Tuesday Tones (Black History Month)

Oh, is THIS piece a “banger”, as the kids say! (A really good song is a banger now. Up ’til now, if you said “banger” to me, I’d have assumed you were talking about a British breakfast sausage.) Composer Kevin Day‘s Concerto for Wind Ensemble is a thrilling virtuoso showpiece that puts every section of the wind ensemble on full display. It is energetic and jazzy and rhythmic and lyrical, and it’s one of the most purely enjoyable pieces I’ve listened to as a new (to me) work in a long time. I have really enjoyed hearing this piece, and I’m sure I’ll be returning to it and to Dr. Day’s music quite a bit moving forward.

From Dr. Day’s bio:

Dr. Kevin Day (b. 1996) is an award-winning, multi-disciplinary composer, jazz pianist and conductor based in Las Vegas, Nevada. Internationally acclaimed as one of the world’s leading musical voices, Dr. Day’s work is known as a vibrant exploration of diverse musical traditions from contemporary classical, cinematic, jazz, R&B, Soul and more. A unique voice in the world of classical music, Dr. Day takes inspiration from a broad range of sources, including romanticism, late 20th century music, jazz fusion and gospel. Across all areas, his work explores the complex interplay of rhythm, texture and melody across genres. 

Here are Dr. Day’s notes for the work:

After several fruitful conversations with Dr. Cynthia Johnston Turner, director of bands at the University of Georgia, the concept for the Concerto for Wind Ensemble began to take form. We had talked about doing a potential commission for the UGA Hodgson Wind Ensemble, and ultimately the conversation led to the idea of doing a substantial work to further the wind band repertoire. I knew off the bat that I wanted to write something that reflected my upbringing as a young black man and the musical culture that I grew up in, which hasn’t always been represented in concert band music.

My experience and the inspiration for this work come from a world of various intersections. My father, born in West Virginia, was a hip-hop producer in the late 1980s who worked in Southern California, and my mother (also from West Virginia) was a gospel singer. During my childhood, I grew up listening to hip-hop, R&B, jazz, and gospel music. Simultaneously, I was learning classical music through playing in band, and later orchestra. I was playing jazz and gospel music on piano, while also playing classical music on euphonium and tuba. This dual learning environment had a huge impact on my musicianship and my development as a composer. While these words had been separated in my head when I was growing up, in this work I intentionally wanted to merge them together in new fusions, paying homage to my parents, the culture I grew up in, and to the wind band world.

What came from this concept is this Concerto for Wind Ensemble, a five-movement work for band that is my most ambitious composition to date, and a work that took almost two years to compose. The movements entitled Flow, Riff, Vibe, Soul, and Jam reflect the various musical styles that I have been immersed in. Vibe and Soul are specifically dedicated to my parents, without whom I could not have made it this far. I am immensely grateful to Dr. Turner and to the consortium members of this work, who believed in my vision and sought to bring this work to life. I’m happy to share this contribution and love letter to the wind band and to the culture.

Once again I note that the concert band and wind ensemble never seem to get the respect they are due as expressive music ensembles in this country and maybe beyond. Wind ensembles are typically seen as “student” groups, and professional ones are few and far between. I truly wish that would change, and works like Kevin Day’s Concerto for Wind Ensemble are a big reason why. This is fantastic music!

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