Adventures in Junk Food

So, let’s talk Combos!

I first remember Combos showing up in the 1980s, but from what I’m reading online they actually came out in the 1970s. Maybe the 80s were when the first big marketing push happened. If you’ve never had Combos, well…you really need to get out the cave you’re living in. They are a salty snack made by filling little tubes of either pretzel, cracker, or tortilla with some filling or other. Usually it’s cheese-related.

SeriousEats offers this, by way of description:

Created in the ’70s, Combos have become a staple of rest stop gas stations. They’re marketed as the perfect driving food—75% of all Combos sales occur in gas stations**—and those marketers may well be right. They’re baked, so they don’t get your fingers greasy the way potato chips do, allowing you to maintain proper grippage on the steering wheel as you maneuver through perilous long, straight, highways. They’re heartier and more texturally varied than most bagged snacks. They provide just enough interesting structural and procedural challenges to keep you occupied until the next game of Mad Libs, while not so many that you get distracted from driving. They also come in over a dozen flavors that range from “That makes sense” to “WTF, buffalo?”

**According to the statistics I just completely made up

There’s a lot of truth to this. Combos really do taste better when eaten in a car, preferably with something carbonated with which to wash them down. I’d estimate that over 90% of the Combos I’ve ever eaten were consumed in the car. My favorite flavor is the Pepperoni Pizza version (not to confused with Pizzeria Pretzel), but really–I’ll pretty much eat any flavor of the things. Cases in point:

I love Combos and I am not ashamed! #yum #junkfood #combos

Hmmmm....


Of the two, I prefer the Seven Layer Dip ones to the Buffalo Blue Cheese ones. You might find that odd, given that I live near Buffalo and am thus supposed to be enamored of all such flavors, but in my experience, the “Buffalo wing” flavor doesn’t always exactly translate to other snack foods very well. It’s hard to get the vinegary-spicy flavor of the wings AND the blue cheese in there at once; usually what results is too much spice or salt, or the sour flavor of the blue cheese profile overwhelms everything. The Combos fare better in that regard, partly because it’s just the filling that’s flavored, so the outer pretzel covering ends up “absorbing” some of the overwhelming effects.

Meanwhile, the “Seven Layer Dip” Combos mainly taste like mild salsa and sour cream. Obviously you’re not going to get all seven layers in there! The idea is to hint at the flavor of the stuff, not capture it straight out. So these Combos (with their tortilla shell) are more suggestive of a seven layer dip than actually taste like one outright. And I can respect that: This is a bite-sized snack food, after all.

So there we are! What snack foods shall I try next? It’s a wonderful salty munchy world out there!

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Tone Poem Tuesday

I’ve featured this work before, but on my way to work yesterday I heard it played and I was already thinking that hey, I can just run it again…when I heard something new. Turns out there’s a choral part that isn’t always performed, and it adds a very nice dimension to the work. So here, again, is Jean Sibelius’s wonderful Finlandia, this time with chorus when the big hymn tune starts.

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Symphony Saturday

I’m not ready yet to talk about Mahler’s Symphony No. 2 (when you hear it, if you haven’t, you’ll understand why), so meantime let’s turn back the clock and hear a work at the opposite end of the symphonic pool. It’s the Symphony No. 104 by Franz Joseph Haydn.

Haydn isn’t heard much these days. He has long been nicknamed “Papa” Haydn, and he does seem to be viewed as a lesser-talented contemporary of Mozart, someone who is primarily famous for being one of the better placeholders between Bach’s death and Beethoven’s rise. This is, of course, totally unfair. Haydn is a composer of unappreciated depth, which I think shines forth in this, his last symphony.

During the Classical era the symphony settled into pretty much the form in which it would exist for most of the coming hundred years, the efforts of composers like Berlioz aside: four movement works, sonata-allegro form in the first, and so on. Haydn was deeply prolific, as just his production of over a hundred symphonies attests. But the work itself is the thing, and it glows throughout with classical restraint and an almost folkish feel at times. Even some of Haydn’s joking manner comes through, as the symphony opens with a minor key introduction before settling in to a cheerful major-key allegro.

It’s particularly interesting, when I’ve been listening to so much Mahler, to go back and revisit the earlier days of the form that Mahler would stretch farther than nearly anyone else. Here is Haydn’s 104th Symphony.

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Bad Joke Friday (Good Joke Edition)

I thought I’d take a break from the usual groan-inducing content that regularly characterizes this feature, and post something genuinely funny. He’s a brief bit from George Carlin! This is part of a longer bit he did about some of the odder phrases in our language. Cheers!

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Something for Thursday

I had a number of friends in college (still friends, but this is about the time in college) who were big fans of the “new age” music group Mannheim Steamroller. I was never as big a fan of Mannheim as they were, but I did like quite a bit of the music from their Fresh Aire albums (less so the Christmas stuff), and a few of us actually heard them live in a concert in Minneapolis. This track was performed at that concert. Here is Mannheim Steamroller’s “Come Home to the Sea”, from Fresh Aire VI.

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Happy Birthday, Gene Kelly

As much as I love Fred Astaire, I will always be a Gene Kelly guy.

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Tone Poem Tuesday

This is a cool video realization of one of my favorite marches of all time, the “Children’s March” (subtitled “Over the Hills and Far Away”), by Percy Grainger. It’s one of those videos that allows you to follow along with the shape of the music. These are always fun to watch and use to appreciate the structure of a musical work. As for the Children’s March itself, its mood shifts and changes, starting off in jaunty fashion but occasionally becoming stormy or pensive, all the while maintaining a healthy sense of a child’s optimism as he or she sets out on the path to Adventure.

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Something for Thursday (the Punching Nazis edition)

Just because.

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2017: Year of the American Nazis

I don’t have anything eloquent or insightful to say on the subject, but I feel that I should say this: to hell with the white-supremacist Nazi subculture that is thriving in my country today, and to hell with anyone who either supports them directly or offers them de facto shadow support by offering arguments like “Sad about what happened but Antifa is worse”, to hell with a major political party that decided that its ensconcement in power was a sufficiently worthy goal to ally with such people, and to hell with a moral midget of a President whose election is manna from heaven to these people and in whom they find a father figure.

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Bad Joke Friday

Submitted by a reader:

Why do fish live in salt water?

Because pepper makes them sneeze.

Thanks, Mom!

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