Greetings, Programs!
Welcome to my outpost on the Interweb! I write SF, fantasy, and horror for fun and profit. Other interests include music, nature, science, humor, food, bib overalls, and pie throwing (metaphorically AND literally). About Me Comments Policy Photo Gallery My Books: The Song of Forgotten Stars
Other BooksHow to make Buffalo Chicken Soup A Pie in the Face is a Wonderful Thing!
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Previously
- Sunday Quiz Time!!! April 5, 2026
- Argleblargle April 2, 2026
- Some random Friday thoughts March 27, 2026
- Something for Thursday March 26, 2026
- Tuesday Tones March 24, 2026
- Sunday Stealing (Monday edition) March 23, 2026
- “I don’t know why…it makes me sad.” –Samwise Gamgee March 22, 2026
- Something for Thursday March 19, 2026
- What DOES “Auld Lang Syne” mean, anyway? March 19, 2026
- Tuesday Tones March 17, 2026
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Bad Joke Friday (Star Wars Day AND Cinco de Mayo edition)
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Something for Thursday (May the Fourth edition)
It’s Star Wars Day, people!
(Warning: This next one is for if you need TEN HOURS of the Cantina Band!)
AMONGST THE STARS, chapter one
(Here is the text of Chapter One of AMONGST THE STARS! Enjoy, folks!)
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Symphony Saturday
OK, we really fell off the wagon here, didn’t we? So let’s get back into it with a two-week look at a couple of Alexander Glazunov’s eight symphonies.
I must confess a great lack of familiarity with Glazunov’s work. He seems to be one of those composers who lingers at the edges of the standard repertoire. For whatever reason, he hasn’t broken through into the first tier of composers, but neither has he lapsed into obscurity, either. From what little I’ve heard, his work tends to be right up my alley, with its scope and its lyricism. He seems to be somewhere between Tchaikovsky’s songs of sorrow and Borodin’s love of epic grandeur. Glazunov bridged the end of Russian Romanticism and the beginnings of Russian Modernism, and thus he seems to be roughly analogous to Sergei Rachmaninov.
This is Glazunov’s Fifth Symphony. I’ve played it several times over the last few weeks, and I find myself responding more and more to it. It has all the heartfelt singing and Russian brooding that you would expect and wish for from a Russian symphony written in the post-Tchaikovsky era, as well as an almost frothy confection in the scherzo movement that sounds almost like a children’s dance.
Here is Glazunov’s Symphony No. 5 in B-flat major.
Next week: Glazunov’s 7th.
Bad Joke Friday (the Kinda Clever Joke edition)
It’s still Friday! And this one is actually not bad, in my opinion. And yes, it’s a wee bit political.
Steve Jobs would have made a better president than Donald Trump.
But that’s a silly comparison, really.
It’s like comparing apples with oranges.
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Something for Thursday
I don’t recall if I’ve posted this before, but it’s an interesting piece nonetheless: the Concerto for Trumpet and Orchestra by Alexandra Pakhmutova.
The repertoire for solo trumpet is pretty rich prior to, say, 1750, and then aside from the concertos of Haydn and Hummel it dries up spectacularly until the 20th century, when suddenly composers left and right were featuring the instrument. That’s a shame, because it would have been wonderful to hear what some of the Romantic masters might have done with the instrument as a soloist. How great would a Dvorak Trumpet Concerto be! Alas.
Pakhmutova is a former Soviet composer whose work was well enough known in the USSR that she became Leonid Brezhnev’s favorite composer, which is interesting enough. Her trumpet concerto is a complex work with some folk-like rhythms that put me in mind of the more famous Trumpet Concerto by Armenian composer Alexander Arutunian, although Pakhmutova’s effort is more martial in nature and its melodies don’t linger in the ear like Artunian’s. Nevertheless, the Pakhmutova concerto is a fascinating piece, especially for the soloist, making a number of interesting technical demands and at times requiring tremendous skill.
Tone Poem Tuesday
The waltzes of Johann Strauss Jr. are more than just waltzes. They’re much more than just dance music for an elegant age now gone by; they all contain some of the most wonderful tone painting that I know. It’s impossible to hear these waltzes and not get a feel for the culture in which Strauss was raised, with its attention not just to courtly elegance but also to the pastoral nature that surrounded the sparkling city of Vienna.
Here is one of the most famous of those waltzes, Tales from the Vienna Woods.
How revealing!!!
I’ve revealed the full cover art for Amongst the Stars, otherwise known as The Song of Forgotten Stars, book III! It’s over at ForgottenStars.net, so go have a look!
The third volume is coming soon, folks!
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Tagged Skiffy, Space Opera, Stardancer, writing
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AMONGST THE STARS COVER REVEAL!!!
It’s here! At long, long last, it’s here: the cover for Amongst the Stars, otherwise known as The Song of Forgotten Stars, book III.

Here is the back cover copy:

If that’s hard to read, never fear:
Penda Rasharri has heard the call of the stars ever since she first gazed upon the night sky. She hears them still, even after her home world’s tragic destruction and her search in a thousand different skies for a place to call her own. Even now, after being stranded for two years on the planet Xonareth with her young companions, Princesses Tariana and Margeth Osono of Gavinar Five, the stars still call to her.
Now, as the Xonarethi rebuild their cities and look themselves to the stars, Penda and the Princesses wonder if it’s time to renew their search for a way home. But partisans of Xonareth’s former King are driving the planet toward civil war, and unbeknownst to all, a mysterious spaceship — only the second in ten thousand years — is approaching the planet.
Continuing the tale begun in STARDANCER and THE WISDOMFOLD PATH, AMONGST THE STARS is a story of belonging and finding one’s way, of the promise of the future and the persistence of the past, of homecomings and departures…and of one starpilot’s search for the place she truly belongs.
What’s next? Well, I just got my proof copy of the book in the mail the other day, so I still have to make one last pass through the physical copy to correct any lingering errors that I can find. THEN, I’ll announce an actual release date, which will be in May. As has been my usual approach, I’ll be publishing the paperback first, with the e-book to come two or three weeks later.
But between now and then, I won’t be leaving you hanging: the traditional sample chapters will be on the way! Tune in next Tuesday for Chapter One! I will also soon be finalizing plans for offering signed copies of my books through this site (a much-overdue thing) and a policy for offering free copies to reviewers.
It’s almost here, folks! I’m excited!




