I was going to spend a little time this morning selecting a poem for today…and then I saw this on Tumblr. It’s a poem by Neil Gaiman, illustrated by an artist named Chris Riddell. Since Gaiman himself posted it on Tumblr, which is a sharing-based platform, I’m guessing it’s OK to share it here.
National Poetry Month, day one
April is National Poetry Month! And every year I forget about it completely, not realizing that we’re in the midst of National Poetry Month until April 19 or some such thing. Well, not this year! My goal is to post a poem each day this month. Some will be longer than others, some will be serious and some not, some will be love poems and some not. Who knows? My goal is to spend a month exploring some poetry. I’m a firm believer that writers should read poetry in order to get a sense of what can be done with language, and to learn other ways of expressing ideas.
Since today is April Fool’s Day, here’s a poem that has some of that April Fool’s kind of punch, in that the first time you hear it, you think it just has to end a certain way…and then it famously doesn’t. (Also, baseball’s regular season starts on Sunday! Go Pirates!)
Casey at the Bat
by Ernest Lawrence ThayerThe outlook wasn’t brilliant for the Mudville nine that day:
The score stood four to two, with but one inning more to play,
And then when Cooney died at first, and Barrows did the same,
A pall-like silence fell upon the patrons of the game.A straggling few got up to go in deep despair. The rest
Clung to the hope which springs eternal in the human breast;
They thought, “If only Casey could but get a whack at that—
We’d put up even money now, with Casey at the bat.”But Flynn preceded Casey, as did also Jimmy Blake,
And the former was a hoodoo, while the latter was a cake;
So upon that stricken multitude grim melancholy sat,
For there seemed but little chance of Casey getting to the bat.But Flynn let drive a single, to the wonderment of all,
And Blake, the much despisèd, tore the cover off the ball;
And when the dust had lifted, and men saw what had occurred,
There was Jimmy safe at second and Flynn a-hugging third.Then from five thousand throats and more there rose a lusty yell;
It rumbled through the valley, it rattled in the dell;
It pounded on the mountain and recoiled upon the flat,
For Casey, mighty Casey, was advancing to the bat.There was ease in Casey’s manner as he stepped into his place;
There was pride in Casey’s bearing and a smile lit Casey’s face.
And when, responding to the cheers, he lightly doffed his hat,
No stranger in the crowd could doubt ‘twas Casey at the bat.Ten thousand eyes were on him as he rubbed his hands with dirt;
Five thousand tongues applauded when he wiped them on his
shirt;
Then while the writhing pitcher ground the ball into his hip,
Defiance flashed in Casey’s eye, a sneer curled Casey’s lip.And now the leather-covered sphere came hurtling through the
air,
And Casey stood a-watching it in haughty grandeur there.
Close by the sturdy batsman the ball unheeded sped—
“That ain’t my style,” said Casey. “Strike one!” the umpire said.From the benches, black with people, there went up a muffled
roar,
Like the beating of the storm-waves on a stern and distant shore;
“Kill him! Kill the umpire!” shouted someone on the stand;
And it’s likely they’d have killed him had not Casey raised his
hand.With a smile of Christian charity great Casey’s visage shone;
He stilled the rising tumult; he bade the game go on;
He signaled to the pitcher, and once more the dun sphere flew;
But Casey still ignored it and the umpire said, “Strike two!”“Fraud!” cried the maddened thousands, and echo answered
“Fraud!”
But one scornful look from Casey and the audience was awed.
They saw his face grow stern and cold, they saw his muscles
strain,
And they knew that Casey wouldn’t let that ball go by again.The sneer is gone from Casey’s lip, his teeth are clenched in hate,
He pounds with cruel violence his bat upon the plate;
And now the pitcher holds the ball, and now he lets it go,
And now the air is shattered by the force of Casey’s blow.Oh, somewhere in this favoured land the sun is shining bright,
The band is playing somewhere, and somewhere hearts are light;
And somewhere men are laughing, and somewhere children
shout,
But there is no joy in Mudville—mighty Casey has struck out.
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Celebrate Laughter!
I’ve always had a love-hate relationship with April Fool’s Day. A lot of the humor of the day always seems at least slightly mean-spirited, aimed at getting a “Gotcha!” moment more than an actual laugh that’s shared all the way around. But on the other hand, a day dedicated to laughter and joking and celebrating all things funny isn’t really a bad thing, is it? So try to find some laughter, if you can. Here are few funny things, and remember to take time to laugh today!
Somewhat profane:
And finally:
Laugh it up, folks!
(Note to self: Make arrangements to get a pie in the face soon….)
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Bad Joke Friday
Something for Thursday
I’m not gonna lie….
The Host who can Boast the Most Roast
So I saw an article last week someplace, maybe Facebook, about a recipe that had somehow gone viral: “Mississippi Roast”. The recipe is insanely simple:
1. Spray your crockpot with cooking spray.
2. Throw in a chuck roast, around 3 to 4 lbs.
3. Sprinkle directly onto the meat 1 packet of gravy or au jus mix, and 1 packet of Ranch dressing mix.
4. Put a stick of butter on top of this.
5. Scatter 8-10 pepperoncini (banana peppers, pickled in a jar) around the top of the meat.
6. Cook on LOW for eight hours.
That’s it.
I read the article with fascination, and then I asked people on Facebook and elsewhere if they’d ever heard of such a thing (they had), and I Googled it to see if this was real (it is). I have to admit that I was skeptical. I’m a sucker for recipes of the “Throw a small number of ingredients in the crockpot, wait six to eight hours, and eat the resulting deliciousness,” but this was pushing me a little far.
But not far enough to try it.
So I did.
Here’s what it looked like before I put the lid on and turned on the crockpot:
And here’s the result, served alongside some roasted potato wedges:

It was amazing. I always find that pot roast needs some help in the seasoning department, but somehow this seasoning turned out perfect. The only downside? After we each had two servings of the meat, there weren’t many leftovers left, and you want leftovers when the meat turns out that good. You know, sandwiches and stuff.
Next time, I’m doing two roasts.
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Pre
I’m not a huge fan of Buffalo News sports reporter Bucky Gleason, but he writes a nice article today about Steve Prefontaine, the great track runner who died in a car crash 41 years ago. I’m not entirely sure of the chronology, but I think we were living in Oregon at the time. I would have been all of three years old and some change, so I had no idea about any of this, but Prefontaine worked at a sports business that went on to become Nike. I do remember something of the rise of Nike — when we moved to Western New York in 1981, Nike was just beginning to become a national company, and I remember people around here saying “Nike” as if it rhymed with “bike”.
Anyway, check out Gleason’s piece.
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Some Links….
A few things!
:: The tale of an awful pizza customer. Oddly, I remember a guy who was just like this! He’d stand at the counter and offer his constant input as to how his pizza should be made, and then, when leaving the place, he’d tilt the box on its side. Every friggin’ time he came in. Unbelievable.
:: Archaeologists have unearthed evidence of an enormous battle that took place in the Bronze Age in northern Europe. Since it predates written history, we have no idea who fought whom and why. How much history is there that we know nothing at all about?
:: Kraft Macaroni and Cheese has changed…and nobody knew about it. Interesting stuff. (Yes, I do still like this stuff.)
:: Jason ruminates on William Shatner.
:: Finally, John Scalzi on the use of personal pronouns — i.e., referring to people by the gender they wish.
When someone asks you to refer to them by a particular set of pronouns and you’re reluctant to comply, are you being disrespectful? Yup! Self-identity is important, and refusing to accept someone else’s identity for your own reasons will be taken to mean that you dislike or disagree with their choices about who they are. And this is your right, but it means you’re saying that your choices in this regard are more important than the choices of the person who has to live with their own identity every single moment of their lives.
Read the whole thing. We need to be making the world better.
Later, folks!
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Symphony Saturday
Antonin Dvorak spent several years in the 1890s in the United States, including a time in a community of Czech immigrants in, of all places, Spillville, Iowa. I once drove through Spillville, and it’s tiny — less than 500 people live there. And yet, one of the greatest composers of all time lived there one summer, and some of his experiences there played into the music he composed while living in our country.
Dvorak felt that American music at that time was mainly concerned with echoing the Germanic symphonic traditions, with little attention paid to what he considered the true folk music of America, namely the chants of the Native Americans and the spirituals of the African-American population. He attempted to capture some of the character of those melodies in his Ninth Symphony, but what he mainly did was create new melodies based on the pentatonic scale, which does tend to be common to many aboriginal cultures of the world. There is nothing specifically American in this symphony, despite its being called “From the New World”, and Dvorak himself would later insist that the symphony is a purely old-world work, composed in the old-world rhythm (particularly with regard to the use of Czech folk rhythms, something Dvorak would do his entire life), and more intended to convey the emotions Dvorak felt as a European seeing the great expanse of America for the first time.
None of that really matters, though — whether one hears America or Prague or some blend of the two in this work, Dvorak’s Ninth Symphony is one of the enduring works in all classical music, and with good reason. It is loaded with wonderful melodies (particularly that spellbinding second movement), to be sure, but it is also a superb work of musical craftsmanship as well, with every idea in its place and some of Dvorak’s finest orchestrations. Here is Dvorak’s Symphony No. 9 in E minor, “From the New World”.








