Writing: an update


Writing, originally uploaded by Jaquandor.

I’m about halfway through applying my edits to Princesses In SPACE!!! (not the actual title), so I’m right on track to have the second draft done by the end of this month, which is the goal I had set. Yay, me!

I’m keeping track of the word count of all my edited chapters, and I’m noticing that I’m not ditching as many words as I’d hoped. I tend to go with Stephen King’s formula on this type of stuff: “2nd draft = 1st draft – 10%.” So far I’m losing about 5%, and I’m kind of nervous about the effect that a couple of late-book revisions will have, as I am adding two scenes toward the end. We’ll see. This goal is helpful, but it’s also largely arbitrary. We’ll see. I can guarantee that the second draft will lose a lot of flabby prose. Whether it’s enough, though…well, that will be a job for the beta-readers to determine!

So, onward and upward! Zap! Pow!!

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Yes, but….

Roger e-mailed me a link to this advice column:

I’m 25, living in a city I love, working a job I love, and writing. Writing has been my dream more than my passion for most of my life, but I’m good at it and I’ve finally gotten the discipline to put my butt in the chair every day and bang out a few words. Unfortunately, I’m good at my job, too.

[snip]

Writing is what I love, it’s what keeps me going. I can’t write and manage this cafe. I don’t know how to broach this with the owners, who are clearly set on grooming me to take on some of the day-to-day managerial duties from them. Help!

And the reasonable reply from our advice person?

You say you cannot write and manage this cafe. That is not true. You can write and manage this cafe. What is required is a routine. You have to create the time and place to do your writing.

You can do it. I would suggest you start now. Get out a calendar. Look at your work hours. Look at the time that is left where you are not working. Sketch in some hours to write. Try out various hours. See what works.

More, but that’s about it. All very sage and reasonable and right…and I really do kinda feel for this person, because I’ve been there. Carving out writing time isn’t the easiest thing in the world when your mental image of writing is of long hours spent cranking out words on a word processor, producing thousands of words a day. Now, many writers manage to do this, but I suspect it’s because they got through the earlier part of the struggle — the part where you’re spending 40+ hours a week making money doing something that’s not writing — and producing a lot less output until they got there, with ‘there’ being, a place where they could support themselves on their writing and thus have time to really write.

So writing is a good, in fact nearly perfect, example for the old adage that the reward for doing good work is the opportunity to do more work. However, when I say above that those writers balanced their jobs until they could really write, I don’t mean to say that by really writing, they’re producing their best work. For them, every word written is the best they can do, and if they get better after they manage to go full-time, great! But that doesn’t imply that they’r phoning it in.

When I am working on something new, I’ve set a daily quota for myself of 500 words a day. This is a small number that’s doable, and it produces over time a nice-sized chunk of story. It took me less than a year to write the first draft of Princesses In SPACE!!! (not the actual title) at that pace (although there were quite a few days when I rolled off a lot more than 500 words). Goal-setting is essential if you want to write. But you have to be careful with the goals: they have to be tough enough to reach that you’re working for them, but easy enough to reach that you don’t feel like you’re never getting anywhere. If you read about how Stephen King produces 2000 words a day, don’t hold yourself to that standard until you can. Even he indicates that sometimes the 2000 words are a struggle that he hasn’t reached until dinnertime.

I approach writing now like a job, even if I’m not getting paid for it yet. That’s the only way it’s going to work. If I wait for ‘the muse’, or for when I’m just in that perfect state of energy after my shift at The Store, well…if I did that, I’d still be occasionally flailing around less than halfway through Princesses, instead of doing what I’m doing now: writing this post as a break from editing together the second draft.

So set a goal and be hard-nosed about it. Treat writing like any other job you’ve got to punch the clock to do. Figure out when your every day writing time is, and write then. It’s the only way.

For a more cranky version of these thoughts, check out this John Scalzi post, to which I return frequently when I need a mental kick in the arse.

So: Do you want to write or don’t you? If your answer is “yes, but,” then here’s a small editing tip: what you’re doing is using six letters and two words to say “no.” And that’s fine. Just don’t kid yourself as to what “yes, but” means.

If your answer is “yes,” then the question is simply when and how you find the time to do it. If you spend your free time after work watching TV, turn off the TV and write. If you prefer to spend time with your family when you get home, write a bit after the kids are in bed and before you turn in yourself. If your work makes you too tired to think straight when you get home, wake up early and write a little in the morning before you head off. If you can’t do that (I’m not a morning person myself) then you have your weekend — weekends being what I used when I wrote Agent to the Stars.

And if you can’t manage that, then what you’re saying is that you were lying when you said your answer is “yes.” Because if you really wanted to write, you would find a way to make the time, and you would find a way to actually write. Cory Doctorow says that no matter what, he tries for 250 words a day (that’s a third of what I’ve written in this entry to this point), and if you write just 250 words a day — the equivalent to a single, double-spaced page of text — then in a year you have 90,000 words. That’s the length of a novel. Off of 250 words a day. Which you could do. On the goddamned bus. If you really wanted.

Ultimately, I doubt very much that there is a single writer alive, successful or unsuccessful, genre or literary, fiction or nonfiction, who didn’t struggle with the ‘writing in the off hours’ thing for a while. I’m willing to bet that many of them, if not most of them, still struggle with it. There’s a reason for that. So stop complaining about the struggle, and embrace it. It’ll make you a better writer. Or, at the very least, it’ll make you a writer who wrote something.

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Ayup….

So I just finished doing the manuscript mark-ups for Princesses In SPACE!!! (not the actual title) a short while ago, so blogging can start again. Thanks for hanging in there, folks! (Although the pace will remain on the light side, as I’m starting a vacation this coming Thursday and I have a second draft of the book to generate.)

I have no idea at this point if I’ll be successful in cutting the word count down by the nearly 20,000 words I’d been hoping for, because although there were many spots in the book where I sliced and diced with liberal used of red ink (I refilled a fountain pen with red ink three times for this job!), there were a number of places — not a large number, but a number nonetheless — where I had to add material. So we’ll see how the second draft shakes out, length-wise. That work will begin tomorrow, and I expect it to not take quite as long as the first manuscript mark-ups — I’d love to have the second draft done by mid-October.

And now, to bed….

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OK, radio silence starts…now!

Folks: it’s crunch time. I have less than a hundred pages of manuscript left to mark up, so I’m going to do something drastic: I’m going into radio silence here until I’m done with the entire manuscript. Next time I post here, I will have moved on to generating the second draft!

Here’s what this entire process looks like, for those wondering:

Catch you all on the flip side — and as ever, thank you for your patience!

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Writing in August…or not….


Writing in August…or not, originally uploaded by Jaquandor.

Well, August 2012 will not go down in my personal annals of writing productivity. I had four different stretches of three or more consecutive days in which I did not produce a single word in Lighthouse Boy! (not the actual title), and my hope of having the manuscript markups for Princesses In SPACE!!! (not the actual title) by Labor Day also did not materialize. In fact, I didn’t even get halfway through the manuscript. Ugh!

It wasn’t all laziness on my part. August tends to be our more active of the summer months, and this year was no exception; we even had company, via a welcome visit from my Father-In-Law. But writing just didn’t get done, much of the time.

It wasn’t a complete loss, as I did get some plotting finished and figured out a couple of the “Meh, figure that out during the editing phase” problems with Princesses. One such difficulty — the clearing up of a certain mystery — gave me great pleasure when I figured out the solution, because the solution I was originally going for (just leaving that particular question as a “To be answered sometime in a later book in the series” kind of question, since I didn’t have an answer for it just now) struck me as unsatisfying. And I figured out some stuff on Lighthouse Boy!, so there’s that, too.

Well…on with the work. Now I am hoping to get the manuscript markups for Princesses done by the time I go on vacation, at the end of this month. This works out to getting through at least 11 pages a day between now and the 28th. Onward and upward….

(And yes, blogging will still be on the light side as I get this work done!)

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Stitching the damned words together: a writing update

Writing! Writing! Writing!

I’m thinking that posting here may be slightly more sparse than usual during August, since I’m really trying to make some writerly goals here. Specifically, I want to get all the way through my red-pen markups of the Princesses in SPACE!!! (not the actual title) manuscript by Labor Day. Then, I want to have my personal edits applied by October 1, so I can get the book into the hands of beta readers. Depending on how long it takes beta readers to do their thing, and how much editing I have to do after I get that feedback, I’d love to be able to hit 2013 with sending this book out into the Void, where I hope a publisher will snatch it up. (Or maybe I’ll query agents first…not sure what the best route is, actually, which is more homework I need to do.)

The red-pen markups proceed apace, though, so I’m optimistic. I know of a few dates when I’ll not be able to get through my daily goal, so I’m going to have to make up for those elsewhen. I’m also hoping that the markups on the latter half of the book will go easier than the first half is thus far, as by that time I had a lot stronger idea of where the book was going. I’m finding a lot of meandering passages in the early going, that’s the literary equivalent of throwing stuff on the wall to make sure it sticks.

As for The Adventures of Lighthouse Boy (not the actual title), work is going along nicely there, too, although I did have to do a backtrack last week that wiped out ten thousand words (although I was able to reuse some of it). I’m aiming here for something of a rollicking adventure tale in the Alexandre Dumas tradition, with secret identities and alliances, royalty in hiding, hidden treasures, double crosses, and quite a lot of derring-do. Making a story rollick is not the easiest of tasks, and every so often I have to remind myself to put something in that rollicks.

I also had two characters show up out of the blue and quickly become essential to the story. I’m not kidding. I had my main character walking alone on a road, on his way to someplace, and I wanted to delay his arrival a bit, so I figured he’d meet someone. And along came these two folks who are now very important indeed. I like it when the story writes itself. I have a feeling that this book will need to be longer than Princesses (which I vowed to bring in under 180,000 words). I’m not sure yet, but I’m letting the story dictate the terms here. We’re talking lots of planned twists-and-turns here, and I’m sure there will be a bunch that I don’t even see coming.

Anyway, that’s where things stand with the writing. Onward ho!

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DIE BAD WRITING DIE DIE DIE!!!!!


Manuscript 2, originally uploaded by Jaquandor.

The time has come at last: it’s editing time. Hoo-boy. I didn’t wait quite three months, but I got more than two and a half, and I’ve at last started digging through Princesses In SPACE!!! (not the actual title). I’m hoping that this process will be done by Labor Day, but as in all things, we shall see. This process is, as you might guess, fairly time-consuming.

And for anyone who might worry about whether or not I am sufficiently steel-willed to drag my literary darlings out of their coops in the middle of the night and chop their bloody heads off, well — witness the amount of red ink of corrections on those two pages! I’m about ten pages in thus far, and only one page doesn’t look like that. That’s page one. Because it starts halfway down the page (in keeping with proper manuscript format). Yes, folks — I can rip other people’s writing when the spirit moves me, but when it comes to my own, I’m utterly medieval.

Onward and upward!

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Manuscript Ahoy!

Since I’m gearing up to start editing it in July, I finally got around to printing out a copy of Princesses In SPACE!!! (not the actual title).

It's a proto-book! (2)

It’s all I can do to resist the urge to plunge right into the book right now. I always enjoy doing my editing, even though I can be really brutal on my own work. After I finish one round of edits, I hope to have a few beta-readers give the thing a look-see (note to self: find beta-readers), and then one more round of edits (unless the consensus opinion of the beta-readers is that I’ve written the literary equivalent of Plan 9 From Outer Space, in which case I’ll sit down and drink a lot of rum and have a good cry). Then it’ll be off to a publisher or some such purveyor of fine literary items.

The manuscript is 443 pages long. I wrote it in individual chapter files, but in the end, I wound up copying and pasting all the chapters together into one really big file. Not sure why I’m bothering to tell you all that, but I tend to be interested in matters of process.

Anyway, next week, it’s time to give my darlings a bit of a dust-up. I know, you’re supposed to ‘murder your darlings’, and I may well do so. We’ll see!

It's a proto-book! (1)

In other writing news, The Adventures of Lighthouse Boy (not the actual title) continues churning along, although my output there has not reached the consistent heights that I did whilst writing Princesses. I’m still feeling out my world and making up my backstory as I go, so this one’s a bit tougher going. As of right now the book is just under 28000 words long (roughly 68 pages of a mass-market paperback), and I’ve had six days in the last month where I produced a goose egg for word count, which is…well, not great, but I’m averaging 600 words a day (bolstered by a couple of really good days).

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Charting the Progress

Well, May wasn’t a spectacular month for writing, in terms of actually generating word count. After finishing the first draft of Princesses In SPACE! (not the actual title) in April, I moved on to a historical fantasy notion that’s been knocking about my head for a while. The book — The Adventures of Lighthouse Boy (not the actual title) — is intended to be something of a rollicking swashbuckler. I’m looking for a Dumas-type tale, with secret identities and allegiances, old enmities, and swords and pistols. And a lighthouse. That’s the plan, anyway.

However, in May, I actually produced word count on less than ten days. That’s bad. No way to sugar-coat that; just downright bad. The rule, “Never a day without lines”? Yeah. I bit it hard on that one.

Not that it was an entire waste. I spent much of the first half of the month doing stuff like this:

Mapping the Realm

That’s the (unfinished) map of my fantasy world in which all this rollicking swashbucklery is supposed to take place. I went through, I think, four drafts of this map before I got it somewhat ‘right’; I had to move towns around and redraw coastlines and add geographic features and whatnot. This is part of the job that I don’t much care for; my approach tends to be to make up details when I need a detail to be made up, and then add it to the canon afterwards. But this approach wasn’t entirely working; I had to at least get some kind of detail going from which to work. So I got that done.

So, what now? Continue writing Lighthouse Boy (not the actual title), and then, in mid-July, start working my way through a second draft of Princesses In SPACE! (not the actual title). And who knows? Maybe by the end of the year I’ll have an actual title for both these stories!

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