A brief writing update

I haven’t described much lately of where I’m at on Princesses In SPACE!!! (not the actual title), so here’s where things stand: I am going through the manuscript one last time in fairly close detail, based on feedback I received from the highly intelligent and perceptive folks whose assistance I requested. Most have pointed out roughly the same strengths in the book (at least, things that I fervently hoped were strengths), as well as things that I knew were weaknesses. Additionally, in discussing things with those folks, I’ve come to newer conclusions as to how to do certain things in the story or make certain points either more clearly or more forcefully.

My main goal in this final draft is to tighten up the prose and clean up some spots where the dialog is kinda clunky. To my pleasure, I’ve managed to cut more than 5000 words from the manuscript through 12 chapters (of a total 25 plus a short epilogue). I’m hoping to get the final draft down to no more than 160,000 words, which would be almost 20,000 words down from the first completed draft. That first draft was 443 pages long (as an OpenOffice document); right now, a bit less than halfway through the third draft, it’s 398 pages long. Obviously the goal here is to produce a tighter, more smoothly flowing book.

After that work is done — which I hope to complete no later than January 10 — I’ll have to write an outline of the entire book. And then, hopefully no later than January 15 — I send the book out into The World.

And after that? Well, who knows…but my dream of dreams is that when you’re all doing your Christmas shopping next year, you might be able to gift a copy or two of Princesses In SPACE!!!. But with the actual title on the cover.

Onward and upward!

(The beta readers may be interested to learn that I also changed a couple of the characters’ names. Not any of the leads, but a few of the supporting players. Oh, and I’ve cast Meryl Streep in the Movie Version In My Head. I would hope it would be obvious who she is!)

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I did it!

More thoughts on the whole NaNoWriMo experience to come, but for now, I have officially hit the 50000 word mark as counted by the NaNo verification thingie. (Oddly, according to Google Docs’s word-count feature, I actually have a few hundred more words than NaNo says I do, but they’re the Official Scorers Of Record, so there it is. Fifty-thousand words in less than one month. Wow!

(Only thing is…I’m probably only about halfway through the actual story of Deliverance, eh? (not the actual title). Oh well…so even though a certain milepost is now behind me, the work continues. And I’m going to finish this one before I return to the next round of edits on Princesses In SPACE!!! (not the actual title). Wow, the life of a writer…and to think, as yet I’m not even paid to do this stuff!)

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Something for Thursday

Apropos of my NaNoWriMo project, Deliverance, eh? (not the actual title), I’ve been listening to this Jerry Goldsmith score a bit of late. It’s one of his better post-1990 efforts (not my favorite general era for Goldsmith), from a movie called The Edge. I haven’t seen the movie, but I know that it deals with a man-versus-nature theme that’s also a part of the story I’m writing for NaNoWriMo. Here’s “Lost in the Wild”, from The Edge.


(BTW, I’m doing just fine on NaNoWriMo. The object is 50000 words in 30 days; as of today, halfway through the month, I’m over 27000 words. Onward and upward!)

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Some possible cover art

Actually, none of these are really ‘possible cover art’, but these images are kinda-sorta how I’d like the cover of Princesses In SPACE!!! (not the actual title) to appear, if and when it finally comes out.

Well, there’d also have to be, you know, the Princesses. And maybe a spaceship or two. Ayup!




(I swiped these all from Tumblr…mostly here.)

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November! Let the words gush forth in a big wordy torrent!

I’m doing something new this year: I am officially participating in NaNoWriMo. Princesses In SPACE!!! (not the actual title) is currently being perused by beta-readers, and I’m processing and meditating upon their feedback, with an eye to starting the final draft in December. Between now and then, however, I need something to work on…and the timing just happened to work out that I can give NaNoWriMo a try. This will involve daily writing (which I can handle), on a level that is a bit higher than I’m used to (1666 words a day, on average, are needed to hit the target goal of a 50,000 word novel).

I’ve got the story picked out — it’s a notion that I’ve had in the back of my head for a novella for a while now, so I figure this is as good a time as any to get it going. IN order to get it to the necessary word length, I’m going to add in some stuff to the notion and let it expand. My main worry is that I don’t write with length in mind; I tend to follow the story wherever it goes. So what if I’m only two-thirds of the way through the story at the end of the month? Or what if this particular story’s natural length is only 35000 words? I guess we’ll find out.

(Oh, and as a further experiment, I’ve just decided that I’m going to write this novel/novella/whatever in Google Documents, instead of Open Office. Just out of curiosity to see what Google’s like as a writing platform.)

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And…we’re back!


Editing


I said it would be a pretty short case of bloggus interruptus, did I not?

Anyway, I finished up my edits on the second draft of Princesses In SPACE!!! (not the actual title) last night, and I have already sent the draft out to most of the beta readers. Now begins the waiting for the feedback…which has me a bit on the nervous side, I must admit. I’ve never done the ‘beta reader’ thing; I’ve always just trusted my own instincts in editing the works and gone with them when I felt I was done. For this project, though, I’m going all-in with beta readers. Why?

Well, one reason is simple enough: I’m still an unpublished duffer, for all intents and purposes, so I’m hoping that there’s some bit of process I can change that will increase my likelihood of producing a book that someone wants to publish. Perhaps the input of beta-readers, who might identify issues with the narrative or the characters to which I’m blind because I’m too close to the project, will help do the trick.

Another reason is also simple enough: even if this book, too, ends up as nothing more than a space-taker on my hard drive, I’d still like it to be read by someone. Sometimes I think there’s a bit of romance in the idea of a writer who is long satisfied by just keeping a pile of completed works in the desk drawer, but there’s more romance in having books on the shelves. There’s also more money in it. Maybe not much, but more.

My main problem now is…what next! I’m leaning heavily toward actually participating in NaNoWriMo this year, because the timing has worked out perfectly: My decks are clear, project-wise, as November looms. And there’s an idea that I’ve been kicking around a while (and even made a couple of false starts upon) that strikes me as perfect for the length of work intended by NaNoWriMo. The problem there is…November’s still a week away, and I don’t want to write nothing between now and then. So…who knows. I haven’t done much short fiction in a long time, and right now I’m actually kind of devoid of short-fiction ideas. Who knows, indeed!

There’s always The Adventures of Lighthouse Boy, but I think I’m going to put that one on the back burner for a while longer. I reached a point where I wasn’t entirely sure of where the story was going, and I needed to focus on editing Princesses anyway. Lighthouse Boy would be an even longer book, most likely, than Princesses, so it would be spectacularly ill-suited to NaNoWriMo, and in any event, I’m thinking it might be wise to hold off any new long-form projects until some feedback on Princesses comes through. Just in case the unanimous opinion of the beta readers is along the lines of “Yeah, dude, we love you and all, but you gotta rewrite this thing from the ground up.” So Lighthouse Boy will remain kicking around the back of my head probably at least until some time in December.

And then, there’s the sequel to Princesses, tentatively not-actually-titled Princesses Still In SPACE!!!. When I finished the first draft, I had zero idea as to what would transpire in the second book. (Yes, I’ve envisioned this is a series, with as many as nine books, if The Gods are with me.) Wouldn’t you know it…the story for Princesses II started displaying its rough shape to me over the last week or so. At least I have that going for me, which is nice.

So that’s where things stand, writing-wise. As ever, onward and upward! Zap! Pow!!

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Bad news, good news

Hey folks! First, the bad news: I’m going offline until I finish applying edits to Princesses In SPACE!!! (not the actual title), thus finishing the second draft.

The good news: all that’s left is the final two chapters and the epilogue, so there’s a good sporting chance I have it done tonight anyway. Huzzah!

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Technology marches on

Roger wrote a post the other day about technology stuff, in which he name-checked me:

I don’t know what kind of typist Jaquandor is, but I’m sure that he is appreciating editing the text of his book or two, including Princesses In SPACE!!! (not the actual title), on a word processor, rather than retyping every draft.

In his post, he is addressing the question of what technology he finds the most indispensable, and which he wishes would go away for good. Those are interesting questions, but his citing of me as an example of what’s cool about the development of the word processor is interesting to me.

First of all, there’s an implied question there: Just how good a typist am I, anyway? I’ve once in a while done an online typing test, just out of curiosity, but I haven’t done one in a long time, so let’s find out. When I Google ‘typing test’, I find that there’s a site called TypingTest.com. Isn’t that helpful! So wait here while I go there and test myself. I’m choosing the following test options: English, 1 minute, and The Wonderful Wizard of Oz. OK? So hold on a minute….

[hum theme to Simon and Simon to yourself]

OK, we’re back. I was able to type 71 words in the one minute, and that’s with backspacing and correcting my errors as I went. I have never been a ‘fix the spelling later’ person, and I can almost always tell when I’ve mistyped something as I’m going — it’s like my fingers send a signal to my brain saying, “Whoa there, back up, we made a bit of a cock-up there.” So, I suppose that means I’m a passably-decent typist. Of course, I’ve known this for years; I have had many a person at various jobs marvel at how quickly I can dance my fingers across the keyboard. Yay, me!

Oddly, though, I am not an ‘official’ touch-typist, in that I never once took a keyboarding class in school of any kind. I have never been taught the business where you put your index fingers on the F and the J and use all four primary fingers to do the typing. In fact, now that I’m paying attention, I don’t think that either of my pinkies ever once touch the keys of any keyboard I use; instead, both just kind of ‘dangle’ up there in space, not doing much of anything. Frankly, I’ve never understood the utility of the ‘official’ method of typing or why it was taught in school, and I’m fairly certain that were I to try to force myself to learn it now, it would screw me up something awful. Kind of like how, in second grade, I ended up in a school that taught penmanship in a different manner than my first grade school had, and in my efforts to adapt, my handwriting turned to complete drivel for quite some time. (In first grade, we’d learned italics. In second, I was in a ‘balls-and-sticks’ school. That sucked for a while, until cursive came along and I was suddenly using a lot of what I’d already learned in first grade with the italics! Hmmmmm….)

Typing fast is a useful skill, but I struggled with it in my fiction writing for years, because I always had a terrific problem with my fingers being able to type faster than my brain could produce sentences to type. This tended to result in some spectacularly awkward prose when I would type my rough drafts, and I must admit that I’m still seeing evidence of that now, as I work my way through Princesses In SPACE!!! (not the actual title), which is the first book-length manuscript I have typed in its entirety.

So, how did I learn to type so fast? By, well, typing a lot. Lots and lots, over the years. A whole lot of typing. Not just in the course of writing something like Princesses In SPACE!!! (not the actual title), but in writing e-mails. Writing stuff for work in various jobs. Playing text-based computer adventure games. Writing lots of papers for the many writing-intensive courses I took in college. Writing research papers in high school. And, going back even farther, to typing on a typewriter.

We had two typewriters, if I remember correctly. One was an electric typewriter that I wasn’t really allowed to use; the other was a mechanical device in a shade of green that I would later see on our first Volkswagen Rabbit, and never again since. I got curious, so I Googled the words ‘green typewriter’, just to see if I could find out what that old typewriter was, and I believe I’ve found it:

I have zero recollection of the make and model of that green old warhorse of a typewriter, but this really looks like the one. I’d bang away on that thing for long whacks of time. I loved typing on that thing, even when I screwed up and had to deal with it by backing over my mistake and covering it with X’s. I loved the mechanical way it worked: you strike a key and one lever moves another lever which in turn causes an arm with a metal striker in the shape of whatever letter you wanted to swing up and smack the ribbon against the surface of the paper, causing an ink transfer in the shape of the letter you wanted. How cool was that! But, if you got typing too fast, you might hit two keys at once, and then both arms would swing up and try to strike the ribbon at the same time. This resulted in a jam.

I loved the bell that warned you that you were nearing the right-hand margin, and I loved that metal arm that you stuck up from the back of the machine to prop up your workpiece. There was just something awfully pleasing about the constant CLACK CLACK CLACKITY CLACK of that typewriter. I would use a number of electric typewriters after that, in various jobs and schools, but no electric typewriter — which used signals from the keys to make a motor strike a globe with the letters on it strike the ribbon — ever had that same physical appeal.

The typewriter had the same basic idea going on as the piano, and with that as your model, I suppose one could paraphrase the old joke about piano playing: Writing a good story with a typewriter is really very easy. You just have to hit the keys in the right order. I had a music professor in college tell me that playing the piano was terribly easy, as all you had to do was strike the keys in the right order, and the piano made the music for you. Heh.

What kind of things did I type? Well, I remember for a while I glommed onto the notion of Star Wars fan fiction, so I had some proto-adventures of Han Solo. At this time I was watching a lot of Star Trek, so I had Han commanding a starship with Chewbacca as his science officer. No, I do not have any copies of this stuff. Earlier than that, I recall a fascination with the Declaration of Independence, so I typed it out, drawing the text from an Information Please! almanac I owned. Why the Declaration? Who knows. And I didn’t really understand the thing. Original fiction? There was some of that, too. I recall chronicling the adventures of a superhero cat named Little Bootie, who flew around in a suit with a big letter K on the front of it. Why was he named Little Bootie? Hell if I know. Why the letter K on his super suit, which had nothing to do with him? Hell if I know. No, I don’t have any copies of those, either. In truth, I don’t think I’ve thought about Little Bootie since second grade, until Roger’s post set me to remembering.

So, yeah. Thanks for that, Rog!

I guess the question now would be, do I miss that old green typewriter? In all honesty, I do not. Being able to cut and paste, to move blocks of text around easily, and to be able to quickly search the text when looking up little details — these are all benefits that are too great for me to want to go back to the clackity-clacking. In editing Princesses, I decided to change one character’s name to something completely different; a decent word processor makes this change take all of five seconds. (Hell, even a crappy word processor makes this change quickly.) If I ever saw one of those old green typewriters someplace for sale, maybe at the Antique Mall, I might well buy it, especially if the price is right, just as a display piece. But I would never go back to it as a primary writing tool.

And what is my current primary writing tool? Here it is:

The current writing instrument

I just got this machine a month or so ago. It’s a Dell Inspiron, running Windows 7. My first laptop was still chugging along, but it was getting ever slower and slower, and showing every bit of its five years of age. For writing, it was a perfectly adequate machine, but web-browsing was getting harder and harder, and it just wasn’t multi-tasking the way it used to. I’d been planning to get a new laptop this year anyway (and from what I’ve heard, I just don’t want any part of Windows 8 until I literally have zero choice). So there it is. This machine isn’t going to win any techno prizes, but it works perfectly well for what I need a computer to do: I can write, surf the web, watch movies and such, and listen to music. Aside from Words With Friends (and now Draw Something, which I play on my tablet, anyway), I’m not a gamer, so I don’t need super-duper graphics or whatnot.

About the only drawback to this particular computer over my last one is the touchpad. I like touchpads, but this one is larger than the last one, and its shifted slightly to the right. In practice, this means that it falls directly beneath the ball of my thumb on my right hand as I type, which can result in me inadvertently moving my cursor to someplace else, as I’m typing. I’ve solved this by using the wireless mouse I’ve owned since I bought the last laptop, so that’s an easy fix. (Oh, and the touchpad doesn’t seem to scroll at all, which I found odd.)

By way of writing software, I’m a faithful user of OpenOffice (because it’s free, not because I have some desire to stick it to Microsoft), and an occasional user of Google Docs. I have Google Drive set up on my computer, and I make a number of regular backups to external drives. I’ve never even looked at this Scrivener thing I’ve heard tell about. Not sure I want to, either.

I do get a bit nervous when I read articles in tech publications touting the impending death of the PC and the rise of the tablet and smartphone as ‘gizmos that do it all’ for the future. Try as I might, I can’t get used to typing on my tablet’s touchscreen. Yes, I only have a seven-inch tablet, but I don’t want anything bigger, and the complete lack of tactile feedback is deeply off-putting, as is the fact that the touch-keyboard’s size makes using both of my hands the way I want to impractical, which in turn means that my tactile ability to trap typos as they happen is severely compromised. Sure, I could get a USB keyboard, I suppose, but then…why not just use a more powerful laptop? No, I think that I will be giving up on laptops only at the bitterest of bitter ends. That is the ground on which I shall make my stand.

Until, that is, they make a gizmo that can plug into my brain and transcribe the stories as I think them. As Keanu says: Whoa….

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