7 Comments

  1. I just have to ask, where were the preservationists over the past 30 years that the building sat unused and falling apart?

  2. That is ALWAYS my question.

  3. I'm not sure how you think preserving stuff is an impediment to development. In this particular instance the impediment is, as you point out, that the building is in the middle of a brownfield. Most of the time the primary preservation issue in this area is that the structure involved is situated in an awkward to develop location. In some ways this is good thing– it means that what we have had to now has been "preservation by neglect". If you have ever visited Memphis (and if you haven't you should) you will known that the reason Sun Studio– the birthplace of rock and roll– still exists is that the neighborhood was never targeted for redevelopment. That scene in Walk the Line when Johnny Cash walks into Sun? It looked like that then, and it looks like that today, and it is amazing to go there. The Central Terminal in Buffalo stands today because there was no reason to do anything with it. The Larkin Building is gone because — well, actually, there was no reason to tear it down either, but they did.

    Buffalo was an economic capitol a hundred years ago, and as a result there are a lot of building here that are distinctive and important. Can they all be saved? Of course not, nor should they all be. This particular example isn't one I've been to visit, but Just knocking it down impresses me as wasteful. If it is preventing someone from doing something useful, well, knock it down I suppose. But maybe first consider if something useful– which includes attractive to my way of thinking– can be done with it.

    Too much of the city looks like a smile that's missing a tooth, because things that were once there were torn down without considering what could be done with them.

  4. I second what Steph said. But I can sort of understand it too. People don't appreciate things until they're gone or about to be gone. Also, it might help if modern buildings weren't so damned ugly.

  5. Well, there's also the approach we take here in the Salt Lake City area, which is to automatically knock down anything older than about 15 years, because there's a developer somewhere who needs a new Escalade. Everything here is New and Shiny(tm)!

    (Seriously, there needs to be a middle ground somewhere in which cool, significant and/or interesting things are saved — of course you're going to have disagreement on what qualifies as "cool, significant and/or interesting" — but there's recognition that progress sometimes requires demolition.)

  6. Bill: I'm not sure why you believe that I think that preservation is an impediment to development. Preservation and development can go hand-in-hand, but this piecemeal, 'Preserve every building and act as if each individual building is essentially sacred' approach does not strike me as the way to go about it. Is it 'wasteful' to demolish the building? Only if it's of more use to keep it standing, and there's been no demonstration that it is, and what's more, the thirty years of vacancy clearly demonstrates otherwise. I'd frankly be willing to bet that a good many of the people now patting themselves triumphantly on the back for their protests having stayed the execution of another empty building are folks who, before they heard about this, didn't even know where the thing was. That's what irks me: the idea that old equals essential, and that simply because an old thing still exists is in itself a reason to keep it there.

    My problem is that there is no public policy in place here to ensure that preservation and economic development can take place together, and that there is no effort by the preservation crowd to create or advocate for such policy. It's literally a one-building-at-a-time thing, and I tend to agree with Alan Bedenko in that there are impulses at work here that aren't entirely about preservation per se.

    The dental metaphor you strike seems to me particularly apt, but not in the way you suggest. Dentists don't, as a rule, leave rotting teeth in place because hey, they're the original teeth.

  7. The building in which I work was the country poor farm built in 1911 but which ws abandoned for years and years. Then my employers bought it and made it a hotel with nine onsite bars, a winery, a brewery, a distillery, organically grown gardens, spa and concert venue. And the artwork commemorates all the people who came before us.

    So, with a little (a lot of) cash and some imagination, good stuff can come from saving the historic buildings.

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