I certainly won’t when Rob returns).

25. I really miss Whose Line Is It Anyway. Both the British and American versions.

24. Back in the mid 90s, NBC had an idea of doing three action/adventure/thriller shows on Saturday nights. They called it the “Saturday Thrillogy”, and two of those shows — The Pretender and Profiler — were favorites of ours. (The first show wasn’t, and I don’t even remember what it was. It was canceled, though, and replaced by something else that we still didn’t like all that much.) Both The Pretender and Profiler lasted for several years, and we watched them faithfully, often over Chinese takeout. Both shows were canceled despite respectable (but not great) ratings, because NBC wanted to free up Saturday nights for their next BIG THING. This was the XFL. F*** you, NBC.

23. I never really got thirtysomething, because I was probably too young to get it. But the next show by creators Marshall Herskovitz and Edward Zwick, My So-Called Life, absolutely rocked my world. I actually got partially obsessive over that show.

22. MSCL only lasted one season — f*** you, ABC — and receded into memory. Five years later, Herskovitz and Zwick would get another drama on ABC: a show about two divorced people who fall in love while trying to deal with the emotional fallout of their splintered families. That show was Once and Again, which would last three wonderful, brilliant seasons, until ABC pulled the plug. Yeah. F*** you, ABC!

21. I mentioned Millennium some entries before. After Millennium ended each Friday night during its run, I’d switch over to CBS and watch the entertainingly silly Don Johnson show Nash Bridges. That show was a lot of fun.

20. The West Wing served up a lot of brilliance over its seven seasons. I recently watched seasons two and three, and I think that Aaron Sorkin started losing steam about halfway through the third season. A lot of those episodes just sit there, never really generating any dramatic heat; characters make speeches to one another as opposed to interacting, and there’s precious little drama. I haven’t watched the fourth season in a long time; ditto the subsequent years. Season Five struggled to figure out how to exist after Sorkin, but I remember thinking that the show succeeded on occasion. It got really good again in Seasons Six and Seven. Loved the finale.

John Spencer’s best moment:

And my favorite West Wing scene ever:

19. I was puzzled by the sudden resurgence of game shows in the early part of the last decade. Who Wants to Be a Millionaire? was fun, mainly because Regis Philbin knew what he was doing. But it was followed by a lot of crap, like The Weakest Link, 1 versus 100, and the like. I did enjoy Identity, which was kind of an updating of the To Tell the Truth concept.

18. 24 wasn’t on my radar until its second season. I watched seasons two and three religiously. Seasons 4, 5, and 6 went by, mainly because FOX aired the first four episodes of each of those seasons over two nights, which put me behind right from the start. I got back to the show with season 7, which was really good until the last few episodes, when it started to sink. The show was mostly fun, even if it was awfully fascistic and cheerleading for a terrorized police state of a country.

17. King of the Hill was overshadowed by The Simpsons, but it had a warm genius of its own.

16. Futurama was/is brilliant. Love it.

15. I’m not a big fan of Family Guy, but I do love the Star Wars parody episodes and pretty much any episode that focuses on the odd relationship between Stewie and Brian. However, my grudging enjoyment of Family Guy does not extend to Seth McFarlane’s other shows; American Dad and The Cleveland Show are both crap.

14. Jumping back a bit…I watched every episode of Police Squad when it originally aired. What a great show!

13. I’ve never liked David E. Kelley. Never ever ever. I didn’t like Picket Fences. I didn’t like Chicago Hope. I didn’t like The Practice or Boston Legal. I consider it a great deed by the TV Gods that his Wonder Woman pilot got scorched.

12. I really need to start doing a Buffy the Vampire Slayer watch one of these days. I only watched two or three episodes during the show’s initial run, and I didn’t stick with it because by that point it was season three or so and I didn’t really want to try to catch up on a show with a dense mythology.

11. I tried watching Babylon 5 several times. Didn’t care for it, though.

10. Firefly. Yeah. F*** you, FOX!!!

9. I never watched The Sopranos. I had zero interest in it. Someone once described it as a “soap opera for men”. I’m just not that big on mob stories, and shows with lots of “whacking”.

8. Ditto The Wire. Way I see it, I don’t care how lovingly the meal is prepared, if I don’t like the featured ingredient.

7. I’m a Seinfeld fan to this day. What’s so great about it is how, with relatively few exceptions, the show simply does not date itself. There are very few topical references in it, and I love its cast of quirky characters and the even stranger universe they inhabit. And I love being able to speak in that special code to other Seinfeld fans, such as saying, “Why don’t you just TELL me the name of the movie you want to see?”

6. Huh. I almost got to the end of this post without really mentioning The Brady Bunch. Consider that rectified. Love me some Brady Bunch. Especially that episode where Cindy asks Santa to give her laryngital mother her voice back so she can sing at church.

5. My fandom may have been strangled by the awfulness of this season, but I sure did enjoy American Idol for a few years there!

4. I like NCIS as a fun action show, but I find it hard to take seriously a program that had a bad George W. Bush impersonator playing the actual President in the first episode.

3. “There are two kinds of folks who sit around thinking about how to kill people: psychopaths and mystery writers.” Castle is my favorite thing on TV right now.

2. If there’s ever another TV incarnation of Star Trek, there must be a role — even a one-shot as a Starfleet Captain would be fine — for David Caruso. That guy was born to lock phasers on target!

1. We probably watch as much TV on a computer now as we do on an actual TV. I don’t think I’ll ever be watching TV on a phone, though. I have standards for screen size. But TV in bed, on my computer? That’s just awesome! I can’t believe how far things have come since that nine-inch color TV whose main nifty feature was its ability to display an image instantly, without that “warm up” period that old TVs used to have. I’m not terribly interested in 3D TV, either…but we’ll see where TV goes!

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“OK, Mr. Mariano, I got you a win. Can I have my naked pictures back, please?”

So, apparently “Boston Rob” Mariano won Survivor. Well, hell, he should have. It was, after all, his fourth appearance on the show. Coupled with his two losing appearances on The Amazing Race, Rob was 0-5 in million-dollar-prize CBS reality shows going into this one. Now he’s 1-5, which is actually a worse winning percentage than the Atlanta Braves posted in World Series appearances in the 1990s (they were 1-4 at winning the Series).

I was actually excited for this season of Survivor, because I thought that the twist they had come up with — “Redemption Island” — was a fascinating one that could very well do interesting things with the psychology of the game. But then, CBS turned around and played down the “Redemption Island” aspect by insisting that what the world really needed to see was Rob versus Russell again. I, already filled with dislike for both guys, decided that I had no interest in watching this season until both were gone.

Now, Russell was gone very quickly, and I figured that if the castaways were smart, they’d eliminate both of them on general principle. Seriously: if I went through the audition process, got picked for the show, and then showed up for the first day of competition only to then find out that two of the other castaways had been on the show a combined five previous times, with each one never winning, I would have made getting rid of them both Job Number One. Apparently these folks didn’t think like that, but then, I have zero idea as to what they were thinking, as I stuck to my guns and didn’t watch the show at all.

Hey, if Rob “played the game” and everybody loves that, great. My opinion isn’t based on his game play this time around. I’m not saying he shouldn’t have won because he’d had his shot before; I’m saying that he shouldn’t have been there at all because he’d had his shot before. And even though I hate Rob and think he’s a colossal douchebag, it’s not just about Rob. I liked Rupert a lot each time he was on, but he’s had three shots and should never show up again. In fact, I’d pretty much cap everyone off at two possible appearances, period. But then, it’s not my show.

I’ll say this: I’ll be extremely surprised if Rob isn’t on Survivor or The Amazing Race yet again at some point in the next three years. I don’t think that CBS or Mark Burnett can quit this guy. Winner or no this time, Rob is not going into the sunset. He’ll be back. So, I strongly suspect, will Russell.

And I won’t watch then, either.

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“The things I do for love….”

That’s a memorable line of dialog — perhaps the most memorable — from any of George RR Martin’s A Song of Ice and Fire books, and fortunately, it’s spoken in the television adaptation of A Game of Thrones, in exactly the right way. That moment, early in the book, jolted me a bit as a reader as a genuine surprise. Martin would, in my opinion, go to this type of well a few too many times over the rest of that first book and in the three that came after, so much so that I remember reading A Feast for Crows with a constant sense of impending doom for every character. After a while, I have to admit that it got to be a little much, and sometimes I think of A Song of Ice and Fire as the fat-fantasy equivalent of Funky Winkerbean.

Maybe that’s not fair; heck, it probably isn’t. But while I’ve enjoyed Martin’s books, I’ve never been as big a fan of them as many. I started to tease out the reason why when I read A Feast for Crows, and now that I’ve seen the first episode of the teevee adaptation, I’m seeing ASoIaF for what it is: it’s a fantasy soap opera.

When I was a kid, I actually became for a time a huge fan of General Hospital. This was back when each summer would have a long and sometimes “action-packed” tale involving spies and espionage and intrigue of such nature, usually featuring characters like Robert Scorpio and his former wife Anna, who were both also former agents of the WSB (World Security Bureau), when they’d square off against the nefarious agents of the enemy DVX. As these storylines wended their way through the summer months, lots of other characters would see their own lives intersect with the “main summer storyline”. This was all usually quite a bit of fun, but there were characters I didn’t really care about, and thus their bits in the storyline tended to slide beneath my radar. And not all of the show’s characters would be involved in the “main summer storyline”, so once a week — usually on a Tuesday or Wednesday — there’d be an episode of GH that served only to catch us up on the characters who had nothing to do with the fun stuff. These episodes were largely boring as hell; I was watching the show for Robert Scorpio’s heroics and whatnot, and I didn’t really care one whit about Steve Hardy’s son’s relationship problems or the various infighting of the Quartermaine clan or the trials-and-tribulations of hooker-turned-straight Bobbi Whatshername. But that was the price to pay for the good stuff.

So GRRM’s massive fantasy series is getting kind of like that. Each chapter is told from the viewpoint of a different character, with that character being named in BIG LETTERS at the top of each chapter, so as soon as one chapter ends, you know just by looking at the next page where you’re going next in the story. This is classic soap opera structure, and in the first two books it was extremely effective, but I’m finding that now as we’re into our fourth book here, it’s all starting to feel the same way it felt when I’d watch GH all those years ago. “Oh, cool! An Arya chapter! Her story’s interesting!…Oh, bugger, another chapter about Sansa. Snore.” If ASoIaF were to be filmed, I think it should be as a soap opera, titled Westeros!. And if they change actors, a voiceover guy could intone, “The part of Jaime Lannister will be played on this episode by….”

It’s not that I didn’t enjoy the book, because I did, mostly. But the feel of reading this series has become eerily similar in my mind to that of watching a soap opera. I’m not sure if that’s what GRRM has in mind, but there it is.

I’m not trying to belittle things here, because it’s fun to delve deeply into stories like this. But even so, reading that last book, I remember a certain creeping frustration that things weren’t unfolding so much as grinding along.

Martin’s series gets compared to The Lord of the Rings a lot, which interests me. I just re-read LOTR a month or so ago, so it’s fresh on my mind, and what struck me this time is how surprisingly focused Tolkien keeps things: he’s got the story he wants to tell, and he pretty much sticks with it. Martin, however, focuses everywhere. If Martin had written LOTR, we’d have long chapters describing the trials and tribulations of the folk at Bree. We’d have chapters showing the befouling of the Shire while Frodo and the others are away. We’d have the meetings of the Council of Wizards. We’d have chapters set in the North and around the Lonely Mountain, showing what the dwarves up there are up to. And Gondor? We’d see all of the intrigue there.

At this point, I’m not sure that there even is a story that Martin is trying to tell. I think he’s immersing us for a very long time in a heavily populated world, a world where there are good people and bad people and people who are just kind of all right, and where sometimes these people do horrible things to one another and where love is not necessarily a happy thing and where sins of fathers ripple out through the generations and where there is murder and incest and people thought dead who turn out to not be dead and…so on. Basically, all the things you’d find in a soap opera.

I swear that I don’t mean any of this disparagingly — but I’m just not all that convinced by repeated claims that George RR Martin has done something staggeringly new and stunning and original with this series. It’s a fantasy soap opera. General Hospital meets the Wars of the Roses. The Sopranos with swords. Dallas with dragons. The X-Men when Chris Claremont was in charge.

As for the show itself? Very well done, for the most part. A few more characters might have been named. I didn’t care for the look of Winterfell, with all those round towers — it seemed a bit too elegant in a long shots. But still, very effective. I took one look at Joffrey and immediately thought, “Oh, you little f***er. And the acting was uniformly excellent — I liked the way everybody looked. I’m fine with Tyrion not being as ugly as described in the books. Part of my problem right now is that I’m spoiled by my knowledge of what is to come; like it or not, I can’t set aside the more favorable opinion of Jaime Lannister that the third and fourth books created to hiss the pure shit that he is in the first two.

And as for the books, I remain deeply skeptical that Martin will ever finish them, and I remain deeply hopeful that if he does finish them, the very last line of the last book is “Hodor.”

(Can’t wait to see Hodor, actually. Talk about an actor lucking out — he can memorize all of his lines in less than two seconds!)

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Another teevee quiz!

Another quiz from SamuraiFrog! Another quiz about teevee! Hooray!

1. What’s your favorite sitcom?

Right now, The Big Bang Theory, which is minute-for-minute more humorous than anything on teevee right now. I also like How I Met Your Mother, although it suffers a bit because I think that its “lead” character, Ted, is insanely uninteresting. I enjoy Mike&Molly, although there’s not a thing original or especially insightful about it. It’s just a nicely-produced sitcom with a pleasantly engaging group of characters.

2. Is there a sitcom you really don’t like?

Two and a Half Men is awful. All-time? I hated ALF, Full House, Growing Pains, and every single damned Very Special Episode of Blossom.

3. Which sitcom did you used to like, but now it just seems too hokey?

The Office was great once, but it’s gone too far into unbelievable parody, frequently at the expense of its once-interesting characters.

4. If your life was a sitcom, what would the title be?

Geek in Overalls. Each episode would feature dream sequences on space ships, distant planets, and end with a massive pie fight. The show would be canceled after three episodes.

5. Did you watch any of the marathons running this year? In part? In whole?

We don’t have cable, so no “official” marathons. We do like to do our own marathons on deeveedee, however.

6. Is there a show you’d like to see run an all day marathon? On the flipside is there a show you’d avoid in marathon?

Again, no cable, so this is unapplicable.

7. What show featuring those who protect your country (fiction or non-fiction) is your favorite?

Victory at Sea is pretty impressive. I also had a love-hate thing with 24. I occasionally catch an episode of NCIS, which is enjoyable enough to not change the channel.

8. Out of curiosity, what’s the longest you’ve ever watched TV in one stretch?!

Probably a time I vegged out in front of MTV for hours as a kid.

9. Do you watch daytime talk TV? If so, which shows do you watch? Do you prefer the calm shows like Oprah or the wilder side like Jerry Springer?

I don’t watch these at all.

10. Which daytime talk TV show would you like to be on? What would the topic be?

The old Mike Douglas show. There was some whacky stuff on that show.

11. Is there a daytime talk TV show you miss that’s no longer on the air? Is there someone you’d like to see get a daytime talk TV show?

The old Mike Douglas show, duh!

12. Before talk TV took over game shows ruled the airways during the day, which do you prefer? Or are you a soap opera fan? 

I liked The Price is Right back in the day. Ditto Jeopardy!. When I was a kid I liked a lot of game shows, but now, I realize that a lot of them were crap.

13. Which TV Dad would you have most liked to have for your own dad? On the flipside, who was the TV Dad you’d have least liked to have had?

Red Foreman was awesome on That 70s Show — he seemed to want to run a really tight ship, but it was pretty clear that he wasn’t as persuasive with all of his “foot in the ass” stuff as he wanted to be. I think he just decided to overlook a lot of the BS.

14. Who do you consider the most realistic TV Dad? Who did you consider simply too good to be true?

Rick Sammler on Once and Again — he had a really good handle on some things, and was utterly clueless on others. I also like how the show established alcoholism in his family history and showed him drinking frequently, but never making a plot point of it.

15. Do you watch infomercials? Be honest now!

No. I loathe them.

16. What’s your favorite infomercial or infomercial product?

I refer my right honorable friends to the reply I gave some moments ago.

17. Have you ever bought anything from an infomercial? If so, what was it?

I refer my right honorable friends to the reply I gave some moments ago.

18. What’s the stupidest (most annoying, most worthless) infomercial you’ve ever seen?

I refer my right honorable friends to the reply I gave some moments ago.

19. One of the latest trends in Daytime TV is re-runs of 80’s & 90’s hit shows, what is your favorite that’s re-running now? If you don’t have one which show would you like to see re-running? 

I always enjoy watching Simpsons reruns. Ditto Seinfeld, which aside from a rare descent into topicality strikes me as fresh as ever. I’ve also started appreciating Family Guy more, although I’m not ever going to be a fan of Seth McFarlane.

20. On the whole do you feel most Special Reports are really that special? Or are they simply annoying?

It depends on the event. Now that there’s Internet, I just divert my attention if the event bugs me.

21. What special report has effected you most? (IE: (9/11, Reagan being shot…etc)

The Challenger explosion, probably. Although I didn’t watch until I got home from school that day. A more obvious answer would be 9-11-01, but I was on my way to work and there was no teevee there, so we listened on the radio. Still, that was a deeply terrifying day.

22. What’s your fondest memory of something on TV?

Lots. Saturday morning cartoons, culminating in Looney Tunes. Watching Kung Fu and Star Trek back to back after school. Late-night reruns of Star Trek TNG in college, with new episodes on Sunday nights. Watching ER with The Wife, before it sucked. Discovering The Big Bang Theory.

23. What’s the first show you remember watching regularly?

The Six Million Dollar Man. We can rebuild him! We have the technology! (And why was it that when he used his bionic powers to run faster, they depicted this by showing him running in slow motion?)

24. What is the (pick one: stupidest, saddest, silliest, most disgusting..) thing you’ve ever seen on TV?

Stupidest: Cop Rock. What the hell was that?
Saddest: A second season episode of ER in which two ambulance drivers were caught in a burning building, one of whom spent the episode slowly, ever so slowly and painfully, not making it.
Silliest: Any Looney Tunes short.
Most disgusting: There’s a Meat Loaf music video that includes concert footage of Mr. Loaf making out with someone onstage. That was kind of gross.

25. What’s the best series finale you remember?

Ahhhh, series finales! Which ones did I like? Well, M*A*S*H‘s was pretty good, if a bit overlong. The West Wing went out with quite a bit of class. Frasier ended very well; I love the subtle little twist at the very end of the episode. Star Trek: The Next Generation and Deep Space Nine both ended with nice bangs. I remember enjoying the final X-Files episode, even if it came two years too late (and the show really should have found its ending with the resolution of Mulder’s quest for his sister). And, of course, Firefly‘s last episode…which was really the movie Serenity.

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