“Think classy, and you’ll BE classy!”

Speaking of Bull Durham, here’s something I saw last week on The Athletic:

Bull Durham has been my favorite baseball movie for pretty much forever (receipts!), so this particular promotion just makes me incredibly happy. It refers to one of the movie’s many “real-life of a minor-leaguer” jokes, in which our hero, eternal minor-league catcher Crash Davis (Kevin Costner), having been demoted in the minors so he can tutor Nuke LaLoosh, a young hotshot pitcher with tremendous talent who is also a slovenly doofus (Tim Robbins), looks with disdain on Nuke’s shower shoes (flip-flops one wears in the locker room showers):

Your shower shoes have fungus growing on them. You’ll never make it to The Show if you’ve got fungus growing on your shower shoes. Think classy, you’ll be classy. When you win twenty in The Show, you can let the fungus grow back all over your shower shoes and the press will think you’re colorful. Until you win twenty in The Show, however, it means you’re a slob.

This scene comes in the first act:

In the film’s last act, Nuke gets his inevitable call-up to the Majors after a whole season of learning and getting his ass kicked by Crash. There’s one last scene between the two of them, where Crash is giving Nuke a few last lessons before Nuke goes off to the big leagues and probably out of Crash’s life for good. Unfortunately, I can’t find this scene on YouTube, but it really is one of the best scenes in the movie as it shows that Nuke has grown over the course of this one minor-league season. You can watch a part of it here.

What makes this so great is that this scene has a purely visual call-back to the shower-shoes speech that flashes by; you might not even notice it. I didn’t until something like my eighth or ninth time watching the movie. You’re listening to Crash and Nuke talk while Nuke finishes packing, and you might not even notice that at one point Nuke takes his shower shoes out of his locker and puts them in his bag. You might not even notice that they’re clean. I just love that writer-director Red Shelton had enough confidence in his story and his script and his actors that he didn’t feel the need to underline this in any way. He left it purely as an Easter egg to be found by people who are willing to pay close attention to his movie.

And now it’s a promotion for the real-life Durham Bulls!

I’m not gonna lie: I’m not a ballcap guy, I never have been. I only ever wear one at work when I’m in a department that requires it, and it’s the one with The Store’s logo on it. But I can’t say I haven’t thought about buying one of the gross-shower-shoe caps when they hit the market. That’s a degree of next-level geekiness that I can respect!

 

 

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Keeping the pump primed….

A bit of dialogue from Bull Durham:

Crash Davis: I never told him to stay out of your bed.
Annie Savoy: You most certainly did.
Crash Davis: I never told him to stay out of your bed.
Annie Savoy: Yes you did.
Crash Davis: I told him that a player on a streak has to respect the streak.
Annie Savoy: Oh fine.
Crash Davis: You know why? Because they don’t – -they don’t happen very often.
Annie Savoy: Right.
Crash Davis: If you believe you’re playing well because you’re getting laid, or because you’re not getting laid, or because you wear women’s underwear, then you are! And you should know that!

There are two main reasons I’ve been posting more tersely here of late. First, because Daily Life has been unusually busy the last week-and-a-half. Last weekend we were out of town for four days (more on that to come!), and then we were out of town again yesterday (for the Rochester Lilac Festival, more on that to come!). I had a special project at The Store that required me to go back in for a few hours at night in addition to working my usual shift. Guy Gavriel Kay, my favorite living author, had a new book come out (and I still haven’t dug into it much, but that’s on the docket for later today). Other books needed finishing and returning to the library. I cooked dinner a bunch. My mother needed some stuff carried from here to there, or from there to here. Doggos needed walking. Episodes of The Repair Shop (more on that to come!) and Letterkenny (more on that to come!) needed watching. And more!

Second, and more importantly, I’ve been on a streak regarding the work-in-progress (or ‘WIP’, as writer-folks refer to them), the unusually frustrating fifth book in The Song of Forgotten Stars. And as our hero, perpetual minor-league catcher Crash Davis, tells us in the movie: “A player on a streak has to respect the streak.”

This book has been frustrating in ways that are unusual to me. The problem hasn’t been that I don’t know what happens next; the problem has been that I do know what happens, but I’ve struggled to figure out how to write it. There were structural difficulties that I had real problems un-knotting: in this book, as in the last couple volumes in this series, my main characters are all living their own stories, but their own stories interconnect and influence one another, because they live together and that’s how these things work. It’s that interconnectedness that has been my sticking point. But starting two weekends back, I actually started moving the ball forward again.

Which meant that I had to respect the streak.

So, on days when I knew there would be little time for writing amongst all the other things I had going on, I prioritized the novel over this space (and also social media, where I’ve also been posting lightly the last few days). I’m not sure how things will go moving forward, but…well, we’ll see! I’ve got some other plans on the horizon that I intend to spend time ironing out this week and next weekend (Huzzah, three-day weekend!), so, onward and upward!

Another short observation about the current WIP: as noted, this is the fifth book in this series. The Song of Forgotten Stars is planned to be nine books long, and I’ve got quite a lot of the larger story mapped out in my head or in notes. (By “quite a lot”, I mean, well, “some”.) There are things that I know will happen, but I don’t quite know how those things will end up happening. Some of these things I’ve known would happen since I was writing Stardancer back in 2011 and 2012, while others have come up in my head since then.

The interesting thing is that here in Forgotten Stars V, I am for the first time writing scenes that I envisioned two, three, even four books ago, all the way back to the beginning. It’s surreal, knowing that I’m finally reaching a point now there I knew years ago what was going to happen, is happening. I’m writing scenes that I envisioned a long time ago. It’s like finding signposts along the way that were only ever ahead of you, only…now, they’re here.

Time now to wrap up this post, because the streak ain’t over and I have to respect the streak. Back to writing!

(Oh, and in case anyone asks just because in the movie Tim Robbins thinks he’s on a streak because he’s been wearing Susan Sarandon’s underwear while he pitches, no, I have not been wearing…oh, forget it.)

Making the magic happen….

Oh, and this is not the first time I’ve referred to this bit of dialogue during a writing-induced blogging slowdown….

 

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No orchestra? No problem

Franz Liszt, one of the first virtuoso superstars of the music world, didn’t stop at composing his own showpieces to display his own incredible talent at the piano keyboard. He also transcribed for piano many of the great symphonic works of his day, including all nine of Beethoven’s symphonies. Reducing orchestral works to the keyboard results in a very odd kind of listening experience if you know the original work well: you’re hearing all the themes and all the development, in all their compositional glory, but with none of the orchestral timbres.

But it’s still Beethoven, distilled through the piano genius that was Franz Liszt.

Here’s the Symphony No. 7, possibly Beethoven’s greatest symphony and one of his very greatest works, recast as a piano virtuoso work by Franz Liszt. And make no mistake: it’s all here. Liszt transcribed it, but he sure didn’t simplify it.

 

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Light posting continues….

…but I don’t want to post nothing at all, which is where CBS Sunday Morning‘s trove of show-closing nature segments comes in! Turns out there’s a ton of these on YouTube. I’ve chosen this one, pretty much at random.

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Something for Thursday

Continuing my little series on “One-way Conversation Songs”, when the lyrics are literally one side of a conversation, we take an infrequent trip into Country music this week. In this song, Jo Dee Messina is catching up with a friend she hasn’t seen in a long time, and though her life isn’t perfect and is sometimes a struggle, she’s doin’…well, let her tell you.

 

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Shorter posting ahead….

Posts here will likely be a bit more terse over the next bit of time, as I’m hitting a good spot in my current work-in-progress and my favorite author’s new novel just dropped….

Keep checking in, though!

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Tone Poem Tuesday

Film music today!

This weekend was, among other things, the twentieth anniversary of the release of Star Wars Episode II: Attack of the Clones, which is one of my favorite installments in the series. Even now, when the Prequel Trilogy has benefitted from the passing of time and some much-needed critical reassessment (way overdue, but I remain proud of having done a lot of that lonely heavy-lifting myself back when hating the Prequels was still the mainstream position), AotC still seems to be the one that gets picked on the most, which I continue to not understand.

The movie’s music is something of an oddity. John Williams turns in a lot of his usual inventive brilliance, even though the film’s last act was apparently still under heavy revision so late in the production game that the entire last act is largely scored with music re-used from the previous film, The Phantom Menace. Williams’s original work is typically amazing, centering on a new Love Theme for the romance of Anakin and Padme, which even at this point we know is (a) doomed to failure, and (b) going to produce the baby twins of Luke Skywalker and Leia Organa.

As the romance is doomed and tragic from the get-go, Williams wrote a lush love theme that leaps and yearns in suitably sad and tragic fashion. But he does some more with it: he gives that love theme a darkly militaristic middle section, for one thing, in line with the fact that Anakin’s fall to the Dark Side (which helps give the Empire its beginnings) is borne from this very love affair. Williams also crafts the love theme itself from a kind of minor-key inversion of the Star Wars main theme, and the theme’s final bars form a quote from the classic Imperial March.

In this selection, the Finale and End Credits Suite from the film, we start with some suspenseful music as the Battle of Geonosis winds down and the traitorous Count Dooku flees to Coruscant, so he can report to his master, Darth Sidious (the Sith alter-ego of Chancellor Palpatine, who is the puppet master behind everything). Then the music swells as the Republic’s Clone Army is revealed in all its terrifying majesty, setting forth to war–but the music here is the Imperial March from the Original Trilogy. Williams is telling us that this is the true moment the Empire is born.

Then, a blazing rendition of that love theme as Anakin and Padme marry in secret, before the film’s smash-cut transition to the end credits. This is the best of these transitions in the entire saga, in my opinion, and it’s the last time that Williams would end a Star Wars movie’s narrative with anything other than his iconic theme for the Force.

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25 years!

The Wife and I were married twenty-five years ago today. We just got back from a celebratory mini-vacation, and now…our next quarter-century begins.

It’s a hard world, folks. Best to walk through it with someone you love.

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On the way home….

My God, I love these lakes.

More later. Vacation isn’t over just yet….

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When in Rome….

The Wife and I are traveling this weekend, spending a few days in the Finger Lakes. We got back to our rented cottage yesterday, when I found a Direct Message from a Facebook friend. It was something along the line of “I hope it didn’t happen in YOUR workplace, and I hope you’re OK.”

I had no idea what he was talking about.

I learned quickly.

No, that was not my workplace. I do work in a Buffalo area grocery store, but not that chain and not in that area. It’s appalling nonetheless, on so many levels. I’ve often thought about what it would be like when it happened where I work. Not if, but when. I know every way out of my building, every place I can hole up if I can’t get out, every object I might use if defense becomes necessary.

I shouldn’t have to think like this.

But that’s not even the worst of it, is it?

It’s an entire community of human beings, specifically targeted again. Reminded that they will always be targeted, again. Reminded of this country’s long ghastly history of this stuff, again. Confronted by our nation’s abject refusal to admit its past and atone, again.

That’s all we do in this country: it’s just one big litany of again. Again. Again.

No horror, no injustice, no violent outcome is ever enough for us to collectively say, “No more.” We will be back about our business by, oh, I don’t know. Dinner time today, I guess.

I don’t have anything insightful to say about this. I have no suggestions for a way forward, because even if I did, we very clearly don’t want a way forward. We’re not interested. At this point, the warp and weft of America isn’t fate, nor is it judgment handed down from on high. It’s a choice.

We are the country we have chosen to be, and I see no reason to believe we are going to choose to be anything other than this.

And that is how America will fade into history.

I often wonder these days about Roman citizens around the year, oh, 350CE. Or 400. Maybe even a bit later.

The commonly accepted date for the fall of the Roman Empire is 476CE, but it’s not as if there was some grand proclamation in Latin officially ending the Empire. It just withered, and that’s when historians generally agree that beyond that point, with the deposing of that last Emperor, that nothing existed that could be meaningfully called “the Roman Empire”.

But I wonder about the citizens who lived in Rome not long before that. Did a Roman potter in 422CE sense that it was ending? A fisherman in what is now Napoli? A seamstress in modern-day Tuscany? Did they have some feeling that the Empire in which they lived was soon to be history?

And if they did, did it feel something like what it feels to be an American now?

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