“I don’t know why…it makes me sad.” –Samwise Gamgee
Share This PostDown the rabbit hole….
Share This PostDown the rabbit hole….
I’m going to get back to my little series featuring Black Music From The 1970s soon, but this song has been living rent-free in my head of late, so that means it’s time to feature it here. It’s by Canadian singer-songwriter Tobias Jesso Jr., and it was featured in the final episode of the first season of the amazing show Shoresy. The song seems to me to be about two people who are accepting of their own limitations and each others, and they love each other anyway. I love the delicate piano-and-voice minimalism of the song. Enjoy! Share This PostDown the rabbit hole….
I’m a week late on getting my newest issue of Dispatches From the Forgotten Stars out, but out it is! I’m writing about another Album Of My Life, the soundtrack to When Harry Met Sally. Go read it! Now! Do it now! Wazzat? Oh, the link. Here. Share This PostDown the rabbit hole….
It’s St. Patrick’s Day, which means I’m going to take a quick break from American Black composers. (Sadly, a brief attempt to locate Irish Black composers did not turn up much of anything at all. I did not dig super-deeply, though.) We’re going to dig back to the music of one Charles Villiers Stanford, an Anglo-Irish composer whose music has been overshadowed since his lifetime (1852-1924) by the likes of Edward Elgar and the British masters who followed. Stanford’s music is lyrical and Romantic, and it’s always pleasing. Not necessarily pleasant, as he brings a lot of good Romantic fire to hisDown the rabbit hole….
We’ve all known someone who had one significant accomplishment, and then on the basis of that one achievement they enjoyed notoriety and reputation based on that one achievement, though they never managed to come close to achieving anything on that scale again, right? Yes, I’m talking about the Ides of March. Share This PostDown the rabbit hole….
Continuing an exploration of Black Music of the 1970s, we have Minnie Riperton today. Riperton was a native of Chicago who tragically hit it big with her soprano voice, enormous range, and an airy tone that gave her songs an ethereal tone and then died of breast cancer when she was just 31. Her legacy endures, not just because of her music, but because of her influence on artists after her like Michael Jackson and Tupac Shakur. Her legacy also endures because her daughter is famed actress and comedian Maya Rudolph. Here is Minnie Riperton’s biggest hit, “Loving You”. ShareDown the rabbit hole….
Jonathan Bailey Holland is a composer originally from Flint, MI who is currently the Dean of the Bienen School of Music at Northwestern University. According to his bio, he has had music performed by ensembles all over the world, and he has taught at a number of universities as well as at many music festivals and arts schools. And like many of the other composers in this ongoing mini-series of mine, I never heard of him until now. I have thus far only heard the work presented below, so I can’t discuss Dr. Holland’s general approach, but this work isDown the rabbit hole….
I’m long on record as not liking this time of year in my neck of the woods, but even this dreary time of year yields some good photographic opportunities. Share This PostDown the rabbit hole….
I’ve been featuring Donna Summer the last few weeks, and then the other day The Wife and I were driving around doing errands and we were listening to 70s On 7 on SiriusXM, where a string of selections made me decide to expand the Donna Summer focus (and I’ll be back to Donna Summer!) to Black Singers of the 1970s. Why? Because a whole damn lot of really good music falls under that description. We’ll start with a one-hit wonder that’s so infectiously good, and sung so well, that every time I hear it, I wonder why this guy–a singer from Jamaica–onlyDown the rabbit hole….